Bottoms

Bottoms

Posted on August 24, 2023 at 5:57 pm

B +
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for crude sexual content, pervasive language and some violence
Profanity: Very strong and crude language
Alcohol/ Drugs: None
Violence/ Scariness: Graphic violence including punching, martial arts, some disturbing images, some "comic" deaths
Diversity Issues: A theme of the movie
Date Released to Theaters: August 25, 2023

Copyright 2023 MGM
“Bottoms” is a cheerfully deranged take on the classic high school underdog story and I mean that in the nicest possible way. It’s a twisted take on the classic story of teenagers who want to have sex and be popular. Usually, that story is about boys. Almost always, it is about heterosexuals. This time, in a film written by director Emma Seligman and star Rachel Sennott, it is about two queer BFFs, not romantic partners, and the title comes from their status at the bottom of the ultra-hierarchy of their school. It is not because they are gay; lots of gay kids are popular. It is because they are “gay, ugly, and untalented,” at least from the narrow perspective of high school.

They both have impossible crushes. PJ (Sennott) yearns for Brittany (Kaia Gerber, with the supermodel bearing of her mother, Cindy Crawford). Josie (breakout star Ayo Edebiri) longs for the lovely Isabel (Havana Rose Liu), who is the girlfriend of the school’s star quarterback, Jeff (breakout star Nicholas Galitzine).

No one is even pretending to care about them or their education, including their principal (Wayne Pére) and their teacher, Mr. G. (a hilarious performance by football star Marshawn Lynch). The girls decide to start a self-defense fight club, despite having no ability or qualifications, because they think it might attract and impress Brittany and Isabel. Shockingly, Mr. G. agrees to be their sponsor. Even more shockingly, Brittany and Isabel show up. And most shocking of all, the girls in the group beat each other up and somehow feel empowered by it.

The girls have lied, though, about more than their intentions and skills. They said they learned to be tough when they were in juvie. They are so thrilled with how well the club is working, especially after Josie gets to comfort Isabel after she finds out Jeff has been cheating on her, that they do not think about what will happen when they are exposed.

Sennott, Galitzine, and Edebiri are a decade older than the characters they are playing, but this is not a movie that is going for realism. It is also not a movie that, like “PEN15” wants you to know that adults are playing teenagers. It just invites us into a world where somehow this all makes sense, and we are happy to follow along because the characters and situations are completely crazy but very funny. Heightened, even bizarre tones work well in stories of adolescence because that is a heightened, bizarre time of life. Every emotion and especially every humiliation seems so vitally important and earth-shaking, and the family support system that has been there all your life (if you are lucky) suddenly seems useless and incapable of understanding.

Galitzine could not be further from the elegant, refined, British prince he plays in “Red, White & Royal Blue.” His Jeff is an arrogant idiot and very funny. Edebiri (also in “The Bear” and “Theater Camp”) is a non-stop delight, with the most expressive face you will see on screen this year and a knock-out sense of timing. Needless to say, this movie is not for everyone, but those who appreciate subversive and transgressive humor will have a blast.

Parents should know that this movie has non-stop strong and crude language, a reference to suicide of a teenager, violence that becomes lethal, disturbing and graphic images, explicit sexual references and non-explicit sexual situations.

Family discussion: Is there anything in this movie that resembles your high school experience? What will happen next?

If you like this, try: “Scott Pilgrim vs. The World,” “Book Smart,” “Heathers,” and “Polite Society”

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Gran Turismo

Gran Turismo

Posted on August 24, 2023 at 5:13 pm

B +
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for intense action and some strong language
Profanity: Some strong language
Alcohol/ Drugs: Alcohol
Violence/ Scariness: Intense sequences of car races with crashes, explosions, and fire, characters injured and an of-screen death, some disturbing images
Diversity Issues: A theme of the movie
Date Released to Theaters: August 25, 2023

Copyright 2023 Columbia Pictures
Imagine a Cinderella story, but instead of a fairy godmother there’s a huge multi-national corporation and instead of a glass slipper there’s a race car, and instead of a prince there’s a trophy. We do love our underdog stories, and “Gran Turismo” is a doozy because, unlike Cinderella, it is based on a true story. The millions of teenagers locked in their bedrooms all day and night playing games on their computers can now respond to the parents who urge them to get outside, get a job, and get a life by directing them to this one-in-a-million story about a guy who turned his hours in front of a computer into a career as a professional race car driver.

