Angels in Movies and Television: Before 1970

Posted on August 26, 2009 at 3:59 pm

Ellen Leventry’s list of post-1990 angels on movies and television got me thinking about some of my favorites from the old days. Hard to believe that performers from Jack Benny to Cary Grant to Donald Duck have taken on an angelic role. Angels have appeared in comedies, dramas, cartoons, television series, and even in musicals. They are usually in the story to guide the main character, but quite often they end up learning something, too.

1. Claude Rains and Edward Everett Horton in Here Comes Mr. Jordan. This was the first version of a story later remade with Warren Beatty in “Heaven Can Wait” and Chris Rock in “Down to Earth.” Robert Montgomery (father of “Bewitched’s” Elizabeth Montgomery) plays a boxer whose soul is prematurely taken by an apprentice angel (Horton). Mr. Jordan (Rains), the supervising angel, has to help find a new body for the boxer’s soul. This gentle comedy has a sweetness and kindness that makes it touching as well as entertaining.

2. Clifton Webb in “For Heaven’s Sake.” The impeccable (if slightly fussy) Webb plays an angel who is sent to earth on an important task. There is a special place in heaven for the souls of babies waiting to be born, and two of them are getting anxious. Their prospective parents are postponing parenthood because they are too wrapped up in themselves. Webb appears as a rancher and another kind of angel — a theatrical backer — to get them to change their minds. It is fun to see the ultra-urbane Webb trying to look like a cowpoke and the story is charming.

3. The invisible (except to a little girl) baseball players in Angels in the Outfield. The 1994 remake has its pleasures, but I still prefer the 1951 original with Paul Douglas as the temperamental manager of the Pittsburgh Pirates and Janet Leigh as the reporter who befriends him after a little girl from an orphanage announces that she sees angels on the baseball diamond. Douglas is wonderfully appealing as he tries to learn to control his temper and finds himself falling for Leigh.

4. Henry Travers in It’s a Wonderful Life. Probably the most-loved angel in the history of movies is Clarence, who has a very unconventional way of helping George Bailey (James Stewart) — by showing him what life would have been like if he had not been born. Travers has just the right warmth and twinkle to make us believe that every time a bell rings an angel gets its wings.

5. Cary Grant in The Bishop’s Wife. The handsomest angel in movie history is Grant’s Dudley, who arrives at Christmas to guide a clergyman (David Niven) who has neglected his family and his faith and become too caught up in the effort to build a cathedral. The most touching moments come from the look in Dudley’s eyes as he understands that even heaven does not match the pleasures of home and family.

6. Gordon MacRae in Carousel. A carnival barker who is desperate for money to care for his pregnant wife dies in a failed robbery attempt. He is sent back to earth to help his teenage daughter, now graduating from high school, to let her know she will never walk alone.

7. Henry Jones in “The Twilight Zone” episode “Mr. Bevis.” Even angels make mistakes. And in this charming episode of the Rod Serling classic television show, Orson Bean plays a lovable loser whose guardian angel (Jones) offers to turn him into a “normal” upright citizen with a responsible job and a solid credit rating. But once Bevis becomes “normal,” he isn’t Bevis anymore, and he and the angel learn that the only way to be happy is to be yourself.

8. Jack Benny in “The Horn Blows at Midnight.” Benny loved to make jokes about this film and considered it a low point of his career. But it is actually a lot of fun. Benny plays a trumpet-player who dreams that he is the angel Athanael, who has been ordered to blow his horn at midnight to signal the end of the earth. Two fallen angels try to steal it from him so they can continue to experience earthly pleasures. The story is softened a bit from the studio-added dream structure, but it still manages some sharp observations and endearing characters. The celestially beautiful Alexis Smith makes a fine angelic companion as well.

9. Donald Duck in “Donald’s Better Self.” Even the irascible Disney duck can be persuaded to listen to what Abraham Lincoln called “the better angels of our nature.” In this animated short Donald is a schoolboy who is tempted by the devil to skip school and try smoking but is rescued by the angel, who has not only a shining (and waterproof) halo but a righteous punch.

10. Conrad Veidt in “The Passing of the Third Floor Back.” Awkwardly filmed but still very moving, this film is based on the story by Jerome K. Jerome of a stranger who changes the lives of the residents of a boarding house. Veidt often played bad guys, but here he truly shines as a character whose quiet dignity and courteous kindness bring warmth, self-respect, and inspiration to the other tenants.

Duplicity

Posted on August 26, 2009 at 8:01 am

What do Egyptian launch codes and a new frozen pizza topping have in common?

They’re both secrets that are of value to both those who know it and those who want to know it. Where there are secrets, there must be spies. Where there are spies, there must be counter-spies. And where there is conflict, there must be some sparks.

Writer-director Tony Gilroy (Michael Clayton) has produced another sharp, twisty, and very stylish thriller, this time with romance and a bit of stardust. The result is a top-notch date movie for grown-ups.

