In the earliest days of Saturday Night Live it didn’t occur to Michaels, who of course created the show, that they would establish characters and bring them back for repeat sketches, with the conspicuous exception of The Bees, with the “Not Ready for Prime-Time Players” dressed in fat padded bee costumes that had been lying around.
Michaels said later he brought the bees back because the only note he got from network executives after the first show was: “Lose the bees.” So it was that SNL began, defying authority and ever-evolving as a showcase for the best and sometimes bravest American humor. It’s Comedy Mountain.
But what will make a triumph for Moore even more satisfying is that the 54-year-old actress, who has been nominated four times before with no Oscar to show for her efforts (and probably should have had a fifth nod for 2010’s “The Kids Are All Right”), is considered long overdue. She hasn’t even been in the race since 2002.
Meanwhile, 46-year-old Arquette — a member of a high-profile acting clan who made her film debut in 1987’s “A Nightmare on Elm Street 3” — has never gotten the recognition she deserves for her standout roles in such films as 1993’s “True Romance,” 1994’s “Ed Wood,” and 1996’s “Flirting With Disaster.” She has been better served as the star of the TV series “Medium,” which aired for seven seasons starting in 2005 and won her an Emmy.
As for Arquette’s role in “Boyhood,” in which she plays a devoted mother determined to better her position in life, it is essentially a lead and probably the most substantial showcase for her talent that she has ever had. That alone practically assures that she will not go away empty handed.
“Saturday Night Live,” once the brash upstart whose cast billed themselves as the “Not Ready for Prime Time Players” is now an established institution. Performers like John Belushi, Dan Aykroyd, Gilda Radner, Chevy Chase, Bill Murray, Al Franken, Eddie Murphy, Martin Short, Billy Crystal, Dana Carvey, Phil Hartman, Chris Farley, Mike Myers, Adam Sandler, Conan O’Brien, Chris Rock, Will Ferrell, Tracy Morgan, Jimmy Fallon, Tina Fey, Amy Poehler, Kristin Wiig, Seth Meyers, Fred Armisen, Bill Hader, Andy Samberg, and many more all had breakthrough performances as writers or members of the cast. Dozens of memes, characters, and catchphrases originating on the show have become a part of our culture.
SNL is celebrating its 40th anniversary with a book and a prime time TV special hosted by Eddie Murphy February 15, 2015, with many of the cast members and special guests including Sarah Palin, Kanye West, and Justin Timberlake.
Saturday Night Live: The Book includes over 2,300 images from SNL’s archives, many previously unpublished, an illustrated breakdown of the 6-day week at SNL through the years, with an expanded section for the live show, a seasons reference guide with complete cast, host, and musical guest lists, and an exclusive interview with founder and executive producer Lorne Michaels.
On October 11, 1975 at 11:30 p.m., NBC viewers who tuned in to the network’s new late night show saw a sketch featuring John Belushi repeating, in a thick foreign accent, nonsensical phrases about wolverines being read to him by head writer Michael O’Donohue. Abruptly, O’Donohue clutched his heart and collapsed onto the floor. Belushi paused, raised his eyebrow, and then did the same. Posing as the stage manager, Chevy Chase entered the set and feigned confusion before breaking character and announcing to the camera: “Live from New York, it’s Saturday Night!”
In that instant, television, which had long been out of touch with the young and hip, experienced the first seismic tremors of a major paradigm shift. TV comedy as we know it today owes it all to Saturday Night Live, the show that dared to take risks (not least the fact that it’s broadcast live), challenge the censors, and celebrate the work of offbeat writer-performers. Hundreds of gifted and dedicated people have contributed to Saturday Night Live over the years, and this book pays homage to their groundbreaking work. The list of esteemed alumni, most of whom were complete unknowns when they debuted on SNL, reads like a Who’s Who of the past 4 decades in comedy: John Belushi, Dan Aykroyd, Gilda Radner, Chevy Chase, Bill Murray, Al Franken, Eddie Murphy, Martin Short, Billy Crystal, Dana Carvey, Phil Hartman, Chris Farley, Mike Myers, Adam Sandler, Conan O’Brien, Chris Rock, Will Ferrell, Tracy Morgan, Jimmy Fallon, Tina Fey, Amy Poehler, Kristin Wiig, Seth Meyers, Fred Armisen, and Bill Hader—to name just a few.
