Exclusive Clip: Jedi Junior High

Posted on November 17, 2015 at 10:40 pm

A bunch of junior high kids decide to put on a “Star Wars” musical in this adorable documentary, Jedi Junior High.

It is available today on Amazon, Google Play, iTunes, Vimeo and VUDU, as well as On Demand with AT&T, Charter, Comcast, Cox, DirecTV, Time Warner Cable, Verizon, and Vubiquity.

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Documentary School Stories About Kids Trailers, Previews, and Clips

Fully Charged — Finding Energy and Joy

Posted on November 16, 2015 at 7:00 am

Best-selling author Tom Rath writes books about how anyone can find more energy and joy. Now his work is explored fuller in a new documentary called “Fully Charged.” Rath and experts from academia, medicine, business, religion, and the military talk about the small changes anyone can make, and demonstrate the extraordinary results.

It is not easy, but it is simple. Eating better, exercising more, getting sleep, connecting more deeply with those we care about, and tapping into our innate gratitude and generosity gives us a feeling of purpose and meaning that gives us more energy, more joy, and more satisfaction. It’s just the thing for for a reminder of what matters in the midst of holiday stress and New Year’s resolutions.

iTunes: https://itunes.apple.com/us/movie/fully-charged/id1059853825

Amazon: http://www.amazon.com/Fully-Charged-Tom-Rath/dp/B01948A3QE

Vimeo: https://vimeo.com/ondemand/fullycharged

VHX: http://fullychargedfilm.vhx.tv/

Google Play: https://play.google.com/store/movies/details/Fully_Charged?id=PwSlgClK8bs&hl=en

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Documentary VOD and Streaming

For Veteran’s Day: The Way We Get By

Posted on November 11, 2015 at 8:00 am

Director Aron Gaudet is the son of a “greeter,” one of the volunteers in Maine who make sure that every soldier coming through the airport gets a warm showing of appreciation. He told me, “We started seeing these parallels, too, all of these people going off to war are concerned about mortality and so are the older people who are greeting them.” This is a lovely film, and very appropriate for Veteran’s Day.

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Documentary Holidays War
Interview: “Chaplains” Director Martin Doblmeier

Interview: “Chaplains” Director Martin Doblmeier

Posted on November 3, 2015 at 11:15 pm

US Army Chaplain Paul Hurley, a Catholic priest, says mass for the troops at a Military base in Kabul, Afghanistan. Photo courtesy of Journey Films
US Army Chaplain Paul Hurley, a Catholic priest, says mass for the troops at a Military base in Kabul, Afghanistan. Photo courtesy of Journey Films
Martin Doblmeier has made more than thirty movies about faith. The latest from his Journey Films is “Chaplains,” showing this month on PBS. It is a profound and moving documentary about chaplains of many different faiths in a variety of settings: war, business, an assisted living facility, prison, the US Senate, NASCAR, and a children’s hospital. It was George Washington himself who first asked for chaplains in the US military. The movie covers Army chaplains representing centuries of tradition as well as chaplains in new and developing roles. In an interview, Doblmeier talked about how the film came about and what chaplains bring to people literally dealing with life and death.

“We have been around this world now for about 30 years making films and I know a lot of chaplains. And I realized that there had not been any kind of significant film that talked about the work that they do. And they work so quietly, under the radar most of the times. And I just felt maybe we could do something that helps to raise the profile and bring some attention to who these people are and the great work that they do. So once we started to dig into it and we realized that it was something that was becoming more common across faith traditions. There certainly had been chaplains dating back to the fourth century. St. Martin of Tours was the one who actually begun what has now become the idea of chaplaincy and it’s been going on now quietly mostly in the military or in a hospital setting but over the last couple of generations has expanded now into the prisons. Even the corporate world is looking at it as an interesting model, that’s why we put Tyson’s in there. We had known about Tysons for many years actually. I keep notes in piles. The foundations liked this idea because it had something of positive value. And with their support we were able to get it up and get it going. For me I think it’s a really interesting storyline about people who want to live out a faith tradition in the 21st century in their particular place. And what a wonderful model for how not just to tolerate the faith tradition of others but actually to honor it, and engage with it and to see it as a way to sort of forming a sense of meaning in our lives.”

