Speed Racer

Speed Racer

Posted on September 16, 2008 at 8:00 am

B +
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG for sequences of action, some violence, language and brief smoking.
Profanity: Some brief bad words, s-word bleeped but still obvious, character gives "the finger"
Alcohol/ Drugs: Smoking
Violence/ Scariness: Intense acton violence and peril including flesh-eating fish, bomb, guns, kung fu, and racing accidents, sad off-screen death
Diversity Issues: Diverse characters
Date Released to Theaters: May 9, 2008
Date Released to DVD: September 16, 2008

Andy and Larry Wachowski, the folks behind the Matrix trilogy, have taken the iconic but decidedly low-tech 1960’s Japanese cartoon character and put the pedal to the metal with dazzling effects and electrifying action. Do what Speed Racer does — put on your red socks and GO!

Copyright 2008 Warner Brothers

 Even as a child, Speed Racer could only think of one thing, making cars go as fast as possible. Not surprising — he was surrounded by racing. The family business was race cars. His father (John Goodman) built them and his older brother drove them. When his brother is killed in a crash, Speed (Emile Hirsch) takes over. On and off the race track he battles the competition, even when they do not fight fairly. By his side are his parents, his little brother, his and his girlfriend Trixie (Christina Ricci, looking like a real-life version of an anime heroine with her enormous eyes).

The plot is pretty much the same as the cartoon series, meaning light-weight and a little incoherent. Basically, evil forces are trying to stop Speed from winning the race. The sections with the kid brother and his chimp are slow points for everyone over age 9 but it is all great fun, with a hero to believe in and visuals that are both reassuringly retro and stunningly innovative. Every wallpaper and fabric, each car, helmet, and racetrack is meticulously designed to evoke a mash-up between Speed’s Norman Rockwell-style, solidly heartland home and the souped-up super space age world outside. The Wachowskis re-invent the color wheel with reds and yellows that make fire engines and school buses seem pale.

The dialogue is pared down to essentials: “You think you can drive a car and change the world? It doesn’t work like that!” “Maybe not, but it’s the only thing I know how to do and I gotta do something.” The plot is no more significant (or confusing) than in the cartoon originals. All we need to know is that in the world of Speed Racer you can drive a car and change the world — if you drive it very, very fast.

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Rolling Stone on the State of Comedy

Posted on September 16, 2008 at 8:00 am

The cover of the comedy issue of Rolling Stone has David Letterman, Tina Fey, and Chris Rock and the stories inside include raucous recollections of “notes,” the edits and suggestions from studio and network executives. My favorite is Mel Brooks’ description of carefully writing down all the things that had to be taken out of “Blazing Saddles” and then, after the meeting was over, crumpling it up and throwing it away. Top comedians and comedy writers share their favorite funny movies, their biggest breakthroughs, and their biggest flops. Letterman’s interview has some thoughtful and touching comments on Warren Zevon’s last appearance on the show and his relationships with everyone from Madonna to Johnny Carson and the girls from “The Hills.” rolling stonejpg
Be sure to check out the online extras, including video clips from five comics to watch and nine comedy all-stars have a blast at the photo shoot.

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Made of Honor

Posted on September 16, 2008 at 8:00 am

“Made of Honor” has gloss and bounce and some of the core elements of a mainstream chick flick/date movie. Sexiest Man Alive runner-up in lead role? Yep, Dr. McDreamy himself. I’ve been a Patrick Dempsey fan since he did the African anteater dance in Can’t Buy Me Love. Does he get his comeuppance? In a romantic comedy, it’s always a good thing if someone gets a comeuppance. Yes, that’s here, too. And much of the movie concerns wedding plans, usually a reliable plot line. Consistent with wedding custom, it has something old (boy meets girl, boy loses girl…), something new (we’ll get back to that later), something borrowed (the plots of “The Wedding Planner,” “My Best Friend’s Wedding,” half a dozen “Friends” episodes featuring Ross and Rachel, etc. etc.), and something blue (some of the humor pushes the PG-13 limits to the edge). But it leaves out a few other essentials.

Ten years after college, Tom still sleeps with as many beautiful women as possible, not-so-gently informing each of them that he has “rules” — no one gets him two nights in a row, no one gets to visit his apartment, no one meets his family, etc. etc. The one constant in his life is his weekly time with college pal Hannah (Michelle Monaghan of “Gone Baby Gone”), his best friend. When she returns from a six-week business trip to Scotland engaged to a bonny broth of a Mr. Right (think the Laird of Right), Tom suddenly realizes that it is Hannah he truly loves. She wants him to be her Maid of Honor and he accepts because he thinks it will help him stop the wedding and prove to Hannah that he’s the one.

