Which Character Would You Like to Be?

Posted on December 19, 2008 at 12:00 pm

Entertainment Weekly asked its readers which movie character’s life they would like to have and got some wonderfully wide-ranging answers. Yes, some wanted to have lives with lots of money, lots of superpowers, and lots of smooching with very attractive co-stars. But some wanted the spectacular homes (two mentioned the house in “Practical Magic,” travels, or adventures of their characters. Some wanted to be characters in the Harry Potter series, there were a smattering of Twilight-lovers and superhero-wannabes. I was interested to see how many people answered with the movies that affected them most as teenagers — “Sixteen Candles,” “Ferris Beuller’s Day Off,” “Say Anything,” “Clueless.”
That’s the great pleasure of stories, isn’t it? The chance to live those lives in our fantasies. My dream home from the movies is the house on the water in “Rich in Love.” My dream superpowers might be the ones from “My Super Ex-Girlfriend.” But my dream significant other is the one I have — no movie dreamboat comes close!

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For Your Netflix Queue Understanding Media and Pop Culture

Are Romantic Comedies Bad for Real-Life Romance?

Posted on December 17, 2008 at 8:00 am

Do romantic comedies create and foster impossible expectations? Are women doomed to disappointment when no man can possibly measure up to Lloyd Dobbler (Say Anything), William Thacker (Notting Hill) or Joe Fox (You’ve Got Mail) — or Cary Grant in anything?

Researchers at the Family and Personal Relationships Laboratory at Heriot Watt University in Scotland have concluded that may be the problem. In a new paper about the influence of romantic movies on people’s expectations about relationships, the researchers studied 40 films released between 1995 and 2005 and found that they conveyed to those in the audience a sense that the best relationships achieved a level of understanding that did not require the kind of communication that is necessary for real-life relationships.

Dr. Bjarne Holmes, who led the research, said: “We are not being killjoys – we are not saying that people shouldn’t watch these movies. But we are saying that it would be helpful if people were more aware and more critical of the messages in these films. The problem is that while most of us know that the idea of a perfect relationship is unrealistic, some of us are still more influenced by media portrayals than we realize.”

There are related studies on romance novels and one by Holmes on couple-oriented sitcoms (“In search of my “one-and-only”: Romance-oriented media and beliefs in romantic relationship destiny”). And Holmes is now asking for participants for an online follow-up study.

I do not believe anyone takes or should take these studies any more seriously than they take relationship advice from Julia Roberts movies. In other words, both are fun and sometimes provocative and can even offer genuine insights that can help illuminate relationship issues — finding the courage to take a risk, making love the top priority of your life, valuing yourself enough to value others — but by definition, movies have to take short-cuts to indicate important passages in a relationship or we’d be there for weeks. That’s what a montage is all about — we see the couple splashing each other on the beach and marveling over the goodies at an outdoor market while some sprightly pop song plays on the soundtrack and we accept that they are in love; that doesn’t mean we expect that in our own lives. This goes back way before movies. Even Shakespeare had to save time by having his lovers fall for each other at first sight, though he at least had them describe it beautifully.

I would guess that there’s something of a chicken and egg problem here. Those audience members who are attracted to romantic comedies (especially some of the second-rate ones in this study) are likely to have more of a tendency to, well, romanticize. But if they are really paying attention, they will see that one of the most important messages in any romantic film is that the best way to see those movies is while sharing popcorn with someone you love — and that the best part is talking to that person about it afterward.

If you are careful in observing the lessons from movies and other great stories about love in books, plays, operas, songs, and even paintings, you can find a true soulmate who makes all of the relationship ups and downs into life’s greatest adventure, someone who laughs with you, listens to you, and inspires you, and still holds hands when you go to the movies after more than 30 years. I’ve been lucky enough to find someone who is all of that and more.

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Commentary Understanding Media and Pop Culture

What Can Barbie Teach Us About Judaism?

Posted on December 9, 2008 at 11:22 pm

What can the most successful doll on the planet show us about being Jewish today? A new film called The Tribe uses the story of the Jewish woman who created the Barbie and Ken dolls to explore the nature of identity for Jewish Americans. Actor Peter Coyote narrates the film, which “weaves together archival footage, graphics, animation, Barbie dioramas, and slam poetry to take audiences on an electric ride through the complex history of both the Barbie doll and the Jewish people- from Biblical times to present day.” It is a thought-provoking film that raises more questions than it answers and a good discussion-starter for middle- and high-schoolers. Curriculum guides for school and home use are also available.