Julia Roberts plays Claire and her Closer co-star Clive Owens is Ray. They meet at an American embassy 4th of July party in Dubai and it is not clear whether their opening exchange is flirtation or something a little more professional. The same can be said of the subsequent encounter, leaving one of them triumphant and the other feeling used and embarrassed. As we go back and forth in time, pieces of the puzzle come together. Once spies for the CIA and MI6, Claire and Ray move on to the more-lucrative career of corporate espionage and perhaps the even-more lucrative career of working for themselves.

Gilroy gives the film a bit of a retro gloss, with a soundtrack that has a 70’s flavor and sleek camera effects with sliding boxes reminiscent of the original “Thomas Crown Affair.” Roberts makes a welcome return to the screen, looking less willowy and more curvy. Owen, most often seen in movies glowering or cynical, is more natural trying out a Tennessee accent than he is trying out a smile, but he has a sure sense of timing that makes the best of Gilroy’s clever banter. This movie sparkles with witty exchanges, and the back-and-forth time shifts in story-telling reveals just how much every word of that dialog matters. The stakes are not as dire as in “Michael Clayton,” but that is part of the fun, watching former top spies use all of the resources available to track down information about items sold in a grocery store. More fun is seeing how two people whose careers depend on not trusting and not being trustworthy test each other and themselves to see if they can build a lasting connection. “Duplicity” may refer to a double-cross, but this movie is double-entertaining.

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Adventureland

Posted on August 25, 2009 at 8:00 am

We all have at least one, a summer when everything changes, when we first start to become the person we truly are. Every writer tries at least once to tell the story of one of these summers and the best of them connect us to our own stories as we laugh and cry along with them.

Director Greg Mottola’s last film was the box office smash “Superbad,” and like that, this is the story of young people at a turning point, told with sex, drugs, rock and roll and with some surprising sweetness. The mix is much more on the sweetness side in this frankly autobiographical film; don;t let the ad campaign mislead you that this is another wild and raunchy story.

For one thing, this movie’s lead is four years further along. James Brennan (“The Squid and the Whale’s Jesse Eisenberg) has just graduated from college and things are not going the way he planned. His parents have had some financial reversals. Not only is his planned trip to Europe with his friends canceled so he can stay home and get a job but there’s no money to pay his tuition at graduate school, and his parents seem disturbingly callous about how this affects him. He finds to his distress that an undergraduate degree in literature does not qualify him for pretty much anything, so he ends up getting a job for which no qualifications of any kind are necessary — working at a decrepit amusement park called Adventureland.

We know what to expect, of course. In just about every summer job, summer camp, and summer trip movie ever made there will be a girl of great sensitivity and insight and a girl of great hotness. There will be a bully or menace of some kind and a boss who is clueless or evil or both. But the humiliating lessons are more in the painful twinge than wake-up-in-the-middle-of-the-night-20-years-later-in-a-cold-sweat category. The bosses (SNL’s very funny Bil Heder and Kristin Wiig) are not evil and not really clueless. They just have the requisite benign obtuseness that enables them to continue to run a business that (1) relies on children in unleashed frenzy mode as customers and (2) relies on teenagers in major hormonal crisis mode as staff. Mottola manages to avoid the cliches and create characters with warmth and specificity and — that rarest quality in movies of this genre — some grace.

Woodstock

Posted on August 24, 2009 at 8:00 am

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	Rated R for drug content, nudity and language
Profanity:	Very strong language
Alcohol/ Drugs:	Drug use, drug references
Violence/ Scariness:	None
Diversity Issues:	Diverse characters
Date Released to Theaters:	1970
Date Released to DVD:	August 25, 2009
Amazon.com ASIN:	B001NXDSLQ

Forty years ago, it seemed for one brief moment as though a disastrous, mud-soaked music festival that attracted so many people it had a larger population than all but one city in the state could be the beginning of a new world of peace and cooperation. That dream was quickly battered but still lives on in the magic that its name and its songs still evoke: Woodstock. This week, a new movie from Ang Lee covers the impact of the festival on the community that was its not-entirely-welcoming host. But the truly indispensible memento of the three days of peace and music is the award-winning original documentary from director Michael Wadleigh. A new 40th-anniversary edition is being released this week with additional footage from from Paul Butterfield, Creedence Clearwater Revival, The Grateful Dead, Johnny Winter & Mountain and interviews from participants including Wadleigh and concert producer Michael Lang. Whether you remember the warning about the brown acid and the interview with the porta-john guy and the nun flashing the peace sign or whether you have yet to experience the “Fixin’ to Die” rag or Hendrix’s stunning “Star Spangled Banner,” this is a brilliant film about an extraordinary moment.

Legion: the Archangel Michael on Film

Posted on August 22, 2009 at 8:00 am

Paul Bettany plays the Archangel Michael in “Legion,” a new film opening in early 2010, also starring Dennis Quaid, Lucas Black, Tyrese Gibson, and “Gray’s Anatomy’s” Kate Walsh. In the film, he fights on the side of humanity when God has given up on earth. Much of it takes place in a diner, where a pregnant waitress may be carrying a child who may have special qualities.
The Biblical Michael is a character (or more than one character) with many interpretations, and even appears in the Qu’ran as an angel bringing peace and plenty. The film version is sure to be provocative; I hope it will be thoughtful as well.