That guy is Jann (pronounced Yann) Mardenborough (Archie Madekwe), who lives in Cardiff, Wales, with his parents, Lesley (former Spice Girl Geri Halliwell Horner), and Steve (Djimon Hounsou), a former athlete, now a rail yard worker.

Before the dreams of the teenager at the console, there was the dream of the program itself. It’s not a game, we are reminded in the film; it’s a sim (simulation). Developer Kazunori Yamauchi, an amateur race car driver, was determined to make the most authentically detailed sim in the world so that people like Jann could share the experience of driving 200 miles an hour in the most realistic cars and on the most realistic tracks in the world.

And then there was another dream. Orlando Bloom plays Danny Moore, based on the real-life executive Darren Cox. Moore goes to meet with the top Nissan executives in Tokyo to sell them on his idea: a competition among the 80 million sim players worldwide to get the best of the best, train them, and find one who can really race. It will make car buyers “associate their cars with adventure.” This is like Willy Wonka having a video candy-making competition to pick the next master chocolatier. But Nissan agrees, provided there is a master engineer to keep these competition winners safe. As that engineer, Jack Salter (David Harbour) points out, in a game when you crash, you hit reset. In real life, you could die. (Salter is a composite character, based on some real people and also, apparently, on Yoda and on Burgess Meredith, Clint Eastwood, and every crusty old character actor who has played a young boxer’s grumpy cornerman.)

The lanky Madekwe is an appealing hero, one might say an avatar for us in the audience. And director Neill Blomkamp does a terrific job of making Jann’s time at the console seem “real” and the real racetrack align with the sim. In a funny moment, Jann, who has hardly ever been behind the wheel of any car, uses what he learned in the sim to evade police after a minor fender bender. The racing scenes are dynamic and exciting. And the film parallels a game, with each goal and hazard set out clearly. And then, when the goal is achieved, the next level is unlocked and a new set of more difficult goals and hazards are in place. Most fun, we learn at the end that the real-life Jann, now a veteran of hundreds of races, is the film’s co-producer and stunt driver, a new level-up for him.

Parents should know that this film includes a scary crash with injuries and an off-screen death, other crashes, collisions, and cars repeatedly rolled over. Characters use some strong language and social drinking.

Family discussion: What did Jann learn from his crash? What would you want to create an accurate sim for?

If you like this, try: “Rock Star” and “The Last Straighter”

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Landscape with Invisible Hand

Landscape with Invisible Hand

Posted on August 17, 2023 at 11:30 am

B +
Lowest Recommended Age: High School
MPAA Rating: Rated R for language and brief violent content
Profanity: Strong language
Alcohol/ Drugs: Alcohol
Violence/ Scariness: Suicide by gun
Diversity Issues: A theme of the movie
Date Released to Theaters: August 18, 2023

Wherever you think this is going, I can guarantee you will be surprised. Based on the book by National Book Award winner M.T. Anderson, “Landscape with Invisible Hand” is a story about the aftermath of an alien invasion of Earth, but not like one we’ve seen before. This is not about evil invaders like “War of the Worlds,” “The Tomorrow War,” “Independence Day,” or benign, wise aliens like “The Day the Earth Stood Still,” “Close Encounters of the Third Kind,” and “E.T.” These aliens, called vuvv, do not look like giant insects, robots, or humans. They look like a cross between a big slab of pink tofu and a rectangular sofa cushion, with two big front teeth. One character calls them “squishy coffee tables.” They communicate by scraping their flippers together and the rasping sounds are translated by little bluetooth speaker-like boxes.

Copyright MGM 2023

The movie takes place a few years after they have colonized the Earth and siphoned off its wealth and resources. We are brought up to date over the opening credits, with a theramin-influenced score that is a throwback to 50’s sci-fi. We see a series of drawings, labeled as though they are in a museum, with titles, dates, and identification of media. The first is a very young child’s portrait of his family, and then we see his skill grow over the years. There is a drawing of a family Christmas. There is a drawing of a bustling market. And then there is a drawing of the market after the arrival of the aliens. It is empty of food and customers.