Despite Dempsey’s charm and charisma, the character he plays is hard to root for, more a male fantasy than a female one. The screenwriters and director seem mystified by women and sometimes even downright misogynistic, never a good thing in a chick flick. Women all take one look at tom and sigh, endlessly willing to do anything from write their phone numbers on Starbucks coffee cups to jump into (or back into) bed with him, one even yelling “Service me!” Three different times, the movie makes fun of an elderly lady who mistakes a sex toy (glow in the dark!) for a necklace. Not funny even once. Tom is immature and self-centered. He has no job, no interest in anything but hanging out with his basketball-playing buddies, having sex with many different girls, and his weekly date with Hannah, which is primarily about making him feel good. Even when she gets engaged, it never occurs to him to think about what would make her happy. The movie avoids the usual formula of making the designated loser in the marriage sweepstakes obviously wrong for Hannah but forgets to substitute some other reason to root for Tom. As happens too often these days, the movie relies on vulgarity instead of wit, insults instead of banter, and recycled ideas instead of anything fresh. It is so sloppy it does not know the difference between a blog and a post or between a museum conservator and a curator and has homophobic (literally) locker-room humor that would be considered childish by 14-year-olds. When the highlights of the movie are seeing Dempsey juggle china and a wedding video featuring Elizabeth Hasselbeck, you know the script is a couple of bridesmaids short of a wedding party.

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Comedy Romance

Rocketeer

Posted on September 15, 2008 at 8:00 am

B+
Lowest Recommended Age: 4th - 6th Grades
MPAA Rating: PG
Profanity: Very mild language
Alcohol/ Drugs: Social drinking
Violence/ Scariness: Wartime violence, guns, explosions
Diversity Issues: None
Date Released to Theaters: 1991

In honor of my son’s birthday this week, my DVD pick is one of his childhood favorites: Rocketeer. Based on a comic book that recreated the deco feel of the pre-WWII era, this Disney movie has a 1940s feel — with 1990s special effects. Cliff Secord (Bill Campbell) is a stunt flyer who discovers a contraption designed by Howard Hughes that, when strapped to his back and combined with a helmet for steering, allows him to fly. The equipment is being sought by the U.S. government and by thugs in the employ of sleek Neville Sinclair (Timothy Dalton), a swashbuckling movie star and Nazi sympathizer. Not a box office success when it first opened (“Terminator 2” opened the same week), it has been more successful on DVD because of its exciting story, top-notch performances (with Bill Campbell, sometime James Bond Timothy Dalton and Oscar-winners Jennifer Connelly and Alan Arkin), and gorgeous visual design and effects. It’s is the kind of movie they say they don’t make anymore, an old-fashioned popcorn pleasure with action, adventure, romance, a zeppelin, a pretty girl, and a guy who straps a rocket on his back and soars into the sky. NOTE: The movie has some comic-book style violence and some tense and scary moments. One of the bad guys has a misshapen face that may be upsetting to younger kids.

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FLOW: For Love of Water

Posted on September 11, 2008 at 6:00 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: NR
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Disturbing material about water contamination and shortages, brief footage of riots
Diversity Issues: A theme of the movie
Date Released to Theaters: September 19, 2008

Americans take for granted our most precious and vital resource. We assume that when we turn on the tap, the water that comes out will be perfectly safe and more than plentiful, endless. And then there are those rows and rows of pristine water in bottles on our grocery store shelves.

But it isn’t safe and it isn’t endless. If global warming creates floods, many of us can move to higher ground. If we run out of oil, many of us can walk. But if we run out of water, it is all over for everyone just about immediately.

This documentary finds a good balance between terrifying statistics, depressing images, talking heads, and hopeful suggestions. The bad guys, according to the film, are the corporations who sell bottled water, removing it from communities by diminishing their sources for water so they can sell it back to them. And in a telling segment, we learn that the World Bank is better at giving away a billion dollars to build an ineffective water treatment facility that disrupts the local economy and ecology than they are at working toward lower-tech, lower-impact, lower-cost solutions. No one who sees this movie will think the same way again about reaching for that line of clear bottles at the grocery store or letting the shower run while you take a phone call. Ideally, no one who sees this movie will ever vote for a candidate again without finding out what he or she will do to keep our water safe and plentiful.

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Documentary Movies -- format
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