Minions

Posted on July 9, 2015 at 5:16 pm

Copyright Dreamworks 2015
Copyright Dreamworks 2015

The Minions should pay a little less attention to villains and a little more to penguins. Like “Madagascar’s” penguins, “Despicable Me’s” yellow minions were comic relief characters who took the lead in follow-up features. But the Minions are not quite up to the level of their black and white counterparts. While “Penguins of Madagascar” was one of the funniest films for any age of last year, “Minions” is a reasonably diverting entertainment with some great visuals, some good ideas, and some missed opportunities. The Minions are an adorable concept, a cross between Oompa Loompas and marshmallow Peeps. But they speak in gibberish, which is more fun in smaller doses. And while this movie selects three of them out of the multitudes to be the focus of the adventure, their characters are not especially interesting and their personalities are not especially differentiated. The same is unfortunately true of most of the human characters as well.

And “Despicable Me” had Gru, and Gru had a nemesis to best, lessons to learn, and little girls to change his life. We miss that emotional and narrative heft in this film.

What we have instead is a cute origin story going back to the earliest life on Earth, with the minions evolving out of little yellow single-cell floating creatures. By the time they make it to land, their purpose has been established. They will seek out and support the greatest villains on the planet. But, the narrator (Geoffrey Rush) informs us, in tones suggesting a nature documentary, “Finding a boss was easy. Keeping one was not.” A T-Rex. An Egyptian Pharaoh. A vampire. Napoleon. They just don’t last, primarily because the Minions’ efforts to be helpful backfire. Almost literally.

The Minions retreat to the Arctic, and that takes care of a few more centuries. But they have no purpose. And so Kevin, Stuart, and Bob set off to find a new evil genius to support. It is 1968, and they arrive in New York City, to the sound of the Rolling Stones singing “19th Nervous Breakdown.” They find out that in pre-Disney Orlando, Florida, the upcoming Villain Con (cleverly modeled after Comic-Con) will give them a chance to meet the top bad guys of the world, especially superstar Scarlet Overkill (Sandra Bullock). They hitch a ride along the way with a smiling suburban family (Michael Keaton and Allison Janney), who turn out to have more in common with the Minions than expected. And, when they pass the test failed by all the other criminals, Scarlet takes them on and assigns them the crime of the century — she wants them to steal Queen Elizabeth’s crown. Scarlett’s husband, Herb (Jon Hamm) serves as Q, giving out the gadgets, and then it’s off to the Tower of London.

Individual moments are charming and funny, and baby boomers will appreciate the 60’s references and soundtrack, which should do for “Hair,” Hendrix, and Donovan what “Guardians of the Galaxy” did for 70’s rock. But a bedtime story about the three little pigs only reminds us more pointedly of how much better the “three little kittens” bedtime story was in the first film.

NOTE: Stay through the very end of the credits for a funny song and dance and some wow-worthy 3D effects.

Parents should know that this film has comic, cartoon-style peril and mayhem (no one hurt), weapons, explosions, chases, thong underwear, and brief potty humor.

Family discussion: How should you decide what your purpose is and why is that important? Can you understand the Minions even though they are not speaking English, and, if so, how? What made Scarlet so mean, and why do so many people admire her?

If you like this, try: the “Despicable Me” movies and “Megamind”

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3D Animation Comedy Fantasy For the Whole Family Series/Sequel

Self/Less

Posted on July 9, 2015 at 5:08 pm

B
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for sequences of violence, some sexuality, and language
Profanity: Some strong language
Alcohol/ Drugs: Drinking
Violence/ Scariness: Perils and violence, intense themes of encouraging people to die so that wealth people can live longer
Diversity Issues: Diverse characters
Date Released to Theaters: July 10, 2015
Copyright 2015 Endgame Entertainment
Copyright 2015 Endgame Entertainment

The longing for eternal life has inspired many stories, maybe most of them. What is creating a story itself if not a kind of search for immortality? Anne Rice created her series of books about vampires because the death of her young child made her imagine characters who would not die. The story of Orpheus and Eurydice, with a man entering Hades to bring back woman he loves, has been told in many forms, last year in the animated film “The Book of Life.” This year alone, films like “Ex Machina,” “Terminator Genisys,” “The Age of Adaline,” “The Moon and the Sun,” and this film, “Self/Less” are just some of the films that explore the idea of a consciousness that can survive a human lifespan.

