Coming Out on The Simpsons — Inspired by the Writer’s Son

Coming Out on The Simpsons — Inspired by the Writer’s Son

Posted on April 3, 2016 at 3:58 pm

Copyright Fox 2016
Copyright Fox 2016

Tonight’s episode of “The Simpsons” was inspired by writer Rob LaZebnik’s son, who is gay. There have been indications over the years that Waylon Smithers, the loyal assistant to Homer’s boss Mr. Burns, is gay. The New York Post reports that the episode is inspired by the son of the man who wrote it.

Copyright Fox 2016
Copyright Fox 2016
Smithers is coming out tonight but fans of the series will not be surprised.

When Waylon Smithers Jr. finally comes out Sunday night after 27 years in the closet on “The Simpsons,” he won’t be the only one celebrating.

Longtime show writer Rob LaZebnik tells The Post he penned the episode in support of his own 21-year-old son, Johnny, who is gay.

“I am a Midwestern guy, so I don’t tend to wear my emotions on my sleeve, but I thought, ‘What better way to tell my son I love him than to write a cartoon about it?’ ” says Rob.

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Interview: James Younger on the New Series “The Story of God”

Interview: James Younger on the New Series “The Story of God”

Posted on March 29, 2016 at 3:55 pm

James Younger is executive producer of the new Morgan Freeman series, “The Story of God,” which premieres this Sunday, April 3, 2016. It was a pleasure to speak to him about the challenges of taking on such a complicated and sensitive topic.

You really took on quite an ambitious project!

It was a monumental undertaking to try to cover all the faiths of the world and 10,000 years of history and do it all in the space of just nine months from start to finish was a pretty heavy task but we certainly did a pretty good job. I’m very happy with what we did and clearly we could have done an awful lot more.

Where did the idea begin?

Morgan Freeman and his producing partner Lori McCreary had been working together for many years with their own production company and they were in Istanbul about seven years ago at the Hagia Sophia which is a museum, one of the oldest churches in the world and then it became a mosque. And they were looking up at the decoration of the mosaic on the wall and they were like, “This is a mosque and how can there be all these images of Jesus and the virgin birth and miracles?” And there was a tour guide who told them, “Oh no at this time it was accepted and Jesus was a prophet in Islam. So it’s part of the story.” And their reaction to that was, “Well wow, we think of ourselves as fairly educated and enlightened people and we have an interest in religion and faith and the fact that we don’t know that Jesus is a prophet in Islam is shocking. Just imagine what else we don’t know.” I’d been working with them on this series called Through The Wormhole, which is a kind of a scientific exploration of the big questions of existence: why we’re here, where we came from, what happens when we die. We realized we could make a show in a similar vein: let’s ask big questions but not from the point of view of science but from the point of view of faith and see how different faiths answer those questions.

What did you do to try to reach out to the different faith communities to make sure that you were being sensitive to their concerns?

We involved different faith communities from the beginning. We had ideas historically and anthropologically and culturally on how we would try to divide up this series but we had advisors from all the major faiths with us the whole time in the process. So when we would write a script for treatment or shooting plan we made sure we got feedback and if we made a mistake like, “Oh no this is not really how Islam sees the apocalypse” or “This isn’t how Buddhism understands enlightenment,” we would make sure to correct that. And we involved various faiths along the whole process so that they would see rough cuts and give notes so that’s one aspect.

Then the other aspect is we never tried to pit faith and religion against one another like, “Oh, this is how this faith answers life after death, and this is how this does it, which one is the better answer? Which one is more correct?” We never do that. We are just asking questions and showing people the differences between religious viewpoints but at the same time showing people the similarities between them.

What did you find to be the sort of the universal ideas and what were the ones where there was the most disparity?

Certainly there’s a lot of similarities in this idea of the afterlife. That somehow what happens to us after death is important as it relates to life, people who are living now. I would say you look at the ancient Egyptians, you look Aztecs, they all believed that there’s some power that comes from the dead. And when people die there is something left over, like the idea of the soul or something which is connected to something eternal, divine. That’s kind of a universal aspect. So that was really unifying, the idea that there’s something more to life that’s just physical form of life.

In what way are they the most different? I would say probably the most different is and this is not really different between all religions but between some is that this idea of apocalypse and the end of the world. The idea of the apocalypse, this idea of the Day of Judgment, this thunderbolt, lightning, the destruction of the world is really uniquely Abrahamic. It is from this Jewish, Christian, Islamic and actually originally Zoroastrianism, that’s a very much a belief that came out of the Middle East around 2000 years ago. You don’t find that in Hinduism, you don’t find that in Buddhism you don’t find that in not the Navajo religion, you don’t find this idea of like this one mindset like there’s something wrong with the world there is an injustice that can’t be righted but it will be righted a specific day when God will intervene and save the righteous. That’s probably the biggest separation between faiths.

