Interview: Bo Svenson

Posted on August 19, 2014 at 3:59 pm

Bo Svenson is an actor, writer, director, judo champion, and, as I was lucky enough to find out, an enthralling guy to talk to, turning an interview into a wide-ranging conversation.

Copyright 2014 Bo Svenson
Copyright 2014 Bo Svenson

Svenson was born in Sweden. His family emigrated to the United States and he joined the U.S Marines when he was 17. Honorably discharged after six years of service, he was in pursuit of a Ph.D. in metaphysics when he was ‘discovered’ by Hollywood. He has starred in over sixty motion pictures, including Delta Force, North Dallas Forty, and Inglourious Basterds, and several hundred hours of U.S. network television, including the Walking Tall TV series.

He has competed in world championships, Olympic trials, and/or international competition, in judo, ice hockey, yachting, and track-and-field. He holds black belts in judo, karate, and aikido, and he is a licensed NASCAR driver.  He was honored by the Martial Arts Hall of Fame.

In 1961, when he was a U.S. Marine, he earned his first degree black belt in judo at the cradle of judo, the Kodokan in Tokyo.  A year later he heard about a red-haired Jewish American woman from Brooklyn training at the Kodokan (at a time when no women were allowed).  She was Rusty Kanokogi, nee Rena Glickman.  “She took the name from a neighbor’s dog that she truly loved,” Svenson told me.  “After the dog was killed by a car, she wanted the dog’s name to go on, to be embodied, somehow.”  After her death in 2009, Svenson got the rights to tell her story.  He has written and is about to direct a film about Rusty Kanokogi, called “Don’t Call Me Sir.”

Kayla HarrisonIt is a remarkable story.  In 1959, when she was a single mother, Rusty Kanokogi disguised herself as a man in order to compete in the New York State YMCA Judo Championship.  She beat the reigning champion and won the tournament.  While on the podium after having received her medal she was asked if she was a girl.  She admitted that she was.

They took the medal back.

Rusty Kanokogi vowed to change how women were treated in sports.  She got women’s judo accepted as a competitive sport and an Olympic event.  Kayla Harrison will portray Rusty.  She is the 2012 Olympic gold medalist in judo, the first American, man or woman to be Olympic champion in the event that Rusty created.

“There’s not much difference between martial arts and learning how to type, from my perspective,” Svenson told me.  “It’s repetition.  Once you get beyond the mechanics of it, it is personalized by who you are, your being.  Eventually it’s an issue of the person, the person’s ability, focus, needs.  There are people in this world who don’t have a need to conquer someone else.  I don’t have a need to beat someone in competition.  I enjoyed the competition.  I didn’t care if I won or lost.  That outlook becomes a problem if you want to stand on top of the podium.  I enjoyed the people.”

“A hero is someone who does something at great personal sacrifice for mankind,” he said.  “Rusty certainly did.  She worked hard for years to get women’s judo to be a competitive sport and an Olympic event.  She fought against gender and ethnic bias.  She was Jewish and she was a girl and she didn’t feel that either should stand in the way of whatever she was capable of.  She set out to right the wrong across the board, and she did.”

Svenson wrote the screenplay.  He said that when he was supporting himself as an actor to pay his tuition in the PhD program in metaphysics at USC, one of the most important things he learned was that “art is a word that is derived from the first three letters of the word ‘artificial.’  The greater the art, the less noticeable the artificiality.  When it comes to my writing — to everything, really — I am attracted to authenticity, to that which is least contrived.”

He told me that judo is the world’s second most popular sport, with more than 50 million people participating internationally.  He resisted the pressure from Hollywood to put a “name” actress in the story to cast someone who was a judo champion like the woman she is portraying.  “I abhor deceit of any kind.  Kayla Harrison is the most extraordinary young lady.  She has been confronted with challenges that would break any other person.  She is fabulous and I know she will be fabulous as Rusty in the movie.  After all the dumb movies I’ve been in, I’m thrilled to be part of something that has heart, soul, authenticity.  It is about something.  People who see it will have experienced something.  They will be better off than they were before it began.  It is a wonderful, wonderful journey to be on.”

