Silverdocs

Posted on June 23, 2010 at 6:21 pm

The greatest documentary film festival in America is Silverdocs, based in the American Film Institute’s gorgeous film exhibition spaces in Silver Spring, Maryland. It is an annual week-long festival that celebrates independent thinking, supports the diverse voices and free expression of independent storytellers, and fosters the power of documentary to enhance our understanding of the world. Anchored in the National Capital Region, where important global and national issues are the daily business, Silverdocs is marked by its relevance, broad intellectual range, and wide public appeal. Silverdocs was created through a unique alliance between AFI and the Discovery Channel, the festival’s Founding Sponsor.

This week’s participating films include:

“Freakonomics,” from the Oscar-winning director of “Taxi to the Dark Side” and the Enron and Jack Abramoff documentaries, and based on the best-seller that uses economics to explain behavior, not just markets.

Stephen Marshall’s “Holy Wars,” the story of two deeply committed men of faith – one a Muslim, the other a Christian – as they travel the world spreading messages they both feel represent “the truth.” The Muslim, an Irish convert living in London, advocates for a global jihad that will ultimately render his faith dominant. The Christian, living in the American heartland, sees Muslims as the enemy and considers it his duty to convert the unenlightened. What would happen if these two men were put in the same room together? This thought-provoking film is sure to push buttons and instigate discussions about the nature not of any one religion, but of extremism and tolerance.

“Making the Boys,” the story of the ground-breaking play (later a movie) “The Boys in the Band,” the first frank and sympathetic portrayal of gay men to achieve mainstream success.

“Restrepo,” from journalists Sebastian Junger (The Perfect Storm, War) and Tim Hetherington, who fully embeded themselves for a year with a platoon of U.S. soldiers stationed in Afghanistan’s Korengal Valley. The remote 15-man outpost, “Restrepo”–named after a platoon medic killed in action–is a stronghold of al Qaeda and the Taliban, and arguably one of the U.S. Army’s deadliest challenges. With unprecedented access and unflinching immediacy, “Restrepo” reveals the challenges, triumphs, despair and intense camaraderie among the men who wake up each day under fire, never knowing whether they will make it home again.

“The People Vs. George Lucas” Is there any film-maker with more passionate fans and more passionate critics than the man who gave us Luke Skywalker, Han Solo, and Jar-Jar Binks? One fan, director Alexandre O. Philippe, presents the cases for and against the legendary auteur. At the heart of the matter is this question: Is film the property of the artist who created it or that of the audience that claims and loves it as its own?

“Wo Ai Ni, Mommy” is a quintessentially American story of hope, love, race, conflict, identity, loss, and re-invention. A warm, affectionate Jewish family from New York adopts an eight-year-old girl from China. They change her name to “Faith.” At first, she is lonely and homesick. But within a year, she considers herself American and has to have help from an interpreter when she calls her former foster family back in China via Skype. For me, one of the highlights of this touching and insightful film is when the documentarian cannot help but be drawn out of her role as objective reporter to serve as a liaison in helping to bring Faith and her new family together by translating what they are saying.

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Documentary Festivals

Spellbound

Posted on June 1, 2010 at 7:05 am

A+
Lowest Recommended Age: 4th - 6th Grades
Profanity: One very brief word
Alcohol/ Drugs: A parent possibly impaired by drugs or alcohol at one point
Violence/ Scariness: Tense scenes of competition
Diversity Issues: A theme of the movie
Date Released to Theaters: 2003

In honor of this week’s Scripps Spelling Bee finals, every family should see this m-a-r-v-e-l-o-u-s movie about the national spelling bee because it is about so much more. It is about the strength of American diversity and the commitment of this country to opportunity — the eight featured competitors include three children of immigrants (one’s father still speaks no English) and a wide range of ethnic and economic backgrounds. It is about ambition, dedication, and courage. It is about finding a dream that speaks to each individual. Most of all, it is about family — the opportunity to discuss the wide variation in styles of family communication and values is in itself a reason for every family with children to watch this movie together. Plus, it is one of the most genuinely thrilling, touching, and purely enjoyable movies of the year.

