Clip: Aftermath with Arnold Schwarzenegger and Scoot McNairy
Posted on April 7, 2017 at 2:46 pm
Arnold Schwarzenegger and Scoot McNairy star in “Aftermath,” about two men linked by a tragic plane crash.
Posted on April 7, 2017 at 2:46 pm
Arnold Schwarzenegger and Scoot McNairy star in “Aftermath,” about two men linked by a tragic plane crash.
Posted on April 7, 2017 at 8:00 am
We mourn the loss of comedian/actor Don Rickles, who has died at age 90. He was one of the greatest stand-up comedians of all time, at the top of his profession for well over half a century. In the Washington Post, Matt Schudel wrote:
Mr. Rickles did not tell jokes with traditional punch lines, did not make topical comments about the news and did not use crude profanity. Every show was spontaneous, built largely around his caustic observations about members of the audience….Short, bald and stocky, Mr. Rickles walked on the stage “looking like a snapping turtle surfacing in a pond,” as a New Yorker profile put it in 2004. He glanced around the room at his prey. Overweight people, men accompanied by younger women, racial and ethnic minorities — all were subject to his relentless barrage of smart-aleck buckshot.
Mr. Rickles’s chief comedic weapons were exaggeration and ridicule, deployed in a rapid, sharp-tongued style that stacked one quip on top of another until audiences were helpless with laughter. He especially delighted in tweaking the rich and mighty and became renowned for his biting performances at celebrity roasts.
Rickles’ training as a dramatic actor was evident in his performance opposite Robert de Niro in “Casino.” In Pixar’s beloved “Toy Story” movies, he provided the voice for Mr. Potatohead. He was known for being as kind and loyal a friend off-stage as he was caustic and insulting on stage. His closest friend was a comedian whose style and persona could not be more different, Bob Newhart. May his memory be a blessing.
Posted on April 6, 2017 at 5:37 pm
BLowest Recommended Age: | Middle School |
MPAA Rating: | Rated PG-13 for thematic elements, language and some suggestive material |
Profanity: | Some strong language |
Alcohol/ Drugs: | Alcohol, scenes in bar, smoking |
Violence/ Scariness: | References to sad death of parent, suicide |
Diversity Issues: | Diverse characters |
Date Released to Theaters: | April 7, 2017 |
Date Released to DVD: | July 25, 2017 |
What does it mean to be “gifted?” Movies and television don’t do a very good job of portraying what it means to be cognitively advanced, and this one is not close to being realistic, with a first grader who reads up on the problems of the EU and can identify a missing minus sign in an equation several lines long. And she is adorably missing those top front teeth for a really long time when anyone who has ever been the family tooth fairy knows that the new ones come in pretty fast. What we learn from this is that the movie does not want to take any chance that you might need a reminder of how endearing it all is. Everything looks dipped in honey and the script is gooey, too, like a lesser Hallmark movie. But Chris Evans’ sensitive, deeply affecting performance and genuine chemistry with McKenna Grace as his brilliant niece are so honest that it captivates us anyway.
Evans is Frank, who repairs boats and lives with Mary (McKenna Grace) in a tiny apartment in Florida. They have an easy rapport and are completely at home with each other. Mary is also close to their neighbor Roberta (Octavia Spencer). Mary is cognitively advanced, very curious, sometimes impatient, and sometimes anxious due to her reading about the world economy. Frank has been teaching her at home, but she is about to start first grade at a public school because he wants her to be with other children and to be more of a child herself. “Try being a kid,” Frank tells her as she gets on the bus. He does not really think it is possible to “dumb her down into being a normal kid,” or that it would be the right thing to do if it was, but he would like her to have the chance to make friends with children her own age and learn how to play.
It does not take long for Mary’s new teacher, Bonnie (Jenny Slate) to figure out that Mary is truly gifted, after she has to take out her calculator to check Mary’s computations. Frank’s attempts to deflect her attention are unsuccessful, but Bonnie appreciates his commitment to trying to create some kind of normalcy around Mary. She also appreciates Frank. Though they both know it is not a good idea for Mary or for Bonnie’s job, they begin a relationship.
And then Evelyn (a nicely frosty Lindsay Duncan) shows up. She is Frank’s mother and Mary’s grandmother. She brings a laptop for Mary and a message for Frank: she wants Mary to get an education commensurate with her ability. “She’s not normal and treating her as such is negligence on a grand scale,” she says. We will learn more about why that matters so much to Evelyn and why Frank refuses when they take the custody fight to court.
Of course we know whose side we should root for and where it is all going. This movie has a lovable one-eyed cat, for goodness sake. But Evans and Grace have a little bit of magic that shines through.
Parents should know that there are some mature themes in this film including a custody battle, a sad parental death by suicide (off-screen) with some strong language, sexual references and a non-explicit situation, alcohol and cigarettes.
Family discussion: Would you like to be as smart as Mary? Why didn’t Mary’s mother want Evelyn to know what she had done?