There is also the question of free will, whether everything is predetermined. That is something that ancient Romans believed, that your faith is entirely in the hands of God and everything could be the result of divine intervention, every coin toss that you make is going to be determined by somebody else. In the Christian faith and Western tradition there is more of a sense of free will, that we have a choice in what we do. You may be judged for what you do, but you do have that choice.

What about the visual depictions of God. Of course some religions don’t have any like of the ones that do, what were some of the most interesting?

Copyright 2016 National Geographic
Copyright 2016 National Geographic

Well the obvious thing to think about there is that Hinduism, there was a religion where there are as many as 330 million gods. That is so different from Western idea of God, God is this kind of divine almost space less energy. In Islam and Judaism God literally has no form, He is invisible, He has no human form. In Christianity there is a human form to God in the person of Jesus but still there is this idea that God is the sun beams coming down from the sky, right? And in Hinduism you have the all the statues of idols of gods and people worship them and you think it is completely different but when you look into it a bit more it’s not. In a way these statues are proxies for God and different aspects of the divine and even Hindus believe that there is behind the different gods that they pray to a universal divine energy which is called Brahman. And Brahman is a kind of divine eternal energy that spreads into all the gods and it becomes a bit like the Saints of Catholicism, you have a God but then you pray to a Saint for specific intervention and so there is similarity even there.

Tell me a little bit about the logistics. You traveled quite a bit to make this series. What were some of the most difficult locations?

We traveled to seven countries. Many cities we had to fly to by helicopter. We went to the middle of the Guatemalan Rainforest to see the remains of this 2000 year old Mayan city called El Mirador. We went to Israel in the middle of a period of violence, so we couldn’t go to the Arab Quarter, and that was very challenging. We also got kicked out of the Church of Holy Sepulchre when we were filming there, in Jerusalem. We got into a little trouble when we went into an area that we weren’t supposed to. But anyway we worked it out and we got back and we finished up the shoot. And India was just challenging, filming on these narrow lanes of Tirupati by the Ganges, a very sacred ancient city in India. Logistically moving with Morgan and our camera crew down these tiny lanes literally five feet wide with cows and mopeds and dead bodies and scores of people going to past you. It was very challenging to film there.

I was a little surprised but really intrigued and interested in the first chapter that you visited with Martine Rothblatt and Bina Aspen to explore the non-religious idea of eternal life via computer.

This idea of life after death is just one idea where all the advances that are happening in computation and neuroscience really actually can change the landscape there and raise the idea: could it be possible to keep the essence of somebody alive after they die? We choose them because they have Bina48 which is a fantastic robot facsimile of Bina with thoughts, emotions, and memory and they wanted to just talk to them about whether they think that life after death might be possible.

And would you say that this program is for believers, non-believers, or those who are seeking answers?

It’s for everybody. It’s for everybody who wants to know more about other people’s faith traditions, for non-believers to understand people’s faith, to people of faith to understand other faiths, to even understand what non-believers think. It’s for anyone who has a open mind and wants to know more.

The Story of God with Morgan Freeman Season 1 on DVD January 10, 2017 and Season 2 premiers on National Geographic, January 16th.

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On HBO: A Tribute to Nora Ephron From Her Son

On HBO: A Tribute to Nora Ephron From Her Son

Posted on March 21, 2016 at 3:03 pm

“Everything is Copy,” the documentary about Nora Ephron by her son, premieres tonight at 9:00 on HBO. Ephron was the daughter of Hollywood screenwriters Phoebe and Henry Ephron (“Desk Set”), who named her after Ibsen’s famous heroine of “A Doll’s House” and based their hit Broadway comedy “Take Her, She’s Mine” on the challenges of raising Nora and her sisters. Nora Ephron began as a journalist, and her collected essays about women and media are witty, self-deprecating, and fiercely funny. She often quoted what her brilliant but difficult mother told her as she was dying:”Take notes.” Her parents taught her that everything was material for her writing, and her first novel, Heartburn is the bittersweet, but fiercely funny of her marriage and humiliating break-up with Watergate reporter Carl Bernstein, the second of three writers she married. She wrote the screenplay for the film, directed by Mike Nichols and starring Meryl Streep and Jack Nicholson.

She also co-wrote the screenplay for “Silkwood,” also directed by Nichols and starring Streep, and then went on to write iconic films like When Harry Met Sally…, and she wrote and directed Sleepless in SeattleYou’ve Got Mail, and Julie & Julia.

I’m a big fan of her film with Rick Moranis and Steve Martin, My Blue Heaven, a comedy about a long-time crook in the witness protection program, and I think it is very funny that it came out around the same time as “Goodfellas,” a brilliant drama about a crook in the witness protection program, based on a book by Ephron’s third husband, Nicholas Pileggi. Everything is copy, indeed.

