In Defense of ‘Hangover 2’ (Spoiler Alert)

In Defense of ‘Hangover 2’ (Spoiler Alert)

Posted on June 3, 2011 at 3:31 pm

“Hangover 2” got slammed by the critics, with only a 35 percent positive rating on Rotten Tomatoes.  But I liked it.  I don’t usually comment on other critics’ reviews, but this time I think it is worth taking a moment because the very things that many critics didn’t like about the movie were the things I liked best.  Many critics complained that it was essentially a remake of the first, sticking closely to the same structure.  They saw that as a sign of lack of imagination or just cynical and lazy.  I thought it was very clever. In narrative terms, the repetition underscores an inevitability, almost a destiny for the characters that deepens the comedy with another layer.

Many critics thought the movie crossed the line from outrageous to offensive.  I had some problems with some of the material but overall I appreciated its willingness to go darker and more twisted than the first one.  I was less offended by the confident, beautiful trans stripper/hooker in the sequel than the idealized hooker/mom with a heart of gold in the first one.

Christopher Orr is one of my favorite critics — smart, knowledgable, funny, and a terrific writer.  I loved his review of  the “brutal hilarity” of “The Hangover 2.”  

Indeed, the comedy is not just black but noir–which is apt, given the formula to which Phillips has adhered so rigidly. The missing person, the seamy urban setting, the gradual accretion of clues: The Hangover films are, essentially, hard-boiled crime stories spun into comic depravity, heirs as surely to Hammett, Chandler, and Cain as they are to Apatow and the Farellys. This was central to the appeal of the first movie. Even as it found room for scenes with taser-happy schoolkids and Mike Tyson singing “In the Air Tonight,” there was an uncommon meticulousness to its structure: It succeeded not only as comedy but, in its way, as mystery.

I think that when characters like Phil (Bradley Cooper) and Stu (Ed Helms) or even Helms’ character in “Cedar Rapids” have some uncharacteristic acting out it should reveal something about their characters.  (I don’t think Alan’s behavior on drugs is very different from off drugs.)  It is fun to see how excruciating it can be for Phil and Ed to discover, slowly what they are capable of, but it is more satisfying to see them realize (even in a comedic way) that they need to integrate that with their notion of themselves.

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Commentary Spoiler Alert
A Death in the ‘Glee’ Family

A Death in the ‘Glee’ Family

Posted on May 18, 2011 at 6:00 pm

Spoiler Alert!  If you did not see “Glee” last night, wait to read this until you get a chance to watch it.

 

Last night, “Glee” reminded us that it can be more than a sometimes coy or campy fantasy with flashy musical numbers and flashier guest stars. The episode was titled “Funeral.” It included some powerhouse solos as members auditioned for a lead singing part in the upcoming Nationals. I especially loved Mercedes’ rendition of “Try a Little Tenderness.” That was a fitting lead-in to the rest of the show. Termagant Sue Sylvester (Jane Lynch) had one soft spot, her sister Jean, who had Down Syndrome. Jean’s death was devastating for Sue and Lynch was superb in showing us how the pain of her loss was real and genuine — but that she mourned in character, showing very little vulnerability. I was not expecting to be so moved, but the generosity of the Glee club in helping Sue pack up Jean’s things and the tenderness of the funeral, with decorations from Jean’s favorite movie, “Willy Wonka and the Chocolate Factory,” was beautifully done and their performance of “Pure Imagination” was exquisite.

Well played, “Glee.”

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Commentary Television
Half a Century of the ‘Vast Wasteland’

Half a Century of the ‘Vast Wasteland’

Posted on May 9, 2011 at 2:48 pm

Fifty years ago today, my dad, Newton Minow, the 35-year old Chairman of the Federal Communications Commission, spoke to the National Association of Broadcasters.  What he said was so ground-breaking and so resonant that it has been included in many collections of the best speeches of the 20th century.  It has also been used as an LSAT question, a “Who Wants to Be a Millionaire” answer, and, most memorably, as the inspiration for the name of the sinking ship on Gilligan’s Island.