Now, as SNL celebrates its 40th anniversary, Tashcen brings you the ultimate tribute to the show. To research this book, editor and author Alison Castle was given not only full access to SNL’s archives, but also the rare opportunity to watch the cast and crew at work. She spent the better part of season 39 in the trenches, learning how everything comes together in just six days for the live performance. Part encyclopedia and part behind-the-scenes tour, Saturday Night Live: The Book covers both the making of the show and its remarkable history.
Why We Love Jimmy Fallon’s Lip Synch Contests: Fallon, Ferrell, and Hart Perform “Drunk in Love,” “Let It Go,” “All of Me” (Plus Drew Barrymore)
Posted on February 4, 2015 at 9:22 am
I always enjoy Jimmy Fallon’s lip synch competitions and this is one of the best, with Will Ferrell performing “Drunk in Love” and ‘Let it Go,” Kevin Hart going all out with “All of Me” and “Roar,” and Fallon rocking out to “Since You’ve Been Gone” and “Time of My Life” (with a guest appearance by Drew Barrymore). Hart and Ferrell were there to promote their upcoming comedy “Get Hard.” It is great fun to see stars show themselves as fans. They have to be more than performers to do these numbers — they have to truly love these songs and listen to them so often they know them inside out. Apparently, even enormously talented and successful performers are just like the rest of us when it comes to singing into a hairbrush and imagining ourselves rocking an arena like Beyoncé. I also think part of what makes it fun is the gender and racial fluidity. No one ever hesitates to take on a song by someone of a different race or gender. All three men do more than fully commit to performing songs by women; they embrace the opportunity to pretend to hit those notes with pure joy. Every one of the performers seems to love the chance to do something completely outside his or her normal range or physical type. Who can forget Emma Stone doing “All I Do is Win,” in my opinion the greatest lip synch yet!
Three Views on the Challenges Women Face in the Film Industry
Posted on January 31, 2015 at 3:38 pm
It is wonderful that directors like Ava DuVernay, Angelina Jolie, and Gina Prince-Bythewood gave us superb films in 2014. But it is an indicator of the challenges still faced by women filmmakers that none of them was nominated for a major directing award.
According to the latest Celluloid Ceiling study of women’s behind-the-scenes employment, women comprised a meager 7% of directors, 5% of cinematographers, and 11% of writers working on the top 250 (domestic) grossing films of 2014. These percentages do not differ appreciably from those obtained in 1998 when women accounted for 9% of directors, 4% of cinematographers, and 13% of writers. They also belie the fact that women are well represented as students in film schools nationwide….The unconscious bias underlying the stagnant gender dynamics is in desperate need of outing. Notions that there simply aren’t any women directors, women filmmakers aren’t interested in high-profile studio gigs, change is just around the corner, and that this is solely a women’s issue need to be challenged and recognized for what they are – excuses that serve as roadblocks to change.
Calling attention to their work as often and as vigorously as possible is all the more important because the cinematic roadsides are strewn with the wreckage of major artistic careers of independent female filmmakers of the past half century, including Shirley Clarke, Barbara Loden, Claudia Weill, Kathleen Collins, Julie Dash, and Leslie Harris—as well as such men as Wendell B. Harris, Jr., Matthew Harrison, and Rob Tregenza. Critical attention is all the more important for the makers of films that aren’t box-office hits, that aren’t widely advertised, and that don’t have the built-in publicity of celebrity actors. A review and some vigorous follow-ups can make clear the kind of important experience that awaits, an experience that may differ significantly from today’s mainstream but that, with the right breaks, should be tomorrow’s.
In a more encouraging note, Robert Redford spoke about the obstacles women face in his session with George Lucas at this year’s Sundance Festival. The Daily Beast reports:
“Well, diversity is the name of game, as far as I’m concerned,” Redford said. “Independence and diversity go hand-in-hand, in my mind.”
He then paused. “I think the future—and this is just my opinion—but for us to move out of where we are now, and to move to something more sustainable and exciting, I think it will be in the hands of women and young people. With the young people that are coming on today, we’ve messed up what we’re handing them in terms of a planet, and they have less to work with than they would have years ago, but young people today are really, really smart. What I saw a few years ago was that young people were disenchanted with the system to where they didn’t want to get into politics and didn’t want anything to do with it. I think that’s changed. Now young people want to be given the reins. Women, because of their nurturing sensibilities, are also the way to go. If you put those two things together, I think that’s our future.”