Mad Money

Posted on May 12, 2008 at 4:00 pm

What force on earth is strong enough to unite an upper middle class suburban housewife, a poor African-American single mother and a young, spaced-out rock n’ roll fan living in a trailer? Why, the opportunity to steal from the government, of course.
“Mad Money” is a conventional heist comedy about a plot to steal money from the Bureau of Printing and Engraving. Diane Keaton, Queen Latifah and Katie Holmes star as low-level employees of the Bureau who come up with a complicated plan to get around the elaborate security procedures. Working together beneath the notice of government officials, the three women combine their roles to walk off with bags of used money that has been returned to the Bureau to be destroyed. Each of them has a different justification for their decision to steal — a special need or a past injustice that the money will cure. mad_money.jpg

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Comedy Crime

Pangea Day — sharing stories worldwide

Posted on May 11, 2008 at 4:00 pm

The fist Pangea Day was every bit as heart-warming, inspiring, and thrilling as I had hoped. I was privileged to participate at the Epicenter Church, a new Christian Faith Community located in Rosslyn, Virginia, just across the Potomac River from Washington DC. Pastor Paul Nixon and worship leader Ward Ferguson gave us a very warm welcome. We were a very small group, only nine of us, but through the huge screen we felt very much a part of the thousands world-wide who came together around the modern-day equivalent of a campfire to share our stories.
Pangea Day was like a cross between Live Aid, Woodstock, Oprah, and the Disney park ride “It’s a Small World After All.” It was the dream of film-maker Jehane Noujaim to bring people around the world together by allowing them to share their stories via film. Anthropologist Donald Brown spoke about his inventory of “human universals,” the things that connect all people in all cultures, from rituals and customs around meals, gift-giving, and life cycle events to sharing, insults, and the expression of feelings like mourning, competition, love — even tickling. There were live appearances, musical performances, and interviews, some a little awkward, cheesy, or glitchy, but all well-intentioned, and the four-hour presentation centered on the sharing of stories from film-makers around the world.
Each of the films is only a few minutes long and all are well worth watching. One of my favorites was “The Ball,” the first film shown, from Mozambique, about boys in need of a soccer ball. The funniest included “The Slap” and “Elevator Music,” but the one that provoked the biggest reaction from our group was “Laughter Club,” a mini-documentary about groups around the world who meet just to practice Laughter Yoga. The most poignant and moving films included “Dancing Queen” from India and brief segments from “Operation Homecoming,” with commentary from an American soldier serving in Iraq and Noujaim’s Combatants for Peace, with former soldiers from Israel and Palestine who are working together to find reconciliation and peace.
The most romantic included the wordless “A Thousand Words” and “Mutual Recognition,” an excerpt from Noujaim’s own film that includes an interview with a Sufi couple about what makes their marriage strong. Their message — through words and through their expressions as they look at and listen to one another — is deeply inspiring. Perhaps the film that best summed up the day’s message was “Wallyball,” a mini-documentary about a wall dividing a beach along the U.S./Mexican border. As helicopters and soldiers maintain national security by keeping these neighbors apart, the people enjoying their time on the beach develop a volleyball game across the divider. Be sure to watch for the ice cream truck. It reminds me of one of my very favorite short animated films, “The Hat,” by John and Faith Hubley.
Many of the stories affirmed the universality and connection of human experience. Topics like anger, love, and hope were addressed with brief comments by people all over the world. Some of the stories were about experiences so devastating most of us are unable even to begin to contemplate the devastation and trauma they inflict. Ishmael Beah
spoke of his two years as child soldier in Sierra Leone and his struggle to recover his humanity and transcend the experience, to “learn to transform the war experiences to they were no longer a burden but instructional tools.” Israeli Robi Damelin
and Palestinian Ali Abu Awwad held hands as they came on stage to talk about how the killing of their family members led them to forgive and seek forgiveness and to work for reconciliation and peace.
In a live interview with the former soldiers who appeared in the “Combatants for Peace” film, the Israeli veteran revealed that hours before his mother and brother were shot in a peace demonstration, a powerful reminder that there are daunting challenges ahead. But his appearance, even after that incident, with his new friend and former enemy was an even more powerful reminder that while it may be a long and difficult journey, we have taken the first steps.
Please take a moment to watch some of the films. And make some of your own to keep this conversation going.

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Commentary Shorts Spiritual films

P.S. I Love You

Posted on May 7, 2008 at 12:00 pm

gerard_butler7.jpg Hillary Swank does not have the chin for romance or the rhythm for comedy. Her two Oscars were for earnest, androgynous roles (“Boys Don’t Cry” and “Million Dollar Baby”) that made the most of her strong jaw and lanky figure. Romantic comedies, even bittersweet ones about perky young widows learning to go on with their lives, need twinkle. Her character wears twinkly dresses and does twinkly things, but Swank delivers her lines as though she is still slamming into that heavy bag.

