Jen Chaney’s Top Holiday Television Episodes

Posted on December 22, 2008 at 7:00 pm

The Washington Post’s always-delightful Jen Chaney wrote about her favorite television series holiday episodes from “Seinfeld” and “South Park” to “Moonlighting” and “The O.C.”
Be sure to take a look as the column includes some great clips.

I remember the great “Dick Van Dyke Show” Christmas episode, with the gang putting on a show.

“Mad About You” had a sweet Christmas flashback as its main characters met in late December and had their first real talk at a Christmas party. “Barney Miller” had its own bittersweet take because no one — cop, victim, or suspect — wanted to be in the police station on Christmas. Especially Santa, who is there because he got mugged. The episode is available on Hulu along with other classic television show Christmas episodes from shows like “Chicago Hope,” “American Dad,” “House,” “Silver Spoons,” “Adam-12,” “The Bob Newhart Show,” and “Welcome Back, Kotter.”

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Holidays Television

Christmas Specials and Jewish Children

Posted on December 20, 2008 at 4:00 pm

December is a long month for Jewish parents. From the day after Thanksgiving until New Year’s Eve, America is completely saturated with Christmas and it can be very difficult to explain to small children why Santa seems to come to every house but theirs. Slate’s Dahlia Lithwick has a thoughtful essay on the fine distinctions drawn by some Jewish parents when it comes to cultural touchstones like “A Charlie Brown Christmas” and “Rudolph the Red-Nosed Reindeer.” The semiotic lines parents draw between “The Grinch” (universally allowed) and “The Night Before Christmas” (not so much) are as much a reflection of the complex balance between making sure children do not feel like outcasts and preserving their cultural and religious identity as it is a reflection on the differences in the programs. Lithwick finds that the controlling principle seems to come down in favor of the programs watched by the parents when they were children, back when their own parents were faced with the same difficult choices.

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Television Understanding Media and Pop Culture

Ruby

Posted on December 14, 2008 at 8:00 am

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Television viewers have been inspired and captivated by Sunday School teacher Ruby Gettinger, a woman who is putting her weight loss journey on television in a reality show. Once over 700 pounds, she is now down to 500 and sticking with her diet. A special episode of Ruby airs tonight at 8:00 PM ET/PT, in which Ruby turns to God and her congregation for support in her time of need.

Ruby at LocateTV.com

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Spiritual films Television

Golden Globe Nominations: Television

Posted on December 11, 2008 at 11:56 am

TELEVISION SERIES, DRAMA
* Dexter
* House
* In Treatment
* Mad Men
* True Blood
ACTRESS IN A TELEVISION SERIES, DRAMA
* Sally Field, Brothers & Sisters
* Mariska Hargitay, Law & Order: Special Victims Unit
* January Jones, Mad Men
* Anna Paquin, True Blood
* Kyra Sedgwick, The Closer
ACTOR IN A TELEVISION SERIES, DRAMA
* Gabriel Byrne, In Treatment
* Michael C. Hall, Dexter
* Jon Hamm, Mad Men
* Hugh Laurie, House
* Jonathan Rhys Meyers, The Tudors
TELEVISION SERIES, COMEDY OR MUSICAL
* 30 Rock
* Californication
* Entourage
* The Office
* Weeds
ACTRESS IN A TELEVISION SERIES, COMEDY OR MUSICAL
* Christina Applegate, Samantha Who?
* America Ferrera, Ugly Betty
* Tina Fey, 30 Rock
* Debra Messing, The Starter Wife
* Mary-Louise Parker, Weeds
ACTOR IN A TELEVISION SERIES, COMEDY OR MUSICAL
* Alec Baldwin, 30 Rock
* Steve Carell, The Office
* Kevin Connolly, Entourage
* David Duchovny, Californication
* Tony Shalhoub, Monk
MINISERIES OR MOTION PICTURE MADE FOR TELEVISION
* A Raisin in the Sun
* Bernard and Doris
* Cranford
* John Adams
* Recount
ACTRESS IN A MINISERIES OR MOTION PICTURE MADE FOR TELEVISION
* Judi Dench, Cranford
* Catherine Keener, An American Crime
* Laura Linney, John Adams
* Shirley MacLaine, Coco Chanel
* Susan Sarandon, Bernard and Doris
ACTOR IN A MINISERIES OR MOTION PICTURE MADE FOR TELEVISION
* Ralph Fiennes, Bernard and Doris
* Paul Giamatti, John Adams
* Kevin Spacey, Recount
* Kiefer Sutherland, 24: Redemption
* Tom Wilkinson, Recount
ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINISERIES OR MOTION PICTURE MADE FOR TELEVISION
* Eileen Atkins, Cranford
* Laura Dern, Recount
* Melissa George, In Treatment
* Rachel Griffiths, Brothers & Sisters
* Dianne Wiest, In Treatment
ACTOR IN A SUPPORTING ROLE IN A SERIES, MINISERIES OR MOTION PICTURE MADE FOR TELEVISION
* Neil Patrick Harris, How I Met Your Mother
* Denis Leary, Recount
* Jeremy Piven, Entourage
* Blair Underwood, In Treatment
* Tom Wilkinson, John Adams

