Don Jon

Posted on September 26, 2013 at 6:00 pm

Actor Joseph Gordon-Levitt has made a remarkably assured debut as writer/director, putting him in the front ranks of today’s filmmakers. Gordon-Levitt also plays the lead role, Jon, a New Jersey guy with a high and tight haircut and a spare and immaculate apartment decorated in gray and black. He reels off the list of things he cares about: his body (for working out), his car (for driving and looking cool), his boys (friends), his girls (for sex), his church (for confession), his family (for Sunday dinners), and porn (you know what that is for). Those are the parameters of his life, and that seems fine to him because he knows who he is and how things fit together. The title is a reference to the legendary libertine who symbolizes all men who seduce many women without forming any attachments to them.

Jon and his friends like to go to the club and rank the ladies, an endlessly fascinating conversation about various body parts and the optimal shapes and proportions of each. Sex with those ladies is primarily a contest between the men, and Jon is by far the leader. His success with nines and “dimes” (a ten) is about status and competition, and he tells us that he prefers pornography to sex with real girls. One night, Jon sees a solid dime named Barbara (Scarlett Johansson). For the first time, he becomes involved with a woman who is more than a one-night stand and he has to earn her affection. She has her own ideas of what a “dime” equivalent looks like, and he finds himself going to romantic comedy movies and taking a community college class. He even brings her home to meet his family, where she gets a very enthusiastic response from his parents (a wonderful Glenne Headley and Tony Danza).

And then things get more complicated. Gordon-Levitt has crafted a whip-smart, richly cinematic film with some very funny moments and a lot of heart. He makes it clear that Jon is not the only one who is numbing his feelings. His father is more absorbed in watching the football games than in talking to his family and Barbara’s aspirations are almost as based on fantasy as the images Jon connects to online. Watch how the settings help tell the story, and style of the movie changes as Jon goes from the techno-pumping macho world of his friends to the more romantic, orchestral environment of dating. And then it shifts again as other changes happen. Keep an eye on Jon’s sister, played by the superb Brie Larson (“The Spectacular Now,” “Short Term 12”), who appears to be as addicted to her devices as Jon, never saying a word to her family as she stares into her phone, texting back and forth. She will make it clear that she has been more connected to what is going on with the people she loves than anyone else in the film. And Julianne Moore gives an earthy but sensitive performance as a classmate of Jon’s who surprises and disconcerts him with her honesty.

Seeing Jon begin to learn to interact with the world with feelings, not just sensations, is a pleasure. But seeing one of today’s best young actors bloom into one of tomorrow’s best young filmmakers is even greater.

Parents should know that this movie is about a young man who is addicted to pornography. It includes very explicit sexual references and situations, nudity, very strong and crude language, drinking, and drugs.

Family discussion: How did other characters aside from Jon find ways to avoid their feelings? How did Joseph Gordon-Levitt use different film-making styles to show the different moods of his time with his friends, with Barbara, and with Esther?

If you like this, try: “Thanks for Sharing” and some of Joseph Gordon-Levitt’s other films like “Brick” and “Mysterious Skin”

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Thanks for Sharing

Posted on September 19, 2013 at 6:00 pm

B+

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	Rated R for language and strong sexual content
Profanity:	Very strong and explicit language
Alcohol/ Drugs:	Drinking and references to substance abuse
Violence/ Scariness:	Tense confrontations, some mild peril
Diversity Issues:	Diverse characters
Date Released to Theaters:	September 20, 2013
Date Released to DVD:	January 7, 2014
Amazon.com ASIN:	B00FXWAZX2

Imagine that the one thing you cannot trust yourself to be near is around you all the time, wherever you go. As difficult as it is to recover from addiction to drugs or gambling or alcohol, at least those in recovery can wall themselves off from the places and activities that act as their most dangerous triggers. But sex addicts are surrounded by stimuli all the time. “Is all of Manhattan just one big catwalk?” asks one character in this sympathetic portrayal of people who try to find a way out of what one of them calls his very dark places. “It’s like trying to quit crack while the pipe is attached to your body.”

Sex addicts have to endure the ignorance of those who snicker or ask “Isn’t that just something men say when they get caught cheating?” They have to ride in cabs with titillating videos playing in the back seat. Adam (Mark Ruffalo) avoids temptation by not allowing himself to have a television, home access to internet, or a smartphone. And he has walled himself off from another kind of temptation but not having a romantic relationship.

