Zero Dark Thirty

Posted on January 10, 2013 at 6:00 pm

A-
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for strong violence including brutal disturbing images, and for language
Profanity: Constant very strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Intense and disturbing wartime images including torture and terrorism
Diversity Issues: Diverse characters
Date Released to Theaters: January 11, 2013
Date Released to DVD: March 18, 2013
Amazon.com ASIN: B00B1E6FF8

It begins with heart-breaking audio of 911 calls from the World Trade Center on September 11, 2001.  A frantic woman who asks if she is going to die is soothed by the operator until she is suddenly gone and we hear the operator’s dawning understanding of the magnitude of the disaster.

And then it is two years later and we are watching the torture-aided interrogation of a detainee in Pakistan.  Dan (Jason Clarke) is forthright and almost clinical as he tells Ammar (Reda Kateb) that he will hurt him for every lie.  The interrogation is witnessed by a new arrival who we will know only as Maya (Jessica Chastain).  She turns down the chance to stay outside the room.  “There’s no shame if you want to watch from the monitor.”  Maybe she is proving something to Dan, maybe she is proving something to herself, maybe she is so intent on finding Osama Bin Laden that she wants to make sure she does not miss a detail.  Probably all three.

Director Kathryn Bigelow brings that same intensity of focus to telling the story that Maya brings to the search.  After “The Hurt Locker,” Bigelow, the first woman to win the Best Director Oscar, re-teamed with screenwriter Mark Boal to make a movie about what they thought would be the unsuccessful search for Bin Laden.  Their project was overtaken by events as Bigelow and Boal were all but embedded with the military and CIA to do their research in real time, giving the movie an intimate, gritty, documentary feel.

Maya goes to work.  “You don’t think she’s a little young for the hard stuff?” one of her new colleagues asks.  “Washington says she’s a killer.”  This is not a movie where we go home with the heroes and see them hug their children.  It is not a movie where we see them struggle with their demons or sit down over drinks to give us endearing details about their lives or explain why they do what they do.  At one point, Maya is asked about her background and she says she has done nothing since she got out of school but look for Bin Laden.  She acknowledges that there is a reason she was particularly suited for this task, but she never reveals it.  This is the story of hard-working, even driven professionals who have to make life or death decisions all the time, about what it takes and about the price they pay.

People come and go in the story.  A new President is elected and the policy on torture changes.*  The policy on the level of certainty required as a basis for action changes, too.  Dan goes back home.  “I need to do something normal for a while.  I’ve seen too many guys naked.” And, he says, “You don’t want to be the last one holding a dog collar when the oversight committee comes.”  Some of the CIA and military investigators are killed and she is attacked.  But then there is a breakthrough and she has another challenge — persuading the military and the politicians that she is right about where Bin Laden is hiding.  James Gandolfini, Mark Strong, Jennifer Ehele, and Kyle Chandler are all outstanding as Maya’s colleagues.

And then it is time to bring in Seal Team 6.  The attack is brilliantly staged, much of it through night goggles that let us see the compound and the shoot-out through their eyes.

It is also a gripping, masterfully assembled story.  Even though we know how it ends, it will leave you breathless.

 

Parents should know that this film includes terrorism, war, and torture scenes with some very graphic images, characters injured and killed, some sexual references, very strong language, and drinking and smoking.

Family discussion: What does this movie stay about torture?  Was Mya right to be so confident?  What made her good at her job?

If you like this, try:  the documentaries “Restrepo,” “Gunner Palace,” and “Standard Operating Procedure”

*Those who claim that this movie is pro-torture are not paying attention.  While some people in the movie may be pro-torture, that is not the same thing as having the movie promote torture.  The movie makes clear that establishing a high probability of Bin Laden’s location depended on years of intensive research and was based on correlating many, many sources of information.  Mya gets critical data other ways.  And the movie’s unblinking portrayal of torture is there to remind of what happened, and, perhaps, of Golda Meier’s famous comment about the true tragedy of war: “When peace comes we will perhaps in time be able to forgive the Arabs for killing our sons, but it will be harder for us to forgive them for having forced us to kill their sons.”