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Awards Television

Interview: Leverage

Posted on December 6, 2008 at 8:00 am

Leverage” is old-fashioned entertainment, a little bit “Mission Impossible,” a little bit “A-Team,” a touch of “It Takes a Thief,” and a lot of fun. It premieres tomorrow night on TNT at 10/9 Central.

Tim Hutton plays Nathan Ford, a former top insurance investigator turned agent of justice, who has assembled a crack team of experts who can turn the tables on any bully or big shot. It plays into the audience’s fantasies about the ability to use all kinds of cool skills, from breaking and entering secured locations via bungee cord or breaking and entering secured data banks and computer systems via hacking. And of course each of the characters has some attitude and some issues along with the skills. I spoke to producer Dean Devlin (“Independence Day”), who created the series, and Aldis Hodge, who plays Alex, the team’s master tech guy.

One of my favorite parts of the pilot episode was the scene filmed in Chicago’s magnificent Millennium Park. How did that come about?

Devlin: When Barack Obama gave his acceptance speech we were all watching it together and going “Hey! That’s where we shot the scene!” When I was young I worked on a film my dad made in Chicago called “My Bodyguard.” I always wanted to go back. We were filming there and had a scene that was supposed to be set in an intersection, but when we saw Millennium Park we had to move it there. It is such a great space. We shot the pilot in Chicago and the rest in LA but we go everywhere in the show.

I liked your episode about the disabled Iraqi war veteran.

Devlin: The actor is a real Iraqi war veteran, stoplossed for years of duty. His manager also manages my wife and James Franco and he said, “I have the real guy.” He was great in the role. I think he will be very successful as an actor.

How did this series come about?

Devlin: I created The Librarian for TNT and when we finished the second one, they asked, “When do I get a series out of you?” I immediately told them I wanted something not heavy, dark, cold, and procedural, which is what we have a lot of on TV right now. I wanted to do very smart, mainstream con stories like “The Hot Rock” and the original “Oceans 11.” I always wanted to do a show about high tech thieves who become modern day Robin Hoods. Coincidentally, John Rogers, who is a top writer, said he was thinking of doing something like those kinds of shows, too.

Aldis, you play a member of a team where everyone has skills that almost amount to a super-power. Which are the most important?

Hodge: One thing I’ve learned is that every skill gets used equally, On some shows some are more necessary than others but everybody is vital. Beth’s character (the fearless, athletic break-in artist) is absolutely crazy. She will jump off any building any time. You also have to have the classic grifter, someone who can convince anybody of her reality. And Eliot (expert in defense and hand to hand combat played by Christian Kane) saves me many times.

How are your tech skills?

Hodge: I can type. I can also do graphic design, art and architecture, super geek, but don’t know how to hack into anyone else’s computer.

Devlin: We hired Apollo Robins to teach us how to be thieves, not just how to steal but to think like a thief. It was so much fun. When he came in everyone would be holding their wrists or checking their wallets, and you could see the actors react start to adopt the pattern of thinking. Beth was the best at pick pocketing. If we don’t get picked up, she has a new career.

This was your first time directing, right? How did you like it?

Devlin: It was an absolute ball. The trick is to surround yourself with good people. We had one of the best scripts ever, an amazingly talented cast, talented director of photography, a phenomenal editor. So all I had to do was say, “Okay, do it again!” “Are we done?” “Can I go home?” “Thank you!”

What did you look for in assembling the cast?
Devlin: Talent! Well, you might say, duh, but these days it is against the trend. More often they want to know who had a sex tape and is really famous. Celebrity has trumped talent. But Michael Wright from TNT is a former actor and I am a former actor and we know what matters is who can act.

We needed people who were going to be outstanding. I had someone else in mind for the role, but the agent kept saying, “You should see this kid.” He knocked it out of the park, really redefined the character for me. And he got the word that he had the part on his 21st birthday.

What was your idea of the character that was so different?

Hodge: I didn’t see him as a geek, He is a nerd, don’t get me wrong, but I didn’t see the general geek outlook, to me he was just a person not a character. What I wanted to show was that he loves his job and he loves his life.

You certainly see that in the brief flashback showing him living it up on Mick Jagger’s credit card!

Devlin: Yes, and a shout-out to George Lucas, who gave us permission to put the girls in the “Star Wars” costumes!

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Interview Television
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