The artist is Adam Campbell (Asante Blackk), a high school student who lives with his mother, Beth (Tiffany Haddish) and sister Natalie (Brooklynn MacKinzie). Like most adults who have not sold out to the vuvv, Beth is unemployed, but they still have their home, which makes them much better off than most people. Adam impulsively offers their basement to Chloe Marsh (Kylie Rogers of “Yellowstone”), a new classmate who has been living in the family car with her anxious father (Josh Hamilton) and surly brother Hunter (Michael Gandolfini). Chloe and Adam like each other, and that creates an opportunity.

The vuvv are curious about human culture, especially romance. They pay to watch it. So Chloe and Adam attach sensors to their foreheads and start racking up views and money. That does not go well, And then things really take a turn.

That turn is strange and it gets stranger, in smart and interesting and thought-provoking ways I will not spoil. It is refreshing especially in what is usually the slowest time of year for movies to see one that is willing to challenge the audience. That applies to the small details, from the design of the vcvvs and their settings to the mixture of humiliation and resentment in the male Marshes, the way some humans adjust their appearances to more closely resemble the vuvv, the difference between two characters, each seen only in a single brief scene calibrate their priorities about their interactions with the aliens. And its message about art and its significance to those who create it and those who observe it, comes through with great clarity.

Parents should know that this film includes some strong language and a suicide by gun. It is offscreen but we see the blood splatter. There are some sexual references and brief underage drinking.

Family discussion: What parallels are there between the vuvv and historical colonizers? What does this movie say about the importance of art?

If you like this, try: The book by M.T. Anderson and the film “Upside Down”

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Strays

Strays

Posted on August 17, 2023 at 11:28 am

D
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for pervasive language, crude and sexual content, and drug use
Profanity: Constant very strong and crude language
Alcohol/ Drugs: Hallucinogen, alcohol
Violence/ Scariness: Comic peril and violence, animal and human mauled
Diversity Issues: None
Date Released to Theaters: August 18, 2023

Copyright 2023 Universal
“Strays” is about 90 minutes long, but if you removed every f-word and reference to genitals and their various properties and functions it would be about ten minutes long, and most of the remainder would be the characters’ mushroom-inspired hallucinations resulting in the fatal mauling of a bunny.

Those characters are dogs, with the voices of Will Ferrell as the ever-cheerful Reggie, Jamie Foxx as the street -smart Bug, Randall Park as the shy Hunter, and Isla Fisher as the olfactory-gifted Maggie. If you think hearing dogs talk dirty is hilarious, then this is your movie, because that’s pretty much all there is.

Reggie is so devoted to his horrifically abusive owner Doug (Will Forte) that he insists that he is loved and cared for. Doug despises Reggie and kept the dog only as revenge on his girlfriend for leaving him. He spends all day looking at porn and smoking weed. When he is evicted, Doug keeps trying to get rid of Reggie by driving far away and throwing the dog out of the truck. But Reggie thinks it is a game and keeps finding his way back home. Finally, Doug drives far enough from home that Reggie is lost.

Then he meets Bug, who tells him that life is much better as a stray. Bug introduces him to Hunter, a support dog in a hospice, and Maggie, whose owner prefers her newer, cuter dog. Reggie is so angry when he learns that Doug did not love him that he is determined to go back home and bite off Doug’s favorite body part, the one he spends so much time with in front of his laptop.

And so the four friends go on a journey, where they have various adventures and encounters. They even run into two of the stars of the vastly better dog movie, “A Dog’s Journey,” Dennis Quaid (as himself) and Josh Gad (as “narrator dog,” a joke which might be funny if it wasn’t so distasteful to see him trashing his earlier film).

The humor of hearing animals use four-letter words wears thin quickly, the gestures toward lessons about friendship and connection are less than half-hearted, more like 16th-hearted, and the resolution is worse than distasteful, with a superfluous mid-credit scene just to hammer in a “joke” about severe disfigurement. Overall, it lurches from gross to dull, not meriting the attention of humans or canines.

Parents should know that this movie is non-stop strong and crude language, sexual references, and potty humor.

Family discussion: Why was Hunter shy about sharing his feelings with Maggie? Why did he like the cone?

