The Vessel

The Vessel

Posted on September 13, 2016 at 7:07 pm

B+
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated PG-13 for some partial nudity/sensuality and thematic elements
Profanity: None
Alcohol/ Drugs: Alcohol
Violence/ Scariness: Devastating tragedy (off-screen), some peril
Diversity Issues: None
Date Released to Theaters: September 16, 2016

Copyright New Territory Pictures 2016
Copyright New Territory Pictures 2016
Many people have asked why bad things happen to good people, and many theories have been proposed. Fewer people have explored the more important question: when devastating tragedy happens, how do we find a way to go on? That is the question in “The Vessel,” produced by Terrence Malick and written and directed, in both Spanish and English versions, by Julio Quintana. Malick’s influence or inspiration is felt throughout, from the exquisitely composed images and impressionistic storytelling to the spiritual symbols.

Like Malick, Quintana lets the story unfold slowly, with a dreamy quality, allowing the audience to discover the story rather than serving it to us. There is a narrative voiceover from Leo (Lucas Quintana), a man who lives with his mother, a woman closed off in a deep silence. He cares for her tenderly, patiently. Leo tells us that all of the women in his community wear black in a sort of contest. Whoever puts aside mourning clothes first will lose some unspoken contest. And so we begin to discover she is not the only person in this Spanish-speaking town on the ocean who has had a tragic loss. The entire community has been devastated. They can barely speak. They seem stuck in grief, with no way to return to any part of their lives.

An American-born priest (Martin Sheen, a performance of deep grace and generosity) tries to help. He does everything he can. He listens. He counsels and commiserates. He gently urges. He prays. But nothing changes.

And then, Leo does something. What is a vessel, after all? The word can mean a ship or a container for liquids or a biological or botanical term for a physical delivery system. And poetically it can be used for a human body as the container for a soul. All of the above applies here, with images of water to underscore the metaphor. Leo begins to build something, not sure why or what he will do when it is finished. The priest opposes it; for him it is a distraction, a rival to the church, a golden calf. And yet, the community begins to see it as a portal to a return to themselves. They will never forget. They will never be free from pain. But for the first time, they begin to see the possibility that they might not be numb anymore.

This is a gentle, poetic, touching film, itself a vessel with a message of hope. It does not pretend to answer the question of why bad things happen to good people, but it reminds us that when they do, there are other good people paying attention.

Parents should know that this movie includes themes of devastating loss, some peril, and a brief sexual situation with some nudity

Family discussion: What do we learn from the different ways of grieving? Why did the boat make a difference?

If you like this, try: “The Sweet Hereafter” and “Tree of Life”

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Drama Movies -- format Spiritual films
The Wild Life

The Wild Life

Posted on September 8, 2016 at 5:23 pm

Copyright 2016 Lionsgate
Copyright 2016 Lionsgate

The animation is quite good in “The Wild Life,” with exceptional use of space designed to make the best use of 3D and cleverly constructed mechanics. But the voice talent is poor, the characters are dull, and the story and script start out badly and go downhill from there.

It is inspired by but bears little relation to the classic shipwreck story Robinson Crusoe, by Daniel Defoe, memorably illustrated by the great N.C. Wyeth (father of Andrew). But in this version there is no Man Friday. Instead it is, for no particular reason, told as a flashback from the perspective of the animals on the island, including a pangolin, a hedgehog, a tapir, and a parrot named Mak, later dubbed “Tuesday” by Crusoe.

The movie begins with pirates seeing what they think is a signal flame on a remote island. The captain sends his men to check it out and bring back anything of value. They capture Crusoe, and Tuesday settles in with some friendly mice on the ship to tell them the story from the beginning.

We meet Crusoe and his dog Ainsley onboard La Luna. They are novices at sea travel and looked down upon by the seasoned sailors. Crusoe does a lot of looking down, too, at the ocean, as he barfs into it. Also on board are two scraggly cats with Cockney accents, the scheming May and henchman Mal (Debi Tinsley and Jeff Doucette). A storm destroys the ship and Crusoe and Ainsley are trapped when the sailors depart in the lifeboat. The ship crashes on the shore of a tiny uninhabited island. Well, uninhabited by humans. The animals live in a predator-free paradise, with daily luaus, and they are all very happy except for Mak the parrot, who dreams of finding something exciting and different.

Crusoe, Ainsley, and the splintered remains of the ship are thrilling for Mak but terrifying for the other animals. Eventually Crusoe gains Mak/Tuesday’s trust and the animals begin to make friends with him, helping him to build a treehouse complete with running freshwater. But May and Mal, briefly stuck on an adjacent rock and soon accompanied by a litter, are determined to return to the island and pretty much eat and/or destroy everything and everyone.

Illuminata had the same mix of exceptional animation technique and underwritten story in “Fly Me to the Moon.” I wrote in my review, “Unfortunately, the dull characters and weak story keep getting in the way of the gorgeously produced backgrounds.” My strong recommendation for their next film is that they try to find writers and performers as capable as their visual artists.

Parents should know that this film includes a scary shipwreck, mean cats, pirates, guns, and fire, characters drink alcohol and there is a sad offscreen death of a character.

Family discussion: Why is Mak the only one on the island who is curious about the rest of the world? Why did Mal do what May said? How can you tell the difference between a coincidence and a bad omen?

If you like this, try: “The Pirates! Band of Misfits” and “Shipwrecked”

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3D Action/Adventure Animation Fantasy Talking animals
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