Family of the Week: Will Smith, Jada Pinkett-Smith, Jaden, and Willow

Posted on July 1, 2008 at 8:00 am

Will_Smith_Family01-10-07.jpgWill Smith likes to joke that he owns the 4th of July, and it is true that he starred in two of the hugest hits to open on the 4th, “Men in Black” and “Independence Day.” He’s hoping to do it again this week with “Hancock,” but he’s going up some competition in his own house. His daughter Willow co-stars in the American Girls movie, “Kit Kittredge,” also opening this week. Like her big brother Jaden, who co-starred with his dad in “The Pursuit of Happyness,” Willow has all of the grace, charm, charisma, and screen-holding naturalness of both of her parents, and a sensational smile. Smith may just have to share his big date this year.

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Commentary

I am Legend

Posted on March 18, 2008 at 8:00 am

i_am_legend_will_smith__1_.jpgWill Smith plays the last man on earth in this third movie based on Richard Matheson’s novella. Scientist Robert Neville was immune to the virus that wiped out everyone. He spends his days hunting for food in the deserted streets of Manhattan, now overgrown with brush and inhabited by deer, and working in the lab to find a cure for the virus. And he spends his nights barricaded to protect himself from the infected creatures who are hunting him. Once human, they are now mindlessly enraged vampire/zombie killers who can do nothing but devour.
Okay, they can do one other thing. They can learn. In their feral, furious way they can cooperate and plan. Neville can trap them for his experiments or throw them off his trail, but they keep getting smarter. He is not just their prey — he is their teacher, and he is teaching them how to get him.

(more…)

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Based on a book Fantasy Genre , Themes, and Features Remake Reviews Science-Fiction Thriller

Will Smith — the Hitler flap

Posted on January 2, 2008 at 2:49 pm

It is a shame that Will Smith’s reasonable comments have been taken out of context and he has been forced to apologize.
Here is what he said:

Even Hitler didn’t wake up going, ‘let me do the most evil thing I can do today.’ I think he woke up in the morning and using a twisted, backwards logic, he set out to do what he thought was ‘good’. Stuff like that just needs reprogramming. I wake up every day full of hope, positive that every day is going to be better than yesterday. And I’m looking to infect people with my positivity. I think I can start an epidemic.

I hope he still thinks so. What he was saying is that even people who inflict great evil on the world usually believe that what they are doing is right. Recognizing that is an essential element of understanding the nature of evil and how to prevent it. No one who understood Smith’s point — or who has ever spent five minutes observing his behavior — could imagine he was in any way endorsing Hitler’s actions. Tim Gordon, as usual, has it right: “this is a situation where an actor gave an opinion and the interviewer twisted the context only after he received an answer that left room for further interpretation.”

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Commentary

The Pursuit of Happyness

Posted on December 11, 2006 at 12:20 pm

B
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for some language.
Profanity: Some mild language, f-word visible in graffiti
Alcohol/ Drugs: Smoking
Violence/ Scariness: Sad and disturbing situations, character hit by car
Diversity Issues: An unstated theme of the movie
Date Released to Theaters: 2006
Date Released to DVD: May 27, 2013
Amazon.com ASIN: B000N6U0E2

This week’s release of “After Earth,” starring Will Smith and his son Jaden, is a good time to take another look at their first co-starring film, based on a real-life father and son:

If a man goes from homeless single dad to multi-millionaire stockbroker, you know there has to be a movie. This one has the good sense to star Will Smith and his real-life son Jaden.
Their natural chemistry and Smith’s natural charisma help this story work.
The story does not have the usual feel-good arc. Even though it omits some of the real-life obstacles and setbacks faced by its main character, it is still more grounded in what happened than in the established beats of narrative and the conventions of story. So even the considerable charms of both Smith and the personable character he plays may not be enough to keep audiences from growing impatient to get to the good stuff.

http://www.youtube.com/watch?v=_xcZTtlGweQ

Chris Gardner (Smith) is a Navy vet, first in his high school class and good with numbers. But his decision to invest everything he had in a portable bone density scanner “that takes a slightly better picture for twice the money” has left his family in a financial position that teeters between precarious and dire. His wife (Thandie Newton) is tired of pulling double shifts and bitter about the way their dream of the future seems to be impossible. She loves their son, but feels overwhelmed. Gardner has to sell two of the heavy machines a month to be able to pay the rent. He is determined to sell them all, but for both of them, the machines he lugs around are like anchors or leg irons.
Chris has one dream that is even more important to him than selling the scanners. He wants to be the father he never had. And he is devoted to his son, endlessly patient and involved. But when his wife leaves, everything begins to slip away. He loses his apartment. And there’s no panic as deep as the fear of not being able to care for your children.
Chris sees a man with a great car and asks what he does. When the man says he is a stockbroker, Chris decides to apply for an internship at Dean Witter.
There are a few obstacles. Chris does not have a college degree. He has no background in the stock market. The internship is six months of intense, demanding, and unpaid work, competing with dozens of others who have more time and better educations. And at the end, only one may be offered a job. Oh, and Chris shows up for the interview covered with paint, in a t-shirt and battered pants. Why? Because he spent the night in jail due to unpaid parking tickets and didn’t have time to change.
His unpretentious charm — and mastery of the then-brand new Rubik’s Cube — gets him the job. And then things get really tough as Chris and his son become homeless and have to spend nights in a shelter or riding public transportation. Chris is handed two near-impossible tasks — to master the fine points of securities analysis and to make cold calls to a list of prospects and turn them into clients. He has a supervisor who keeps sending him for coffee. And while the other interns work late, he has to be at the shelter by 5:00 to make sure he gets in.
Smith has the courage to turn the pilot light down on his powerful movie star charisma and let us see that despite Chris’ intelligence, optimism, and drive, he is vulnerable and scared.