If you like this, try: “A Dog’s Journey,” “Homeward Bound,” and “Hotel for Dogs”

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Blue Beetle

Blue Beetle

Posted on August 17, 2023 at 11:17 am

B +
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for sequences of action and violence, language, and some suggestive references
Profanity: Some schoolyard language
Alcohol/ Drugs: Some alcohol
Violence/ Scariness: Extended comic-book-style action peril and violence, guns, knives, fire, explosions, torture, characters injured and killed, two very sad deaths of parents
Diversity Issues: A theme of the movie
Date Released to Theaters: August 18, 2023

Copyright 2023 Warner Brothers
Yes, a cool, bulletproof super-suit that can fly you to space and manifest any weapon you can think of is great, but “Blue Beetle” makes it clear that the real super-powers here are a devoted family and a culture of resilience and make-do. Jaime Reyes, played by the very charismatic Xolo Maridueña (“Cobra Kai”) is the fourth version of this character, originally from Charleton Comics, later DC. And he is the first to be a character of color, in this version, from a financially struggling but devoted and optimistic Mexican-American family. They include his mother, Roicio (Elpidia Carrillo), his father Alberto (Damián Alcázar of “Narcos”), his sister Milagro (Belissa Escobedo), his grandmother Nana (Adriana Barraza), and his uncle Rudy (George Lopez).

That whole family is at the airport to meet Jaime when he returns home, the first member of his family to be a college graduate. He is very happy to see them, but dismayed to learn what they have been keeping from him. Alberto is recovering from a heart attack. And the family is about to lose their home because they cannot pay the rent. Jaime is determined to do whatever he can to take care of them. He is fired from his first job as a pool boy because he stood up for Jenny Kord (Bruna Marquezine) when she was being bullied by her aunt, the formidable Victoria Kord (Susan Sarandon), the head of the huge conglomerate, Kord Industries. Jenny was objecting to her aunt’s plan to create an army of cyborg super-soldiers. She did not want to be in the weapons business.

Jenny thanks Jaime and says she will find him a job at Kord Industries. His whole family drives him to the headquarters to cheer him on. But when Jaime sees Jenny, she is again in distress. She hands him a fast food box and tells him to help her hide it, and not to look inside. He brings it home, the box gets opened, and the blue scarab inside attaches itself to Jaime and then enters his body, turning him into a cyborg superhero. The super-suit is fully integrated into his system, but it also operates kind of like Tony Stark’s Iron Man contraption. It has its own consciousness. It talks to him.

So, off to some superhero stuff, including that classic, the villain’s secluded island with the secret lab. But along the way there are some funny and warm-hearted family moments that make this as much about them as it is about the gadgets and stunts. Unlike other comic book heroes like Batman, Superman, Shazam, the X-Men, and Spider-Man, Jaime’s background and motives are not rooted in tragedy, grief, and trauma. This gives the story a buoyancy and humor, even when there is a terrible loss. His uncle Rudy is goofy, but he also demonstrates the ingenuity and persistence that poor and marginalized people need to survive. “We’re invisible to ,” a character says. “It’s our superpower.” Jaime’s family is strong and loving, and have some unexpected skills. They respond to devastating loss by compartmentalizing, as we can see they have done before: do what needs to be done, then grieve, then start to rebuild.

Even by comic book standards, some of the violence is too much. Jaime begins by insisting he will not kill anyone. The shift to cheering when people — even a bad guy’s henchmen — are blown away is abrupt, even at one moment played for comedy. The film’s weakest link is its villain. Susan Sarandon does her best to show Victoria’s ability to switch from cooing manipulation to single-minded, dictatorial EVIL BAD GUY stuff “in a Cruella Kardashian kind of way,” like racist mis-naming a lab worker. Unfortunately, her dialogue (“harness the power of legions!!!” “Finally the power of the scarab will be ours!”) falls more into over-the-top but pronouncements that still manage to be dull.

But that makes the non-Victoria parts of the film even more engaging by contrast, and they more than make up for the thin characterization of the villain with the heartwarming portrayal of the family, initially comic but ultimately exemplars of courage and loyalty that give the film its heart.

Parents should know that this is a superhero movie with extended peril and violence including knives, guns, fire, and explosions. Characters are injured and killed and there are two very sad deaths of parents. Some characters begin the film as anti-weapon and anti-killing but switch into pro-weapon and at least not as anti-killing very quickly. Characters use some schoolyard language (s-word, a-word), there is non-sexual, non-explicit nudity, and there are references to private parts and how they operate.

Family discussion: How did Jaime’s family and culture affect his decisions? Which member of his family was your favorite and why?

If you like this, try: “The Flash” and the Christopher Reeves “Superman” movies and some of the other work from these actors including “Cobra Kai”

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