Off Camera: Keegan-Michael Key Interviewed by Sam Jones
Posted on June 4, 2016 at 1:52 pm
One of my favorite performers is interviewed by one of the most thoughtful questioners in the business: “Off Camera’s” Sam Jones talks to “Key and Peele’s” Keegan-Michael Key about excellence, courage, destiny, and why comedy improv has to work backwards, not forwards. I predict that his performance in the upcoming Mike Birbiglia film “Don’t think Twice” will help him be recognized as one of today’s most talented and versatile actors. And once again, Sam Jones shows that he is one of today’s most skillful interviewers, focusing on work, purpose, problem-solving, and option-assessing.
Julie Andrews has a new series for kid about the performing arts! I love that idea. STEM is important, of course, but the arts are what fuel the imagination and provide the satisfaction of creative expression. They also promote empathy and cooperation. Can’t wait for this!
Copyright Universal 2016 Andy Samberg, Akiva Schaffer, and Jorma Taccone are masters of the music video parody, and their SNL shorts “D*** in a Box,” “Jack Sparrow,” and “I’m on a Boat,” all featuring genuine music stars, followed the first true viral video, the classic “Lazy Sunday.” They are gifted at composing catchy hooks, writing silly lyrics, and nailing the music and look of genres from rap to pop to R&B. With appealing targets and a three-minute running time, they did very well. Now they’ve produced, written, and starred in a feature length parody of music documentaries with “Popstar: Never Stop Never Stopping.” So, instead of comparing them to the performers they take on with their video shorts, they are going up against films like “This is Spinal Tap” and “Walk Hard,” both of which managed the daunting challenge of being more over-the-top than the acts they were parodying. “Popstar” is pleasant enough, but does not quite meet that challenge, getting most of its energy and most of its laughs from an endless parade of celebrity cameos, mostly winking at the audience.
Samberg plays Conner, once part of a popular band called Style Boyz with his childhood friends Owen (Taccone) and Lawrence (Schaffer), and now a hugely successful solo performer known as Conner4Real. Owen is now reduced to serving as DJ. Taccone provides the film’s rare subtle charms, making Owen so endearing he deserves his own movie. On stage, he sits behind an impressive high-tech set-up, but as he explains in one of the film’s comic high points, everything is set up on his iPod, which also has room for the audio books he listens to on the road. He makes the best of his relegation to the sidelines, even when Conner decides that he should have to wear a huge, heavy electro helmet/mask that shoots a zillion-watt light beam out of the top, so powerful it could probably disrupt the navigation system of the space station.
Lawrence is furious with Conner for stealing the credit he felt he deserved for one of his biggest hits. He has retreated to a farm in Colorado, where he makes terrible wood carvings and broods about the unfairness of it all. That hit, by the way, in a shrewd jab at the recording industry and its fans, turns out to be a brief rap segment in a song by a superstar (a blink-and-you’ll-miss her Emma Stone). Connor tells us that most rap artists do catchphrases, but his innovation (actually Lawrence’s) was to do a lot of catchphrases.
Conner is, of course, dating a starlet (Imogen Poots) and decides to distract the press from the terrible reviews of his new album by proposing to her in a stunt that goes terribly wrong. When ticket sales for his tour lag, he brings on an opening act, an up-and-coming rapper (Chris Redd) who “All About Eve”-style begins as a fan and then starts to take over the show.
The trio gets able support from SNL veterans Tim Meadows, Maya Rudolph, and Joan Cusack, and there are some funny cutaways to a TMZ-style sleazy “news” organization, but at a brisk under-90 minute running time no one is on screen for very long. The musical numbers are hilarious and the film is never mean-spirited about its characters or the real-life celebrities it is parodying. And by the time you figure out a joke isn’t working, two more have gone by, the pace itself enough things bouncing along. It tries so hard to entertain you, it would be hard-hearted not to give in.
Parents should know that this film includes very explicit nudity, very strong and crude language, sexual references, some comic violence, drinking, and drugs.
Family discussion: What celebrities does this remind you of? Why did Conner decide he wanted someone to be honest with him?
