Happy 100th birthday to one of the greatest and most versatile stars of the golden age of Hollywood, Olivia de Havilland!
She and her fellow-Oscar-winning sister, Joan Fontaine, were born in Tokyo, the daughters of British parents, a professor and an actress. The girls and their mother later moved to California, where she appeared in local theater productions as a teenager. Producer Max Reinhardt offered her an understudy role in “Midsummer Night’s Dream,” and when Gloria Stuart (later nominated for an Oscar for “Titanic”) left the production, de Havilland played Hermia, and was asked to perform the same part in the film, opposite Dick Powell.
Soon she was paired with Errol Flynn in “Captain Blood.”
They made eight more films together. My favorite is “The Adventures of Robin Hood.”
Another of my favorite de Havilland performances is opposite James Cagney in “The Strawberry Blonde.”
She played Melanie in “Gone With the Wind.”
She won an Oscar for “To Each His Own.”
She won another one for “The Heiress.” And she won something more important — her rebellion against the oppressive contracts of the Hollywood studios led to a lawsuit that gave actors the freedom to choose their roles.
Happy birthday, Miss de Havilland! Thank you for 100 years of grace, beauty, and intelligence.
Two-time Oscar winner Olivia de Havilland turns 99 years old today. She was one of the biggest stars of the Golden Age of Hollywood, appearing memorably opposite Errol Flynn eight times, most memorably in “The Adventures of Robin Hood.”
She could appear beautiful and glamorous, but some of her best roles were when insisted on looking plain: “Gone With the Wind,” “The Heiress,” and “The Snake Pit.” She is best remembered for her dramatic roles, but she was also a gifted comic performer, as shown in “The Strawberry Blonde” with James Cagney.
At 98, Olivia de Havilland is the last great star of Hollywood’s golden age, a woman who began her career during the rise of Technicolor in 1935, formed one of the most indelible screen couples of all time with Errol Flynn, and went on to work with James Cagney, Rita Hayworth, Montgomery Clift, Bette Davis, Richard Burton, Clark Gable, and Vivien Leigh. With her deep brown doe eyes and apple-cheeked smile, the two-time Best Actress winner excelled at playing heroines whose demure bearing belied a feisty core. The most famous of these great ladies was Melanie Hamilton, the tenderhearted foil to Leigh’s scheming Scarlett O’Hara in 1939’s Gone With the Wind. Based on Margaret Mitchell’s best-seller, the beloved epic has sold more tickets in its lifetime than any other film. And 75 years ago it cleaned up at the Academy Awards, winning eight of its 13 nominations.
Having outlived all of her costars (as well as the movie’s mad-genius producer, David O. Selznick, and the three directors he hired to steer the massive ship), de Havilland has been GWTW’s principal spokesperson for almost five decades, the sole bearer of the Tara torch. It’s a privilege she calls “rather wonderful,” as her affection for the film is genuine and deep. She’s seen GWTW “about 30 times,” she says, and still enjoys watching it for the emotional jolt it brings as she reconnects with those costars—Gable, Leigh, Hattie McDaniel, and Leslie Howard—who have long since passed on.
“Luckily, it does not make me melancholy,” she says via email a few days after our meeting. (Though an expert raconteuse, she’s conscientious about facts—”I want to be a font of truth”—and will discuss the finer points of her career only in writing.) “Instead, when I see them vibrantly alive on screen, I experience a kind of reunion with them, a joyful one.”
Ms. de Havilland lives in Paris, now, so we will wish her a bon anniversaire, with many thanks.
A very happy birthday to the magnificent Olivia de Havilland, the last of the greats from the golden era of Hollywood. This double Oscar winner (for “The Heiress” and “To Each His Own,” plus nominations for “Gone With the Wind,” “Hold Back the Dawn,” and “The Snake Pit”) appeared opposite Errol Flynn eight times, including “They Died With Their Boots On,” “The Adventures of Robin Hood,” and “Captain Blood.” She also co-starred with James Cagney (“The Strawberry Blonde”), Richard Burton (“My Cousin Rachel”), and David Niven (“Raffles”). Skilled in comedy and drama, she brought a sincerity, grace, elegance, and wit to a wide variety of roles, even appearing on an episode of “The Love Boat.”
Swordfights and other violence, characters injured and killed
Diversity Issues:
A theme of the movie
Date Released to Theaters:
1938
Date Released to DVD:
2002
Amazon.com ASIN:
B00005JKEZ
Errol Flynn is the definitive Robin Hood in this glorious Technicolor version of the classic story, one of the most thrillingly entertaining films of all time.
King Richard the Lion-Hearted, off fighting in the Crusades, has been captured and held for ransom. His unscrupulous brother John (Claude Rains) schemes to make sure Richard never returns, so he can take over as king. All of the knights offer their support but one, Sir Robin of Locksley (Flynn), who vows to raise the ransom money himself. He and his followers use Sherwood Forest as cover so they can steal from the rich and powerful to help the poor and raise the ransom money. They capture a group of travelers that includes the Sheriff of Nottingham (Melville Cooper), Sir Guy of Gisboume (Basil Rathbone), and the lovely Maid Marian (Olivia de Havilland), the King’s ward. Marian is at first scornful, but when she learns that Robin and his men are loyal to Richard, and sees how the Normans have abused the Saxons, she becomes sympathetic. In order to capture Robin, the Sheriff plans an archery contest, with the prize to be awarded by Marian. They know Robin will not be able to resist. He enters in disguise, but his superb skill reveals his identity, and he is caught and put in the dungeon. With the help of his men and Marian, however, he is rescued in time to help save Richard from John’s plot to have him assassinated.
In this story, Robin is the only one of the knights to stay loyal to Richard. Though he is a Norman, he is willing to lose everything he has to protect the poor Saxons. His loyalty is not limited to his own people; rather, he sees everyone who behaves justly as his people. “It’s injustice I hate, not the Normans,” he tells Marian.
Robin is not only the world’s greatest archer and a master swashbuckler. He has a complex and multi-layered character, revealed in his interactions with Marian and with his men. He has a strong and clear sense of fairness and honor. He is always respectful of those who deserve it, including the peasants. He is confident and direct, but also unpretentious and even irreverent. When he tells Marian that her manners are not as pretty as her looks, Prince John laughs that this is quite a contrast to Sir Guy, whose feelings for Marian leave him tongue-tied. In the scene where he meets Little John, Robin fights him for the right to cross the river first, just for the fun of it. When Little John wins, tossing him into the water, Robin is delighted. “I love a man that can best me!”
Robin is not especially concerned with goodness or piety; he even steals food from Friar Tuck. But with the poor and weak, he is gentle and considerate and he is, above all, loyal. When he finds that the people who appear to be traveling monks are loyal to Richard, he
says he will only take half of what they have. At the end, when the king asks him what he wants as a reward, all he asks for is amnesty for his men.
This is also a good movie to use for a discussion of what makes a leader. Robin’s confidence in himself inspires the confidence of others. In one of history’s finest pairings of actor and role, Errol Flynn brings his own assurance, grace, and passionate enjoyment to a part that added courage, integrity, and lively dialogue, creating one of the screen’s greatest heroes.