 

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Action/Adventure Based on a true story Drama DVD/Blu-Ray Pick of the Week

The Real Story: “Zero Dark Thirty” and the Hunt for Bin Laden

Posted on January 8, 2013 at 8:00 am

Letter from Senators Feinstein, Levin, and McCain“Zero Dark Thirty” is a leading contender for the Best Picture Oscar.  Following her Best Picture and Best Director Oscars for “The Hurt Locker,” Kathryn Bigelow began work on what she thought would be a part journalistic, part feature film version of the hunt for Osama Bin Laden.  She did not expect that during the course of developing the film with “Hurt Locker” screenwriter Mark Boal Bin Laden would be found and killed, so that the entire direction of the movie would have to be revised.

The CIA was criticized for working with Bigelow and Boal, but insists that they did not provide the filmmakers with any classified information and has published a statement correcting what it says are inaccuracies in the film.  Now that the film is out in a few cities and preparing for its wider release on January 11, politicians and commentators on all sides are criticizing its depiction of torture. Senators Dianne Feinstein, John McCain, and Carl Levin have written to the film’s distributor outlining their objections to the portrayal of torture in the movie, calling it “grossly inaccurate” to portray information gathered as a result of torture as essential to determining Bin Laden’s location: “We are fans of many of your movies and we understand the special role that movies play in our lives, but the fundamental problem is that people who see ‘Zero Dark Thirty’ will believe the events it portrays are facts.”  Writer Glenn Greenwald was so eager to complain that the movie supports the use of torture that he decided to condemn it before actually seeing it for himself.  I will be addressing some of these issues in my review, but for now I will just say that it is hard to imagine that anyone who sees the movie will think it is an endorsement of torture and that while the movie depicts waterboarding and other high-pressure tactics that have been well documented and are — as the movie makes clear — not permitted any longer, and one or more characters may endorse torture, that does not mean that the movie is pro-torture.  When Bigelow accepted her New York Film Critics Circle Best Director award, she said, “I thankfully want to say that I’m standing in a room of people who understand that depiction is not endorsement, and if it was, no artist could ever portray inhumane practices. No author could ever write about them, and no filmmaker could ever delve into the knotty subjects of our time.”

I recommend this piece by Paul Miller, describing his reaction to the film as someone who was in the military on Sept 11, 2001 and later served as a CIA analyst, and this piece about a key interview that informed the screenplay.

Watching this movie made me both sad and angry.  Not angry at Kathryn Bigelow or Columbia Pictures.  I would have been if she had made a cheap and splashy film that exploited 9/11, my friend’s death, and the bin Laden raid as blockbuster fare.  This movie, if made by Michael Bay, would have been disgusting.

But Bigelow has made a sensitive and respectful film, one that honors the people who lived its story.  I told my wife after seeing Bigelow’s previous, Oscar-winning film,The Hurt Locker (2009), that it was the most faithful depiction of soldiers’ lives in a modern combat zone I’d ever seen.  I felt honored that someone took the time to tell our story, the story of a million veterans of Iraq and Afghanistan, and to tell it right.

Similarly, Zero Dark Thirty tells the stories of the countless  soldiers, sailors,  airmen, Marines, CIA officers, intelligence professionals, and special forces who have spent a decade hunting not just bin Laden, but all of al-Qaida and its murderous allies around the world.  It is the most accurate depiction of intelligence work I’ve ever seen in a movie–the painstaking detective work, the frustration, the dead-ends, the bureaucracy, the uncertainty, and the sudden life-or-death stakes.  There isn’t the slightest hint of James Bond or Jason Bourne here:  even the SEAL Team Six raid is done slowly, methodically, with more professionalism than flare….Bigelow resists the urge to sensationalize, and in so doing she elevates the material and demands that we pay attention to, and think carefully about, what we are watching….The right response to this film is not anger at the filmmakers.  It is, first, anger about 9/11, the wars, the death, and, for me, the casual ignorance among the vast majority of the population about the sacrifices borne by a tiny handful of heroes.  I was angry most of all at al-Qaida, at Osama bin Laden and his hateful jihad, at Humam Khalil Abu-Mulal al-Balawi for murdering my friend.  But the anger is muted by a pervading sadness:  Zero Dark Thirty is a profoundly melancholy, grim film.