If you like this, try: “This is Spinal Tap,” “Walk Hard,” “Gentle and Soft” (the brilliant Bill Hader/Fred Armison mockumentary about a 70’s soft rock duo) and the Lonely Island videos
Copyright 2016 New Line Cinema It’s all about the eyebrows. Emilia Clarke (“Game of Thrones”) has gamine-like “natural” eyebrows ideal for expressing wonder, hurt feelings, and enthusiasm, and Sam Claflin (“Hunger Games”) has circumflex-like eyebrows ideal for expressing skepticism, irony, and stoicism. All four eyebrows get an extensive workout in “Me Before You,” based on the international best-seller by JoJo Moyes about Louisa Clark (Clarke), a high-spirited, warm-hearted pixie of a girl, just laid off from her job behind the counter at a bakery, and Will Traynor (Claflin), a once-energetic, once-successful finance type from a wealthy family who is now paralyzed below the shoulders following an accident. Lou is hired by Will’s mother (the redoubtable Janet McTeer) as a “companion” for Will, a position that only exists in novels about warm-hearted young women sent to castles with names like Thornhill that have eligible but tortured men waiting to have their hearts warmed. Will has an Aussie aide who handles the icky physical stuff (Stephen Peacocke), so Lou is there to bring cheer to Will, who has no intention of being cheered. And did I mention he lives in a literal castle?
Lou’s family depends on her for money, because her father has been laid off (due, as we will find, to the financial engineering of Will’s one-time protege). And so she accepts the job with no real understanding of caring for a severely disabled person and stays in it even when he refuses to speak to her or to accept her many offers of a cup of tea. Ultimately, through a combination of ennui, frustration, and the impossibility of resisting the charm of Lou’s kindergarten teacher meets Lisa Frank and Hello Kitty-style attire, Will begins to thaw a little. The immense pressure of what he has lost inspires him to want more for her than she wants for herself, and he feels impelled to show her that, even with a castle in its midst, her little town cannot be enough for all she should want from life. Did I mention that his name is Traynor?
This is not a movie that leaves anything to the imagination. Just in case you were not sure of that, Lou’s boyfriend Patrick (one-time Neville Longbottom Matthew Lewis) is Will’s polar opposite, a fitness instructor and “motivational coach” who thinks a few more reps can solve any problem. And just in case that isn’t enough, there’s a brief encounter with the divine Joanna Lumley to spell it all out for Louisa and for us as well.
Okay, so no surprises here, especially if you’ve read the book. Bring a handkerchief, maybe two. But Clarke and Claflin have palpable chemistry, and we are no more able to resist Lou than Will is. As she takes him back out into the world, she thinks it is for him, but he knows it is for her, and we find that the real hero of the story is Will’s, well, will.
Parents should know that this film includes non-explicit sexual references and situation, mild language, severe injury and discussion of assisted death.
Family discussion: Should Will have changed his mind? What will Louisa do next?
If you like this, try: “Love Story” and “A Walk to Remember”
76% of parents admit to running out of storage on their phones from taking too many photos/videos of their kids
71% think Moms take more photos of their kids than Dads
Nearly 3 out of 5 parents (58%) say their child (age 0-3) was able to operate a touchscreen digital device by swiping before they learned to speak
57% think Moms share too many baby photos on social media (Facebook, Instagram, etc.)
Almost half (47%) of parents say their child (age 0-3) likes taking selfies
47% of parents share at least 1 photo/video on average of their child (age 0-3) per day, whereas 34% don’t share any
1 out of 3 parents (34% ) takes 1 video on average of their child (age 0-3) per day, whereas 13% of parents take 5+ videos on average of their child (age 0-3) per day
28% take 2 photos on average of their child (age 0-3) per day
Almost 1 out of 3 parents (28%) admits to taking substantially more photos of their first born than other children
22% of parents take 5+ photos on average of their child (age 0-3) per day
13% of parents take 5+ videos on average of their child (age 0-3) per day
Parents should be careful to make sure they are spending more time interacting with their children than taking pictures and videos of them — and that children learn about how to behave with people before they learn about how to interact with machines.
