Crazy Heart

Posted on April 20, 2010 at 10:00 am

Jeff Bridges does not portray Bad Blake, a broken-down, once-successful country singer; he inhabits the role, showing us not just what is happening to the man on screen but everything, every success and every failure, every love and every loss that the man has had in his 57 years.

Blake once played arenas and was a mentor to Tommy Sweet (Colin Farrell), who is now a huge star. He once had money, and his own band. Now he is lucky to get a one-night gig at a bowling alley, with a pick-up band for back-up.

Bridges makes us feel that Blake is someone we have known and listened to all our lives, as though just last week, driving in the car, one of his old songs came on and we said, “You know, I really used to like that guy. Whatever happened to him?”

Like the songs Blake sings (from Stephen Bruton and T-Bone Burnett), the story feels completely authentic and fully lived. We know at the very beginning, as soon as Blake pulls up to the bowling alley parking lot that he is destined to disappoint everyone, and that he knows it, too. And yet, he still has the power to surprise us, to beguile us, to make us think, against our better judgment, that things might be different next time.

Did this happen because he drinks too much or does he drink too much because it happened? Probably both. Substance abusers, even those who have some self-awareness, maintain their denial by compartmentalizing so they can reassure themselves that there is some part of their life they are not messing up. We see what’s left of that with Blake when he is on stage. He may spend the rest of his life hiding from others and even himself how much of his energy goes into obtaining and drinking booze and recovering from drinking booze. But he holds onto what was precious to him. He may skip rehearsal and duck off stage to throw up in the middle of a big number, but he will do everything in his still-considerable power to deliver to the audience. He can still muster some grace on and off stage.

Jean (Maggie Gyllenhaal), a single mother and aspiring journalist, interviews Blake for an article. There is a strong attraction between them, her for what he has been and him for what he sees of himself in her eyes. An unexpected setback gives them a break to explore what they might be to each other, and Blake’s genuine connection to her son makes Jean even more vulnerable. But anyone who’s ever listened to a country song knows why Blake’s first name is Bad.

And anyone who sees this movie will know why Bridges’ first name should be Good. One of our finest actors has been given one of his finest roles, and that makes this a very good film to see.

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Drama Musical Romance

The Young Victoria

Posted on April 20, 2010 at 8:00 am

“The Young Victoria” is the story of a teenager who became a queen. Before she reigned for a record 63 years and gave her name to an age, she was a girl who was sheltered to the point of claustrophobia. Famously, her first order as queen was that her mother no longer sleep in her bedroom. Like all in power, she was beset with those who tried to pressure and manipulate her, but she proved herself to be wiser and more adept than many far more experienced when it came to staying true to her ideals and her commitment to her subjects. And perhaps even more rare among royals, she married a man with whom she was deeply in love, and was so true to him that after his death she wore mourning for the rest of her life.

Sarah Ferguson, who knows a great deal about being a young royal because she married and divorced the son of the current queen and is the mother of two of her grandchildren, has produced this sumptuous biography, making it respectful without being at all stuffy. Emily Blunt (“The Devil Wore Prada,” “Charlie Wilson’s War”) plays the young queen as naive but with a lively, curious mind, surrounded by corruption but able to recognize honesty and with the courage, even in an era when women were far from equal, to insist on her full authority as monarch. When she plays chess with her handsome distant cousin Albert (Rupert Friend), he tells her she should find a husband who will play the game of political intrigue with her, not for her. And she knows that he is someone she can trust.

It is very satisfying to see the young queen triumph over her enemies, especially the cruel bully who has dominated Victoria’s mother and hopes to rule as regent (Mark Strong). But it is even more satisfying to see her learn from her mistakes and especially to see her allowing herself to be vulnerable with Albert. She is not just a monarch but a young bride very much in love with her husband. Blunt is simply radiant and the film is stirring, touching, and inspiring.

