The Abolitionists

Posted on January 21, 2013 at 3:59 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Not rated
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Lynching, abuse
Diversity Issues: A theme of the series
Date Released to DVD: January 21, 2013
Amazon.com ASIN: B00A3THVGE

The new release from the PBS series “The American Experience” is a three-part story called “The Abolitionists,” the story of the fight to end slavery in the United States.  They were called radicals, agitators, and troublemakers. They thought of themselves as liberators. Men and women, black and white, Northerners and Southerners, poor and wealthy, these passionate anti-slavery activists fought body and soul in the most important civil rights crusade in American history. What began as a pacifist movement fueled by persuasion and prayer became a fiery and furious struggle that forever changed the nation. Bringing to life the intertwined stories of Frederick Douglass, William Lloyd Garrison, Angelina Grimké, Harriet Beecher Stowe, and John Brown, “The Abolitionists” takes place during some of the most violent and contentious decades in American history. It reveals how the movement shaped history by exposing the fatal flaw of a republic founded on liberty for some and bondage for others. Despite opposition and abuse, beatings, imprisonment, even murder, abolitionists held fast to their cause, laying the civil rights groundwork for the future and raising weighty constitutional and moral questions that are still with us today.  “The Abolitionists” interweaves drama with traditional documentary storytelling, and stars Richard Brooks, Neal Huff, Jeanine Serralles, Kate Lyn Sheil, and T. Ryder Smith, vividly bringing to life the epic struggles of the men and women who ended slavery.

http://www.youtube.com/watch?v=xU3RSqT76ic

I spoke to one of the historians who worked on the series, Dr. Manisha Sinha, Professor of Afro-American Studies and History at the University of Massachusetts, Amherst.

How did you get involved with this program?

I’m in the process of finishing a big book on the history of abolition from the revolution to the civil war. I was tapped for this series to be consulted on the script and be a sort of talking head for it.

One thing that I think is very hard for contemporary people to understand is that even among those who wanted to end slavery, there were many different kinds of views on the reasons for abolition.

Right at the outset it is important to distinguish between people who are sort of anti-slavery, who did not like the system of slavery for a variety of reasons, but who choose not to do much about it, versus the abolitionists, who devoted their lives to fighting against slavery.  If you want to look at the roots of the movement, you could go back to the Revolutionary era.  There were some outstanding Quaker individuals and African-Americans who fought for abolition and founded some early abolition societies, which resulted in emancipation in the North.

The people who we call abolitionists, they are the ones who came on in the antebellum period, which was 20 or 30 years before the Civil War, when you had people like William Lloyd Garrison, whose publication of The Liberator in 1831 is seen as the starting point of the formal abolition movement in the United States. Garrison of course, owed his inspiration to many of these early Quaker abolitionists, one of whom he served under as an apprentice.

Most importantly, he was very influenced by the black tradition of protest against against slavery and racism. That’s really important to remember. Garrison rejects the idea of Jefferson and later on even Lincoln, which was anti-slavery but wanted to colonize black people outside the United States.  What’s unique about Garrisonian abolitionists is that they adopt the African-American program of anti-colonization and black citizenship. If you looked at the roots of Garrisonian abolition, it very much lies in a long tradition of black activism of rejecting colonization and citizenship in this country. To that he adds what is known as Immediatism, which is the immediate abolition of slavery.

That’s when the movement starts taking off in the 1830’s that’s inspired by British abolitionists, who first came up with the idea of Immediatism. It’s inspired by these early outstanding Quakers who fought against the African slave trade and slavery supplemented by this long standing black tradition of protest that had its roots during the Revolutionary era.

I’ve always been very interested in the Grimké sisters. They were pioneering feminists as well as promoters of the abolition of slavery. To me that speaks to a very modern view of equality.

It does. In fact, you could say the abolitionists were well ahead of their time, because they’re fighting not just against slavery, but also racism. They fight against racial discrimination in the North and then they fight for women’s rights. Now of course, that becomes one of the issues that fractured the abolition movement.  There were many varieties of abolitionists. You had the Garrisonians, who were fairly radical in their rejections of all kinds of hierarchy, gender and race. You had Evangelical abolitionists, who really didn’t want to mix the question of women’s right with abolition. They thought they had one unpopular cause. They didn’t want to advocate another. Many of these abolitionists were also clergymen.

There were evangelical clergymen, who opposed having women stand up and speak in public like the Grimké sisters, most famously.  Of course, before that, an African-American women, Maria Stewart, had done that.  And before her, Fanny Wright who was an abolitionist and a workingman’s and women’s rights advocate had spoken out in public to what ware known as “promiscuous” audiences that included both men and women. These are the issues that started dividing the abolitionists.