The CIA is by nature, culture, and function inclined to keep secrets.  And any story-telling, even documentaries, selects some details, leaves others out, shifts emphasis, intentionally and unintentionally.  At least one commentator says that the real “Maya” is a man.  And the publicity from the film and the focus on the character played by Jessica Chastain, known only in the film as “Maya,” has led to some internal conflicts as well.  Now that story would make a great movie.

 

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Spies The Real Story

Opening This Week: “The Guilt Trip,” “This is 40,” “Jack Reacher,” “Monsters Inc.,”

Posted on December 18, 2012 at 8:00 am

This is one of the biggest weeks of the year for movies, as families come together to celebrate the holidays and studios release some of their most highly anticipated films.  Get ready for:
“Monsters, Inc. 3D” Preparing us for next year’s prequel, “Monster University,” is this 3D re-release of the Pixar classic about the monsters whose fuel is nightmares but who are afraid of a toddler.

“The Guilt Trip” Barbra Streisand and Seth Rogan play mother and son in this road trip story inspired by the writer’s own experience taking his mother on a business trip.

“Jack Reacher”  Tom Cruise plays the character from the Lee Child series of books about an ex-military investigator and a former-sniper accused of murder who may be innocent.

“Cirque Du Soleil: Worlds Away” James Cameron (“Avatar”) co-produced this 3D film of the worldwide phenomenon of acrobatics, dance, and music.

“This is 40” Writer/director Judd Apatow has made a semi-sequel to “Knocked Up” that is very personal — it stars his wife and daughters along with Paul Rudd, Jason Segal, Albert Brooks, Megan Fox, John Lithgow, and classic rocker Graham Parsons in a story about coping — and not coping — with growing older.

“The Impossible” Naomi Watts and Ewan McGregor star in this fact-based story about a family trying to find each other following the devastating tsunami of 2004.

And then more next week:  Christmas day openings include “Les Misérables,” Quentin Tarantino’s “Django Unchained,” and Billy Crystal and Bette Milder’s “Parental Guidance”

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Opening This Week

Critic’s Choice Nominations 2012

Posted on December 12, 2012 at 6:38 pm

I am, as ever, honored to be a part of the Broadcast Film Critics Association, which selects the Critics Choice Awards (be sure to watch the award ceremony live on the CW January 10 — I’ll be there!!)  Here are the nominees:

BEST PICTURE
Argo
Beasts of the Southern Wild
Django Unchained
Les Miserables
Life of Pi
Lincoln
The Master
Moonrise Kingdom
Silver Linings Playbook
Zero Dark Thirty

BEST ACTOR
Bradley Cooper – Silver Linings Playbook
Daniel Day-Lewis – Lincoln
John Hawkes – The Sessions
Hugh Jackman – Les Miserables
Joaquin Phoenix – The Master
Denzel Washington – Flight

BEST ACTRESS
Jessica Chastain – Zero Dark Thirty
Marion Cotillard – Rust and Bone
Jennifer Lawrence – Silver Linings Playbook
Emmanuelle Riva – Amour
Quvenzhane Wallis – Beasts of the Southern Wild
Naomi Watts – The Impossible

BEST SUPPORTING ACTOR
Alan Arkin – Argo
Javier Bardem – Skyfall
Robert De Niro – Silver Linings Playbook
Philip Seymour Hoffman – The Master
Tommy Lee Jones – Lincoln
Matthew McConaughey – Magic Mike