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“The Passion” — Tonight on Fox

Posted on March 20, 2016 at 2:55 pm

https://www.youtube.com/watch?v=owOr6zDP8rM

Tonight on Fox (and later streaming on Netflix) “The Passion,” the story of the crucifixion and resurrection, told with contemporary music, musical stars, and a parade of 1000 through the streets of New Orleans. Tyler Perry hosts and narrates the story, and the cast includes Trisha Yearwood as Mary, Chris Daughtry as Judas, and “Telenovela’s” Jencarlos Canela as Jesus.

https://www.youtube.com/watch?v=GSbDnVs6oHE
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Interview: Dayton Duncan on “The National Parks: America’s Best Idea”

Interview: Dayton Duncan on “The National Parks: America’s Best Idea”

Posted on March 11, 2016 at 3:36 pm

In honor of the 100th anniversary of the National Parks Service, PBS and all affiliate stations will rebroadcast The National Parks: America’s Best Idea April 25-30. 2016. The six-episode series was produced by Ken Burns and Dayton Duncan and written by Dayton Duncan. It was filmed over the course of more than six years at some of nature’s most spectacular places, from Acadia to Yosemite, Yellowstone to the Grand Canyon, the Everglades of Florida to the Gates of the Arctic in Alaska. Mr. Duncan is the author of twelve books, including Out West: A Journey Through Lewis & Clark’s America and Grass Roots: One Year in the Life of the New Hampshire Presidential Primary. SSeed of the Future: Yosemite and the Evolution of the National Park Idea is being released with the Yosemite Conservancy to commemorate the 150th anniversary of the park’s initial creation as a federal grant to the state of California. Mr. Duncan generously took time for an interview.

He told me about his unforgettable first trip to a national park.

I was not quite nine and it was the only real vacation my family ever took, back in the late 50s. I grew up in a little town in Iowa. Both of my parents worked so we didn’t really take vacations except that one summer. So it’s such a vivid memory. I can almost give you a day by day rundown of the places we went but they included the Badlands in South Dakota, Devils Tower, which is a national monument in Wyoming, the Little Bighorn Battlefield which is a national historic site in Montana and then we went to Yellowstone to the Grand Teton National Park, both of them in Wyoming, to Dinosaur National Monument. It was a great experience. My mom sort of lead me to believe that I was going to be instrumental in the planning of the trip and had me get out maps and write away write to different states for brochures and stuff and help to map out where we were going to go.

Basically we borrowed my grandmother’s car and some camping equipment from some family friends. We stayed in national parks because they were beautiful, because my mom thought they were important and also because they were affordable. I didn’t come back from that trip saying, “My life has been changed forever,” but as I look back on my life now as someone who has spent much of his adult life traveling the United States in pursuit of getting to know more about it, and someone who has written a lot about the history of United States but particularly the western part of United States, I can say it has. You know I can look back and think that that actually did change my life because at the time I didn’t say, I will end up being a writer, a filmmaker and one of those things that I’m fascinated in now is the land that we call the United States and our history and its interplay with that land. So I can’t help but think that that probably had something to do with it.

My mom wanted to broaden my sisters and my horizons and there is no question that I saw places that I hadn’t conceived of. It was 1959 and our car had broken down in the Black Hills, South Dakota which delayed us for two days otherwise we would have been in Yellowstone in the disastrous earthquake of 1959. In fact we would have been in the campsite outside of the park with the big flood when the dam broke. But while we were in Yellowstone there were still a number of aftershocks and not only did I see these geysers going off but felt the earthquake aftershocks two or three times. I saw my first moose, my first buffalo, all those kind of things. And 40 years later as a parent I took my children to those places and got to watch them see their first bison, their first moose.

The idea of national parks is original to the United States. Duncan says that the tension between those who want to preserve the parks and those who want to sell them over to private interests is not a new one.

The subtitle of our film says it is the best idea we ever had. We are quouting Wallace Stegner, the great writer and historian. At the core of that are two things that come from us as a people as a democracy. We are the first nation to have set aside the most extraordinary magnificent, some would say sacred parts of our landscape not for the exclusive use of kings and royalty or the rich and the well-connected but for everyone and forever.

The Declaration of Independence created our country as a nation. The creation of the national parks which no nation prior to us had ever done is in my belief a direct extension of the Declaration of Independence to the land, that is to say those things, every person is equal, that is what national parks does, too. That we all are owners and have equal access to these extraordinary places for our pursuit of happiness, however you want to define what pursuit of happiness might be. So that’s the thing that should be saved for everyone in the second part is in for all time. And in doing that that obviously like the idea of liberty itself, it’s always being contested, it’s always evolving and so far in our history has broadened. The Declaration of Independence said that all men are created equal, but if you ask the people who wrote that in 1776 they would’ve said, “Well, we mean all white men who owned property and had no debts are created equal.” Fortunately they didn’t write it in this way and our nation’s journey has been to redefine and broaden what that meant so that not just on men white men with property and no debts but then all white men were created equal, then we included African-American men and we included women and we still on that journey of expanding that and bringing true meaning to those inspiring words.

