West Side Story

West Side Story

Posted on November 15, 2011 at 8:00 am

A+
Lowest Recommended Age: Preschool
Profanity: Mild language
Alcohol/ Drugs: Reference to drugs, smoking
Violence/ Scariness: Gang violence, characters killed
Diversity Issues: A theme of the movie
Date Released to Theaters: January 1, 1970
Date Released to DVD: November 15, 2011
Amazon.com ASIN: B005BDZN62
Actress Natalie Wood and Richard Beymer in a scene from the movie “West Side Story” (Photo by Donaldson Collection/Getty Images)

In honor of the 50th anniversary of this American classic there is a new Blu-Ray release of West Side Story: 50th Anniversary Edition.  Modeled on “Romeo and Juliet,” this movie puts the star-crossed lovers in two warring gangs in the slums of New York.  The opening dance number brings us up to date. The Sharks (Puerto Ricans) and and the Jets (Anglos) have blown up a series of petty insults and turf disputes into a war over who will rule the territory.   The leader of the Jets, Riff (Russ Tamblyn), goes to see his best friend Tony (Richard Beymer), the former leader of the gang.  Riff asks Tony to come to the dance that night to support him as he negotiates fight terms with Bernardo (George Chakiris), the leader of the Jets.  Tony has outgrown the gang, and wants more from life, but he and Riff are friends “womb to tomb,” so he agrees to go.  Moreno and Chakiris both won Oscars for their performances, two of the ten won by this movie, including Best Picture.  The brilliant music and lyrics are by Leonard Bernstein and Stephen Sondheim.

Bernardo’s sister Maria, just arrived in the US, is getting ready for the dance, begging to have her dress cut just a little lower.  Bernardo’s girlfriend, Anita (Rita Moreno), watches over her protectively.  At the dance, well-meaning Mr. Hand tries to get the teenagers to mix with each other, but tensions are high.  As each side dances furiously, everything seems to stop for Tony and Maria, who see each other and are transformed.

Bernardo is furious when he sees them together, and he takes Maria home.  But that night, Tony visits her, and they declare their love for each other.  She asks him to make sure there is no fighting, and he agrees.  At the “war council” he persuades them to make it a fist fight only, and he feels successful.  But Maria wants him to make sure there is no fighting of any kind, so he agrees to try to stop them.  Things get out of control, and Bernardo kills Riff with a knife.  Tony, overcome with grief and guilt, grabs the knife and kills Bernardo.

Running from the police and the Jets, Tony finds Maria.  They dream of a place where they could always be safe and together.  Anita agrees to take a message to Tony, but when she is harassed by the Jets, she angrily tells them that Maria is dead.  Blinded by grief, he stumbles out into the night, and is shot by one of the Sharks.  Maria holds him as he dies, and together, the Sharks and Jets carry him away.

The story retains its power, but the gangs are endearingly tame to us now.  Can it be that once there were gangs who fought with fists and knives?  This is a good opportunity to explore the reasons that people fight.  Anita says that the boys fight like they dance, “Like they have to get rid of something, quick.”  According to her, they are getting rid of “too much feeling.”  Kids understand that idea and may like to talk about what “too much feeling” feels like to them.  The music and dances in this movie do as much to tell the story as the dialogue and plot, and they illustrate this idea especially well.

One important difference between this movie and “Romeo and Juliet,” is that in Shakespeare’s play, the older generation plays an important role.  In “West Side Story,” the few adults who appear are ineffectual and tangential, like Mr. Hand (John Astin), who thinks he can get the kids to be friends by having them dance together.  Listen to the lopsided music-box song he plays for them, and see what a good job it does of expressing both what he is trying to accomplish and how hopeless it is.

            And, of course, this is an important movie to use in talking about prejudice.  See if you can get kids to watch carefully enough to figure out why the Sharks and Jets resent and mistrust each other.

