Thanks to Kaitlyn Cole for sending me this list of 50 great movies about writers. I especially like the way it is broken down into categories — about writing (“Wonder Boys”), writers being bad (“Sunset Boulevard,” “The Shining”), and real-life writers. If I could, I’d add a category of writers being good (lots of great crusading journalist movies like “Call Northside 777” and “All the President’s Men,” both based on true stories), and documentaries about writers, including films about Hunter S. Thomson, Charles Bukowski, Ayn Rand, and Alan Ginsberg.
Some fighting with punches, very disturbing supernatural images and jump out at you surprises
Diversity Issues:
None
Date Released to Theaters:
March 26, 2010
“The Eclipse” is a moody Irish thriller about a recently widowed teacher who is a volunteer at a local literary festival. Michael (a deeply moving Ciarán Hinds) is doing his best to stay strong for his children and his father-in-law, but has not begun to let himself think about how devastated he is by the loss of his wife.
He is assigned to be the driver for one of the authors at the festival, Lena (Iben Hjejle of “High Fidelity”), who writes non-fiction books about encounters with ghosts. The most prominent author at the festival, in more than one sense of the term, is the pugnacious and needy Nicholas Holden (Aidan Quinn). He comes to the festival in part to see Lena, with whom he has a history and hopes for a future.
All of this could work as a straight-forward drama but writer-director Conor McPherson adds a mysterious overlay of the supernatural that seeps into the interactions between the characters. It creates a pervasive tug of dread and uncertainty. The contrast between the forces the characters are struggling with, from the largest emotional conflicts to the smallest domestic tasks, and the forces that are just beyond reach but seem to be reaching for us. McPherson has a gift for silences and superb control of mood. The story explores the prism of liminality. It is not just the ghosts who are stuck between worlds.
Karley Scott Collins stars in Amish Grace, the real-life story about the Amish community in Nickel Mines, which responded to unthinkable tragedy with compassion and forgiveness. Five little girls were shot and killed and five others severely injured by a man who then took his own life. Hours after the shooting, an Amish neighbor comforted the man’s family. The Amish set up a charitable fund for the family and attended his funeral. Their example of grace and forgiveness has been an inspiring example for people around the world and became a book. And now this movie tells the story.
Karley, just 10 years old, is an accomplished performer, and she spoke to me about her role as the sister of one of the murdered girls.
Tell me about the character you play in this film.
I play Katie Graber. I’m trying to deal with the loss of my sister, Mary Beth (Madison Davenport), and just like everyone else, I’m having trouble forgiving the man who killed her. And I have guilt because I’m still alive, and I think maybe I shouldn’t have ran out of the school, I shouldn’t still be here. So I have lots of emotions mixing together and I am having trouble with it. If she’s having a hard time forgiving herself than she is not going to be able to forgive others. She has to learn, the reason she forgives, is that Mary Beth when she was dying had forgiveness in her heart. If you don’t forgive him, the only person it hurts is yourself. It doesn’t hurt him, it only hurts you.
Did making the movie teach you something about forgiveness?
I think it’s a really touching movie and it’s really important that you do forgive.
Did you know anything about Amish people before you made the movie?
I didn’t know as much as I do now. I admire them. They just want to be closer to God and I think that’s wonderful. But it would be hard for me because I would not be able to call my friends and my family on the telephone. I like the clothes, though. They have no zippers so they use pins. They are very, very simple, but they are very comfortable. I think that’s pretty cool.
What do you like about acting?
I love that whatever you get in a character becomes a part of you. I love making friends on set and watching it when it’s finished. I find out new things about myself whenever I portray somebody else.
Your mother in the movie is one of my favorite actresses, Kimberly Williams-Paisley. What was it like working with her?
I loved her! In between the scenes she would help me make grass flutes. And everything she did was so real. I really believed she was a mother whose daughter was murdered. And she is so sweet.
Was there something you saw in a movie or on television that made you want to act?
When I was like five or six, I am not sure which one made me want to act but I loved the Bernie Mac show so it might have been that one. I loved acting like a princess! I had this Aurora outfit and every time I went to Disney, I was Aurora!
What’s the best advice you ever got about acting?
Don’t think about it, just have fun with it!
What do you do for fun?
I love to draw! My favorite artist is Jasmine Becket-Griffith. She draws fairies. I love reading. I fell in love with the Percy Jackson and The Sisters Grimm books. And I love to swim. With my friends we play the Wii, we love Rock Band, and do each other’s nails and dance.
You’re in another new movie, based on a true story, “Letters to God.” What can you tell me about that?
It’s about a boy who has cancer. When he dies, his dad finds all the letters he wrote to God. It’s very touching. I play one of his friends, who sits with him every day at lunch. They call me liverwurst girl, because I love liverwurst. And I am in “Open Season 3,” and I play a little deer. It was so much fun! And it’s hilarious. One of my favorite scenes is where there’s a little bear and a rabbit but I can’t tell you any more about it!