By the end of the 1830s, we have different varieties of abolitionism. Some of these abolitionists became political abolitionists. Unlike Garrison, they felt that they could work through the political system to abolish slavery. Garrison saw the system that was very dominated by slave holders and by the Northern allies and realized that the fight for abolition would be a long and difficult one. He sort of said that the way for abolitionists to go politically was to agitate in the streets rather than to become part of political system that was corrupt.

The series emphasizes the economic basis of the pro-slavery advocates.  It was less a matter of philosophy than it was of money.

Exactly. There were a whole bunch of revisionist historians of the Civil War, who said, “The Civil War was not really a war about slavery. It was about the industrial North against the agrarian South. It was really economic interests that were divergent.” That is true that, that slavery gave rise to a distinct society in the South. In fact, the economic interests of Southern slave holders were quite complementary and in fact linked with that of Northern economic elite.

The people who started attacking abolitionists first were what we call “gentleman of property and standing.” Prominent leaders and the Democratic party were that time leading heavily toward the south. Also, economically others, including the lawyers and politicians, these are the people who led mob violence against abolitionists because they saw abolitionists as threatening these unions, these alliances between Northern capitalists and Southern slave holders.

A lot of work needs to be done on this, but we know that slavery was sort of a national economic interest. Slave-grown cotton was the largest item of export from United States before the Civil War, and its values exceeded the value of all other items of exports from this country, so this was a huge national economic interest that involved Northern banking, insurance, shipping.

It also involved Northern manufacturers.  The textile mills at Lowell were dependent on slave-grown cotton from the South. Northern manufacturers of clothes, tools, shoes, found a market in the South.  Economically, the North and South had complementary economies, not economies that were in conflict. These are the odds the abolitionist faced.  Slavery was entrenched in the nation’s political institutions, it was an enormous part of the nation’s economy.  To fight against that made the abolitionists seem like radical fanatics who are advocated women’s equality which was unheard of. They were really taking on big causes and they were fighting against the enormous odds.

Was the abolitionist movement really the first big American political initiative coming from the people?  Did it inspire later movements like the civil rights, the women’s movement, the labor movement, anti-war protests, and other reforms? 

That’s a great question. Abolition was the first truly radical social movement in this country. It was one of the first to be successful. It became a model for radical activists in later ages. Civil rights activists many times called themselves The New Abolitionists and called for a second reconstruction of American democracy referring back to Reconstruction after the Civil War. Women’s Rights, Second Way Feminism clearly had most of their heroines in this 19th century movement for women’s rights.

It is true that there are a lot of divisions within abolition and within women’s rights during the Civil War over issues of black suffrage and female suffrage.  But the fact remains ideologically, the abolitionists remain a source of inspiration. Even Eugene Debs, the head of the American Socialist Party, often pointed to the abolitionists as his inspiration. There were some populists in the Midwest, who looked up to the abolitionists, too. The abolitionists became a kind of a touchstone, because they are one of the few radical movements in this country that was actually successful at the end.

My husband and I stood in line for two hours on New Year’s Day, the 150th anniversary of the Emancipation Proclamation, to get a rare glimpse of it at the National Archives.  We have to remember it did not free all the slaves, though it was a very  important step.

The Emancipation Proclamation was an official document, a legal document, a military document, born in the midst of war. Its scope was modest, mainly because Lincoln wanted to issue a proclamation that could not be challenged Constitutionally.  He invoked his war powers to free the slaves only in the states that were in rebellion, because that’s what he could Constitutionally do as President.

Everyone knew that if the Union won the war, slavery would be dead in Mississippi and in Louisiana and South Carolina. If slavery was dead in those regions, there was very little chance that it could survive in the border slave states that were still in the Union and were not included in the purview of the Emancipation Proclamation. They had far fewer slaves and Lincoln had been pushing them on compensated emancipation since the start of the war.

The idea that it was not momentous, I think is false. Yes, its purview was demarcated for specific reasons, but the Emancipation Proclamation was a turning point in the war. It clearly linked black freedom with the powers of the federal government and the fortunes of the Union army.  In many respects, it was actually quite a revolutionary doctrine. No less a person than Karl Marx said that it made the Civil War into a revolutionary war for freedom.