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Based on a true story Biography Epic/Historical Romance

The Lovely Bones

Posted on April 19, 2010 at 6:25 pm

Peter Jackson, whose film versions of the “Lord of the Rings” trilogy could be a textbook example of how to adapt a literary work for screen, could find his latest film, “The Lovely Bones” as the example on the next page of how not to. His sincerity and artistry are there, but unlike Tolkien’s triology, Alice Sebold’s book-club favorite is not essentially cinematic. What made the book successful with critics and the public was not the story but the language. Jackson’s efforts to translate the graceful, lucid prose into images loses all of the story’s delicacy and becomes cloying and dissonant. Instead of a poetic meditation on life and the human spirit it becomes more like “CSI” if one of the detectives was dead.

As in the book, we know right from the beginning that Susie Salmon (Saoirse Ronan of “Atonement” and “I Could Never Be Your Woman”) is dead and telling us her story in a tone of calm, slightly distant regret. She was 14, the oldest daughter in a happy, loving family. She had a crush on a boy named Ray (Reece Ritchie). She and her father made meticulously constructed boats in bottles. And then, one night, walking home from school , a neighbor invites her to see a cool clubhouse he dug beneath the cornfields, filled with candles and snacks and board games. And he kills her.

In the movie’s best scene we and Susie both think that she has escaped the killer (Stanley Tucci) as she bursts out of the underground room and races through the streets. But then we realize just before she does that it is only her spirit that survives. Susie has been murdered. She will watch the rest of her story from a personal heaven, an in-between place for a soul that is not ready to let go.

But the lyricism of the book translates on screen into under-imagined images that look like stock photos used for screen savers or the discreet artwork of a mid-range hotel. Leafy trees, aquamarine skies, fluttering fields, and of course spa music (from Brian Eno) and quavery voice-overs.

Ronen is breathtaking, and Susan Sarandon adds some life as the boozy grandmother who steps in when the parents are devastated by Susie’s loss. The script softens the brutality of the story and irons out some of the sub-plots. But it gives us too much information about the less interesting parts of the story and not enough about what we really care about. But we are never sure whether we are there to see justice done or to put Susie’s soul to rest and by the time Susie meets up with her murderer’s other victims and returns to fulfill one last human longing, it feels more like a campfire ghost story than a meditation on love, loss and the enduring human spirit.

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Based on a book Crime Drama
Blessed is the Match: The Life and Death of Hannah Senesh

Blessed is the Match: The Life and Death of Hannah Senesh

Posted on April 19, 2010 at 3:57 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: Mild
Violence/ Scariness: Depiction of wartime and holocaust-related violence
Diversity Issues: A theme of the movie
Date Released to Theaters: 2009
Date Released to DVD: April 13, 2010
Amazon.com ASIN: B00366E1AU

Blessed Is the Match: The Life and Death of Hannah Senesh is a documentary about a woman of incalculable courage and honor. Senesh, an idealist who hoped to help create a Jewish state in Israel, escaped from Hungary to what was then British-controlled Palestine. Instead of staying where she was safe, she joined a mission to rescue Jews in her home country, the only military rescue mission for Jews during the Holocaust. She parachuted behind enemy lines, was captured, tortured and ultimately executed by a Nazi firing squad. The documentary features those who knew her, including Israeli President Shimon Peres, who knew Senesh as a young pioneer in the 1940s, and two of her fellow parachutists, Reuven Dafni and Surika Braverman, along with renowned historian Sir Martin Gilbert.

Senesh is a national heroine in Israel, where her story and her poetry is well-known. Many synagogues around the world sing a hymn with lyrics from one of her poems:

My God, My God, I pray that these things never end,
The sand and the sea,
The rustle of the waters,
Lightning of the Heavens,
The prayer of Man.

This is the last poem she wrote:

Blessed is the match consumed in kindling flame.
Blessed is the flame that burns in the secret fastness of the heart.
Blessed is the heart with strength to stop its beating for honor’s sake.
Blessed is the match consumed in kindling flame.

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Biography Documentary DVD/Blu-Ray Pick of the Week
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