Rise of the Guardians

Posted on November 20, 2012 at 9:48 pm

The daughter of writer/illustrator William Joyce (“Dinosaur Bob,” “Robots”) once asked him whether the Easter bunny knew Santa Claus and that inspired him to create a series of stories about the characters of fantasy and folklore who care for children.  They come together in an Avengers or X-Men-style team known as The Guardians in this visually rich but cluttered film.

Those characters are a Slavic-accented, scimitar-wielding Santa (Alec Baldwin) with “naughty” and “nice” tattooed on his burly arms, an Easter bunny with an Aussie accent and a lot of attitude (Hugh Jackman), a silent sandman who communicates with dreamy designs made from glistening specks, and the feathered Tooth Fairy (Isla Fisher), who presides over a battalion of hummingbird-sized minions who collect baby teeth and leave coins while children sleep.  When the happiness and comfort of the children of the world is threatened by the Boogeyman (Jude Law), they need more help and so they invite Jack Frost (Chris Pine) to join them, explaining that they are responsible for making sure the children of the earth have “wonder, hope, and dreams.”

Jack is a loner, haunted by not being able to remember anything before he woke one day in the ice, somehow knowing that his job was to bring the fun of winter to children.  At first he has no interest in joining the others.  But when he makes things worse, he has to help make them better.

It’s a sweet idea and there are witty and charming moments and some lovely visuals, especially the sandman, the elves, and the iridescent little tooth fairies.  Like all great villains, Law has an English accent and sounds nicely sneery.  But the storyline gets lost in a whirlwind of locations and plot twists.  Each of the characters has its own mythology and home base and alliances.  The goal of the Guardians is for children to have faith in them, so it makes no sense that they accomplish that only by showing themselves, which is proof, not faith.  There is no suggestion that some of the world’s children may not have these characters as a part of their traditions or faiths.  While the movie asks its characters and its audience to find their centers, the story itself is oddly hollow.

Parents should know that this fim has a scary villain, characters in peril, a sword-wielding Santa, a character who sacrifices himself to save a sibling, and issues of believing in fantasy characters.

Family discussion: How are the characters different from what you expected? What do they have in common? Which is your favorite and why?

If you like this, try: the book, Guardians of Childhood by William Joyce and the movie “Robots”

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3D Animation Fantasy

The Twilight Saga: Breaking Dawn, Part 2

Posted on November 15, 2012 at 6:00 pm

The “Twilight” series comes to a close with the fifth film based on the four-book supernatural love story from Stephenie Meyer. This one is for the fans, with a loving farewell that includes a romantic recap series of flashbacks and final credits bringing back all the stars of the series.  It will be less satisfying for non Twi-hards, who will have a hard time ignoring the ludicrousness of the storyline.

In the last chapter, Bella (Kristen Stewart) at long last (well, not too long, she just finished high school), married her one true love, Edward (Robert Pattinson), a vampire.  They had a wonderfully romantic but bed-breaking wedding night, and she got pregnant, a surprise to everyone because it was thought to be biologically impossible.  The pregnancy left Bella so frail that childbirth would have killed her if Edward had not kept her alive by turning her into a vampire.  “Breaking Dawn, Part 1” ended with her eyes opening, vampire-ified to electrified amber with a kind of permanent mascara.  “I didn’t expect you to seem so..you,” Jacob says. “Except for the creepy eyes.”

In the past, we saw the “other” world of vampires and wolf-people like Jacob (Taylor Lautner) through Bella’s brown human eyes.  Now we see everything through the hyper-charged senses of the ultimate predator.  Ironically, it is only as a vampire that Bella feels most purely herself — strong, confident, capable.  This is the fork in the road where the fans will stay with it but everyone else may take a detour.  One reason for the sensational popularity of the books is the way they so perfectly capture a young teenager’s fantasy.  That works better when the characters are themselves teenagers.  Trying to project them into the adult world, even one as skewed as the vampire world, is a tougher stretch.

Bella and Edward have an idyllic existence of eternal adolescence, with a life free from work, struggle, and parents.  They do not have to eat or sleep.  They do not have to do anything but have wildly energetic sex and conversations about who loves who more, with banter like “We’re the same temperature now.”  You may ask, “Wait, isn’t there a baby with some kind of nutty name?”  Yes there is, and her name is Renesmee (after the two grandmothers, Renée and Esmé).  When Jacob calls her “Nessie,” Bella gets angry because that’s the Loch Ness monster’s nickname, though it seems likely that it is just another of Jacob’s protective instincts, her birth name being something of a burden.

Bella and Edward-style parenting is not very demanding.  The baby has a full-time staff of loving vampire relatives and an imprinted wolf-guy.  And it turns out that vampire/human children grow in dog years.  The movie, unfortunately, moves rather slowly, with a lot of time bringing in 18 new vampire characters from all over the world to help persuade the vampiric governing body, the Volturi, that they have not broken the law and produced an “immortal child” who could put the community at risk.  All of this leads up to a grand battle across a snowy field, the motley crew of good guy vampires and the robed Volturi.

The endless procession of new characters gets tedious except for a Revolutionary war veteran played by Lee Pace (“Lincoln,” “Pushing Daisies”), who talks about his time with General Custer and has far more electricity on screen than the vampiress who catches his attention with her super-tasing power to jolt anyone.  I also liked Rami Melek (“Night at the Museum,” “Larry Crowne”) as a vampire who can control the elements.  But the sheer volume of new characters made having to remember each one’s special talent like trying to keep track of the Smurfs.

We’ve spent a lot of time with these characters and it is good to see a satisfying resolution to their story.  But I couldn’t help feeling that Meyer had run out of ideas and just tossed in everything she could think of.  My primary reaction at the end was relief that this was the end.

Parents should know that this movie includes vampire violence with battles that include graphic decapitations and other disturbing images, characters injured and killed, sexual references and situations with some nudity, and some language.

Family discussion: What are the biggest changes in Bella’s outlook and abilities from the first installment to the last? How much should she tell Charlie? If you could have one of the special gifts of the characters in the film, which would it be and why?

If you like this, try: the other “Twilight” movies and the books by Stephenie Meyer

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Action/Adventure Based on a book Drama Fantasy Romance Series/Sequel

Universal Classic Monsters

Posted on October 31, 2012 at 3:48 pm

What could be better for Halloween than the new Blu-Ray release of Universal Classic Monsters: The Essential Collection , with deluxe editions of eight classics:  “Dracula” (1931, 75 min.), “Frankenstein” (1931, 71 min.), “The Mummy” (1932, 74 min.), “The Invisible Man” (1933, 71 min.), “The Bride of Frankenstein” (1935, 75 min.), “The Wolf Man” (1941, 70 min.), “The Phantom of the Opera” (1943, 93 min.), and “The Creature from the Black Lagoon” (1954, 79 min.).

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Based on a book Classic Fantasy Horror

The Original Movie Vampire: Nosferatu

Posted on October 29, 2012 at 8:00 am

As we think about scary movies for Halloween, I wonder what the vampires in “Twilight” or “True Blood” would think of one of the earliest screen depictions of a vampire, “Nosferatu.”  If the story seems familiar, it is because they wanted to film “Dracula” without paying for the rights to the original story.  A great mystery grew up around the actor who played the title role, Max Schreck, inspiring the Willem Dafoe film, Shadow of the Vampire.

http://www.youtube.com/watch?v=rcyzubFvBsA
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Based on a book Classic Fantasy Horror
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