In this case, there is a very rich man, still, near death, relishing the chance to demolish a young, ambitious competitor in as public and humiliating a fashion as he can devise. His name is Damian (Sir Ben Kingsley), and he lives in a Manhattan apartment of an opulence so gaudy it would make Marie Antoinette blush. Everything is covered in gold or marble except for the bubbling indoor fountain and the window with a view of Central Park. Damian has money and power. He also has a community activist daughter (“Downton Abbey’s” Michelle Dockery), presumably trying to prevent everything he is building, who is not speaking to him. He has a furious will to live, but his body is dying.

And then he gets a card with a phone number and a message that this could help. The impeccably elegant Dr. Albright (Matthew Goode of “The Good Wife” with his authentic British accent) offers a very pricy special service. For a quarter of a billion dollars, he will transfer a dying person’s consciousness to a fresh, new body.  And for that amount, you can bet it will be top quality.  Damian is going to come out of this process looking like Ryan Reynolds.

That’s pretty much like getting the keys to a Lamborghini.  So, of course first of all, Damian wants to take it out for a wild test drive, in the greatest city in America for living it up, New Orleans. We have almost as much fun as Damian does because director Tarsem Singh has a flair for striking, kinetic visuals and dynamic edits that make this part of the movie so vibrant we can feel the testosterone and adrenaline — and whatever other drug Dr. Albright is giving him — pounding through his system.

But Damien starts getting flashes of images and people he does not recognize. Are they hallucinations? Or are the memories of that handsome body breaking through? And if the memories can seep through into Damian’s consciousness, can the personality, the spirit, the feelings, the skills be there, too?

Singh is big on visuals but not much on storylines (“The Cell,” “The Fall,” “Mirror Mirror”). So, while this has more story than his previous films, it is still less than we are entitled to expect. You would have to be as impaired as Damian not to figure out what is happening, or to believe everything Dr. Albright says. But there are some nice twists, and some good fight scenes (Damian’s new body has mad skillz). And somewhere in there are some provocative concepts about life, death, memory, identity, and, well, karma.

Parents should know that this film has some violence, including shoot-outs, with characters injured and killed, and some disturbing themes about re-animating corpses and wiping memories. There are sexual references and situations, drinking, drugs, and some strong words.

Family discussion: Why does what Damian learns about the body make him think differently about what he has done? Who should decide how scientific discoveries like these are applied?

If you like this, try: some other films on this theme including “Seconds” with Rock Hudson, “Never Let Me Go” with Keira Knightley, and “All of Me” with Steve Martin and Lily Tomlin, and a very funny brief segment in the Woody Allen film, “Stardust Memories”

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Drama Fantasy Movies -- format Science-Fiction

Comic-Con 2105: Opening Night

Posted on July 9, 2015 at 1:16 am

The cutest items I saw on the Exhibition Hall this evening were these “Body Knockers” from famous movies. How many can you identify?

One of the highlights of Preview Night is an exclusive sneak peek at some of the upcoming television shows produced by Warner Brothers. They led off with a very sweet love note to Comic-Con from WB stars, each describing Comic-Con in three words.

The show I was most looking forward to was “Supergirl,” and it was everything I hoped. I loved Melissa Benoist as an everygirl who just happens to have superpowers, and it was a lot of fun to see her adoptive parents played by former Superman Dean Cain and former Supergirl Helen Slater. And Calista Flockhart as a boss right out of “Devil Wears Prada” was a hoot. I also really enjoyed “Lucifer,” inspired by Neil Gaiman’s Sandman comic and the spin-off by Mike Carey. Tom Ellis is deliciously nasty as the Prince of Darkness, who decided to take some time off and run a nightclub while thoroughly enjoying every one of the seven deadly sins, with special emphasis on one or two.

I have a full day of panels tomorrow, so stay tuned!