BEST SUPPORTING ACTRESS
Amy Adams – The Master
Judi Dench – Skyfall
Ann Dowd – Compliance
Sally Field – Lincoln
Anne Hathaway – Les Miserables
Helen Hunt – The Sessions

BEST YOUNG ACTOR/ACTRESS
Elle Fanning – Ginger & Rosa
Kara Hayward – Moonrise Kingdom
Tom Holland – The Impossible
Logan Lerman – The Perks of Being a Wallflower
Suraj Sharma – Life of Pi
Quvenzhane Wallis – Beasts of the Southern Wild

BEST ACTING ENSEMBLE
Argo
The Best Exotic Marigold Hotel
Les Miserables
Lincoln
Moonrise Kingdom
Silver Linings Playbook

BEST DIRECTOR
Ben Affleck – Argo
Kathryn Bigelow – Zero Dark Thirty
Tom Hooper – Les Miserables
Ang Lee – Life of Pi
David O. Russell – Silver Linings Playbook
Steven Spielberg – Lincoln

BEST ORIGINAL SCREENPLAY
Quentin Tarantino – Django Unchained
John Gatins – Flight
Rian Johnson – Looper
Paul Thomas Anderson – The Master
Wes Anderson & Roman Coppola – Moonrise Kingdom
Mark Boal – Zero Dark Thirty

BEST ADAPTED SCREENPLAY
Chris Terrio – Argo
Tony Kushner – Lincoln
David O. Russell – Silver Linings Playbook
David Magee – Life of Pi
Stephen Chbosky – The Perks of Being a Wallflower

BEST CINEMATOGRAPHY
Life of Pi – Claudio Miranda
Lincoln – Janusz Kaminski
Les Miserables – Danny Cohen
The Master – Mihai Malaimare Jr.
Skyfall – Roger Deakins

BEST ART DIRECTION
Anna Karenina – Sarah Greenwood/Production Designer, Katie Spencer/Set Decorator
The Hobbit – Dan Hennah/Production Designer, Ra Vincent & Simon Bright/Set Decorators
Les Miserables – Eve Stewart/Production Designer, Anna Lynch-Robinson/Set Decorator
Life of Pi – David Gropman/Production Designer, Anna Pinnock/Set Decorator
Lincoln – Rick Carter/Production Designer, Jim Erickson/Set Decorator

BEST EDITING
Argo – William Goldenberg
Les Miserables – Melanie Ann Oliver, Chris Dickens
Life of Pi – Tim Squyres
Lincoln – Michael Kahn
Zero Dark Thirty – William Goldenberg, Dylan Tichenor

BEST COSTUME DESIGN
Anna Karenina – Jacqueline Durran
Cloud Atlas – Kym Barrett, Pierre-Yves Gayraud
The Hobbit – Bob Buck, Ann Maskrey, Richard Taylor
Les Miserables – Paco Delgado
Lincoln – Joanna Johnston

BEST MAKEUP
Cloud Atlas
The Hobbit
Les Miserables
Lincoln

BEST VISUAL EFFECTS
The Avengers
Cloud Atlas
The Dark Knight Rises
The Hobbit
Life of Pi

BEST ANIMATED FEATURE
Brave
Frankenweenie
Madagascar 3
ParaNorman
Rise of the Guardians
Wreck-It Ralph

BEST ACTION MOVIE
The Avengers
The Dark Knight Rises
Looper
Skyfall

BEST ACTOR IN AN ACTION MOVIE
Christian Bale – The Dark Knight Rises
Daniel Craig – Skyfall
Robert Downey Jr. – The Avengers
Joseph Gordon-Levitt – Looper
Jake Gyllenhaal – End of Watch

BEST ACTRESS IN AN ACTION MOVIE
Emily Blunt – Looper
Gina Carano – Haywire
Judi Dench – Skyfall
Anne Hathaway – The Dark Knight Rises
Jennifer Lawrence – The Hunger Games

