Spy

Posted on June 4, 2015 at 5:44 pm

B+

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	Rated R for language throughout, violence, and some sexual content including brief graphic nudity
Profanity:	Very strong and crude language
Alcohol/ Drugs:	Drinking
Violence/ Scariness:	Extensive action-style violence, some disturbing images, characters injured and killed
Diversity Issues:	A theme of the movie
Date Released to Theaters:	June 5, 2015
Date Released to DVD:	September 8, 2015
Amazon.com ASIN:	B00YWE6LXK

It is time to celebrate. Melissa McCarthy finally has the movie role she deserves. Writer/director Paul Feig, who directed her in “Bridesmaids” and “The Heat” has wisely given her center stage and allowed her to be quirky and awkward, which we knew she could do, and improvise crazy lines and scenarios, which we also knew she could do, but also let her play someone who is extremely capable and loyal, smart, brave, and completely captivating, which we always knew she could do, but rarely got to see more than a hint of it.

Feig does not just thoroughly understand the genre he is shredding. He clearly loves it. All of the classic spy movie necessities are there, a sultry song over the opening credits, impeccable tailoring, a beautiful car, fine wine, pretty girls, chases and shootouts, cool gadgets, glamorous world capitals, a formal high society party with tons of security that must be breached, a club scene with EDM, betrayal by a trusted insider, an evil megalomaniacal villain, and — of course — the fate of the entire world depending on our secret agent with a license to kill saving the day. Dippold avoids the usual spoof go-to “jokes” of incompetence, slapstick, and instantly-old cultural references, allowing the characters to take the stakes and the relationships seriously enough so that the comedy is honestly earned and all the funnier for it. It is genuinely refreshing to see women as not just hero and villain but also as hero’s boss and her best friend. The male stars are excellent, especially Jude Law and Jason Statham, who get to riff on their own leading man images as well as larger-scale action hero conventions. But the ladies are in charge here, and they are killing it. Imaging Miss Moneypenny and Pussy Galore plus Dame Judi Dench as M running the show, with Bond as eye candy.

McCarthy plays Susan Cooper, a teacher turned desk agent for the CIA. As super-cool Bradley Fine (Law) tosses off a glass of champagne, pausing to admire the crystal flute glass before smashing it and sneaking out to find the super-powerful, super-compact bomb, Susan is talking through his earpiece, letting him know which way to turn through the labyrinthian tunnels every self-respecting bad guy has to have under the elegant party going on up above, and which direction the henchmen are coming from. He is fond but patronizing. She is capable but a bit fluttery and insecure.

Unfortunately, there is a lot of pollen in the air and Bradley sneezes at the wrong time, accidentally making his gun go off and killing the bad guy. Also unfortunately, the bad guy’s successor, his daughter Rayna (Byrne, with what looks like several dead animals hiding in her hideous hairdo), has access to the names of all of the current field agents. With no alternative, the humorless CIA deputy director (Janney) sends Susan out into the field, just to track and report, not to engage. Susan is nervous but excited, though disappointed when she receives her cover. No sophisticated bespoke attire and fancy hotel rooms. She will be a dowdy, nondescript woman with a very bad perm.

She doesn’t get the cool hoverboard from the Q-equivalent. She gets weaponized versions of the things a woman like her cover identity would have in her purse. And her cover involves hilariously tacky wardrobe and a disastrous perm-looking wig. Of course she soon abandons the “no engagement” part. A rogue agent (Statham) trying to find the bomb on his own mostly gets in the way. But she relies on her excellent observational powers, quick thinking, and some mad skillz in hand-to-hand combat, even if killing a guy grosses her out. And she gets some help from her best friend Nancy (the wildly funny Miranda Hart).

It is exciting, funny, and even heartwarming. And best of all, there’s a hint at the end of a possible sequel. More Susan Cooper, please, and lots and lots more McCarthy.

Parents should know that this film includes very strong and crude language, sexual references, sexual humor, and non-explicit sexual situations, graphic nudity, extensive violence with some graphic and disturbing images, and characters injured and killed.

Family discussion: What do you think it takes to be a great spy? If you were going undercover, what would your name be?

If you like this, try: “Get Smart,” “Bridesmaids,” and “The Heat”

Kingsman: The Secret Service

Posted on February 12, 2015 at 5:55 pm

“James Bond? Jason Bourne?” Our hero is being asked for the inspiration for naming his dog JB. “No,” he explains, “Jack Bauer.”

This is a cheeky, nasty, meta, po-mo update of the spy genre, self-aware enough to name-check not just Bond, Bourne, and “24,” but also “Nikita,” “Trading Places,” “Pretty Woman,” and “My Fair Lady.” I also caught a reference to the 60’s television show “The Man from UNCLE,” about to get its own big-screen reboot later this year.

