Interview: Katie Wexler of MVP

Interview: Katie Wexler of MVP

Posted on March 1, 2012 at 8:00 am

Katie Wexler is one of the stars of Most Valuable Players, a sensational new documentary about three high school teams competing to win the Freddy Awards for theatrical productions.  The Freddys are like the high school version of the Tony Awards.  The movie shows that musical theater can be as thrillingly suspenseful and wildly entertaining backstage as it is from a front-row seat.  Katie answered my questions about her dream role, her biggest challenge, and the best advice she ever got about performing.

What’s your favorite role that you’ve played and what’s one you wish you could play?
Picking a favorite role is tough! I always equate working on a show to gaining a best friend in the character you’re playing, and then never getting to spend time with them once the show closes. It sounds mildly morbid I guess, but that’s the kind of bond I form with the leading ladies I’ve played. I think I’d have to say I had the most fun playing Dot in Sunday in the Park with George. She is fiesty and hilarious and the range of growth she experiences throughout the show is tremendous, challenging, and an incredible ride for the actress on board. I am getting ready to work on Reno inAnything Goes in the spring time and she may give Dot a run for her money in the feisty department, so we’ll see how I feel come April!
Now dream role? Well, that’s every actor’s favorite question! No brainer. Eva Peron in Evita. And not the movie-Madonna-stuff…I mean Patti LuPone-Tony-Award-winning stuff!
Do you have a favorite musical?
I pace back and forth on the favorite musical spectrum between Sweeney Todd and1776. So, either a vengeful-murdering-singing-barber or singing-dancing-founding fathers. See? How can you not love musical theatre?!
What surprised you when you first began to learn about Broadway musical theater?
Hmm. “Broadway” musical theatre is such a teensy tiny microcosm of the art form ‘musical theatre’. There are brilliant musical theatre productions both old and new being mounted all over the United States in regional theatres, even some that tour through it! Broadway is only the tip of this wonderful iceberg. The regional theatres that adapt, engineer, and re-engineer timeless favorites, as well as invent new pieces that may make their way to Broadway, all over the country are the unsung heroes of the musical theatre world, I think.
What has been your biggest challenge as a performer?
Letting go. And whatever ‘letting go’ means on that day; whether it’s leaving behind stress, a terrible day, letting go of preconceived notions of what is ‘silly’ or feels uncomfortable. Letting go of insecurities and trusting yourself, fellow actors, and directors is so important. There’s really no room once you’re in the rehearsal space for anything else but letting go to the show or the piece and letting the work have an untainted life of its own.
What’s the best advice you ever got about performing? 
Embrace your own uniqueness. The sooner a performer is ok with who they are; I mean fully come to terms with flaws, insecurities, weaknesses, strengths, and skills, and like it. Love it! Our job is to honestly portray humans on stage and what a better well to draw inspiration from than the life you know best—your own!
Do the Freddy Awards create too much pressure or do they inspire kids to do their best?
As far as my experiences have informed me, there are no negative consequences of the Freddy Awards. Of course some people will take competitive situations to the next level, but that’s any situation in life. It’s no different from kid’s pitting rival sports teams against each other in high school, it’s another way we motivate ourselves to do better. I know concerns had been expressed that theatre was such a different medium than sports that to “judge” and “win” were somehow bad words to qualify an art form, but from my experiences in the theatre both at the college level and professionally, it is painfully competitive out there just as much for actors as it is for professional athletes. High school thespians deserve their moment in the limelight for all the heart and time those kids put into the productions, and the Freddy’s has done a great job at giving it to them. If a little competition brings the community into the process and pushes these young artists to work harder, I say no harm no foul!

Tomorrow: An interview with Producer/Director Matthew Kallis.

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Documentary
Happy Leap Day!

Happy Leap Day!

Posted on February 29, 2012 at 7:00 am

Celebrate the day we observe just once every four years with The Pirates of Penzance, the delightful Gilbert and Sullivan musical about a man who thinks he is turning 21 but, because he was born on leap day, has had only five birthdays.  He has been indentured to pirates (his nurse misunderstood when his parents told her to apprentice him to a pilot) and looks forward to coming of age so that he can leave them.  But since he will not have his 21st birthday for decades, he is not legally an adult!

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Based on a play Classic Comedy For the Whole Family Musical Romance Satire
Sneak Preview for “Titanic 3D”

Sneak Preview for “Titanic 3D”

Posted on February 27, 2012 at 3:13 pm

The Best Picture Oscar winner and box office record-breaker is back to remind us that our hearts will go on.   Moviegoers across the U.S. and Canada will be among the first audiences anywhere to experience Titanic in 3D at the exclusive “sneak preview” fan screening events, set for Monday, April 2nd in Canada and Tuesday, April 3rd in the U.S. Presented exclusively in RealD®, these one-night only special advance screenings will take place at 6:30pm at select 3D movie theaters across North America.  It opens in theaters April 4 for a special engagement.

Each TITANIC in 3D Sneak Preview Pack* includes:

  •     One ticket to the movie sneak preview
  •      A collectors edition pair of TITANIC RealD® 3D glasses
  •      A limited-edition TITANIC movie art lithograph

*While supplies last

 

Tickets for these April “sneak preview” events are on sale now both on-line, and at participating theatres. For event locations around the country, to purchase tickets, or to learn more about this exclusive event, please go to Titanic Fan Sneak Preview.

 

James Cameron, who directed the film has digitally re-mastered it using the latest technology of StereoD. The re-release of TITANIC also coincides with the 100th anniversary of the Titanic setting sail on April 10, 1912. Written, directed and produced by James Cameron, TITANIC is the second highest grossing movie of all time, following Cameron’s “Avatar.” It is one of only three films to have received a record 11 Academy Awards® including Best Picture and Best Director; and launched the careers of stars Leonardo DiCaprio and Kate Winslet.

