Glee 3D Concert Film Coming This Summer!

Glee 3D Concert Film Coming This Summer!

Posted on May 6, 2011 at 10:31 am

The cast of “Glee” is going on the road with a concert tour, and Fox has announced that a 3D film of the tour will be in movie theaters late this summer.  Cast members Lea Michele (Rachel), Cory Monteith (Finn), Amber Riley (Mercedes), Chris Colfer (Kurt), Kevin McHale (Artie), Jenna Ushkowitz (Tina), Mark Salling (Puck), Dianna Agron (Quinn), Naya Rivera (Santana), Heather Morris (Brittany), Harry Shum Jr. (Mike), Chord Overstreet (Sam), Darren Criss (Blaine), and Ashley Fink (Lauren) will perform, and cameras will record on- and off-stage moments for the theatrical release.  Stay tuned for further details!

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3D Music Trailers, Previews, and Clips

An American Family (Again): Cinema Verite, the Louds, and the Invention of ‘Reality’ TV

Posted on May 4, 2011 at 8:00 am

In 1971, a documentary film-maker named Craig Gilbert approached Pat Loud, a California mother of five, to ask her to allow him to observe her family the way anthropologist Margaret Mead observed the Samoans — and to do it on film, to be broadcast on public television.  300 hours of footage were edited down into twelve episodes, shown in 1973, and it became a sensation.  Part of it was the fascination of the unprecedented format.  This was the show that invented reality television, the idea of taking cameras (and camera operators) into the most personal moments of family life.  And part of it was what was on the screen.  The oldest son, Lance, came out publicly on camera, considered shocking in that era.  The Louds thought that they would be presenting the American dream, but it turned into the American nightmare when after months of filming, Pat told her husband, on camera, that she wanted a divorce.  They ended up on the cover of Newsweek as examples of the family break-ups of the era of self-actualization, open marriages, and what would later be called “The Me Decade.”  Nora Ephron wrote about Pat Loud’s post-series book, “It is impossible to read this book and not suspect that Craig Gilbert knew exactly what he was doing when he picked the Louds, knew after ten minutes with them and the clinking ice in their drinks that he had found the perfect family to show exactly what he must have intended to show all along — the emptiness of American family life.”

http://www.youtube.com/watch?v=sF3bs4xvbYg&feature=related

Nearly three decades later, the series is notable for its influence on shows from “The Real World” to “The Hills,” “Jersey Shore,” and all the Kardashians and Housewives  — and YouTube — and for the bigger and still-unresolved issues about how “real” reality television can be, especially when filmed over such a long period of time that not just the cameras but the crew become a part of the story.  Now the Loud experience has come full circle and been turned back into an excellent feature film on HBO with Diane Lane as Pat Loud and James Gandolfini as Craig Gilbert.  Directors Shari Springer Berman and Robert Pulcini, who sensitively portrayed another real-life character with a sometimes-distorted media biography in “American Splendor,” have produced a thoughtful story about the Louds and what they represented.

 

http://www.youtube.com/watch?v=MvpGwU5TFEU

 

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Television The Real Story

Mother’s Day Tribute to Military Families on the Hallmark Channel

Posted on May 3, 2011 at 3:42 pm

Martha Stewart is joined by First Lady Michelle Obama and Dr. Jill Biden for a special Mother’s Day salute to military families on the Hallmark channel.   Mrs. Obama and Dr. Biden share their thoughts on motherhood with Martha and talk about their “Joining Forces” initiative, which supports America’s military wives and mothers.   They will share their own experiences — Dr. Biden, the wife of Vice President Joe Biden has a son in the military herself — talk about coping with the stress of long separations and worry, and host the world’s biggest baby shower for military moms-to-be.

 

 


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Television

Cracked Solves Seven Movie Mysteries

Posted on April 25, 2011 at 3:31 pm

Cracked has a funny post about what’s behind seven hotly debated movie mysteries, from what’s in “Pulp Fiction’s” briefcase to what Billy Murray whispered to Scarlett Johansson in “Lost in Translation.”  They even take on the last episode of “The Sopranos.”

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Understanding Media and Pop Culture

‘All My Children’ and ‘One Life to Live’ Canceled

Posted on April 17, 2011 at 8:00 am

ABC has announced that it is canceling two soap operas, “All My Children” and “One Life to Live.”  These daytime dramas go back decades — “All My Children” premiered in January 0f 1970 and “One Life to Live” in July of 1968.  Both were created by the legendary Agnes Nixon, who began her career with Irna Phillips, the original creator of the idea of the soap opera, back in the radio era.  They had all of the core elements that Phillips pioneered: intertwined, open-ended stories of marriage and family, filled with romance, tragedy, betrayal, suffering, secrets, and lies, but always with a sense of hope and resilience.   They give their devoted fans a chance to see characters get older in real time over generations.

When they began, “All My Children” and “One Life to Live” were cutting edge.  “All My Children” was designed to focus on the younger characters, a reflection of the 60’s era baby boomers who were coming of age and having an enormous impact on politics and popular culture.  Some of its main characters were teenagers, including Erica Kane (future legend Susan Lucci), who became pregnant and had television’s first legal abortion, when she was married to her first husband, Jeff Martin.  Erica would go on to get married somewhere around ten more times, though not all of the marriages were valid.  How many of her husbands can you name?  “One Life to Live” was created to reflect the heightened interest in racial and social conflicts.  Nixon said she was “tired of the restraints imposed by the WASPy, noncontroversial nature of daytime drama.”  The two shows exist in the same fictional world and characters have appeared in both.

At one time, the daytime schedules were filled with soap operas (the name comes from their sponsors –makers of laundry detergent and other household cleaners — and the epic nature of their plot lines).  But they are expensive to produce, requiring writers, actors, sets (mansions, hospitals, courtrooms), and lots of make-up and hair artists.  They are being replaced by a couple of talk shows — “The Chew” (really) will be a “View”-style show about food.  And, just to balance it out, “The Revolution,” a weight-loss and fitness show.  They’ll never last as long or earn the dedication as “All My Children?”‘ and “One Life to Live.”

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Television
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