Why Do Mega-Budget Movie Directors Make Small Films About Kids?

Posted on April 19, 2017 at 8:00 am

On Vulture, Kyle Buchanan has a fascinating column about three directors who took time off between blockbusters to make remarkably similar small budget films about gifted kids and their single parents. It is well worth reading in full.

Take “Gifted,” this week’s dramedy about a precocious child and the overwhelmed uncle (Chris Evans) who serves as her single parent. It’s directed by Marc Webb, who made the last two Amazing Spider-Man movies, but it’s not to be confused with June’s The Book of Henry, about another child genius and his single parent (Naomi Watts), which director Colin Trevorrow squeezed in between “Jurassic World” and his upcoming production of “Star Wars: Episode IX.” With his schedule so packed, Trevorrow had to abdicate the director’s chair on Jurassic World 2, a gig that went to spectacle-seller Juan Antonio Bayona … who just released his own precocious-child/single-parent movie, “A Monster Calls,” this past December….What’s prompting these similar small movies? To some degree, I expect the directors are treating them as penance: After you’ve neglected your family to fly around the world working on a giant blockbuster, what better way to work out your issues than with a film about a distracted parent reconnecting with a special child? That’s part of the reason that after directing two Iron Man movies, Jon Favreau made the much smaller Chef, where he stars as a single father who quits his fancy restaurant job to start paying attention to his precocious preteen. At the end of their cross-country adventure together, Favreau’s character goes back into the restaurant business a better man who’s informed by the time he’s spent with his son; so, too, has Favreau returned to tentpole filmmaking after his gap-year movie, only now he’s directing films like The Jungle Book and The Lion King that are explicitly made for families.

But I suspect there’s more to this trend than just personal catharsis. For as much as these directors think they’re trading one mode of filmmaking for another, in a way, they’re just toggling between two influential blockbusters: Instead of making Star Wars (literally, in Trevorrow’s case), they’re making E.T.

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Directors Understanding Media and Pop Culture

Opening This Week: “The Promise,” “The Lost City of Z” and “Born in China”

Posted on April 18, 2017 at 3:05 pm

Two films open this week that could be described as old-school, grand epics like those from the classic era of Hollywood. Both are based on true stories. “The Lost City of Z” (with Z pronounced “Zed,” as the British do), is based on the life of dashing explorer Percy Fawcett, who inspired many fictional characters, including Indiana Jones. “The Promise” stars Oscar Isaac and Christian Bale in a story inspired by the Armenian genocide in Turkey around the time of World War I.

Also this week: DisneyNature’s annual documentary for Earth Day, this one “Born in China,” featuring snow leopards, monkeys, and pandas.

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Opening This Week

Trailer: Step, Documentary on a Baltimore Step Team

Posted on April 18, 2017 at 8:00 am

“Step” documents the senior year of a girls’ high-school step dance team against the background of inner-city Baltimore. As each one tries to become the first in their families to attend college, the girls strive to make their dancing a success against the backdrop of social unrest in the troubled city.

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Trailers, Previews, and Clips

Fast and Furious and Movie Car Chases

Posted on April 17, 2017 at 3:35 pm

The release of the eighth “Fast and Furious” movie inspired Business Insider to come up with a list of the all-time greatest movie car chases. Some of my favorites are on the list, including the early Steven Spielberg movie, “Duel,” “Smokey and the Bandit,” “Drive,” “The French Connection,” “Bullitt,” and “Mad Max: Fury Road,” but I’d add “Children of Man.” And “Transporter” is still my favorite:

https://www.youtube.com/watch?v=6xewS5I4Eho

On the other hand, Matt Singer says that movie car chases have gone, well, downhill.

These days a really good car chase is almost as rare as a Talbot Lago Grand Sport. Even the films that routinely feature car action, like the Fast and Furious series, focus much more on outlandish CGI effects (like cars fighting with tanks or falling from the sky and jumping between skyscrapers) than one car pursuing another.

That’s the biggest reason the car chase has fallen from grace, particularly in Hollywood. The studio franchise economy in 2017 is predicated almost entirely on the supernatural, the superheroic, and the fantastic, all of which are created by computers. Great car chases, in contrast, are created by real people doing real things with real cars. Big Hollywood movies these days aren’t about real people; they’re about aliens and mutants and transforming robots and boss babies and super soldiers and Vin Diesel as an immortal warlock with earthquake powers.

He gives a bad example: “From Paris With Love.” (I agree — awful movie.) He says:

It’s nonstop cutaways to multiple close-ups, multiple angles of cars spinning, cameras spinning, and the shots are all fractions of a second. Modern taste for chaotic, hyperkinetic editing does not jive with car chases. Even if there was impressive driving going on here, you can’t tell. If you can’t tell what’s going on, it’s hard to care about what’s going on….The imperfections in The French Connection remind us that what Popeye Doyle’s doing in that chase is incredibly difficult. His car is bound by the rules of physics, which will only bend so far. Superhero and fantasy movies are about effortlessly breaking those same rules. And if you can break the rules effortlessly, why bother doing it the hard way?

For more on the cars in “Fate of the Furious,” including the Lamborghini with no snow tires being chased by a submarine over the ice, check out this article from the Florida Times-Union and IndieWire’s piece on the crazy self-driving car pile-up in New York City.

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Behind the Scenes Film History For Your Netflix Queue Movie History

Exclusive Clip: A Cowgirl’s Story with Bailee Madison

Posted on April 17, 2017 at 8:00 am

Bailee Madison produced and stars in A Cowgirl’s Story, as Dusty Rhodes, who goes to live with her grandfather (Pat Boone) while her parents, both soldiers, are deployed in Afghanistan. Because she is attending a new high school, Dusty makes friends with a group that includes Savannah (Chloe Lukasiak), a girl whose father also served in the Army. Dusty convinces her new friends to form an equestrian drill team, but when her mother’s helicopter is shot down in action and goes missing, Dusty’s faith is seriously tested. She must work together with her friends and grandfather to overcome her sorrow and unite the town for a higher cause. We are delighted to be able to share an exclusive clip from “A Cowgirl’s Story,” which is available this week on DVD.

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Trailers, Previews, and Clips
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