BEST COMEDY
Bernie
Silver Linings Playbook
Ted
This Is 40
21 Jump Street

BEST ACTOR IN A COMEDY
Jack Black – Bernie
Bradley Cooper – Silver Linings Playbook
Paul Rudd – This Is 40
Channing Tatum – 21 Jump Street
Mark Wahlberg – Ted

BEST ACTRESS IN A COMEDY
Mila Kunis – Ted
Jennifer Lawrence – Silver Linings Playbook
Shirley MacLaine – Bernie
Leslie Mann – This Is 40
Rebel Wilson – Pitch Perfect

BEST SCI-FI/HORROR MOVIE
Cabin in the Woods
Looper
Prometheus

BEST FOREIGN LANGUAGE FILM
Amour
The Intouchables
A Royal Affair
Rust and Bone

BEST DOCUMENTARY FEATURE
Bully
The Imposter
Queen of Versailles
Searching for Sugar Man
The Central Park Five
West of Memphis

BEST SONG
“For You” – performed by Keith Urban/written by Monty Powell & Keith Urban – Actor of Valor
“Skyfall” – performed by Adele/written by Adele Adkins & Paul Epworth – Skyfall
“Still Alive” – performed by Paul Williams/written by Paul Williams – Paul Williams Still Alive
“Suddenly” – performed by Hugh Jackman/written by Claude-Michel Schonberg & Alain Boublil & Herbert Kretzmer – Les Miserables
“Learn Me Right” – performed by Birdy with Mumford & Sons/written by Mumford & Sons – Brave

BEST SCORE
Argo – Alexandre Desplat
Life of Pi – Mychael Danna
Lincoln – John Williams
The Master – Jonny Greenwood
Moonrise Kingdom – Alexandre Desplat

“Lincoln” received a record-setting 13 nominations for the 18th annual Critics’ Choice Movie Awards, beating out previous record holder “Black Swan,” which had 12 nominations in 2011. Steven Spielberg’s “Lincoln” garnered nods for Best Picture, Best Actor for Daniel Day-Lewis, Best Supporting Actor for Tommy Lee Jones, Best Supporting Actress for Sally Field, Best Acting Ensemble, Best Director for Steven Spielberg, Best Adapted Screenplay, Best Cinematography, Best Art Direction, Best Editing, Best Costume Design, Best Makeup and Best Score.

Following closely behind is “Les Misérables,” which received 11 nominations for Best Picture, Best Actor for Hugh Jackman, Best Supporting Actress for Anne Hathaway, Best Acting Ensemble, Best Director for Tom Hooper, Best Cinematography, Best Art Direction, Best Editing, Best Costume Design, Best Makeup and Best Song for “Suddenly.”

David O. Russell’s “Silver Linings Playbook” also impressed with 10 nominations for Best Picture, Best Actor for Bradley Cooper, Best Actress for Jennifer Lawrence, Best Supporting Actor for Robert De Niro, Best Acting Ensemble, Best Director for David O. Russell, Best Adapted Screenplay, Best Comedy, Best Actor in a Comedy for Bradley Cooper and Best Actress in a Comedy Jennifer Lawrence.

“Life of Pi” earned 9 nominations, and “Argo,” “The Master” and “Skyfall” each garnered 7 nominations. Jennifer Lawrence leads the female nominees with nods for Best Actress, Best Actress in a Comedy and Best Acting Ensemble for “Silver Linings Playbook” as well as Best Actress in an Action Movie for “The Hunger Games.” Bradley Cooper leads the male nominees with nods for Best Actor, Best Actor in a Comedy and Best Acting Ensemble for “Silver Livings Playbook.” Judi Dench was nominated for both Best Supporting Actress and Best Actress in an Action Movie for “Skyfall” and nine-year-old Quvenzhané Wallis was nominated for Best Actress and Best Young Actress for “Beasts of the Southern Wild,” contributing to the film’s 3 nominations, including Best Picture.

