Comic-Con 2008

Posted on July 23, 2008 at 6:00 pm

comic-con logo.gif I’m getting ready for one of my favorite events of the year, Comic-Con in San Diego.
It began in 1970 with a few dozen comic collectors swapping comics and stories. This year, all 125,000 passes were sold out long before this evening’s opening night. I always refer to it as the Iowa caucuses of popular culture and the LA Times calls “the World’s Fair for pop-culture aficionados” and “the Super Bowl of popcorn cinema.” This is where everything that will be cool a year or two from now in comics, gaming, movies, television, and music begins. The people who buy comics are a tiny fraction of the entertainment marketplace but they are hugely influential because they are fiercely independent — they don’t wait to see if something is considered cool before making up their minds — and even more fiercely passionate — if they like something, they will get the word out. I am always touched and inspired by the way so many of the attendees are completely comfortable in their fanboy geekdom and wear it proudly, knowing that next year the people who didn’t talk to them in high school will be following whatever trends they help to determine this year. But that may be because I am such a fangirl myself.
Everyone will be there — from Deepak Chopra with his Virgin comics line to the people who come dressed up as superheroes and movie characters and collectors of arcane memorabilia to the stars of the new Watchman movie and the scholars from universities who write about what it all means and the people behind and on screen from all the biggest upcoming movies (including “The Hobbit.” “Clone Wars,” Disney’s next big animated release “Bolt,” and “City of Ember”) and television shows. Celebrities in attendance include the Mystery Science Theater guys, Seth Green, the original voice talents from top cartoons including the original Charlie Brown kids, Tori Amos, author Dean Koontz, Bill Murray, Steve Coogan, Method Man, Matt Groening (of “The Simpsons” and “Futurama”), and Triumph the Wonder Dog.
Keep checking, because I’ll be posting about my adventures. In the meantime, check out my pictures from 2006 and 2007.

Batman

Posted on July 21, 2008 at 8:00 am

B+

Lowest Recommended Age:	High School
MPAA Rating:	PG-13
Profanity:	Some rude language
Alcohol/ Drugs:	Social drinking
Violence/ Scariness:	Comic book violence and mayhem, some disturbing
Diversity Issues:	None
Date Released to Theaters:	1989

The critical and box office success of The Dark Knight is a reminder to take another look at the last re-booted Batman and Joker, Michael Keaton and Jack Nicholson in Tim Burton’s broody re-imagining of a character then best remembered for the campy 1960’s television series. Ledger is sensational in “The Dark Knight,” but so is Nicholson in a performance included in the American Film Institute’s list of the 50 all-time best movie villains. The visuals, the music, and most of all the performances make this movie a very worthy precursor to the current re-imagining of the enduring story.

Dr. Horrible — This Weekend Only!

Posted on July 19, 2008 at 10:30 am

Until midnight tomorrow you can watch a new three-act musical from Joss Whedon (“Buffy the Vampire Slayer,” “Firefly”) online. It is the story of Dr. Horrible (a sensational Neil Patrick Harris) and his nemesis, the very manly Captain Hammer (Nathan Fillion of “Firefly” and “Waitress”). And of course there is a girl, Felicia Day as Penny.

Mary Elizabeth Williams of Salon says:

So you’ll have to forgive me if I lapse into slavish overpraise here for Dr. Horrible’s Sing-Along Blog, the utterly brilliant singing, dancing, Web-only action-adventure you and your brothers have cooked up. I hope it doesn’t sound like hyperbole when I say that Dr. Horrible is better than kittens and sunshine and cheese. Doled in three tantalizing, quarter-hour-long nuggets (the first two went up earlier this week, the conclusion debuts July 19), “Dr. Horrible” stars an impeccably dorky Neal Patrick Harris as a would-be supervillain who pines for his lovely laundromat crush, Penny (a luminous Felicia Day), while battling nemesis and rival Captain Hammer, a musclebound jerk played with idiot bravado by “Firefly’s” Nathan Fillion. Will Horrible create his freeze ray and earn his way into the Evil League of Evil? Will he get the girl? Tuneful, hilarious and, in typical Whedon fashion, unabashedly tender, the only thing wrong with Dr. Horrible is that the damn thing isn’t a regular series.

It has already inspired responses like this one from a would-be sidekick:

After Sunday night, it will be available only on DVD, so watch it online while you can! (NOTE: Brief mature material)

Related Tags:

Musical Satire Shorts Superhero

Women Critics on Superhero Movies

Posted on July 5, 2008 at 6:00 pm

The members of the Alliance of Women Film Journalists speak out on superhero movies. Are they just for boys?
MaryAnn Johanson, who’s carved her critic’s niche by taking superhero movies seriously, provides an introduction:
“Comic books and comic book movies ain’t just for boys anymore-if they ever were. The latest slew of superhero flicks, which began to come of age with 2000’s “X-Men,” have gotten increasingly sophisticated and now focus equally on the existential dramas of their heroes and the mythic arcs of their typically tragic stories as they do on slam-bang action…Today we’re seeing fantasy drama with an accent on the drama. Superhero movies are not longer lighthearted comedies dressed up in capes-as in 1978’s “Superman”-or expressions of over-the-top outrageousness-as in Jack Nicholson’s Joker in 1989’s “Batman,” for example. Even “Hancock,” which was marketed as a comedy, turns out to be more intensely dramatic than it is funny.
Lexi Feinberg comments, “I’d say they’re mythic. Adam Sandler movies represent the dumbing down of audiences much more than “Spider-Man” or “Batman”.”
The critics overwhelmingly chose “Iron Man” as the best recent superhero movie and hope for better superhero movies featuring women. The survey quotes my comment about Elektra and Catwoman: “they were made by people who don’t understand women, comics or movies.”

Spider-Man

Posted on December 13, 2002 at 5:17 am

Remember when “Superman” was released with the tagline, “You will believe a man can fly?” Well, “Spider-Man” will not only make you believe that a teenager can swing from the skyscrapers; it will almost make you believe that you are up there swinging with him.

Comics were hugely popular back in the days when they could show us stories that no one else could. But now, movies can show us anything that can be imagined, and a movie like this does it so well it makes you think that this is what imagination is for.

Toby Maguire plays Peter Parker, a brilliant and sensitive high school senior, so deeply in love with his red-headed next door neighbor Mary Jane (Kirsten Dunst) that he can barely bring himself to say hello to her. On a school field trip, he is bitten by a genetically engineered spider and the next morning he wakes up with some distinctly arachnid-like qualities. He can see without his glasses and he has become muscular. He can climb walls, eject webbing with the swinging power of rope and the strength of steel, and anticipate danger.

So, like any teenager, the first thing he does is impress a girl and humiliate a bully. He enters a wrestling match to get money so he can buy a car to impress the girl even more. His decision not to interfere with an armed robber has tragic consequences, and so he learns that his uncle was right in telling him that with great power comes great responsibility. Great risk comes as well — everyone he cares about is put at risk because of who he is.

Meanwhile, Peter’s best friend’s father, industrialist Norman Osborn (Willem Dafoe) has decided to try out his company’s new product on himself. He, too, develops extraordinary power and a mad fury. He is dubbed the Green Goblin for his bizarre armor-like covering.

Maguire is just right as Peter, thoughtful, sensitive, thrilled with his new powers. You can believe that he is the kind of kid who would spend his time a little bit apart from the others, taking photographs that are clear and perceptive. The supporting cast is great, especially stage star Rosemary Harris as Aunt May and J.K. Simmons as Peter’s bombastic editor. The script is excellent, and strikes just the right note of respect and affection for the source material. It has a contemporary feel without being showily post-modern or ironic.

The special effects are thrilling. New York City is brilliantly stylized. Peter’s relationship with MJ is sweetly romantic. And when a bunch of New Yorkers throw things at the Green Goblin, yelling, “This is New York and we fight back!” it is genuinely touching.

The movie’s weakest point is that it fails in the single most important requirement for a comic book-based movie — the villain is not unforgettably crazy or evil or larger-than-life. The best Batman movies featured Jack Nicholson as The Joker and Jim Carrey as The Riddler. Willem Dafoe is a brilliant actor (just take a look at his Oscar-nominated performance in “Shadow of the Vampire”), but the part of Osborn/Green Goblin is just not interesting enough to be truly scary. The flying surfboard he rides around on is very cool, but his exoskeleton costume and mask are just dumb-looking.

Parents should know that the PG-13 rating comes from a couple of mild words, a clingy wet t-shirt, and a great deal of violence. The violence gets very intense, and includes not just fires and explosions but people getting vaporized, shot (off-camera), and impaled. Characters lose people close to them to violent deaths. A group of schoolchildren are in peril. Parents emotionally abuse their children.

For parents who are struggling with whether this movie is appropriate for kids under 13, the best guide I can provide is to say that it is about at the level of X-Men. I recommend caution, especially for children under 10. Keep in mind that just because a child can repeat after you “it’s only pretend” does not mean that he fully understands what that means until he is 10 or even older, and that the terrorist attacks may make some of the material scarier than it would have been before (scenes featuring the World Trade Center have been removed from the movie). Some kids may see the movie and appear to have no problems with it, but may act out in other ways. Be watchful for kids who respond by desensitizing themselves to violence or re-enacting it. And if you are going to let childrn see the movie, make sure that they know that this is an exception and that you will not be permitting them to see any PG-13 just because you allowed this one.

Families who see this movie should talk about the idea that the people we love make us feel good about who we are at the same time they make us see a way to be better. Do you agree that “people love to see a hero fail?” Characters in the movie keep a lot of secrets. What makes them decide not to tell, and who is and is not right in making that choice?

Families who enjoy this movie will also enjoy Superman and Batman. Mature audiences will enjoy Toby Maguire’s outstanding performances in “Wonder Boys,” “The Cider House Rules,” and “The Ice Storm.”