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Festivals Television

Batkid Begins

Posted on July 8, 2015 at 5:00 pm

B+
Lowest Recommended Age: 4th - 6th Grades
Copyright 2015 Warner Brothers
Copyright 2015 Warner Brothers

Children with cancer learn two things, we hear in this documentary about a boy who is being treated for leukemia. They learn how to fight. And, because they are surrounded by caregivers, they learn compassion.

When he was two, Miles crawled into bed with his parents, and they felt a lump under his jaw. It was cancer. As he endured treatment, he became fascinated with the old Adam West “Batman” series. He loved seeing Batman and Robin fight for justice. He loved the way they helped people in need. And he loved their costumes. Miles was a kid who really loved to dress up, especially in clothes that made him feel strong and powerful. And so, when he was five and feeling better, it was time for him to get a special treat from the Make-a-Wish people in San Francisco, the city closest to his home. Their goal was to do something that would “give him a bit of his childhood back.” Kids who have seen more pain, danger, fear, and loss than most adults can handle are given a chance to have a dream come true.  Some want to meet a celebrity or go to Disney World.  Miles wanted to be Batman.  And San Francisco Make-A-Wish chapter head Patricia Wilson was determined to make that happen.

We get to see a glimpse of a girl whose wish was to be a pop star.  Wilson arranged for about 200 people to be there to cheer her on.  She figured the same size crowd for Miles.  But something about the story caught on.  It captured the attention of the city and then the world.  They turned San Francisco into Gotham.  The real-life mayor and police chief taped messages ahead of time that would explain what kind of help they needed from Miles.  People flew in to cheer Miles on in person.  “Batman Begins” composer Hans Zimmer wrote him a special theme.  President Obama sent a Vine with his thanks.  Two billion people tuned in to be a part of it.  The idea of a simple act of kindness for a kid who wanted to be a superhero made a lot of people feel good about the world for a little while.  Everybody got a bit of childhood back, not because of what they got but because of what they gave.

Filmmaker Dana Nachman, who made the documentary after the story was over, shows us how it all came together.  Wilson called Eric Johnston, who is in real life pretty close to Batman without the anguish or the Wayne millions.  He is a stuntman and an inventor.  One of the sweetest parts of the film is the way he adores his wife, who gallantly volunteered to be the damsel in distress whose rescue would be the first of three deeds for Johnston as Batman and Miles as Batkid.  Then they would capture the Riddler in the midst of a bank robbery and rescue San Francisco Giants mascot Lou Seal, who had been taken hostage by The Penguin (Mike Jutan).  Creating each of these adventures, from the casting to the costumes, introduces us to some wonderful characters.  I especially loved the opera’s costume department, who pitched in on their own time to make sure the characters would look real.  Miles’ Batkid costume was donated by another child, whose father had created the costume for him.  Johnston took Miles to a rehearsal space for acrobats to get him comfortable with some simple stunts.  The manager had the brilliant idea of having all the regulars show up in superhero costumes.  Why wouldn’t Wonder Woman and The Flash come to the same place to work out and perfect their skills when they were not fighting crime?

She also shows us how the day unfolded, the plans that worked and the ones that didn’t.  Lou Seal almost didn’t make it because the crowds had become so massive he couldn’t get through.  And of course all day there were adjustments based on how Miles was doing.  At the beginning and end of the film we see an interview with Miles and his family.  Was it what they expected?  Miles’ parents both say, reasonably, that they were stunned and overwhelmed by how gigantic it all became. But Miles, taking it all in stride, just says, yep.  And there it is.  What gives him a piece of his childhood back is having something come together just the way he thought it should.  Making that happen, being a part of it, even seeing it in the film and cheering him on, is a reminder of how much magic we can create, and how important it is that we try.

Parents should know that this is a documentary about a child who is being treated for cancer and a program that provides services and special treats for critically ill children and their families.

Family discussion: What wish would you like to help come true? Why do sick kids learn more about compassion than kids who are not sick?

If you like this, try: the Adam West “Batman” series and the PBS documentary about cancer, “The Emperor of all Maladies”

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Documentary Movies -- format Stories About Kids
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