His sponsor, Mike (Tim Robbins), encourages him to try to date. And when he meets Phoebe (Gwyneth Paltrow), he wants very much to get close to her. She is a breast cancer survivor, which may be one reason he feels that she can understand his struggles. But at first he does not tell her the truth about himself. Mike has a son, Danny (Patrick Fugit of “Almost Famous”), who has a history of substance abuse, and who returns home promising that this time is different.

Adam is a sponsor, too. His “sponsee” is Neil, a doctor whose passion for saving others has been a way for him to avoid being honest with himself about his own behavior, which includes inappropriate touching of women he does not know and elaborate mechanisms for “upskirt” photography. Being court-ordered will not be enough to get him to tell the truth; being fired could be a start. As so often happens in 12-step programs, the key for Neil may be the chance to help someone else, someone he understands and who understands and helps him. An outspoken hairdresser named Dede (rock star Alecia “Pink” Moore) who is in both the sexual addiction and “beverage” (alcohol abuse) programs calls him for emergency help and helping her is the first step in helping himself.

Mike, Tom, and Adam are all at different stages of their recovery, and each faces different challenges and hard truths. Sometimes these are framed in the kind of “But that’s okay” support group-speak that Al Franken used to mock on “Saturday Night Live.” “Why did I pick such a tough sponsor?” Adam asks wryly. “I don’t know, maybe you wanted to recover,” Mike answers with a smile. “United we stand, divided we stagger.” “Thanks for bookending this for me.” And you know someone will have to break down and say, “I’m out of control. I’m scared. And I need help.” But, you know what? That’s okay.

Co-writer/director Stuart Blumberg wisely spares us the easy explanations that allow us to feel smugly separate from those who struggle to achieve a sense of control, and he is frank about the dynamic, positive and negative, between those who struggle with addiction and those who maintain relationships with them. The all-star cast delivers with performances of aching sensitivity and heart. And if a brief moment in the film that has People Magazine’s most beautiful person alive Gwyneth Paltrow in sexy lingerie is the image that is being unironically widely used to promote the movie, well, that helps make its point.

Parents should know that this film concerns sexual addiction and there are frank discussions and portrayals of people who struggle with various kinds of obsessive and destructive sexual behavior. It includes very strong and explicit language, some drinking and references to substance abuse, and some mild peril and violence.

Family discussion: How does sexual addiction differ from other kinds of obsessive and compulsive behavior? Why was it easier for these characters to support and understand each other than to their families and romantic partners?

If you like this, try: “Don Jon” and “28 Days”

Austenland

Posted on August 22, 2013 at 6:00 pm

Edward Arlington Robinson wrote a poem about a man named Miniver Cheevy who wished so much that he could have lived in the days of knights and ladies that he refused to participate in the life before him. Author Shannon Hale wrote Austenland about a young woman named Jane who is so in love with the romance and elegance of Jane Austen’s Regency-era romances that no real-life modern relationship can ever measure up. She has a lifesize cardboard photo of Colin Firth as Mr. Darcy from “Pride and Prejudice” and her bedroom is like a deranged bed and breakfast version explosion of 19th century fantasy.

So she spends all of her money going to an immersive theme park called Austenland, where fans of Austen’s classic novels like Pride and Prejudice and Sense and Sensibility and the swooningly romantic movie versions can pretend to thaw the hearts of proud men in wearing breeches who would never think of addressing them by their first name or presuming to try a kiss.

“Napoleon Dynamite” co-author Jerusha Hess wrote and directed the film adaptation, with “Twilight’s” Stephenie Meyer as producer. A radiant Keri Russell (“Waitress”) plays Jane, who is taken aback when she arrives at the 18th Century Italianate mansion (played by the historic Wycombe estate, also seen in “Downton Abbey”). It is presided over by the redoubtable Mrs. Wattlesbrook (Jane Seymour), who crisply informs Jane that as the purchaser of the “Copper Package,” she will be known as the fortuneless “Jane Erstwhile” and live in a small room near the servants’ quarters. (Janeites, think Fanny Price.) Also visiting Austenland are the wealthy “Miss Elizabeth Charming” (Jennifer Coolidge, hilarious as always), who has no idea who Jane Austen is but thinks she will look good in Regency dresses, and Lady Amelia Heartwright (Georgina King) (Janites: think Jane Fairfax with a touch of Crawford). Having paid for the premium package, Charming and Heartwright have luxurious rooms and clothes. And, apparently, first choice of the very handsome men who are there to provide the full Austen experience, or at least the simulation/stimulation thereof.

