Alice in Wonderland

Posted on June 1, 2010 at 8:00 am

Almost 150 years ago Oxford mathematician Charles Dodgson published his wildly imaginative story about Alice’s adventures down a rabbit hole. And now the wildly imaginative director Tim Burton has brought Wonderland to the 3D movie screen. It is less faithful to the original story than many of the previous dozen or so movie versions, but I think Dodgson, better known by his pseudonym, Lewis Carroll, would approve of Burton’s bringing his own take to the classic characters.

He brings his own story as well. Carroll’s Alice is a little girl bored by her sister’s dull book, and her journey is episodic and filled with wordplay and references to Victorian society that fill the annotated edition of the book with witty footnotes.

To make the story more cinematic, Burton tells us that all of that has already happened in what young Alice thought was a dream. This is her return visit. Alice is 18 years old and has just been proposed to by a dull but wealthy lord with no chin and bad digestion. As she meets up with the Cheshire Cat, the White Rabbit, and the Mad Hatter, she is not the only one who is confused. Characters seem puzzled and unsure about whether she is the real Alice. The Mad Hatter peers at her perplexedly. She may be Alice, and yet not quite completely the Alice they are looking for. “You were once muchier,” he tells her. “You’ve lost your muchiness.” In Burton’s version, Alice’s adventures are about her finding her “muchiness.” Her visit to Wonderland is a chance for her to understand what she is capable of and how much she will lose if she makes her decisions based on what people expect from her. As in the Carroll story, she is constantly changing size, and Burton shows us that she is really finding her place. She believes she is once again in a dream but increasingly learns that it is one she can control. By the time she faces the Jabberwock, she knows that she is in control — and that her courage and determination can create the opportunity she needs to follow her heart.

Johnny Depp brings a depth, even a poignance to the Mad Hatter, and Helena Bonham Carter is utterly delicious as the peppery red queen, hilariously furious over her stolen tarts. There’s a thrilling battle, the visuals are dazzling, with references to classic book illustrations by Maxfield Parrish, and the 3D effects will have you feeling as though you are falling down the rabbit hole yourself. The frame story bookending the Wonderland/Underland adventure is tedious and, oddly, less believable than the disappearing cat and frog footmen. But Burton’s re-interpretation of the classic story is filled with muchiness and the result is pretty darn frabjuous.

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Spellbound

Posted on June 1, 2010 at 7:05 am

A+
Lowest Recommended Age: 4th - 6th Grades
Profanity: One very brief word
Alcohol/ Drugs: A parent possibly impaired by drugs or alcohol at one point
Violence/ Scariness: Tense scenes of competition
Diversity Issues: A theme of the movie
Date Released to Theaters: 2003

In honor of this week’s Scripps Spelling Bee finals, every family should see this m-a-r-v-e-l-o-u-s movie about the national spelling bee because it is about so much more. It is about the strength of American diversity and the commitment of this country to opportunity — the eight featured competitors include three children of immigrants (one’s father still speaks no English) and a wide range of ethnic and economic backgrounds. It is about ambition, dedication, and courage. It is about finding a dream that speaks to each individual. Most of all, it is about family — the opportunity to discuss the wide variation in styles of family communication and values is in itself a reason for every family with children to watch this movie together. Plus, it is one of the most genuinely thrilling, touching, and purely enjoyable movies of the year.

This is the true story of the 1999 National Spelling Bee in Washington, D.C., and especially of eight regional winners in the competition. They are: Ashley, a black girl who lives with her mother in a housing project in the city where the competition takes place, Harry, the youngest of the group, a slightly hyper kid who impulsively answers one interviewer’s question in the voice of a “musical robot,” April, whose fond but mildly befuddled parents cannot quite figure out how such a ragingly focused child appeared in their house, Angela, the daughter of an illegal Mexican immigrant who still speaks no English, Ted, a loner from Missouri, Neil, the son of Indian immigrants whose intense focus — including special spelling tutors and hours-long drills — has him the second member of the family to be a regional champion, Emily, the child of privilege, who wonders if she should bring her au pair along to the competition, and Nupur, another child of Indian immigrants, whose regional title is saluted by a sign on the local Hooters that reads, “Congradulations Nupur!”