If you like this, try: “Searching for Bobby Fischer” and “Little Man Tate” — and “Captain January” with Shirley Temple
Posted on April 6, 2017 at 5:31 pm
B-Lowest Recommended Age: | High School |
MPAA Rating: | Rated PG-13 for drug content, language and some suggestive material |
Profanity: | Some strong language |
Alcohol/ Drugs: | Alcohol |
Violence/ Scariness: | Mostly comic peril and violence, issues of aging and illness |
Diversity Issues: | Diverse characters |
Date Released to Theaters: | April 7, 2017 |
Date Released to DVD: | July 31, 2017 |
Oscar winners Morgan Freeman, Michael Caine, and Alan Arkin are such a dream team that we almost forget how weak this remake of the 1979 George Burns “Going in Style” is. It is always a pleasure to see these old pros, and in this heist story the real theft is every scene they are in from anyone else in the cast.
As in the original, which co-starred Art Carney and Lee Strasberg, it is the story of three old guys who rob a bank. This time, the script by Theodore Melfi (“St. Vincent,” “Hidden Figures”) leverages the post-financial meltdown Trump era animosity toward banks and big multi-national corporations that consider the pensions they promised their long-term employees as just another stream of revenue to redirect to investment bankers and CEOs. Joe (Caine), Willie (Freeman), and Albert (Alan Arkin) are not just proving that experience and wiliness will triumph over youth and overconfidence; they are a new version of Robin Hood, seeking justice for the little guys.
The men are all retirees from the same manufacturing company, which is moving all of its operations out of the United States and cancelling all pension plans. Joe, whose daughter and granddaughter (Joey King) live with him, has had to stop making the mortgage payments that tripled after his rate went up, and his home is in foreclosure. Willie’s dialysis is not enough any more and he will die if he does not get a new kidney. When Joe’s meeting at the bank about his mortgage is interrupted by a bank robbery, it looks like a way for him to solve his money problems.
The three leads give it their best, and there is simply nothing better than that. Their enjoyment in each other and in the chance to have some fun as the movie’s heroes is palpable. And it is a joy to see the still-lovely and very game Ann-Margret as a grocery store clerk with a crush on Al. “SNL’s” Kenan Thompson and Siobhan Fallon Hogan are bright spots, but the gifted Matt Dillon, Christopher Lloyd, Josh Pais, and Peter Serafinowicz (“Spy”) are vastly under-used in one-dimensional roles. This especially disappointing from director Zach Braff (“Garden State”) and screenwriter Theodore Melfi, who seem to think that their only choice here is to make a thinly imagined, tiresomely formulaic, numbingly predictable story. Topical references notwithstanding, the movie is more outdated than the 1979 original.
Parents should know that this film includes armed robberies, guns, serious illness, marijuana, drinking and drunkenness, some strong language, sexual references and non-explicit situations.
Family discussion: What did each man find the most persuasive reason to rob the bank? What was the most important advice they got?
If you like this, try: the original version with George Burns, Art Carney, and Lee Strasberg, and “Tower Heist”
Posted on April 6, 2017 at 5:21 pm
The Smurfs are back where they belong, in a fully-animated feature film that wisely gives up on the idea of trying to put them into the real live action world and even more wisely gives up on the brash and unfunny storylines that relied much too heavily on substituting “smurf” for various words. Better than that, “Smurfs: The Lost Village”creates a truly enchanted and enchanting world for the Smurfs, a candy-colored pastoral setting that is just right for the little blue creatures. And best of all, for the first time this is a Smurf story that engages with the ultimate existential dilemma of the Smurfs: why are all the male Smurfs given names that reflect their most salient attributes (Hefty, Clumsy, Brainy, Nosy, Painter, Table Eater, Therapist) while the lone female Smurf is only defined by her gender and called Smurfette? Does her lack of a more descriptive name mean that there is nothing special about her? And why aren’t there any other female Smurfs, anyway?
These questions will all be answered in a delightfully satisfying and beautifully designed film that will be enjoyed by long-time fans and newcomers. Those steeped in Smurfology know that Smurfette’s gender is not the most important difference that sets her apart from the other Smurfs in her village.
Smurfette (with the sweet, spunky voice of Demi Lovato) was not born a Smurf (if, indeed Smurfs are born). She was created out of clay by the Smurfs’ nemesis, the evil wizard Gargamel (delightfully voiced by Rainn Wilson), who wanted her to infiltrate the Smurfs so she could spy on them and create mistrust and jealousy. But she was turned into a real Smurf by the Smurf’s wise and benign leader, Papa Smurf (Mandy Patinkin). As this story begins, she is living happily in the Smurf community, though wistful at not having a (literally) defining characteristic. If her name does not tell her who she is, how will she and the boy Smurfs know?
As in most Smurf stories, the bad buy here is Gargamel, who as usual has an evil plan that involves capturing the Smurfs and extracting their magic to create a potion that will give him unlimited power. Smurfette discovers that there is another Smurf community, so she, Hefty (Joe Manganiello), Brainy (Danny Pudi), and Clumsy (Jack McBrayer) go on a journey to find it. The adventures along the way and the fun of getting acquainted with the Amazonian warriors of the lost village (including Julia Roberts as their leader) are whimsically imagined and a lot of fun, with bright, lively music and a sweet message of finding your own way and being a part of a community.
Parents should know that this film has some mild fantasy peril and violence, with no one badly injured. There is some mild language and brief potty humor.
Family discussion: If you were a Smurf, what would your name be? Which Smurf is your favorite and why?
If you like this, try: the Smurf cartoons and books and “Trolls”