And in the national parks at first we were setting aside these sorts of logical oddities, the tallest waterfalls in North America the biggest trees on earth and the greatest collection of geysers on earth, those sort of things and we continue to broaden that to include important places in our history, both those places that we traced because they speak to the best of us and places now in our history that reminds us of mistakes that we have made. We’ve expanded the state parks not just for the scenery but that there to preserve nature itself. When Yellowstone was created in the 1872 as the world’s first national park, they had no concern about buffalo at the time, well as it turned out it became a refuge for the bison when they were nearly exterminated in our continent, the most magnificent animal that we have ever had I believe was down to about 24 in the national park and even there it took legislation and action by people to fully protect them and it saved them from going to extinction and now there are 7 million bison in the United States.

Slowly we came understand that these places served lots of different roles. The first director of the National Park Service 100 years ago. Stephen Mandel, called them “vast schoolrooms of Americanism,” by which he meant that when people go there they become prouder of their country and therefore better citizens. But what we have also learned in the last hundred years is they are best schoolrooms, period. They are great teaching places. They teach us about nature, they teach us about our interaction as human beings with nature, they teach us about our history and remind us of things that we need to be reminded of at different times. Alexis de Tocqueville said that Americans prefer the useful to the beautiful and we will always demand that the beautiful be made useful. And as John Muir said, “Nothing dollarable is safe.”

Americans are commercial and believe in individualism and all those things to sometimes an excessive degree. But at the same time what the parks remind us is that we are capable of something else, that we were capable in the 19th century which when as a nation we were in a mad dash across the continent trying to privatize everything that we could. In 1864, in the midst of the Civil War, Congress’s main duty for 100 years had been to give away or sell away the public domain but in Yosemite in 1864 they said, “No, we’re not going to do that here,” and they entrusted it to the state of California to protect it forever. And then in 1872 when the reports came about Yellowstone they said we’re going to do the same thing that we did in the Yosemite but wait a minute there is no state to give it to as Wyoming was still territory, so they created the world’s first national park and then discovered that that was a better model than the state and then eventually Yosemite became a national park like Yellowstone.

So the Grand Canyon was first proposed as a national park in 1880-something. Had Congress agreed to the proposal it would have been the world’s second national Park. But local interests in Arizona territory didn’t want it to be. They wanted it for commercial use, so they fought and stopped it and so it was proposed again and again turned down again and again. Theodore Roosevelt visited there as a president 1903 and on his very first visit there he said, “My advice of the people of Arizona is leave it as it is. The ages had been at work on it and man can only mar it.” They paid no attention to him.

Then with the tools of the thing called the Antiquities Act in 1908 he was able to set it aside as a national monument against the howls of protest of commercial and private, political interest in Arizona. It wasn’t until 1919 that the Grand Canyon was finally after very long and political fight was finally made into a national park. It’s about the most self-evident place that should be preserved as a national park as you could ever imagine but it took 30 plus years to make it so. So that’s part of the tension that is within us and within society. It has always been that way and it sometimes rises to a higher pitch and sometimes recedes a little bit. Right now we are in one of those higher moments when there seem to be a greater interest and political push to privatize what’s left of the public domain versus both protecting places like parks but also protecting places that might become national parks in the future. That’s just the political situation that we find ourselves in. Luckily and what I feel very profoundly is that that kind of impulse will kind of always be with us. There is always going to be somebody who is going to look down at Grand Canyon and see a river down there and say, “Boy, what a great place for a dam.” There’s going to always be somebody who is going to be looking at a beautiful valley like Yosemite and say, “Boy, what a great place for trophy homes,” and there’s always going to be somebody who will look at the mountainside and wonder if there are minerals inside of there, and see a grove of trees and try to figure out how many board feet of lumber could be gotten out there. That will always be with us.

The challenge for us as Americans is to recognize that we have to inspire each generation to be responsible for taking care of this legacy. Once it’s been ruined, it’s been ruined. So just because you created a national park doesn’t mean that you don’t have to always be vigilant and always be trying to bring forth the next generation who understand that and will treasure it and will have the political will to fight those other impulses that are part of the American character that might just spoil it. The imperative is to reach both young people and diverse populations and say,”This place belongs to you too. You are an equal co-owner of the most jaw-dropping Canyon on earth, you are a co-owner of these ancient and magnificent trees, you are co-owners of these geysers and custodians of these bison. Nothing converts you more to being a park advocate than actually visiting one.

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