These and 240 other contestants are all 8th grade and younger. They don’t quite understand what a heart-breakingly awkward and painful moment that is in their lives, but we do. As we watch these kids, girls towering over boys, more with braces than without, puberty’s uneven effects everywhere, many of the kids confessing that they feel all alone in their school, we see them hold on to this mastery of words eclipsing anything an adult can do as a lifeline, or maybe a flashlight, leading them to their adult selves. There were audible gasps in the theater as each new word was given to the contestants, including hellebore, terrene, logorrhea, kirtle, clavecin, heleoplankton, cabotinage, and opsimath. Half of those words are not even recognized by the spellchecker in my word processing program, but these kids, who learned how to read only a little more than half their lives ago, are able to handle an astonishing number of them. Meanwhile, some words recognizable to most college-educated adults turn out to be stumpers for the kids, sharply drawing the line between expertise and experience.

The movie is filled with brilliantly observed moments that illuminate the lives of the individuals but also the lives of all families and all dreamers. These kids, with their slightly old-fashioned area of expertise (this is the era of the spellchecker, after all, and as that list shows, these are not words likely to come up in conversation or even most college textbooks) have an engaging sense of adventure, affection, and wonder about words and language. One shows off her huge dictionary almost as big as she is and about to fall to pieces from use, and says she does not think she will ever part with it. Three boys talk about how they lost to Nupur. Ashley tells us she is a “prayer warrior” who feels like her life is a movie.

And we get to see every kind of family. All the parents assure their children that they are winners no matter what happens at the national bee, but some do so more convincingly than others. Each family has its own idea of what it means to achieve success and what they think success could mean for their future. One father hires special spelling tutors and runs constant drills. Others look on all but speechless at children whose talents seem as exotic to them as though they had sprouted feathers.

Parents should know that there are some tense and sad scenes. Children are upset when they lose (they are escorted onstage to a “comfort room”). One child uses a mildly bad word.

Families who see this movie should talk about how the families in the movie, especially the immigrant families and those at the lower end of the economic spectrum, see the importance of the spelling bee. They should talk about what it takes to be a winner in any category of achievement and how they measure their own successes (and failures).

Families who enjoy this movie will also enjoy Searching for Bobby Fischer, based on a real-life child who became a chess champion.

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Flicka 2

Flicka 2

Posted on May 17, 2010 at 8:00 am

B
Lowest Recommended Age: All Ages
MPAA Rating: Rated PG for some reckless behavior
Profanity: Very mild language
Alcohol/ Drugs: None
Violence/ Scariness: Risk-taking and peril, rattlesnake
Diversity Issues: None
Date Released to Theaters: 2010
Date Released to DVD: May 4, 2010
Amazon.com ASIN: B003NTGA90

Flicka 2 is a straight-to-DVD sequel of the most recent version of Flicka, the kid-and-a-horse story that goes back to the 1941 novel, My Friend Flicka, which inspired sequels, movies, and a 1956-57 television series.

In this latest version a city girl (Tammin Sursok) who has been living with her mother and grandmother comes to the country to live with a dad she barely knows (Patrick Warburton, Puddy from “Seinfeld”). It is very hard on her as everything feels strange and unwelcoming. And then she meets Flicka, the mustang, and realizes that they are alike, both high-spirited, sensitive, and in need of affection. Country singer Clink Black co-stars and is featured in one of the DVD extras along with more information about mustangs.

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The Adventures of Robin Hood

Posted on May 10, 2010 at 8:00 am

A+
Lowest Recommended Age: All Ages
MPAA Rating: G
Profanity: None
Alcohol/ Drugs: Drinking
Violence/ Scariness: Swordfights and other violence, characters injured and killed
Diversity Issues: A theme of the movie
Date Released to Theaters: 1938
Date Released to DVD: 2002
Amazon.com ASIN: B00005JKEZ

Errol Flynn is the definitive Robin Hood in this glorious Technicolor version of the classic story, one of the most thrillingly entertaining films of all time.

