Interview: Eran Kolirin, writer-director of “The Band’s Visit”

Posted on February 10, 2008 at 8:00 am

“The Band’s Visit” is a bittersweet story about isolation and connections. Israeli writer-director Eran Kolirin talked to me about the movie, his first feature film, which follows an Egyptian police band on their way to perform at an Arab cultural center in Israel who mistakenly end up in the wrong city, an isolated outpost where they have to spend the night.

Was there a true story that inspired this movie?

No, not at all. It began with the image of the main character, dressed in a very strict police uniform singing an Arabic song.

A very strict police uniform? That’s a good way to describe it. The image of those pale blue dress uniforms is so striking.

It was an aestheic decision. It is a movie of contraction most of the time. In the frame, in the picture, there is all this monochromatic scenery, and then there is a man who is totally the opposite.

Are the Egyptians in the movies played by Egyptian actors?

All of the actors are Israelis, but two are Israeli-Palestinian and one is descended from Iraqi Jews. Identity in Israel is very complex. My own family is seven generations in Jerusalem. Sasson Gabai, who plays the Lieutenant-colonel, the leader of the band is Jewish by religion, Israeli from his ID card, but comes from an Arab country so he has an Arab background. Saleh Bakri, who plays one of the other Egyptians is Israeli by nationality, Palestinian from his cultural identify, Arab also, and Muslim from religion.

Were there problems of communication or cultural or political clashes between the actors?

You get along fine when you work together.

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Interview

Andy’s Airplanes: Interview with John Pierre Francia

Posted on February 8, 2008 at 8:30 am

I spoke to producer/creater John Pierre Francia, who was inspired by his experience as a flight instructor to create a new DVD series about a boy who flies a different airplane to a new place every week, learning about geography, history, science and culture, and making new friends.

Andy’s Airplanes is a show and a company centered around a 8-year-old little boy. He is a sweet, loving character with a thirst for adventure and learning and he is kind. Everyone knows and loves Andy because he is interested in the places and people he finds. Most shows have the rude kid. We don’t have the kid with the bad attitude. Though we were told to have more conflict, we believe there’s enough natural conflict, in the logistical challenges he faces. It is enough to see him learn and have adventures. His best friend is Yaygrr, a black-footed ferret. He loves Andy and he’s the pratfall character, the one gets into trouble when he eats too much at the luau. Every time he’s on screen the kids light up.

In Episode 1, Andy flies to the USS Ronald Reagan and learns about aircraft carriers. He participates in a simulated dogfight. He loses pretty quickly to Angel, the admiral’s daughter, and they quickly become friends. Andy is not bothered by being beaten or by a strong girl. In another episode, Andy learns about Polynesian culture and volcanoes and meets Akele and teaches her how to fly. The series has very strong girl characters and there will be recurring roles. Andy might see Angel when he goes to other cities.

Each episiode ends with real kids from the place Andy goes. Our core audience is 2-8 but older kids love the real kids part.

We have a big reading and learning agenda for the series. Kids will learn true aviation principles. We will teach kids about navigation, and that will give them some strong math and science skills. Microsoft is creating a flight simulator plug-in for kids and it will be narrated, so they can fly Andy’s plane.

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Interview Movie Mom’s Top Picks for Families

Quotes of the Week: We Don’t Love Paris

Posted on February 8, 2008 at 7:10 am

I love to read other critics’ reviews. When movies are good, they’re very, very good, but when movies are bad, they’re better. Paris Hilton’s new movie, The Hottie & the Nottie at least inspired two of my favorite critics and gave them a chance to demonstrate their own insight and humor. Now that’s hot.
Jeanette Catsoulis in the New York Times:

One would think that after increasingly embarrassing forays into reality television, the Internet and the penitentiary, Paris Hilton might have taken a moment to reflect on her choices. Or perhaps not: with “The Hottie & the Nottie” Ms. Hilton proves yet again that introspection — not to mention shame — is as alien to her as a life without paparazzi. Custom designed for its smirking star (who is also an executive producer), this tasteless train wreck asks only that she preen and prance on cue.

Desson Thomson in the Washington Post:

“Hottie” could have been a witty, playful affair in which love is played up against beauty and Hilton’s larger-than-life presence is the inside joke at the heart of everything. But Nate’s quest to end up with Cristabel is as hopeless as Wile E. Coyote’s, forever chasing that elusive Road Runner. That he gets close enough even to befriend her is laughable. Like Nate, we are mere Notties. And we are supposed to feel oh-so privileged for getting to watch Paris through the glass.

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Quote of the Week

DVDs for kids and their families — enter now!

Posted on February 7, 2008 at 11:06 am

I have family-friendly DVDs to give away to the first ten people who send me an email at moviemom@moviemom.com and identify themselves as Beliefnet readers. If you let me know the ages and genders of your children, I’ll try to keep that in mind as I decide who gets what, but I can’t promise, especially for the last few who qualify. No need to send your address yet; I will notify all who win and get the info then. But as long as you are writing me anyway, let me know a little bit about the movies your families enjoy and what I can do to make this site more useful and entertaining for you. Thanks for visiting and I hope you win!

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Contests and Giveaways

Meeting with the Chairman of the Federal Communications Commission

Posted on February 6, 2008 at 4:50 pm

Yesterday I attended a meeting with Kevin Martin, Chairman of the Federal Communications Commission to talk about media and family issues. It was arranged by the Parents Television Council, which has been very active on issues of non-family-friendly content and especially on “cable choice,” unbundling of cable channels so that consumers can buy only the channels they want.

Chairman Martin spoke frankly to us about his views and his frustrations. He, too, believes that consumers should not be forced to pay for channels they do not want to watch. But there is so much money at stake that industry is pouring a lot of money into opposition and it is not likely that legislative proposals will get much support. He has some hope that at the local level, as communities select their cable providers, they may be able to insist on unbundling. The Chairman also looks to local communities to oppose the licenses of broadcast stations that do not meet their commitment to the public interest. He pointed out that local complaints led to the largest fine in the Commission’s history, $24 million paid by Univision for claiming that it had three hours of children’s programming when what they were airing was a Spanish language soap opera. He said that what he found even more outrageous was something over which the FCC had no authority. “Sesame Street,” originally created with government funding and broadcast at no charge over PBS stations, will be moving to cable on an exclusive basis when television goes all-digital next year. This also slows down the creation of an all-children’s public television channel because they will not have access to the content. The Chairman feels strongly that programming created with public money should not be able to sell exclusive rights to channels that are not available to everyone.

PTC’s Tim Winter commented on the meeting and the issues he finds important.


PTC has pioneered activism that holds advertisers accountable for the programs they sponsor, and their website has a lot of very useful informtation about television programs and policy initiatives.

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