Some of the core elements of the sophisticated spy story are here, from the elegant suits to the very specific cocktail order, as well as the super-cool weapons and gadgets we will have the fun of seeing deployed later on. And the villain has an assassin/sidekick who goes one, or maybe two better than iconic characters like Oddjob and Jaws. Spanish dancer Sofia Boutella plays the acrobatic Gazelle, who runs on Oscar Pistorius-style blades as sharp as scalpels. She can slice a man in half lengthwise with one slash of her leg. And does.

Other aspects of the usual spy story are tweaked or outright upended. That old favorite, the talking villain, who has such a profound need to explain the genius of his nefarious plan that it gives Our Hero time to thwart him, is explicitly disposed of. The look of the film is as sleek and sophisticated as the score from Henry Jackman and Matthew Margeson.

Colin Firth is sleekly perfect as Harry, also known as Galahad, part of an elegant, upper-class cadre of international gentleman spies operating in total secrecy and using pseudonyms based on King Arthur and his knights. Their made to order suits are both exquisitely tailored and bulletproof.

He points to a wall of framed newspaper headlines about triviality — political squabbles and celebrity scandals — explaining that while these things were going on, he and his fellow Kingsmen were repeatedly saving the world. The person he is explaining it to is Eggsy (Taron Egerton), a possible new recruit. Eggsy is a smart, tough, brash kid who grew up in what the British call council houses and we call the projects, the son of a widow whose second husband is an abusive thug. Eggsy’s late father sacrificed himself to save Harry and other members of the team, so Harry feels a sense of responsibility — and a suspicion that Eggsy might have inherited his father’s courage and sense of honor.

While they had previously limited themselves to the wealthy upper class, Harry persuades the Kingsman’s leader (Michael Caine as Arthur) to allow Eggsy to compete for a spot on the team. The competition is tough and the tasks are tougher, the most imaginative and entertaining section of the movie. Then of course comes our supervillain, Samuel L. Jackson as Valentine, a lisping technology billionaire whose frustration with the failure of the world to reckon with global warming has led him to devise some drastic plans. Once he gets involved, the self-aware air quotes get less interesting and so does the storyline. “Bond films are only as good as the villain,” he says. True, and he is no Goldfinger.

In the last half hour, things really go off the rails. The carnage is balletic and portrayed as darkly comic but it is still disturbing, particularly the involvement of a specific real-life world leader. The humor is not just dark; it is crude for the sake of being crude and seems rather desperate. A film that began with a confident sense of sophistication, wit, and edge knows what it is not (“This is not that kind of movie”) but not what it is.

Parents should know that this movie is extremely violent, with hundreds of characters injured and killed and many exploding heads. Characters use very strong language and drink alcohol. There are explicit and crude sexual references and brief nudity.

Family discussion: Which of the tests would have been the hardest for you? What did they prove about the candidates?

If you like this, try: the James Bond films

Trailer: “Spy” from “Bridesmaid’s” Paul Feig, Melissa McCarthy, and Rose Byrne

Posted on February 7, 2015 at 7:50 am

Penguins of Madagascar

Posted on November 25, 2014 at 5:17 pm

B+

Lowest Recommended Age:	All Ages
MPAA Rating:	Rated PG for mild action and some rude humor
Profanity:	Some schoolyard language
Alcohol/ Drugs:	None
Violence/ Scariness:	Comic peril and violence
Diversity Issues:	None
Date Released to Theaters:	November 26, 2014
Date Released to DVD:	March 16, 2015
Amazon.com ASIN:	B00SK573RU

The most adorable characters from the first three animated “Madagascar” movies were the penguins, the seldom right but never in doubt leader Skipper (Tom McGrath), the often right but never listened to Kowalski (Chris Miller), the literally explosive Rico (Conrad Vernon), and the ever-loyal Private (Christopher Knights). They spun off into their own television series and now they star in their first feature film, a sublimely silly spy farce that has them globe-hopping through exotic locations with a cosmopolitan spy (Benedict Cumberbatch) in pursuit of a dastardly villain known as Dr. Octavious Brine, aka Dave (John Malkovich). It is one of the best family films of the year.

First, we get the origin story, hilariously narrated in the inimitable voice of director/documentarian Werner Herzog. It is Antarctica, and a film crew led by a cartoon Herzog (who did make a movie in Antarctica, “Encounters at the End of the World”) is there to shoot the march of the penguins. But Skipper, Kowalski, and Rico step out of line to rescue an egg that is rolling away, and the decision to think for themselves and to opt for adventure and loyalty to the team over tradition and instinct — plus a more-than-healthy dose of boundless confidence and optimism soon has them floating away from the frozen South Pole and on their way to uncharted lands, or lands uncharted by any penguins anyway. The egg they have saved finally hatches, and while they are a bit distressed to find that the miracle of birth is messier than they thought, they are charmed by the tiny hatchling and especially by the way they imprint on him as the only family he has ever known.