Related Tags:

 

Actors Based on a true story Directors Gender and Diversity Interview Sports Writers

Richard Nixon: The Good, The Bad, And the Ugly

Posted on August 8, 2014 at 8:00 am

Forty years ago today, Richard Nixon became the first and so far only President of the United States to resign from office. Elected easily just two years before, he was about to be impeached for his role in the Watergate break-in and the obstruction of justice in attempting to cover up what had happened.

https://www.youtube.com/watch?v=lzXL7C0JQDM

His Vice President, Spiro Agnew, had already resigned in disgrace for unrelated corruption charges, and so, appointed as a replacement and without ever having been elected to national office, Gerald Ford became President, telling us that “the long national nightmare is over.” Nixon continues to fascinate us as a man of enormous strengths undermined by deep flaws. He has inspired shelves of books, award-winning films, and even an opera.

Some of the best documentary and feature films about Nixon are:

All the President’s Men Robert Redford and Dustin Hoffman play Washington Post reporters Bob Woodward and Carl Bernstein in this brilliant film about the investigative journalism that first informed us about Watergate.  Screenwriter William Goldman and supporting actor Jason Robards won Oscars, as did the production design and sound.

Frost/Nixon Frank Langella and Michael Sheen star in Ron Howard’s film about the interviews that Richard Nixon thought would help to restore his reputation.

https://www.youtube.com/watch?v=lP_l2IFiQzs

The interviews themselves are also on DVD: Frost/Nixon: Complete Interviews

Our Nixon The home movies and recollections of the White House staff provide the basis for this 2013 documentary.

NBC News Presents: Deep Throat – The Full Story of Watergate This is a good basic introduction to the history of Watergate.

Nixon Anthony Hopkins plays Nixon in this Oliver Stone film.

And here some historians comment on the accuracy of the film.

https://www.youtube.com/watch?v=IJ3b8lJaQn8

I’m sure by the time we observe the 50th anniversary, there will be more.

Related Tags:

 

Based on a true story Biography Documentary Drama Lists Politics

Trailer: The Theory of Everything

Posted on August 6, 2014 at 3:55 pm

“The Theory of Everything” is the story of one of the world’s most brilliant minds, renowned astrophysicist Stephen Hawking, who has the most severe physical disabilities. Eddie Redmayne (“Les Misérables”) and Felicity Jones (“The Amazing Spider-Man 2”) star as Hawking and the Cambridge student he loves. Once a healthy, active young man, Hawking received an earth-shattering diagnosis at 21 years of age. With Jane fighting tirelessly by his side, Stephen embarks on his most ambitious scientific work, studying the very thing he now has precious little of – time. Together, they defy impossible odds, breaking new ground in medicine and science, and achieving more than they could ever have dreamed. The film is based on the memoir Travelling to Infinity: My Life with Stephen, by Jane Hawking, and is directed by Academy Award winner James Marsh (“Man on Wire”). It will premiere at the Toronto Film Festival and arrive in theaters November 6, 2014.

Related Tags:

 

Based on a true story Biography Trailers, Previews, and Clips

Get on Up

Posted on July 31, 2014 at 5:59 pm

Copyright 2014 Universal Pictures
Copyright 2014 Universal Pictures

There are a lot of challenges in taking on the life story of James Brown, known variously as the Hardest Working Man in Show Business, the Godfather of Soul, Mr. Dynamite and others with variations on the term “Funk.” First and foremost, James Brown was one of the most electrifying performers of all time and though he is gone, the memories of his sizzling stage shows are vivid and the evidence is on YouTube.