As a full-on Janeite who has read all of the books several times, I laughed out loud at some of the references and variations on Austen’s themes and at the silliness of the juxtaposition between the 18th century period details and the intrusion of the present day. At one point, Jane is left out in the rain and romantically rescued by the severe Mr. Nobley (J.J. Feild, whose Austen credentials include playing Mr. Tilney in a “Northanger Abbey” television movie). (Janeites, think “Emma.”)

At first, Jane plays along as though she was really in the Regency era. But then, around the time that her soaking wet dress splits up to the hip, she cannot help reacting like the 21st century young woman she is. And how very un-Fanny Price for her to decide that it is time to depart from Mrs. Wattlesbrook’s directions and write her own story, starting with getting rid of the dowdy hairstyle and clothes she has been assigned and moving on to spending quality time with the groundskeeper. This is less Lady Susan than Lady Chatterly.

Like all Austen heroines, Jane has some lessons to learn. And a very happy ending, including a hilarious final credit sequence. Hess manages to both send up and pay tribute to the core conventions of romantic comedy, and for fans of the genre that has been all but absent from theaters in 2013, that is a very happy ending indeed.

Parents should know that this film includes sexual references and situations, some bawdy and crude, some strong language, and drinking.

Family discussion: What was it about Austen’s books that was so important to Jane? If you could visit any fictional place, what would it be?

If you like this, try: Any of the many movie and television versions of Jane Austen’s novels, especially “Sense and Sensibility” with Emma Thompson and “Pride and Prejudice” with Colin Firth

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Based on a book Comedy Romance

Robin Hood

Posted on August 6, 2013 at 4:00 am

Disney is celebrating the 40th anniversary of one of its most beloved animated musicals with a gorgeous new Blu-Ray. It is based on the classic Robin Hood story of the man who robbed from the rich to give to the poor in 12th century England. It has cute cartoon animals playing all of the roles, a talented voice cast, and singable songs from down home country singer Roger Miller.

The story is narrated by Moore as Merry Men minstrel Alan-a-Dale, a rooster. Wicked but immature Prince John is trying to steal the crown from his brother, brave King Richard (both lions voiced by Peter Ustinov). He is backed by Sir Hiss (Terry-Thomas as a gap-toothed snake). In this version of the story, Sir Hiss hypnotizes the king to get him to leave England and fight in the Crusades. With Richard gone, John abuses the populace, imposing harsh taxes. Robin (Brian Bedford as a fox) is a nobleman who fights to protect the community, stealing back the money that has been stolen from them by Prince John. Kids will especially enjoy the antics of Prince John, who reverts to babyhood and sucks his thumb when he is under pressure.

The rest of the cast includes the distinctive voices of Phil Harris (Baloo from “The Jungle Book”) as Little John, a bear, Monica Evans as Maid Marion (a vixen), John Fiedler (voice of Pooh) as a mouse innkeeper, and Andy Devine as Friar Tuck (a badger), and in addition to Miller’s songs “Ooo De Lally,” “Whistle Stop,” and “Not in Notingham,” there is a Johnny Mercer tune, “The Phony King of England.”

I have one copy to give away! Send me an email at moviemom@moviemom.com with “Robin” in the subject line and tell me your favorite version of this story. Don’t forget your address! (US addresses only) I will pick a winner at random on August 12. Good luck!

Parents should know that there is some mild peril and slapstick in this film.

Family discussion: Why were brothers John and Richard so different? Why is Robin Hood remembered as a hero? Who is most like Robin Hood today?

If you like this, try: “The Adventures of Robin Hood” with Errol Flynn and Disney animation classics like “Pinocchio” and “Peter Pan”

Cloudburst

Posted on July 29, 2013 at 8:06 am

B+

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	NR
Profanity:	Very strong and crude language
Alcohol/ Drugs:	Drinking
Violence/ Scariness:	Tense and sad confrontations and loss
Diversity Issues:	Age and sexual orientation diversity is a theme of the movie
Date Released to Theaters:	2013
Date Released to DVD:	July 29, 2013
Amazon.com ASIN:	B00CBG9SQS

Two of the all-time great actresses play a long-time couple who must find a way to cope with the indignities of aging — and the greater indignities of the way they are treated by their families and the legal system. Oscar winners Olympia Dukakis and Brenda Fricker play a long-time couple, one losing her sight, one losing her hearing. With the best of intentions, one’s granddaughter plans to put her in a nursing home. The only way for them to stay together is to run away to Canada, where they can get legally married.

And so, they take to the road, where they pick up a hunky hitchhiker (newcomer Ryan Doucette). Like the lovely “Still Mine,” also set in Canada, this is a beautifully performed story about a love that spans decades, brimming with tenderness and heartwarming devotion, and gives rare depth and dignity to characters in their 70’s.