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Awards

The Washington Area Film Critics Awards 2012

Posted on December 10, 2012 at 8:29 am

This morning, the Washington, D.C. Area Film Critics Association (WAFCA) announced their winners for 2012, honoring a wide sweep of films, from musicals to science fiction. And while only three films garnered more than one award, it was clear that historical/political dramas resonated most with the critics from the nation’s capital.

“Zero Dark Thirty,” the account of U.S. intelligence specialists’ and Army special forces’ pursuit and elimination of terrorist Osama bin Laden, won Best Film. In 2009, Kathryn Bigelow became the first woman to ever win the WAFCA prize for Best Director for her Iraq War film, “The Hurt Locker.” Just three years later, Bigelow has won the same award again for “Zero Dark Thirty.”

“In a year full of strong films,” said WAFCA President, Tim Gordon, “director Kathryn Bigelow’s bold and audacious vision, represented in our Best Picture winner, is the perfect political story for our members in the District of Columbia. This story, told with steely, cold effectiveness, is a worthy entry into WAFCA’s Best Picture canon and a cinematic achievement that we are proud to honor.”

“Zero Dark Thirty” also netted Jessica Chastain her first Best Actress award. Daniel Day-Lewis won Best Actor for his riveting portrayal of President Abraham Lincoln in the year’s other outstanding historical drama, “Lincoln.” Best Supporting Actor went to Philip Seymour Hoffman for “The Master” and Best Supporting Actress went to Anne Hathaway for “Les Misérables,” which also scooped the Best Acting Ensemble.

The screenplay awards covered two very different films: Best Adapted Screenplay went to David O. Russell for his story of love and shared neuroses in “Silver Linings Playbook,” and Rian Johnson won Best Original Screenplay for his time travel mind-bender, “Looper.”

Best Animated Feature was won by “ParaNorman,” Best Documentary by “Bully,” and Best Foreign Language Film by Michael Haneke’s “Amour.” Best Art Direction went to “Cloud Atlas,” while Claudio Miranda won Best Cinematography for “Life of Pi,” and Jonny Greenwood took Best Score for “The Master.”

New this year, WAFCA proudly instituted The Joe Barber Award for Best Youth Performance, named in honor of beloved D.C. film critic and WTOP’s longtime arts editor, Joe Barber, who passed away just over a year ago. The award, which highlights the best performance from an actor or actress under 20, went to Quvenzhané Wallis for “Beasts of the Southern Wild.”

“It’s a shame Joe was not able to see Quvenzhané’s fierce and compassionate performance in this gem of a film,” said Gordon. “It’s exactly the sort of role Joe would have loved, and we are so thankful to be able to remember him going forward with this very special award.”

The Washington, D.C. Area Film Critics Association is comprised of nearly 50 DC-VA-MD-based film critics from television, radio, print and the Internet. Voting was conducted from December 7-9, 2012.
 

Best Film:
Zero Dark Thirty

Best Director:
Kathryn Bigelow (Zero Dark Thirty)

Best Actor:
Daniel Day-Lewis (Lincoln)

Best Actress:
Jessica Chastain (Zero Dark Thirty)

Best Supporting Actor:
Philip Seymour Hoffman (The Master)

Best Supporting Actress:
Anne Hathaway (Les Misérables)

Best Acting Ensemble:
Les Misérables

Best Adapted Screenplay:
David O. Russell (Silver Linings Playbook)

Best Original Screenplay:
Rian Johnson (Looper)

Best Animated Feature:
ParaNorman

Best Documentary:
Bully

Best Foreign Language Film:
Amour

Best Art Direction:
Uli Hanisch, Hugh Bateup – Production Designers; Peter Walpole, Rebecca Alleway – Set Decorators (Cloud Atlas)

Best Cinematography:
Claudio Miranda (Life of Pi)

Best Score:
Jonny Greenwood (The Master)

The Joe Barber Award for Best Youth Performance:
Quvenzhané Wallis (Beasts of the Southern Wild)

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Awards
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