Tonight, Dad will appear at the National Press Club with the current Chairman of the FCC, Julius Genachowski, to talk about the impact of the speech, the stunning revolution in media and technology over the past five decades, and what lies ahead.  If you’re not able to come, you can watch “From Wasteland to Broadband” on C-SPAN

Some tributes and commentaries on the anniversary:

Virginia Heffernan in the New York Times: Television’s Curse was Its Blessing

James Warren’s interview with Dad for the Chicago News Cooperative: Never Mind the ‘Vast Wasteland’ — Newton Minow Has More to Say

Bob Lerhman in Politico: Minow’s Whale of a Speech

Katie O’Brien on WBEZ: Is Television Still a Vast Wasteland?

James Fallows in The Atlantic: Worth Watching — Newton Minow 50 Years Later

Tony Mauro in Legal Times: 50 Years Later, Minow Reflects on ‘Vast Wasteland’ Speech

Jess Bravin in the Wall Street Journal: Vast Wasteland: Marking the 50th Anniversary

On the Media

KPCC

And my dad’s own views about the NAB conference and what happened afterward.

I am very, very proud of my wonderful parents, who have not only devoted their lives to healing the world, from the most individual, personal attention to the most monumental change (Dad helped to create and currently co-chairs the system of Presidential debates), but who set an example for my sisters and me of integrity, fairness, and dedication to family that will always inspire us to do better.

(more…)

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Commentary Television Understanding Media and Pop Culture

The Wrap Raps Another ‘White Summer’ from Hollywood

Posted on May 5, 2011 at 8:25 am

The Wrap notes that despite the record-smashing opening weekend for “Fast Five,” the rest of the summer movie line-up does not feature much ethnic diversity.

“‘Fast Five’ is a great example of Hollywood getting it right,” Craig Detweiler, professor of film history at Pepperdine University, told TheWrap. “Its multi-racial cast matches the multi-racial audience. The Rock and Vin Diesel reflect the browning of America, that there is more blurring across races and cultures than ever before. The box office take reflects that.”

But after that auspicious start, the summer derails quicker than one of Diesel’s sports cars. A quick scan of the major films hitting theaters over the next few months shows that Hollywood is about to flood the marketplace — again! — with four-quadrant fare almost exclusively by and starring the ever-shrinking white plurality.

I was pleased to see one of my favorite actors, Idris Elba of “The Wire” and “Daddy’s Little Girls,” in “Thor” (playing a character who is white in the comic books).  But The Wrap has it right:

Don’t look for anybody ethnic to save the world or make it safe for democracy in “The Green Lantern” or “Cowboys and Aliens.” For that matter, “X-Men: First Class” may preach inclusion, but its cast isn’t exactly a rainbow coalition.

 

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Commentary Understanding Media and Pop Culture

New Initiative to Support Staying in School

Posted on May 3, 2011 at 4:53 pm

The Corporation for Public Broadcasting has a new media initiative called “American Graduate: Let’s Make It Happen.”  Every year, more than 1 million students drop out of high school.  If that trend continues, over the next 10 years, it will cost the nation
more than $3 trillion in lost wages, productivity and taxes. Public television has done a great deal for preschoolers and early readers.  Now it will try to serve middle and high schoolers.  CPB has made a $.4 million grant to 20 public television stations in community “hubs” with the worst records for school dropouts, to raise awareness, coordinate action with community partners, and work directly with students, parents, teachers, mentors, volunteers and leaders to encourage teens to stay in school.  As many as 40 more markets will receive grants through the National Center for Media Engagement.  And The Bill & Melinda Gates Foundation, through support to CPB’s Teacher Town Halls and the StoryCorps National Teachers Initiative, will give teachers a way to share their perspectives and experiences with helping all students graduate high school prepared for college and careers.  Stay tuned for more information.

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Commentary Teenagers Television
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