Fast and Furious and Movie Car Chases

Posted on April 17, 2017 at 3:35 pm

The release of the eighth “Fast and Furious” movie inspired Business Insider to come up with a list of the all-time greatest movie car chases. Some of my favorites are on the list, including the early Steven Spielberg movie, “Duel,” “Smokey and the Bandit,” “Drive,” “The French Connection,” “Bullitt,” and “Mad Max: Fury Road,” but I’d add “Children of Man.” And “Transporter” is still my favorite:

https://www.youtube.com/watch?v=6xewS5I4Eho

On the other hand, Matt Singer says that movie car chases have gone, well, downhill.

These days a really good car chase is almost as rare as a Talbot Lago Grand Sport. Even the films that routinely feature car action, like the Fast and Furious series, focus much more on outlandish CGI effects (like cars fighting with tanks or falling from the sky and jumping between skyscrapers) than one car pursuing another.

That’s the biggest reason the car chase has fallen from grace, particularly in Hollywood. The studio franchise economy in 2017 is predicated almost entirely on the supernatural, the superheroic, and the fantastic, all of which are created by computers. Great car chases, in contrast, are created by real people doing real things with real cars. Big Hollywood movies these days aren’t about real people; they’re about aliens and mutants and transforming robots and boss babies and super soldiers and Vin Diesel as an immortal warlock with earthquake powers.

He gives a bad example: “From Paris With Love.” (I agree — awful movie.) He says:

It’s nonstop cutaways to multiple close-ups, multiple angles of cars spinning, cameras spinning, and the shots are all fractions of a second. Modern taste for chaotic, hyperkinetic editing does not jive with car chases. Even if there was impressive driving going on here, you can’t tell. If you can’t tell what’s going on, it’s hard to care about what’s going on….The imperfections in The French Connection remind us that what Popeye Doyle’s doing in that chase is incredibly difficult. His car is bound by the rules of physics, which will only bend so far. Superhero and fantasy movies are about effortlessly breaking those same rules. And if you can break the rules effortlessly, why bother doing it the hard way?

For more on the cars in “Fate of the Furious,” including the Lamborghini with no snow tires being chased by a submarine over the ice, check out this article from the Florida Times-Union and IndieWire’s piece on the crazy self-driving car pile-up in New York City.

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Movies for Easter

Posted on April 16, 2017 at 8:22 am

My gallery of Easter movies includes “Ben Hur,” several different movie versions of the life of Jesus, a couple of choices just for kids, and a classic musical named for a classic song, Irving Berlin’s “Easter Parade.” There’s something for every family celebrating this weekend.

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Where You’ve Seen Them Before: Cast of “Going in Style”

Where You’ve Seen Them Before: Cast of “Going in Style”

Posted on April 4, 2017 at 3:37 pm

Copyright 2017 Warner Brothers

The remake of “Going in Style,” like the original, is about a trio of retired men who rob a bank, with all three characters played by acting legends. This version stars Morgan Freeman, Michael Caine, and Alan Arkin, all Oscar-winners with decades of brilliant performances. And the co-star is one of my all-time favorites, Ann-Margret.

Morgan Freeman: Best remembered as Red in “The Shawshank Redemption,” Hoke in “Driving Miss Daisy,” and God in the “Bruce Almighty” and “Evan Almighty,” and the deep, rich-voiced narrator of films like “March of the Penguins,” Freeman won an Oscar for “Million Dollar Baby.”

Michael Caine: His breakthrough role was in 1966 as the ladies’ man title character in “Alfie,” and he has delivered iconic performances in everything from period drama (“The Man Who Would be King”) to literary adaptations (an Oscar-winning performance in “The Cider House Rules”) to Alfred in the Batman movies. His distinctive voice and Cockney accent have inspired many imitators.

Alan Arkin: He won an Oscar for playing a raunchy, drug-addicted grandfather in “Little Miss Sunshine,” and his other great performances include a confused Soviet submarine captain in “The Russians Are Coming! The Russians Are Coming!,” an isolated deaf man in “The Heart is a Lonely Hunter,” and a cynical Hollywood executive in “Argo.”

Ann-Margret: Her most iconic roles showcased her fiery hair, creamy skin, flashing turquoise eyes, gorgeous figure, seductive purr, and the unmatched energy and flair of her dancing, but she showed her ability with dramatic roles in “Carnal Knowledge” and the television film “Who Will Love My Children?”

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Critics Pay Tribute to a Guilty Pleasure: Ice Castles

Posted on March 29, 2017 at 7:47 pm

As part of rogerebert.com’s annual Women’s Week, three critics got together to pay tribute to one of their favorite films, the ice skating classic, Ice Castles.

Christy Lemire, Sheila O’Malley, and Susan Wloszczyna shared their memories of first seeing the film and acknowledged that despite its cheesiness and some uncomfortable elements, they can’t help loving it.

Released in 1978, it has disco-era signposts aplenty: Melissa Manchester’s unbridled rendition of Marvin Hamlisch and Carole Bayer Sager’s magical Oscar-nominated theme song, “Through the Eyes of Love,” then-It Boy Robby Benson as the hockey hotshot romantic interest and Dorothy Hamill-inspired wedge haircuts galore….

CHRISTY LEMIRE: “Ice Castles” has a really great, gritty sense of place that also keeps it from being teenage nonsense. That town feels so real and so insular. Are there actual bowling alley/ice rink combos in the world?

SHEILA O’MALLEY: I was going to mention that! I totally agree. She really comes from somewhere. It’s very real. The snow, the bowling alley, the frozen pond. A boyfriend who plays hockey. I really hope there are such combos. I’d love to visit. Especially if Colleen Dewhurst is running the show, sipping whiskey from a flask.

CHRISTY LEMIRE: She gives this film so much weight, so much emotional heft.

SHEILA O’MALLEY: She is acting her ASS off, if you’ll pardon the expression. She’s ferocious and filled with emotion and personal regrets and smoking butts and sneaking sips of whiskey at the hockey game. She’s awesome.

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Neglected Gem: What a Way to Go! with Shirley MacLaine, Paul Newman, and Dick van Dyke

Posted on March 18, 2017 at 8:00 am

I don’t know why “What a Way to Go!” is not considered a classic.  It is smart, colorful, and very funny, written by the people behind “Bells are Ringing” and with a once-in-a-lifetime all-star cast: Shirley MacLaine, Dick van Dyke, Dean Martin, Gene Kelly, Paul Newman, and Robert Mitchum.  Which one of those stars does she get romantically involved with?  All of them!  This is a movie about a woman who just wants a simple, happy life, but who accidentally keeps marrying men who become hugely successful.  Each marriage is portrayed in a different movie style.  Husband number one is hometown boy Dick van Dyke (seen as a silent movie farce), followed by American in Paris Paul Newman (arty French film), industrialist Robert Mitchum (opulent, big-budget glamorous Hollywood romance), and small-town song-and-dance man Gene Kelly (big Hollywood musical).  The costumes by Edith Head are wildly over the top.

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