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Based on a book Drama Genre , Themes, and Features Reviews Romance

Astaire and Rogers: La Belle, La Perfectly Swell Romance

Posted on April 27, 2008 at 8:00 am

They said she gave him sex and he gave her class. In eight heavenly movies from the 1930’s at RKO Studios and then with one more — their only one in color — at MGM, Fred Astaire and Ginger Rogers danced and sang in some of the most deliciously entertaining movies ever made. We know right from the beginning that these two are destined to be together. But it usually takes them about 90 minutes to figure it out.

One thing they did better than anyone else before or since was to convey the beginning of a relationship through dance. Watch this number from “Top Hat.” As in most of their films, Astaire is already very attracted to Rogers when this scene begins, but she has no interest in him and finds his attentions annoying. As they begin to dance, she sees who he is for the first time and he learns that they are even more right for each other than he had hoped. In most romantic movies, there is some witty repartee to symbolize the deep connection between the couple. But here, it is all done with music (Irving Berlin’s delightful “Isn’t it a Lovely Day to be Caught in the Rain?”) and dance.

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Great Movie Moments Movie Mom’s Top Picks for Families Musical Rediscovered Classic Shorts

Harold and Kumar Escape from Guantanamo Bay

Posted on April 24, 2008 at 6:00 pm

B-
Lowest Recommended Age: Adult
MPAA Rating: Rated R for strong crude and sexual content, graphic nudity, pervasive language and drug use.
Profanity: Extremely strong, graphic, and crude language
Alcohol/ Drugs: Frequent drug use, positively portrayed
Violence/ Scariness: Comic peril and violence including guns, character murdered
Diversity Issues: A theme of the movie
Date Released to Theaters: April 25, 2008

harold%20and%20kumar.jpgLike the effects of the marijuana laced with cocaine smoked by a world leader near the end of this movie, the sequel to Harold & Kumar Go to White Castle combines a literally dopey stoner comedy buzz with an electric sting of sharp satire. The first film was surprisingly popular with audiences and even more surprisingly popular with critics, who found that making the main characters minorities in an otherwise unambitious druggie comedy gave the interactions as the two stoned college students stumbled toward the fabled little square burgers a new freshness, even an edgy, satiric quality.

Plus, it had Neil Patrick Harris in a deliciously demonic role as “himself,” a ‘shroomed-out former child star.

Harold (John Cho) and Kumar (Kal Penn) depart for Amsterdam, where Harold hopes to see the girl of his dreams (even though he does not know her last name or where she is staying) and Kumar hopes to enjoy legal marijuana. But on the plane, Kumar lights up, using a smokeless bong he invented for the occasion, and a passenger assumes he is a terrorist. “Bong” sounds like “bomb” and he has brown skin. Before you can say “I just wanted to join the other mile high club,” they are cuffed by air marshals and carted off to face a racist, power-mad, pea-brained US government official (Rob Corddry), who orders them put into orange jump suits and shipped to the prison at Cuba’s Guantanamo Bay. This ain’t “Law and Order.” No right to a phone call, no lawyer, no passing Go and no collecting $200.

After some ugly encounters with real terrorists in the adjacent cell and sexually predatory guards, Harold and Kumar escape, get back to the US, and take off for Texas, where they hope to get help from a classmate who is conveniently both connected to the top levels of the Department of Defense and about to marry Kumar’s former girlfriend, the one he still loves.

The racial and political barbs are even more pointed this time as just about everyone’s bigotry is exposed. In one of the highlights, Harold and Kumar are taken in by a redneck who looks like an extra from “Deliverance.” He brings them to his broken-down shack and they go inside to find it decorated like a Manhattan co-op apartment, the redneck’s elegant wife at the computer complaining that the DSL line is not working properly. Just as they readjust their expectations, there is another twist. They also have a run-in with the KKK, who think they are Mexicans. No one seems to know or care what their ethnic backgrounds really are. The government interrogator insists on speaking Chinese to Harold’s parents — and insists that they are speaking some strange dialect he cannot understand, despite the fact that they are (1) Korean, (2) are speaking English, and (3) have lived in New Jersey for 40 years.

Cheerfully offensive, cheekily raunchy, happily outrageous, and often just plain disgusting, the movie avoids the usual sophomore slump by ramping up the political jabs while keeping it all unpretentious and moving quickly. We get a bit of a glimpse of Kumar’s backstory — his first girlfriend and his first joint. It is not for everyone; some audiences will consider it so morally bankrupt that they will not be able to enjoy it. But for its audience what makes this one appealing is that like its heroes, this series is growing up.

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Comedy Movies -- format Series/Sequel
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