Family discussion: If you were going to adapt the story of “Romeo and Juliet” today, what groups would the boy and girl come from? Where do you see the most prejudice today?  Listen to the song about “America,” with the Sharks and their girlfriends disagreeing about whether America has been good or bad to them. Which side do you agree with?  Are they both right?  Why? In the song “Tonight,” both sides sing, “Well they began it!”  Have you ever seen people act that way? One of the boys tells Doc “You was never my age.”  What does he mean?  Do all teenagers feel like that at times?  Have you ever dreamed of a special place where you could always be safe?  What would it be like? Tony has to decide how he can be loyal to his friend and loyal to Maria.  Why is that hard?  Who else in the movie has to make a decision about loyalty? If you could talk to Tony and Maria, what would you tell them to do?

Connections:  This is a great double-feature with “Romeo and Juliet” or the 1997 version, “William Shakespeare’s Romeo + Juliet.”  It is fun to see how much of the movie’s structure is taken from the play.  In both, the lovers see each other at a party, and are immediately overcome.  In both, the boy comes to see the girl later that night.  Juliet speaks to Romeo from a balcony.  Maria speaks to Tony from a fire escape.  Romeo and Tony are both pulled back into the fight due to the deaths of their friends.  In both movies, tragedy results from missed messages.  There are some important differences, too.  Juliet dies, but Maria does not.

 

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Based on a play Classic Drama DVD/Blu-Ray Pick of the Week Musical Romance Tragedy

Ides of March

Posted on October 6, 2011 at 6:03 pm

Beau Willimon took his experience on the Howard Dean campaign and turned it into a play called “Farragut North,” for the Metro stop near the fancy Washington D.C. offices occupied by political consultants.  Working with George Clooney and Grant Heslov, it has become “The Ides of March,” named for the ominous date when Julius Caesar was stabbed to death by his political rivals in 44 B.C.  The reference is that while the blood may be more metaphorical than literal, it still gets spilled.

Ryan Gosling plays Stephen, an ambitious but idealistic young campaign worker who is responsible for media in the midst of the Democratic primaries.  His candidate, Mike Morris (Clooney) is a progressive governor.  In Ohio, a key state, they are ahead but their toughest competitor is close enough to make them nervous, especially since a New York Times reporter named Ida Horowicz (Marisa Tomei) is trying to get a story out of it.  Even if they win, she will spin them as losing if they win by less than they are predicting.  So Stephen and his boss, Paul (Philip Seymour Hoffman) have to come across as confident and — most of all — sincere.  They have to be friendly and open with Ida but they have to be careful with her, too, and careful about letting her know just how careful they are being.  Not that she is fooled by it.  A lot of faux charm is deployed in both directions.

And there is a young, beautiful campaign worker named Molly (Evan Rachel Wood) who is, as they used to say in the theater, the second-act complication.

http://www.youtube.com/watch?v=McCt-_yYLpo

Co-writer/director Clooney as assembled a powerhouse cast and it is worth seeing the movie just to watch the way Hoffman and Paul Giamatti eye each other as opposing campaign managers.  But in adapting the play he made some poor choices.  In the original version, the candidate himself did not appear.  Making the Governor an important part of the story and having the character played by Clooney throws the film off-balance, especially when he finds it necessary to give himself a chance to spout some political promises that are just a distraction.  It was much more powerful when everyone in the audience could project onto the candidate whatever positions they wished (or feared) he would take.

And Clooney ramps up the scandal from the original so that it becomes melodramatic and less realistic.  By the time he brings out the big, big flag (ironically), with the idealistic speech in front of the audience and the angry exchange backstage, and the people having sex while watching the news on television, it has gone past heavy-handed to preachy.  Did I really hear someone say, “This is the big leagues?”

Poor Wood has to struggle with a character whose behavior is so bizarrely unrealistic that she seems to be playing two different people.  But Clooney evocatively captures the combination of cynicism about the system, optimism that something can be done to improve it, and grim ends/means practicality about arbitraging the gap.  You can almost smell the stale coffee and put on five pounds from campaign trail stress eating.  He knows the snap and rhythm of political talk, the constant temperature-taking and ceaseless spinning, so much spinning that the words go 360 degrees and then go around again.