Parents should know that the movie has some tense and unhappy moments that may be disturbing for some audience members, including the break-up of a marriage. A character gets hit by a car.
Families who see this movie should talk about why the word “happiness” is misspelled in the title, when spelling it correctly was so imporant to Chris. What do you learn about him from the way he pursued the stolen scanners? From his decision to sell the scanners in the first place? From the way he handled the job interview? Why did he tell his son not to dream of playing basketball? What was the most important factor in his success? They should talk about how Chris was constantly teaching his son. And they should talk about the insensitivity people showed Chris because they had no idea of his situation; one of the movie’s most important lessons is that we should always remember that we do not know what anyone else is dealing with when we form our expectations.
Families who enjoy this movie will also enjoy Erin Brockovich (some mature material) and Rudy (some strong language).

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Based on a book Based on a true story Biography Comedy Drama DVD/Blu-Ray Pick of the Week Family Issues

Ali

Posted on December 13, 2002 at 5:17 am

Will Smith delivers a knock-out punch as Muhammed Ali in this outstanding film that follows the champ from his first heavyweight title to the “Rumble in the Jungle” when he won the title again by defeating George Foreman in Zaire.

Smith is a great choice to play Ali. Both have pretty faces and easy charm that mask the ferocity and fury that it takes to make it all the way to the top. Ali never trained harder for a fight than Smith did for this role, spending two years packing on muscle and throwing — and receiving — real punches in the ring. Smith perfectly captures Ali’s Kentucky drawl. Like his fighting style, it can float like a butterfly and sting like a bee. Director Michael Mann strikes just the right balance between the personal and the political, setting Ali’s struggles in the context of the racial conflicts of his era but never losing sight of the fact that it is one man’s story.

Ali repeatedly tells those around him that he will be the champ his own way, and we see him try to figure out what that way will be. He won’t be the white man’s idea of a “good Negro,” like Joe Louis. He will become a Muslim, let Elijah Muhammed’s son be his manager and even shun his friend Malcolm X when told to. But he knows that they need him more than he needs them, and he will be a Muslim his way, too. He will be more faithful to his refusal to fight than he will be to any of the women in his life. And he will use the force of his personality — more powerful than any punch — to go the distance and get the title. No one can stop him.

Even limited to only 10 years in Ali’s life, the story spills out of the screen, with achingly brief glimpses of some of the key characters in Ali’s life. This is a double loss, because these small roles are played by some of the most brilliant – and under-used actors — working today, including Jeffrey Wright as Ali’s photographer, LeVar Burton glimpsed briefly as Martin Luther King, Joe Morton as Ali’s lawyer, and Giancarlo Esposito as Ali’s father. John Voight struggles under far too much rubber make-up but makes a fine impression as Howard Cosell, the sportscaster who was Ali’s favorite straight man and one of his truest friends. Mario van Peebles is quietly magnetic as Malcolm X, and Ron Silver marshals his intensity just right as trainer Angelo Dundee. Mykelti Williamson is jubilantly entertaining as Don King.

Mann, as always, gives us brilliantly revealing moments. Before a fight, Dundee quietly loads his pockets with first aid equipment, knowing that the brilliantly healthy and fit fighter will soon be needing it between rounds. And in one of the most heartbreaking movie moments of the year, Ali hugs the just-defeated Jerry Quarry. That moment even more devastating for those aware of Quarry’s ultimate fate – he became severely impaired from injuries sustained in boxing matches and died at age 53. It is impossible to watch the movie without thinking of Ali’s own injuries and feeling the loss of the resplendently vigorous champ he once was.

Parents should know that in addition to brutal fight scenes, the movie includes a character who is a drug addict, drinking and smoking, a sexual situation and sexual references (including adultery) and some strong language. The issue of racial and religious intolerance is forthrightly presented.

Families who see this movie should talk about the conflict Ali faced when he was drafted. How did he decide what to do? How did he stay true to himself? What was the biggest challenge? When his wife told him not to trust the fight promoters who “talk black, act white, and think green,” who was right?

Families who enjoy this movie should be sure to watch the brilliant Oscar-winning documentary When We Were Kings to see what really went on in the Rumble in the Jungle. Smith’s performance is brilliant, but it can never match the real-life champ’s inimitable style. Of some additional interest is Ali’s performance as himself in a mediocre film called “The Greatest.”

There are many outstanding boxing films, including Rocky, Raging Bull, (for mature audiences only), Golden Boy, Requiem for a Heavyweight,and Body and Soul (with John Garfield and a rare screen performance by stage actor Canada Lee).

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