Beliefnet’s “How Spiritual is Your Family” quiz made me think of these movie families, among the very few on screen who are unabashedly spiritual.
1. The Blind Side Based on a true story, this movie makes it clear that a wealthy white family’s decision to adopt a homeless black teenager was not an impulse but was strongly grounded in a deep religious conviction.
2. The Friendly Persuasion is a rare movie that grapples with a loving family’s challenges in applying religious principles to difficult and complicated circumstances but with a supportive community. It is an even rarer movie that shows a character praying for guidance.
3. The Sound of Music a postulate brings not just music and warmth to a motherless family, but also the strength of her faith.
4. Fiddler on the Roof We see the family’s connection to their Jewish traditions and faith and to each other in the way they work to apply God’s laws and in their Sabbath rituals.
5. Not Easily Broken A young couple finds that it takes three to make their marriage work — the husband, the wife, and God.
Interview: Conor McPherson and Ciarán Hinds of ‘The Eclipse’
Posted on March 25, 2010 at 7:00 am
“The Eclipse” is a ghost story for grown-ups, which means that it is story first, ghost second. It is an Irish film about Michael (Ciarán Hinds) a recent widower with two children, who is volunteering at a local literary festival. Two of the festival guests are the arrogant, self-centered Nicholas (Aidan Quinn), a novelist, and the sensitive Lena (Iben Hjejle), author of a popular non-fiction book about ghosts.
I spoke to Hinds and writer/director Conor McPherson about the film. What do people ask you most about the film?
CM: They want to know exactly what was going on, to answer the questions the movie leaves unanswered. Yes, Americans are very concrete, very literal. We want everything explained.
CM: When people are out of their comfort zone, it’s more dramatic, more prone to have more entertaining experiences, get into fights. That’s the dramatic instinct, to move people out of what they know and make them deal with it. In theater it’s all through dialogue in traditional plays. In movies, it’s so lovely, you can show him putting dishes in the dishwasher and everybody just knows what’s going on, that his wife is gone and he has to do everything. You still tell some things with dialogue in scenes but we’ve taken some away…
CH: Pared it away, really.
CM: And that’s enough. Film has that magic. You play a quiet person in this film. How do you as an actor convey all you have to about what he is thinking and experiencing?
CH: He’s just a guy like anybody. We’re all ordinary in a way. We can all be hurt. We can all be unbalanced. We all have feelings. Life can treat us harshly, even shockingly sometimes. He has minor pretensions but he is a woodwork teacher. He works with his hands. He is a practical man. But though he is doing his best with his wife gone he is out of his depth a bit apart from the grief. He’s a real person but you bring elements of emotion to a heightened situation. He just wants to survive and take care. I loved his interaction with his kids. It felt very real. The frustration and the need to convey a sense that he is in control.
CH: When Lena says she is sorry to hear about his wife he responds, “It was terrible for the kids.” He knows he hasn’t grieved enough but he has to keep a lid on it for the kids. In the end, in the story, he is allowed to let it all out and properly to grieve. Do you find that now, like Lena in the film, people want to come and tell you their own ghost stories?
CM: At the first screening last April in New York, it turned into a sort of heavy session with people talking about how they lost people and the film made that feeling come back. It’s probably the last thing you think about when you’re making a film is other people’s problems. You’re thinking about your problem, which is making the movie. But you do have a responsibility. You can’t mess around with people’s emotions.
CH: You find people genuinely relating to something or a truth they felt, and that is what you aspire to. Do you believe in ghosts?
CM: Yes I do, but I don’t know what they are. I don’t think I’ve ever seen one. But if someone said to me, “Last night I saw the ghost of my sibling” or whatever, I wouldn’t say, “That’s impossible,” I’d say, “What was that like?”
CH: I don’t disbelieve.
CM: There’s a very old tradition in Ireland, and as an island at the edge of Europe, for thousands of years with no one knowing what was beyond there, I wonder if a sense of the beyond was internalized into the Irish psyche. We’re very quick to accept the supernatural. And I think Catholicism took root very quickly in Ireland because it’s a very superstitious religion, the holy ghost, the holy spirit, it has a goddess, very visual, the music. For me, philosophically, we don’t know anything anyway. We have this short little life we have to somehow try to get a grip on without understanding anything about the nature of time or existence or the universe or God or infinity. We’re just here for a brief moment and we open up these little eyes and go “What is this?” and then we’re gone! I love stories that frame that: This is what life is about — you don’t have a clue.
and 
books. And I love to swim. With my friends we play the Wii, we love Rock Band, and do each other’s nails and dance.
We see the family’s connection to their Jewish traditions and faith and to each other in the way they work to apply God’s laws and in their Sabbath rituals. 