This is the true story of the 1999 National Spelling Bee in Washington, D.C., and especially of eight regional winners in the competition. They are: Ashley, a black girl who lives with her mother in a housing project in the city where the competition takes place, Harry, the youngest of the group, a slightly hyper kid who impulsively answers one interviewer’s question in the voice of a “musical robot,” April, whose fond but mildly befuddled parents cannot quite figure out how such a ragingly focused child appeared in their house, Angela, the daughter of an illegal Mexican immigrant who still speaks no English, Ted, a loner from Missouri, Neil, the son of Indian immigrants whose intense focus — including special spelling tutors and hours-long drills — has him the second member of the family to be a regional champion, Emily, the child of privilege, who wonders if she should bring her au pair along to the competition, and Nupur, another child of Indian immigrants, whose regional title is saluted by a sign on the local Hooters that reads, “Congradulations Nupur!”

These and 240 other contestants are all 8th grade and younger. They don’t quite understand what a heart-breakingly awkward and painful moment that is in their lives, but we do. As we watch these kids, girls towering over boys, more with braces than without, puberty’s uneven effects everywhere, many of the kids confessing that they feel all alone in their school, we see them hold on to this mastery of words eclipsing anything an adult can do as a lifeline, or maybe a flashlight, leading them to their adult selves. There were audible gasps in the theater as each new word was given to the contestants, including hellebore, terrene, logorrhea, kirtle, clavecin, heleoplankton, cabotinage, and opsimath. Half of those words are not even recognized by the spellchecker in my word processing program, but these kids, who learned how to read only a little more than half their lives ago, are able to handle an astonishing number of them. Meanwhile, some words recognizable to most college-educated adults turn out to be stumpers for the kids, sharply drawing the line between expertise and experience.

The movie is filled with brilliantly observed moments that illuminate the lives of the individuals but also the lives of all families and all dreamers. These kids, with their slightly old-fashioned area of expertise (this is the era of the spellchecker, after all, and as that list shows, these are not words likely to come up in conversation or even most college textbooks) have an engaging sense of adventure, affection, and wonder about words and language. One shows off her huge dictionary almost as big as she is and about to fall to pieces from use, and says she does not think she will ever part with it. Three boys talk about how they lost to Nupur. Ashley tells us she is a “prayer warrior” who feels like her life is a movie.

And we get to see every kind of family. All the parents assure their children that they are winners no matter what happens at the national bee, but some do so more convincingly than others. Each family has its own idea of what it means to achieve success and what they think success could mean for their future. One father hires special spelling tutors and runs constant drills. Others look on all but speechless at children whose talents seem as exotic to them as though they had sprouted feathers.

Parents should know that there are some tense and sad scenes. Children are upset when they lose (they are escorted onstage to a “comfort room”). One child uses a mildly bad word.

Families who see this movie should talk about how the families in the movie, especially the immigrant families and those at the lower end of the economic spectrum, see the importance of the spelling bee. They should talk about what it takes to be a winner in any category of achievement and how they measure their own successes (and failures).

Families who enjoy this movie will also enjoy Searching for Bobby Fischer, based on a real-life child who became a chess champion.

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The Horse Boy

Posted on May 10, 2010 at 1:59 pm

I highly recommend “The Horse Boy,” an extraordinary documentary about a family that traveled to the other side of the world to help their autistic son and found all of their lives changed.

Rowan Isaacson was diagnosed with autism in 2004. The two-year-old his family thought they knew seemed to disappear. He lost the words he had learned.

He began to flap his arms and babble, to obsessively line up his toys, to retreat into himself for hours at a time, to avoid eye contact, to scream uncontrollably, inconsolably, as his nervous system erupted like a series of volcanoes, searing him with burning, with pain, terrifying him, traumatizing him, causing him to ‘fly away’ into an otherworld far from the reaches of his distraught, grieving parents.

But when he was put on horse, he was calm, peaceful, happy. He even started to talk. And so, in 2007, Rowan’s family took him to a place where he could be with horses and healers — Mongolia. Watch this with your families and then talk about what it tells us about love, hope, families, who we are, and what it means to be normal.