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Understanding Media and Pop Culture

Jessica Alba ‘Enhanced’ for Campari

Posted on December 9, 2008 at 11:16 am

ALBA-large.jpgWhat kind of lunatic would try to improve on Jessica Alba? Apparently the folks at Campari felt that the beautifully curvy star was just a little too curvy and they retouched her photo to make her look slimmer.
It is just this kind of nonsense that sends a message of impossible standards to young girls and women. Anyone who thinks the retouched picture is more attractive than the original has a distorted idea of beauty and of reality — two concepts that did not used to be considered mutually exclusive.

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Advertising Understanding Media and Pop Culture

Broadcast Film Critics Announce Nominees

Posted on December 9, 2008 at 9:29 am

The Broadcast Film Critics Association is the group behind the Critics Choice Awards, the first awards broadcast of the year and the one that has recently been a good predictor of the Oscars. This morning we announced our nominees. As I consider my votes, your thoughts are welcome!
BEST PICTURE
Changeling
The Curious Case of Benjamin Button
The Dark Knight
Doubt
Frost/Nixon
Milk
The Reader
Slumdog Millionaire
Wall-E
The Wrestler
BEST ACTOR
Clint Eastwood – Gran Torino
Richard Jenkins – The Visitor
Frank Langella – Frost/Nixon
Sean Penn – Milk
Brad Pitt – The Curious Case of Benjamin Button
Mickey Rourke – The Wrestler
BEST ACTRESS
Kate Beckinsale – Nothing But the Truth
Cate Blanchett – The Curious Case of Benjamin Button
Anne Hathaway – Rachel Getting Married
Angelina Jolie – Changeling
Melissa Leo – Frozen River
Meryl Streep – Doubt
BEST SUPPORTING ACTOR
Josh Brolin – Milk
Robert Downey, Jr. – Tropic Thunder
Philip Seymour Hoffman – Doubt
Heath Ledger – The Dark Knight
James Franco – Milk
BEST SUPPORTING ACTRESS
Penelope Cruz – Vicky Cristina Barcelona
Viola Davis – Doubt
Vera Farmiga – Nothing But the Truth
Taraji P. Henson – The Curious Case of Benjamin Button
Marisa Tomei – The Wrestler
Kate Winslet – The Reader
BEST ACTING ENSEMBLE
The Curious Case of Benjamin Button
The Dark Knight
Doubt
Milk
Rachel Getting Married
BEST DIRECTOR
Danny Boyle – Slumdog Millionaire
David Fincher – The Curious Case of Benjamin Button
Ron Howard – Frost/Nixon
Christopher Nolan – The Dark Knight
Gus Van Sant – Milk
BEST WRITER (Original or Adapted Screenplay)
Simon Beaufoy – Slumdog Millionaire
Dustin Lance Black – Milk
Peter Morgan – Frost/Nixon
Eric Roth – The Curious Case of Benjamin Button
John Patrick Shanley – Doubt
BEST ANIMATED FEATURE
Bolt
Kung Fu Panda
Madagascar: Escape 2 Africa
Wall-E
Waltz With Bashir
BEST YOUNG ACTOR/ACTRESS (Under 21)
Dakota Fanning – The Secret Life of Bees
David Kross – The Reader
Dev Petal – Slumdog Millionaire
Brandon Walters – Australia
BEST ACTION MOVIE
The Dark Knight
Indiana Jones and the Kingdom of the Crystal Skull
Iron Man
Quantum of Solace
Wanted
BEST COMEDY MOVIE
Burn After Reading
Forgetting Sarah Marshall
Role Models
Tropic Thunder
Vicky Cristina Barcelona
BEST PICTURE MADE FOR TELEVISION
John Adams
Recount
Coco Chanel
BEST FOREIGN LANGUAGE FILM
A Christmas Tale
Gomorrah
I’ve Loved You So Long
Let the Right One In
Mongol
Waltz With Bashir
BEST DOCUMENTARY FEATURE
I.O.U.S.A.
Man On Wire
Roman Polanski: Wanted and Desired
Standard Operating Procedure
Young At Heart
BEST SONG
“Another Way to Die” (performed by Jack White and Alicia Keys, written by Jack White) – Quantum of Solace
“Down to Earth” (performed by Peter Gabriel, written by Peter Gabriel and Thomas Newman) – Wall-E
“I Thought I Lost You” (performed Miley Cyrus and John Travolta, written by Miley Cyrus and Jeffrey Steele) – Bolt
“Jaiho” (performed by Sukhwinder Singh, written by A.R. Rahman and Gulzar) – Slumdog Millionaire
“The Wrestler” (performed by Bruce Springsteen, written by Bruce Springsteen) – The Wrestler
BEST COMPOSER
Alexandre Desplat – The Curious Case of Benjamin Button
Clint Eastwood – Changeling
Danny Elfman – Milk
Hans Zimmer/James Newton Howard – The Dark Knight
A.R. Rahman – Slumdog Millionaire

(more…)

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Awards Understanding Media and Pop Culture
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