Woody Allen on PBS

Posted on November 19, 2011 at 7:57 pm

Roger Ebert reviews the new PBS two-part documentary about Woody Allen:

Woody Allen: A Documentary” benefits from both its masterful construction and the willingness of Allen to offer commentary on everything from his oeuvre to his explosive divorce. Allen drives the narrative with wit, honesty and pathos, which Weide supplements with perfectly chosen clips, pictures and talking heads. The deft editing provides a seamless flow of ideas and concepts beholden to the central theme: An artist’s personal demons and compulsions can influence his body of work. Allen’s views on religion and mortality have a kinship with Martin Scorsese’s, even if the views and ultimate outcomes are completely different. Scorsese fears where he’ll go when he dies. Allen fears death, period, so much so that the documentary keeps returning to the topic in ways that are morbidly funny but never tiring.

Watch it tomorrow and Monday at 9 Eastern on PBS.

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Documentary Television
Roger Ebert’s 4-Star Memoir

Roger Ebert’s 4-Star Memoir

Posted on October 29, 2011 at 8:00 am

Roger Ebert, not just the greatest movie critic of all time but one of the most influential thinkers and brilliant writers on any subject over the past four decades, has written his story in Life Itself: A Memoir.  When he lost his ability to eat and speak following treatment for cancer, he says he “began to replace what I lost with what I remembered” and devoted the same piercing intelligence, fearless analysis, open-heartedness, and vitally engaging prose style to his own life.  This is the man who wrote an entire book called I Hated, Hated, Hated This Movie, but who is even more passionate in writing about what he loves, loves, loves in books like Scorsese by Ebert and his collection of 4-Star reviews.  His shot-by-shot commentary on “Citizen Kane” is one of the most thrilling experiences I have ever had watching a film as he helped me understand more richly and compellingly a movie I thought I already knew and appreciated.

In Life Itself, Ebert evocatively describes growing up as the only child in a college town, his passion for reading, his college days, becoming a journalist when the era of the two-fisted, fedora-wearing, “get me rewrite” days were not yet over and writers like Tom Wolfe, Hunter S. Thompson, and Woodward and Bernstein were making journalism the world’s most exciting place to be.  He writes about his interviews with the biggest stars and the most outrageous characters.  And he brings the same unflinching honesty tempered with compassion to his own story, his struggles with alcohol, and, finally, just like in the movies, a beautiful love story when he meets his adored Chaz.

This is a fascinating book, one of the best books about movies and one of the best memoirs I have ever read.  I have one copy to give away.  Send me an email at moviemom@moviemom.com with Ebert in the subject line and don’t forget your address.  I’ll pick a random winner on November 6.

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Books Contests and Giveaways Critics

Citizen Kane

Posted on September 25, 2011 at 7:51 pm

A+
Lowest Recommended Age: Middle School
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: Drinking, smoking, sometimes to excess
Violence/ Scariness: Tense confrontations, sad death
Diversity Issues: Character makes an anti-Semitic remark
Date Released to Theaters: 1941
Date Released to DVD: September 26, 2011
Amazon.com ASIN: B0050G3NWG

“Citizen Kane” has topped more “all-time best” lists than any other movie and this 70th Anniversary Ultimate Collector’s Edition is a treat for passionate fans and those who still have the thrill of seeing it for the first time ahead of them.

Orson Welles was only 26 but already an accomplished writer/director with a distinguished body of work on stage and radio.  He and writer Herman J. Mankiewicz wrote the script, inspired by the life of publishing titan William Randolph Hearst.  Welles directed and starred in the title role of a wealthy young man who turns from idealistic newspaper owner to political candidate to bitter recluse.  It is worthy of every accolade it has received and more.

http://www.youtube.com/watch?v=zyv19bg0scg

This magnificent film influenced and inspired everything that came after.  And the sumptuous extras that come with this anniversary edition are treasures, especially the scene-by-scene commentary by Roger Ebert, almost as entertaining and illuminating as the film itself, with insights and details of technology and artistic innovation that are mind-boggling.  There’s a separate commentary by director/historian Peter Bogdanovich and interviews with editor Robert Wise (who later became a director) and co-star Ruth Warrick (who played Kane’s first wife and later went on to star in “All My Children”).

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Classic Drama DVD/Blu-Ray Pick of the Week For Your Netflix Queue Inspired by a true story Movie Mom’s Top Picks for Families

Free Issue of Roger Ebert’s Newsletter — This Week Only

Posted on August 20, 2011 at 10:13 pm

Roger Ebert’s wonderful newsletter is a steal at $10 a year.  This week only, it’s even more of a steal with a FREE issue that includes a glimpse of his upcoming autobiography and trailers for some of the coolest upcoming films.

Don’t forget to follow him on Twitter at @ebertchicago.

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Critics

Roger Ebert on What’s Wrong With Projectors

Posted on May 30, 2011 at 8:00 am

Studios spend tens of millions of dollars to get the best equipment to photograph and record the most beautiful performers wearing the most gorgeous clothes in the most spectacular settings.  And then we go to see them in a movie theater with the wrong lens on the projector, badly focused, and an inadequate bulb.

Roger Ebert writes:

Do you remember what a movie should look like? Do you notice when one doesn’t look right? Do you feel the vague sense that something is missing? I do. I know in my bones how a movie should look. I have been trained by the best projection in the world, at film festivals and in expert screening rooms. When I see a film that looks wrong, I want to get up and complain to the manager and ask that the projectionist be informed. But these days the projectionist is tending a dozen digital projectors, and I will be told, “That’s how it’s supposed to look. It came that way from the studio.”

He explains that some theaters are showing 2D movies through a 3D lens, which dims the image as much as 50 percent, even up to 85 percent in some cases.

If you are concerned about this, write to the National Association of Theater Ownersnato@natodc.com

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