 

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3D Action/Adventure Based on a true story

Act of Valor

Posted on February 23, 2012 at 6:07 pm

The Navy SEALS approached the Bandito Brothers film-makers about telling their story, years before they became headline heroes by finding and killing Osama Bin Laden.  After spending time with the SEALS and learning about their extraordinary missions and their extraordinary devotion to their families, their country, and each other, it became clear that even the biggest stars in Hollywood could never do them justice.  And so they made “Act of Valor,” a thrilling action/adventure film starring active duty U.S. Navy SEALS re-enacting some of their most dangerous missions, with live ammunition.  Every person in uniform you see in the film is currently serving in the U.S. military.  More than once, shooting had to shut down so that the SEALS could get back to work.

The story is pure fiction but the situations are real and the filming includes footage of training missions with live ammunition.  According to the story, a CIA agent has been kidnapped and is being tortured.  Terrorists are trying to enter the United States to detonate suicide bombings that will murder thousands of civilians.  The SEALS get little notice and less background briefing and they have to save the day, using a combination of the most cutting edge technology in weapons and communication and the oldest and most basic forms of technology (hand-to-hand combat) and communication (hand signals and just knowing each other and the mission objectives).  Most of all, they rely on training, integrity, and trust.  What they don’t rely on is anything going as originally planned.  In one exciting chase, the bad guys are closing in and shooting at them with automatic weapons and one of the SEALs has been critically injured.  What is even more fascinating than the pulse-pounding action is the way the Seals keep adapting their escape plan and updating their team with remarkable economy and precision.  “This will be a hot extract,” they say crisply into the walkie-talkies as they return fire.  “Moving to tertiary extract,” they continue.  All may be chaos around them, but you get the feeling that they could keep going with another 20 thought-through options for pick-up if the first 19 can not work.  “Prepare for a bigger fight than you were expecting,” they are advised in one operation, but the SEALs are always ready.  One of them quotes the moving words of the Native American leader Tecumseh that concludes, “When your time comes to die, be not like those whose hearts are filled with fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song, and die like a hero going home.”

The guys (their names are not used for security reasons) are not actors, but that just adds to to sense that we are watching a documentary, albeit a documentary that sometimes plays like a first-person shooter game.  When we see the SEALs with their families and with each other, it is clear that there is not an actor in the world who could convey the humility and honor that is fundamental to their natures.

The storyline is thin and generic but there is plenty of drama in the operation of the missions, each like a movie of its own and well staged to make us feel at the center of the action.  Country greats like Trace Adkins, Wynonna Judd, Sugarland, and Lady Antebellum provide a stirring soundtrack.  We see operations on land, sea, and in the air.  There are fights and shoot-outs but one of the most mesmerizing scenes is all talk as the master interrogator shows the master criminal just enough respect to keep him cooperating, making clear how much power he has over the other man’s life to make that cooperation meaningful.  “I’d rather bring a gun to a knife fight than be interrogated by him,” one of the Seals says proudly.  The support of their families and, at least in one case, a family history of sacrifice creates a clarity of priorities that creates a context for excellence.  In a world where ambiguity and partisanship make it hard to find heroes, the biggest thrills in this film come not from the shoot-outs but from seeing real-life commitment, courage, and what valor truly means.

 

(more…)

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Action/Adventure Based on a true story War

This Means War

Posted on February 17, 2012 at 6:01 pm

In the world of this film, American spies work in stylish and luxurious L.A. offices and live in cool apartments that look like the ads in Maxim with people toasting each other with expensive vodka.  One of the apartments is underneath a swimming pool, so the occupant can look up at the way the light plays through the clear blue water as luscious lovelies swim by.  And that’s the believable part.

Chris Pine plays FDR and Tom Hardy plays Tuck, quip-spouting spies, who are always going to elegant parties for glamorous undercover missions and exchanging purportedly witty barbs as they chase the bad guys.  FDR (really?) is the playa and Tuck is the sensitive divorced dad.  It’s a big-time bro-mance with such blurred boundaries that they seem to have the same mother, even though Tuck is British.  At a family party, Rosemary Harris (“Spider-Man’s” Aunt May) gently chides them both for not producing grandchildren – and then strangely dismisses the fact that Tuck already has a son, who does not count any more, presumably because of the divorce or maybe because no one cared enough to check back to the other pages of the script.

Lauren (Reese Witherspoon) is a consumer products tester who has not dated for a while.  She meets Tuck via an online match-up site and – another example of how completely out of date this movie is – she meets FDR in a DVD rental store.  All of a sudden, she has gone from not dating anyone to dating two guys at once. And her specialty is product testing, even though she is a good girl who gets the flutters at the idea, egged on by her friend (Chelsea Handler), she decides to date them both.  When they find out, they become intensely competitive in a way that is supposed to be charming and funny but in reality is just extremely stalker-ish and strongly suggests that she is just the hapless proxy for their intense attachment to one another, they use all of their training and resources to subvert and spy on each other.  One is getting too close to having sex with Lauren?  Bring out the tranquilizer darts.  Sure, why not spend the billion dollar technology that is supposed to be trained on terrorists to eavesdrop on each other’s dates?  We are supposed to find it endearing, but I was horrified.

Parents should know that this film includes action violence and peril with guns, chases, and explosions, sexual humor — some crude — and non-explicit situations, and strong language.

Family discussion: How did Lauren’s professional background affect the way she evaluated FDR and Tuck?  Which man was more honest with her?

If you like this, try: “Get Smart”

 

 

 

 

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Comedy Romance Spies
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