Congregational clergy spend almost all of their time with people who share their faith traditions and culture, but chaplains work with people who of all faiths and of no faith. “In a congregation really pretty much the language is common, the rituals are common, the practice is common, and people generally understand that the pyramid of structure is with the pastor or the Imam or the Rabbi being the person in charge of the spiritual growth of that particular community. It’s a totally different paradigm in chaplaincy, most often because they are working in secular settings, they don’t really have a place that you would consider to be a power position in those settings and so they are negotiating every day not only with the institution but how to deal with the individual that they come across. And it’s a very different way of being present in those kinds of environment than it would be in a congregation. I think it’s a wonderful model but it presents its own challenges. One of the things we wanted to bring out in the film is that you’re working in a spiritual realm, that it is very difficult, nearly impossible to somehow document the impact that the chaplain would have in a hospital setting or in a prison setting.” Because they are in secular settings, they constantly need to find ways to demonstrate their value in terms that the people responsible for those settings can understand. “There are implicit success points that you can look at but at the same time in institutions that are under a lot of pressure for accountability and quantifiable data to be able to say this person is actually contributing a lot to our overall mission here in the secular settings is a challenge. Chaplains don’t often have that kind of data. So there is a constant stance of — ‘Will I still have this job? Will I still be able to continue to perform this work after the next review happens?’ I had a real sense of admiration for them, the commitment that they have despite the fact that in many cases the roles that they play in the hospitals or in the prison settings are always being evaluated and reevaluated.”

The movie shows that the work of the chaplains often extends past the boundaries of the community they are serving. “For example in the police department my assumption was the police chaplains would be meeting with perpetrators or prisoners or people who have been arrested or incarcerated for whatever reason. In fact, more often than not the police chaplains were mostly ministering to the police department. And I find that to be the case in a lot of different ways. So in hospital settings the hospital chaplains often ministered to the patients and the patient’s families, the people involved but they also minister a lot and provides support, emotional support, spiritual support to the staff, to the doctors and the nurses. So they do provide this sort of wider setting of what’s going on and I think we tried to show that in each one of the different segments because I think there can be a lot of misunderstanding to what their role is but they continue to sort of be present and available to those people who need them, very different to the settings in the military.”

Copyright 2015 Journey Films
Copyright 2015 Journey Films
The chaplains in the films are less concerned with rituals and theology than being present in the lives of people who are struggling by showing their faith through compassion and understanding. They are not proselytizing or doing missionary work. “It was nice to be able to put some of the voices in of the soldiers were very young who said that they appreciated the chaplains even though sometimes they are not believers. The chaplains fulfill this unique role because if someone is having a lot of emotional issues in the military about what was happening they would feel more comfortable going to a chaplain because it is not documented in the same way as if you go to the military psychiatrist to speak to somebody about that. So there are a lot of nuances that creates this real need to be able to have chaplains available.”

Perhaps the most unexpected setting in the film is Tyson’s Food. Doblmeier says that the success of this program, particularly in providing support for employees from a wide variety of ethnic and cultural backgrounds. “There are companies now that are providing chaplain services like you provide independent IT services. Corporations that have evangelical leadership feel as though it is important for them to be able to have access to chaplaincy. So that they can literally hire in through an agency chaplains to come in and serve their people. We wanted to do it because Tysons Foods is huge publicly traded company and it has not just a handful of chaplains to come in and sort of maybe address some of the spiritual needs. It has 120 full and part-time chaplains and has had them now for you while. So this is a genuine commitment on the part of this corporation. John Tyson is not an evangelical; he is an Episcopalian. He just feels as though this is a good thing for a company. And this is a publicly traded company which comes under a lot of scrutiny; all the dollars that are spent are scrutinized because there is shareholder and stakeholder interest but he still believes that the bottom line is best served by having a team of chaplains there.”

