Christian Films Have to Work as Films as Well as Faith

Posted on April 8, 2017 at 10:57 am

Mark Joseph writes in Relevant Magazine about the problem with self-categorized “faith-based” films. His films include “Max Rose” with Jerry Lewis and the touching “The Vessel.” Both films explore spiritual topics of meaning and intimacy without being explicitly Christian.

The answer to the same problem happening in film is not for filmmakers who have a deep faith to stop telling stories that reflect that faith or to water down the religious content of those stories but instead to strive to tell their stories in a manner that can be understood and followed even by those who don’t share their faith.

They must also resist the efforts of both their enemies in the mainstream and their “friends” who would effectively silence them in terms of having any meaningful impact on the mainstream entertainment culture and are even now attempting to create a Contemporary Christian film industry that will have as much impact as Christian rockers had on the mainstream music world in the ‘60s, ’70s and ’80s, which was almost none

“Secular filmmakers” have never accepted a cultural paradigm that would label their films “secular films” and those of us who loved Seinfeld can only be grateful that its creators didn’t accept the label “Jewish TV Show” and allow it to be broadcast exclusively on a “Jewish television network,” effectively cutting off access for non-Jewish American. In the same way, those who are animated by their Christian faith to make movies must say no to the faith-based marketers, reject attempts to hyphenate them and their work, reject efforts to show their movies in churches on a first-run basis, and only work with those film companies that will treat them as filmmakers who deserve to be given the chance to reach the widest audience possible with their work.

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Spiritual films
Tribute: Don Rickles

Tribute: Don Rickles

Posted on April 7, 2017 at 8:00 am

Copyright Disney 2014
Copyright Disney 2014
We mourn the loss of comedian/actor Don Rickles, who has died at age 90. He was one of the greatest stand-up comedians of all time, at the top of his profession for well over half a century. In the Washington Post, Matt Schudel wrote:

Mr. Rickles did not tell jokes with traditional punch lines, did not make topical comments about the news and did not use crude profanity. Every show was spontaneous, built largely around his caustic observations about members of the audience….Short, bald and stocky, Mr. Rickles walked on the stage “looking like a snapping turtle surfacing in a pond,” as a New Yorker profile put it in 2004. He glanced around the room at his prey. Overweight people, men accompanied by younger women, racial and ethnic minorities — all were subject to his relentless barrage of smart-aleck buckshot.

Mr. Rickles’s chief comedic weapons were exaggeration and ridicule, deployed in a rapid, sharp-tongued style that stacked one quip on top of another until audiences were helpless with laughter. He especially delighted in tweaking the rich and mighty and became renowned for his biting performances at celebrity roasts.

Rickles’ training as a dramatic actor was evident in his performance opposite Robert de Niro in “Casino.” In Pixar’s beloved “Toy Story” movies, he provided the voice for Mr. Potatohead. He was known for being as kind and loyal a friend off-stage as he was caustic and insulting on stage. His closest friend was a comedian whose style and persona could not be more different, Bob Newhart. May his memory be a blessing.

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Actors Tribute
Gifted

Gifted

Posted on April 6, 2017 at 5:37 pm

B
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for thematic elements, language and some suggestive material
Profanity: Some strong language
Alcohol/ Drugs: Alcohol, scenes in bar, smoking
Violence/ Scariness: References to sad death of parent, suicide
Diversity Issues: Diverse characters
Date Released to Theaters: April 7, 2017
Date Released to DVD: July 25, 2017
Mckenna Grace as “Mary Adler” and Chris Evans as “Frank Adler” in the film GIFTED. Photo by Wilson Webb. © 2016 Twentieth Century Fox Film Corporation All Rights Reserved.
Mckenna Grace as “Mary Adler” and Chris Evans as “Frank Adler” in the film GIFTED. Photo by Wilson Webb. © 2016 Twentieth Century Fox Film Corporation All Rights Reserved.

What does it mean to be “gifted?” Movies and television don’t do a very good job of portraying what it means to be cognitively advanced, and this one is not close to being realistic, with a first grader who reads up on the problems of the EU and can identify a missing minus sign in an equation several lines long. And she is adorably missing those top front teeth for a really long time when anyone who has ever been the family tooth fairy knows that the new ones come in pretty fast. What we learn from this is that the movie does not want to take any chance that you might need a reminder of how endearing it all is. Everything looks dipped in honey and the script is gooey, too, like a lesser Hallmark movie. But Chris Evans’ sensitive, deeply affecting performance and genuine chemistry with McKenna Grace as his brilliant niece are so honest that it captivates us anyway.

Evans is Frank, who repairs boats and lives with Mary (McKenna Grace) in a tiny apartment in Florida. They have an easy rapport and are completely at home with each other. Mary is also close to their neighbor Roberta (Octavia Spencer). Mary is cognitively advanced, very curious, sometimes impatient, and sometimes anxious due to her reading about the world economy. Frank has been teaching her at home, but she is about to start first grade at a public school because he wants her to be with other children and to be more of a child herself. “Try being a kid,” Frank tells her as she gets on the bus. He does not really think it is possible to “dumb her down into being a normal kid,” or that it would be the right thing to do if it was, but he would like her to have the chance to make friends with children her own age and learn how to play.

It does not take long for Mary’s new teacher, Bonnie (Jenny Slate) to figure out that Mary is truly gifted, after she has to take out her calculator to check Mary’s computations. Frank’s attempts to deflect her attention are unsuccessful, but Bonnie appreciates his commitment to trying to create some kind of normalcy around Mary. She also appreciates Frank. Though they both know it is not a good idea for Mary or for Bonnie’s job, they begin a relationship.

And then Evelyn (a nicely frosty Lindsay Duncan) shows up. She is Frank’s mother and Mary’s grandmother. She brings a laptop for Mary and a message for Frank: she wants Mary to get an education commensurate with her ability. “She’s not normal and treating her as such is negligence on a grand scale,” she says. We will learn more about why that matters so much to Evelyn and why Frank refuses when they take the custody fight to court.

Of course we know whose side we should root for and where it is all going. This movie has a lovable one-eyed cat, for goodness sake. But Evans and Grace have a little bit of magic that shines through.

Parents should know that there are some mature themes in this film including a custody battle, a sad parental death by suicide (off-screen) with some strong language, sexual references and a non-explicit situation, alcohol and cigarettes.

Family discussion: Would you like to be as smart as Mary? Why didn’t Mary’s mother want Evelyn to know what she had done?

If you like this, try: “Searching for Bobby Fischer” and “Little Man Tate” — and “Captain January” with Shirley Temple

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