Second is the conundrum that besets all who want to do biographical stories of well-known people, especially musicians. Is there a life as big as the work they did? We know that those who achieve greatly often pay an enormous price in personal turmoil for themselves and those around them. But those stories are not easy to tell, especially in the structure of the typical biopic, which goes from hardscrabble childhood to big dreams to first discovery by someone who can open doors to triumph, the first recording session where the heard-it-all studio technicians are blown away, the rapturous discovery by the fans, setback, the corrosive impact of fame and money, and then some catharsis and the achievement of legendary status. (I’m looking at you, “Jersey Boys.” Also “Ray,” “Coal Miner’s Daughter,” “Walk the Line,” “What’s Love Got to Do With It,” “The Benny Goodman Story,” “8 Mile,” etc. etc. etc. etc.)

Director Tate Taylor (“The Help”) makes some good choices addressing these challenges. First, he wisely cast Chadwick Boseman (“42”) in the lead role. Boseman is an actor of exceptional ability and magnetism, and he works as hard as the man he is playing to convey the power of Brown’s stage presence. Second, Taylor, who grew up in the South, has a superb sense of place that helps evoke Brown’s world. And he is not afraid of cinematic touches to evoke what is going on in Brown’s mind, including some asides to us in the audience.

But the film frustrates us with its random swings back and forth as we get so many flashbacks we are not sure where we are. Is this Brown looking back over his life with any insight or regrets or pride? Is the layering supposed to add depth to the story? Are we supposed to make sense of the juxtapositions between scenes of the past and present, sometimes explicitly expressionistic and imagined or exaggerated? It comes across as tricked up and distracting. Boseman is outstanding in the performance scenes but trapped in the rest of the film by Brown’s thick Georgia accent and frequent habit of just not making any sense, as in the very beginning scene when he uses a gun to threaten someone for using his bathroom. It skips over at least one wife and at least seven children, various arrests, and most of the saga of his extended problems with the IRS, without making it clear how what it does tell us illustrates his triumphs, struggles, and motives.

Even more frustrating is that we get so little sense of Brown himself. He comes across as damaged but opaque. What was it that drove him as a performer? What inspired him? We see him berating and imposing fines on his band, but very little of him creating.

There are moments in the film that could be enough for an entire feature. When he is talking to his manager (a wryly sympathetic Dan Aykroyd) on his private plane, en route to the White House, about the conflict he faces as he achieves the mainstream acceptance he strove for in meeting the President at the same time he is accused of selling out. The conflict between “show” and “business” deserved much more exploration.  And then there is the core relationship in the story, between Brown and Bobby Byrd (the terrific Nelsan Ellis), the long-time member of his team who finally could not take the star’s ego any more. A Peter Morgan-style story on any of those conflicts would be far more powerful and avoid the “what happened to that person/marriage/record” that this VH1 Behind the Music too-quick trip over a very complicated life can hold.

Parents should know that this is a movie about sex, drugs, and rock and roll, with strong material for a PG-13 with strong language including two f-words, drugs, domestic abuse, child abuse, sad deaths, brief wartime violence, and sexual references and situations.

Family discussion: Why did James and Bobby call each other “Mr.?” How do you “flip” an obstacle? What did it mean when he said, “I paid the cost?”

If you like this, try: watch James Brown’s real-life performances

Related Tags:

 

Based on a true story Biography Drama Musical Race and Diversity
THE MOVIE MOM® is a registered trademark of Nell Minow. Use of the mark without express consent from Nell Minow constitutes trademark infringement and unfair competition in violation of federal and state laws. All material © Nell Minow 1995-2025, all rights reserved, and no use or republication is permitted without explicit permission. This site hosts Nell Minow’s Movie Mom® archive, with material that originally appeared on Yahoo! Movies, Beliefnet, and other sources. Much of her new material can be found at Rogerebert.com, Huffington Post, and WheretoWatch. Her books include The Movie Mom’s Guide to Family Movies and 101 Must-See Movie Moments, and she can be heard each week on radio stations across the country.

Website Designed by Max LaZebnik