 

(more…)

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Based on a play Drama
The 5th of July

The 5th of July

Posted on July 5, 2011 at 9:06 am

This filmed version of Lanford Wilson’s Fifth of July is a brilliantly acted story of the complicated relationships of a group of friends and relatives who get together over the 4th of July holiday.  It centers around the relationship of Kenneth Talley, Jr. (Richard Thomas), a disabled Vietnam vet in a wheelchair and his partner Jed (Jeff Daniels), his sister June (Joyce Reehling) and recently widowed aunt Sally (Helen Stenborg), and his old friends, a  wealthy couple named John and Gwen (Swoosie Kurtz in her Tony award-winning role).  It is a searing but ultimately hopeful and healing story of very real characters and also a thoughtful commentary on the Vietnam era.  This is one of three plays the gifted Wilson wrote about the Talley family, and it is a part of the superb series of Broadway Theater Archive productions that brought the best of live theater to Showtime audiences in the early 80’s.

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After the kids go to bed Based on a play Drama Family Issues Neglected gem
1776

1776

Posted on June 27, 2011 at 3:56 pm

A
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: Rated PG for language
Profanity: Some mild language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: References to war
Diversity Issues: A theme of the film, decisions to maintain slavery and lack of rights for women
Date Released to Theaters: 1972
Date Released to DVD: July 2, 2012
Amazon.com ASIN: B000067D1R

Happy Independence Day!  There’s only one possible pick of the week for the 4th of July.

1776.jpg

This rousing musical about the Declaration of Independence makes the Founding Fathers vivid, human, and interesting characters, and is so involving that you almost forget that you already know how it all turned out. William Daniels is the “obnoxious and disliked” John Adams, Ken Howard is Thomas Jefferson, who would rather be with his wife than work on the Declaration, and Howard da Silva is a wry and witty Benjamin Franklin. As they debate independence, we see the courage that went into the birth of the United States, and as they compromise with the South to permit slavery in the brand-new country we see the tragedy.  It is outstanding family entertainment.

http://www.youtube.com/watch?v=7Iiiy8GnBNI
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Happy Birthday, William Shakespeare!

Posted on April 23, 2011 at 12:29 pm

Don’t start with me about who wrote Shakespeare.  Shakespeare wrote Shakespeare and today is his birthday.  Celebrate with some of the many, many movie versions of, about, or inspired by his plays.  Here are some of my favorites:

1. The Taming of the Shrew Elizabeth Taylor and Richard Burton bring their legendary combustible chemistry to this rambunctious version of Shakespeare’s most famous battle of the sexes.  For an extra treat, pair it with the Cole Porter musical it inspired, Kiss Me Kate.

http://www.youtube.com/watch?v=c9Cm6CU5Kc4

2. Romeo + Juliet Baz Lurhmann’s dazzling version of one of the world’s great tragic love stories is a treat for the eyes, ears, and soul.  For an extra treat, pair it with the more traditional version directed by Franco Zeffirelli.

3.  Shakespeare In Love This best-picture and best-actress Oscar winner is a highly fictionalized account of the writing of “Romeo and Juliet,” with the magnificent Judi Dench as Queen Elizabeth and a brilliantly witty script by Marc Norman and Tom Stoppard.  For an extra treat, try to catch a performance of  A Cry of Players, a play about the young Shakespeare by the author of “The Miracle Worker.”

http://www.youtube.com/watch?v=IUIemfeB_uI

4. Henry V There is the thrill of the St. Crispian’s Day speech.  There is the heart-wrenching parting with the old friends who cannot be a part of the young king’s new life.  But for me, the greatness of this play is that in the midst of all of the drama, Shakespeare inserts a scene of a young French princess trying to learn English so she can understand the man who is walloping her countrymen — and makes it work.  For an extra treat, compare it to the Laurence Olivier version, very much the product of its WWII era.

5. The Tempest My own favorite of Shakespeare’s plays is thrilling with Helen Mirren as Prospera, a wizard who calls on all her powers of enchantment to provide a happy ending for her daughter and justice for herself.  For an extra treat, try the space-age adaptation,  Forbidden Planet.

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