We next see the penguins years later, following the events of Madagascar 3: Europe’s Most Wanted. They are on a mission to break into that most impenetrable of fortresses, Fort Knox, repository of the US Government’s store of gold. But their goal is not what we might think. And the outcome is not what they expect. They are kidnapped by an enormous purple octopus, brilliantly animated, with every tentacle and crooked tooth creating comic menace. His human identity is Dr. Octavius Brine, well-known geneticist, aficionado of fine cheeses, and regular contributor to NPR pledge drives. But inside that lab coat is his real persona, the evil purple octopus named…Dave.

Yeah, I know, not too scary, right? And that is just one of the immense frustrations Dave has to confront, which is why he has created the green, ominously glowing Medusa serum. No one knows what it does, but it looks pretty evil.

It turns out someone has been tracking Dr. Brine. An international organization of crack spies called the North Wind, led by a wolf so deep undercover his name is classified (so the Penguins call him Classified) is trying to find him. The North Wind and the penguins stop in Venice, Rio, Shanghai (which the penguins think is Ireland) and other world capitals, sometimes working together, sometimes trying to beat each other to Dave and the Medusa serum. It turns out that Dave’s motive is one that will ring very true to kids, especially those with adorable younger siblings.

But of course, all of this is just an excuse for a never-ending stream of jokes. My favorite is Dave’s disastrously non-threatening Skype call as he tries to figure out how to transmit sound and picture at the same time. “It’s like trying to call my parents,” Classified says impatiently. The break-in at Fort Knox is very funny as the penguins roll over to camouflage themselves on a black and white striped floor. And a running joke featuring puns on celebrity names is delivered with such understated dry humor that it never loses its charm. If, as they say in the theater, dying is easy but comedy is hard, silly comedy may be the hardest of all, but here it is done to perfection, one more item to add to the thanks list on this holiday weekend.

Parents should know that this film has brief potty humor, and some comic peril and action (no one hurt).

Family discussion: Why was Dave so jealous of the penguins? Why didn’t Classified want the penguins to help him?

If you like this, try: “Madagascar 3: Europe’s Most Wanted” and the television series “The Penguins of Madagascar”

The November Man

Posted on August 27, 2014 at 10:57 am

Pierce Brosnan knows what it is like to play a spy in a big-budget, glamorous, blockbuster. He was the most urbane of Bonds in four movies. He knows what it is to play a seedier spy in a prestige, mildly meta movie, the 2001 film “The Tailor of Panama” (with Daniel Radcliffe in a pre-Potter role). So perhaps he thought it was a good idea to produce and star in “The November Man,” a spy story set mostly in Eastern Europe, based on There Are No Spies by Bill Granger. It was not. “The November Man” barely reaches the standard of a generic throw-away thriller, with a sub-par storyline and painfully tiresome dialog.

It begins in 2008 Montenegro, as a venerable CIA operative named Peter Devereaux (Brosnan) sees his young padawan smooching with a pretty girl at an outdoor cafe and harshly explains that personal relationships are out of the question in their line of work. He indicates a guy with a telephoto lens at a nearby table. “Us or them?” the spy-in-training asks. “How the F should I know? Does it really matter?” the world-weary sensei responds. This brief exchange tells you pretty much everything you need to know, or, rather, will find out whether you want to know it or not. Do you think that Devereaux will have some personal entanglement of his own? Do you think the question of who is “us” and who is “them” will provide the twist so unsurprising that even the idiot with the roller bag who wanders out of the hotel elevator without noticing that everyone around him has guns could figure it out? Are the answers to these two rhetorical questions obvious? Well, so is the movie.

Obvious, that is, when it isn’t just being stupid. Throughout the film, shoot-outs, car chases, and explosions occur almost constantly and yet none of the extras ever seem to notice and no one ever calls the police.

The sidekick trainee is David Mason, played by Australian actor Luke Bracey with a blankness that may explain why he was cast as Johnny Utah in the unnecessary upcoming remake of “Point Break.” Bill Smitrovich is, as always, just fine as Dvereaux’s spy boss. Brosnan, even with all of his movie star charisma, cannot make this tired storyline or pedestrian action scenes hold our interest. It is all as pointless as the explanation for the title — a character explains that was Devereaux’s office nickname because after him, there’s nothing left. Huh? After November is, well, December, and Christmas, and then a whole new year. Pondering the meaning of the nickname, though, was much more entertaining than the film.

Parents should know that this film has extensive spy-style peril and violence including some graphic and disturbing scenes, guns, explosions, chases, torture, with many characters injured and killed, also rape, child prostitution, terrorism, drinking, smoking, drugs, sexual references and situation, and very strong, offensive, and crude language.

Family discussion: How can we balance the need for national security with the need for accountability? How did Mason decide who to trust? What does the reveal about the villain tells us about contemporary geopolitics?

If you like this, try: Pierce Brosnan’s James Bond films and “The Matador”

Related Tags:

Action/Adventure Spies Thriller