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Documentary Television

Casino Jack and the United States of Money

Posted on May 6, 2010 at 8:29 pm

B+
Lowest Recommended Age: High School
MPAA Rating: Rated R for some language
Profanity: Some strong language
Alcohol/ Drugs: Drinking
Violence/ Scariness: Reference to mob hit
Diversity Issues: Diverse characters, ethnic slurs
Date Released to Theaters: May 7, 2010

As print media crumbles and broadcast and cable media splinters, documentaries have become one of the most thorough and dependable formats for delivering long-form journalism. From the acid (in both metaphorical senses of the word)-tinged advocacy of Michael Moore and his imitators to the more straightforward, even-handed work of Irena Salina and Joe Berlinger, see-it-now, show-it-don’t-tell-it films, more widely available than ever before online and through Netflix, literally bring these stories home. Alex Gibney, whose brilliant work on “Enron: The Smartest Guys in the Room” and “Taxi to the Dark Side” (about interrogation abuses in Iran), once again uses one disaster to illuminate more fundamental structural flaws with “Casino Jack and the United States of Money.”

The Jack Abramoff story is epic, even operatic, a classic story of the rise and fall of an ambitious man with a tragic flaw. He was an idealistic young man who became first corrupted and then a corrupter. It has the satisfying arc of a feature film (and is set to be one, with Kevin Spacey as Abramoff), but it is far more than a rise-and-fall or even a catch-the-crook film. It is entertaining but it is also a sober and sobering depiction that focuses less on the failures of the individuals than the failures of the system that did more than let it happen. This film argues that corruption is inevitable.

Abramoff was a college Republican whose passion and ability to attract supporters — political and financial — quickly brought him to the attention of party leaders. At some point, he surrendered principle to greed. He took more than $25 million in lobbying fees. And then what he didn’t keep he paid out illegally. Gibney does an excellent job of making a complicated story both clear and engrossing. He is even-handed, allowing participants like former Congressman Bob Ney (R-Ohio), who pled guilty to corruption charges and spent 17 months in prison, and Neil Volz, his former chief of staff, to tell their own stories.

The stories are shocking. I don’t know which is worse, how much money was taken from the unsuspecting clients, mostly Indian tribes, or how little it took to get crucial support from key members of Congress. A golf outing, a free dinner, a $25,000 contribution could mean hundreds of millions of dollars from casino revenue, especially if the competition could be shut out. Sweatshops on Saipan were characterized as free enterprise. Favors were traded. Abramoff dubbed appropriations committee the called “the favor factory” and he was very good at finding ever more pockets to stuff favors in. He was also very good at creating more pockets of his own for receiving money. Ultimately, his office set up a phony think tank to receive contributions in excess of the money given to them for lobbying. It was run by a lifeguard out of a house on the beach. Needless to say, no thinking went on.

The Supreme Court’s ruling in the Citizens United case, invalidating much of John McCain’s campaign finance reforms and making it possible for unlimited corporate lobbying and other political expenditures — much of it undisclosed — makes this film even more timely and even more terrifying. Jack Abramoff will get out of prison at the end of this year and come back to a world filled with new opportunities.

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Blessed is the Match: The Life and Death of Hannah Senesh

Blessed is the Match: The Life and Death of Hannah Senesh

Posted on April 19, 2010 at 3:57 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: Mild
Violence/ Scariness: Depiction of wartime and holocaust-related violence
Diversity Issues: A theme of the movie
Date Released to Theaters: 2009
Date Released to DVD: April 13, 2010
Amazon.com ASIN: B00366E1AU

Blessed Is the Match: The Life and Death of Hannah Senesh is a documentary about a woman of incalculable courage and honor. Senesh, an idealist who hoped to help create a Jewish state in Israel, escaped from Hungary to what was then British-controlled Palestine. Instead of staying where she was safe, she joined a mission to rescue Jews in her home country, the only military rescue mission for Jews during the Holocaust. She parachuted behind enemy lines, was captured, tortured and ultimately executed by a Nazi firing squad. The documentary features those who knew her, including Israeli President Shimon Peres, who knew Senesh as a young pioneer in the 1940s, and two of her fellow parachutists, Reuven Dafni and Surika Braverman, along with renowned historian Sir Martin Gilbert.

Senesh is a national heroine in Israel, where her story and her poetry is well-known. Many synagogues around the world sing a hymn with lyrics from one of her poems:

My God, My God, I pray that these things never end,
The sand and the sea,
The rustle of the waters,
Lightning of the Heavens,
The prayer of Man.

This is the last poem she wrote:

Blessed is the match consumed in kindling flame.
Blessed is the flame that burns in the secret fastness of the heart.
Blessed is the heart with strength to stop its beating for honor’s sake.
Blessed is the match consumed in kindling flame.

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