King Richard the Lion-Hearted, off fighting in the Crusades, has been captured and held for ransom. His unscrupulous brother John (Claude Rains) schemes to make sure Richard never returns, so he can take over as king. All of the knights offer their support but one, Sir Robin of Locksley (Flynn), who vows to raise the ransom money himself. He and his followers use Sherwood Forest as cover so they can steal from the rich and powerful to help the poor and raise the ransom money. They capture a group of travelers that includes the Sheriff of Nottingham (Melville Cooper), Sir Guy of Gisboume (Basil Rathbone), and the lovely Maid Marian (Olivia de Havilland), the King’s ward. Marian is at first scornful, but when she learns that Robin and his men are loyal to Richard, and sees how the Normans have abused the Saxons, she becomes sympathetic. In order to capture Robin, the Sheriff plans an archery contest, with the prize to be awarded by Marian. They know Robin will not be able to resist. He enters in disguise, but his superb skill reveals his identity, and he is caught and put in the dungeon. With the help of his men and Marian, however, he is rescued in time to help save Richard from John’s plot to have him assassinated.

In this story, Robin is the only one of the knights to stay loyal to Richard. Though he is a Norman, he is willing to lose everything he has to protect the poor Saxons. His loyalty is not limited to his own people; rather, he sees everyone who behaves justly as his people. “It’s injustice I hate, not the Normans,” he tells Marian.

Robin is not only the world’s greatest archer and a master swashbuckler. He has a complex and multi-layered character, revealed in his interactions with Marian and with his men. He has a strong and clear sense of fairness and honor. He is always respectful of those who deserve it, including the peasants. He is confident and direct, but also unpretentious and even irreverent. When he tells Marian that her manners are not as pretty as her looks, Prince John laughs that this is quite a contrast to Sir Guy, whose feelings for Marian leave him tongue-tied. In the scene where he meets Little John, Robin fights him for the right to cross the river first, just for the fun of it. When Little John wins, tossing him into the water, Robin is delighted. “I love a man that can best me!”

Robin is not especially concerned with goodness or piety; he even steals food from Friar Tuck. But with the poor and weak, he is gentle and considerate and he is, above all, loyal. When he finds that the people who appear to be traveling monks are loyal to Richard, he
says he will only take half of what they have. At the end, when the king asks him what he wants as a reward, all he asks for is amnesty for his men.

This is also a good movie to use for a discussion of what makes a leader. Robin’s confidence in himself inspires the confidence of others. In one of history’s finest pairings of actor and role, Errol Flynn brings his own assurance, grace, and passionate enjoyment to a part that added courage, integrity, and lively dialogue, creating one of the screen’s greatest heroes.

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The Tooth Fairy

Posted on May 4, 2010 at 8:09 am

Cute kid + The Rock in a pink tutu = movie deal.

After the success of The Game Plan, Dwayne Johnson (nom de wrestling: The Rock) has become the go-to guy for movies about taming the gentle giant. So once again, the fun is seeing Johnson playing an arrogant jock who is schooled by just about everyone.

This time, Johnson is a hockey player named Derek who has been knocked down to the minor leagues following an injury. His nickname is “The Tooth Fairy” because his blocking is so aggressive that it sometimes knocks out the opposing player’s teeth. He is proud that he leads the league in penalty time. But he is cynical and disappointed in his life, and when a young fan says he hopes to play professionally, Derek bluntly tells him that it will never happen.

Derek is dating Carly (sweetly played by Ashley Judd), a single mom with a cute little girl and a sulky middle school boy. Derek impatiently almost tells Carly’s daughter that there is no tooth fairy. That night, under his pillow, he receives a summons. Suddenly, he has sprouted wings and is wearing a pink tutu. For the crime of failing to believe, he has been sentenced to two weeks of duty as a tooth fairy. With guidance from an administrative fairy (the towering Stephen Merchant of the UK’s “The Office” and “Extras”) and the fairy godmother (a regal Julie Andrews), Derek is outfitted with all of the necessary equipment (including a male version of the uniform) and sent out to retrieve some teeth and tuck money under some pillows.

This turns out to be quite a challenge. Breaking into people’s homes for benign reasons is still breaking and entering, and Derek will need his shrinking gunk, amnesia powder, and invisibility spray. And there will be times when a tooth fairy emergency will come at the wrong moment, and misunderstandings will have to be straightened out. The film has a number of screenwriters who seem to have missed a meeting on consistency in the tooth fairy rulebook and the wings themselves are not very attractive. But everyone is game, the silly humor is good-natured, and Merchant is not the only one who has some fun making Johnson seem small.

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