300: Rise of an Empire — The Real Story

Posted on March 6, 2014 at 8:00 am

300_Rise_of_an_EmpireThis week’s release “300: Rise of an Empire” is a highly fictionalized version of a real-life episode in ancient Greek history that included a massive sea battle.  It is a “side-quel,” depicting events that occurred around the same time as the famous battle covered in the first “300” movie.

In 480-489 BC, King Xerxes of Persia was determined to conquer Greece. In preparation for the next surge, he had his people bridge the Hellespont, the present-day Dardanelles, with two bridges were supported by ships as pontoons, with a the causeway laid across them. When they were destroyed in a storm, Xerxes ordered the designers of those bridges executed and that the Hellespont itself be given 300 lashes as punishment.  Xerxes was making progress when a Greek slave was sent with a message intended to deceive him — he told Xerxes that the Greeks were weak and not able to oppose him.  Historynet.com says:

On the morning of September 20, 480 BC, the main body of the Persian armada, about 400 triremes, moved toward the showdown. Xerxes sat on his golden throne high atop the contested area and watched the battle develop.

The Greek fleet was arranged from the Athenians on the left of the line to the Corinthians to the north, covering the Bay of Eleusis, the Pelopponesians on the right and the ships of Megara and Aegina in nearby Ambelaki Bay. The majority of the Greeks’ 300 triremes were hidden from the approaching Persians’ view by St. George’s Island. To draw the enemy well into the shallow water and narrow confined around Salamis, Themistocles ordered the 50-ship Corinthian contingent to hoist its square sails and feign retreat. Once the Persians were drawn in, the Greeks, in ordered line, would surround them. The Persians’ greater numbers would be no advantage in the narrows. Even worse, they would have no room to maneuver.The Greeks began to sing a hymn to the god Apollo as they struck the Persian vanguard in its exposed left flank. When the commanders of the leading Persian ships realized that they were trapped and began to backwater, the caused a tremendous crush of confusion, because those ships coming behind them had nowhere to go. Aeschylus, remembered as the father of literary tragedy, fought both at Marathon and Salamis. He later described the scene as similar to the mass netting and killing of fish on the shores of the Mediterranean: ‘At first the torrent of the Persians’ fleet bore up: but then the press of shipping hammed there in the narrows, none could help another.’

The Greeks kept outside of the tangled Persian mass and struck virtually at will. The Persian ships seemed more suited for action in the open sea-they were larger, sat higher in the water and were loaded with approximately 30 marine infantry or archers, as opposed to 14 aboard each Greek ship. Therefore, the top-heavy vessels fell easy prey to the bronze rams of the Greek triremes in those confining waters.

The Phoenicians in Xerxes’ fleet broke under the relentless Greek pressure and many of them ran their ships aground. Several of those Phoenicians hurried to the great king and said that the Ionians were the cause of their defeat. Xerxes had watched the Ionians perform well and ordered the Phoenicians beheaded for lying about their allies.

The battle continues to be studied by those who care about military history and strategy and it continues to capture our imagination thousands of years later.

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The Real Story

300: Rise of an Empire

Posted on March 5, 2014 at 10:52 pm

B-
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for strong sustained sequences of stylized bloody violence throughout, a sex scene, nudity and some language
Profanity: Some strong language
Alcohol/ Drugs: Wine
Violence/ Scariness: Constant very graphic peril and war-time violence with many graphic and disturbing images and sad deaths
Diversity Issues: Diverse characters
Date Released to Theaters: March 7, 2014
Amazon.com ASIN: B00BEJL6Q8
eva-green-as-artemisia-in-300-rise-of-an-empire
Copyright Warner Brothers 2014

Here’s a new term: this movie is neither a sequel nor a prequel to 300, the story of the 300 Spartans who died battling the vastly greater army of the Persians. This is a “side-quel,” a “meanwhile” story about what was going on in a sea battle led by Spartan’s rivals, the Athenians.  While “300” was based on a graphic novel by Frank Miller, itself based on historic events in ancient Greece, this side-quel was written at the same time as Miller’s still-uncompleted follow-up, to be called “Xerxes.”

We get a bit more backstory this time, too.  In a previous battle, Athens’ great warrior Themistokles (hunky Sullivan Stapleton) killed the Persian king.  His furious son, Xerxes (returning Rodrigo Santoro) traded his humanity for godlike powers to get his revenge by invading Greece.  The leader of the Persian forces is the even-more-furious Artemisia (Eva Green), who can kiss the lips on the head she has just severed, enjoying the kiss just slightly less than the kill.  She is tougher than any of her generals, more lethal than any of her soldiers, and even hungrier for inflicting desolation on Greece than her king.  And she has the kind of fearlessness only found in those who have nothing left to lose and who will never win enough to feel that they have succeeded.

Themistokles needs to get the support of the resolutely independent city-states if they are to hold off the far greater Persian forces.  He knows that his men have heart and dedication, but they are not trained warriors like the Spartans.  I could say more about the story, but let’s face it — like the first film, this is about abs, swords, and lots of blood spurting in artistic slo-mo, drenching the screen.

The primary differences are the absence of Gerard Butler and the shift from battles on land to battles on water.  We feel Butler’s loss, as he brought a bit more to the original in terms of acting and managed to give his character some depth and personality in the midst of the carnage.  But that works for the story, as the death of his character Leonidas is felt deeply in Sparta.   The only thing that stands out from the carnage, though, is Green, whose Artemisia cranks up the cray-cray as one of the most evil-relishing villainesses since Cruella De Vil.  There’s a sizzling sex-and-fight scene (hmmm, Green did something very similar in “Dark Shadows“) that is way over the top of whatever point over the top used to be.  Green has a blast striding around casting laser beams of hatred at everyone, and wipes everyone else in the cast off the screen more thoroughly than her character does to to the “farmers, sculptors, and poets”-turned soldiers of Athens.

Parents should know that this film has constant very intense, graphic, and bloody violence with many battles, swords, fire, drowning, executions, rapes, disturbing images, nudity, sexual references and situations, and some strong language.

Family discussion: What are the biggest differences between the Greeks and the Persians? Do we think about war differently today?

If you like this, try: “300” and “Gladiator”

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3D Action/Adventure Based on a book Based on a true story Comic book/Comic Strip/Graphic Novel Epic/Historical Movies -- format Series/Sequel War
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