Doblmeier says that what chaplains can do is help people facing challenges like loss, risk, and illness with “a sense of meaning and purpose in their lives. And the role of the chaplain is again not to give them their own meaning and infuse them with the notion of their own spirituality and sacredness but to help the individual tap into innately what they believe is the source and meaning of life. That’s the kind of support that the person is really coming up for. Sometimes there is such a close link between the individual and the chaplain that the individual may start to choose openly, freely the spiritual path of a chaplain and that’s quite okay but a good chaplain doesn’t seek to bring that person into a fold, they seek to have that person find what’s going to really be substantive meaning in their own life. And sometimes it’s very brief. These hospital settings can be just a matter of days and so the skill you have to have is to have the ability to get a quick spiritual assessment. In other cases its long-term, that chaplain is in the prison setting is trying to help somebody who may never get out of that 5 x 8 prison cell that they live in. How do you find purpose and meaning in your life then? They are really to be present to the person to help that person discover or in some cases rediscover what gives them a sense of purpose after a loss, spiritual or emotional loss and then help them get them back on track.”

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Directors Documentary Interview Television
Armor of Light

Armor of Light

Posted on October 29, 2015 at 5:00 pm

Copyright Jeff Hutchens 2015
Copyright Jeff Hutchens 2015
What does it truly mean to be “pro-life?” For many who consider themselves conservatives, it means to be anti-abortion. For many who consider themselves liberals, it means to be against gun violence. One leading evangelical minister, a founder of the anti-abortion group Operation Rescue, begins to grapple with this dichotomy in “Armor of Light,” a new documentary from Abigail Disney. While she considers herself liberal, she specifically went in search of someone who would be willing to explore what it truly means to be “pro-life,” and that led her to Rob Schenck, of Faith and Action, which says: “Our purpose is to affect the hearts and minds of America’s public policy makers with Christ’s mandate in the two Greatest Commandments: Love the Lord Your God with All Your Heart, Soul, Strength, and Mind, and Love Your Neighbor as Yourself….ur mission—to challenge our nation’s leaders with biblical truth.”

Disney says: “I have found this to be true: if you approach people with respect and an open heart, they will almost always respond to you in the same way. So Rob and I formed the most unlikely of friendships and it was in that spirit that we went forward on this journey together, poking into the darkest of political corners, asking the hardest, most sensitive of questions and pushing back on some of the most dearly held American creeds.”

It was not until gun violence came literally almost to Schenck’s own doorstep that he felt he had to act. The second-deadliest shooting on a US Army base occurred in Washington DC’s Navy Yard, just steps from Schenck’s home. He knows that most of the people who provide financial support for his efforts and many of his friends and faith community are passionate advocates for the right to own guns in any quantity and of any kind. The movie shows him listening with great compassion and patience to some of his closest colleagues and friends. They explain that they see the Biblical imperative as protecting their families, and the only way to achieve that is through unlimited access to guns.

The movie also tells the story of Lucy McBath, whose teenage son’s tragic death is also the subject of another excellent documentary, “3 1/2 Minutes, Ten Bullets.” McBath’s son Jordan stopped at a gas station with his friends the day after Thanksgiving 2012. Another customer, Michael Dunn, shot and killed him, and then tried to defend himself under the “Stand Your Ground” law, which allows the use of force if the shooter “perceives” a threat. He was later convicted and is serving a life sentence. McBath is now devoting her life to working with the faith community to combat gun violence.

Disney’s sympathetic camera allows both Schenck and McBath to tell their stories in a personal and compelling manner. She explores Schenck’s Jewish upbringing, and his finding in evangelical Christianity a faith that would help him make sense of the Holocaust genocide and a purpose in trying to protect life. And McBath is the daughter of a man who worked with Martin Luther King in the civil rights movement. She ties her passion for justice to his example. This is a powerful film, all the more so because it struggles with its subjects to find common cause and because it shows compassion and respect for the sincerity and good will of all.

Parents should know that violence is a theme of the film and there are references to tragic deaths and gun violence, as well as brief strong language.

Family discussion: What do you think “pro-life” means? What arguments are most persuasive on gun violence and why? The title of the film is taken from Romans 13:12 — what does it mean?

If you like this, try: “3 1/2 Minutes, Ten Bullets” and “Guns, Culture, and Crime in the US” and read my interview with the director and subjects of the film

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