 

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Zero Dark Thirty

Posted on January 10, 2013 at 6:00 pm

A-
Lowest Recommended Age: Mature High Schooler
MPAA Rating: Rated R for strong violence including brutal disturbing images, and for language
Profanity: Constant very strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Intense and disturbing wartime images including torture and terrorism
Diversity Issues: Diverse characters
Date Released to Theaters: January 11, 2013
Date Released to DVD: March 18, 2013
Amazon.com ASIN: B00B1E6FF8

It begins with heart-breaking audio of 911 calls from the World Trade Center on September 11, 2001.  A frantic woman who asks if she is going to die is soothed by the operator until she is suddenly gone and we hear the operator’s dawning understanding of the magnitude of the disaster.

And then it is two years later and we are watching the torture-aided interrogation of a detainee in Pakistan.  Dan (Jason Clarke) is forthright and almost clinical as he tells Ammar (Reda Kateb) that he will hurt him for every lie.  The interrogation is witnessed by a new arrival who we will know only as Maya (Jessica Chastain).  She turns down the chance to stay outside the room.  “There’s no shame if you want to watch from the monitor.”  Maybe she is proving something to Dan, maybe she is proving something to herself, maybe she is so intent on finding Osama Bin Laden that she wants to make sure she does not miss a detail.  Probably all three.

Director Kathryn Bigelow brings that same intensity of focus to telling the story that Maya brings to the search.  After “The Hurt Locker,” Bigelow, the first woman to win the Best Director Oscar, re-teamed with screenwriter Mark Boal to make a movie about what they thought would be the unsuccessful search for Bin Laden.  Their project was overtaken by events as Bigelow and Boal were all but embedded with the military and CIA to do their research in real time, giving the movie an intimate, gritty, documentary feel.

Maya goes to work.  “You don’t think she’s a little young for the hard stuff?” one of her new colleagues asks.  “Washington says she’s a killer.”  This is not a movie where we go home with the heroes and see them hug their children.  It is not a movie where we see them struggle with their demons or sit down over drinks to give us endearing details about their lives or explain why they do what they do.  At one point, Maya is asked about her background and she says she has done nothing since she got out of school but look for Bin Laden.  She acknowledges that there is a reason she was particularly suited for this task, but she never reveals it.  This is the story of hard-working, even driven professionals who have to make life or death decisions all the time, about what it takes and about the price they pay.

People come and go in the story.  A new President is elected and the policy on torture changes.*  The policy on the level of certainty required as a basis for action changes, too.  Dan goes back home.  “I need to do something normal for a while.  I’ve seen too many guys naked.” And, he says, “You don’t want to be the last one holding a dog collar when the oversight committee comes.”  Some of the CIA and military investigators are killed and she is attacked.  But then there is a breakthrough and she has another challenge — persuading the military and the politicians that she is right about where Bin Laden is hiding.  James Gandolfini, Mark Strong, Jennifer Ehele, and Kyle Chandler are all outstanding as Maya’s colleagues.

And then it is time to bring in Seal Team 6.  The attack is brilliantly staged, much of it through night goggles that let us see the compound and the shoot-out through their eyes.

It is also a gripping, masterfully assembled story.  Even though we know how it ends, it will leave you breathless.

 

Parents should know that this film includes terrorism, war, and torture scenes with some very graphic images, characters injured and killed, some sexual references, very strong language, and drinking and smoking.

Family discussion: What does this movie stay about torture?  Was Mya right to be so confident?  What made her good at her job?

If you like this, try:  the documentaries “Restrepo,” “Gunner Palace,” and “Standard Operating Procedure”

*Those who claim that this movie is pro-torture are not paying attention.  While some people in the movie may be pro-torture, that is not the same thing as having the movie promote torture.  The movie makes clear that establishing a high probability of Bin Laden’s location depended on years of intensive research and was based on correlating many, many sources of information.  Mya gets critical data other ways.  And the movie’s unblinking portrayal of torture is there to remind of what happened, and, perhaps, of Golda Meier’s famous comment about the true tragedy of war: “When peace comes we will perhaps in time be able to forgive the Arabs for killing our sons, but it will be harder for us to forgive them for having forced us to kill their sons.”

 

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The Hobbit: An Unexpected Journey

Posted on December 13, 2012 at 6:00 pm

B
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG-13 for extended sequences of intense fantasy action violence, and frightening images
Profanity: Some strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Extended fantasy violence and peril with swords and arrows, characters injured and killed, scary monsters
Diversity Issues: Diverse characters
Date Released to Theaters: December 14, 2012
Date Released to DVD: November 4, 2013
Amazon.com ASIN: B00E8S2JZ4

As the second in the Hobbit trilogy is about to be released, The Hobbit: An Unexpected Journey (Extended Edition).  Director Peter Jackson returns to J.R.R. Tolkien’s Middle Earth for this “Lord of the Rings” prequel, the adventure of young Bilbo Baggins, the hobbit we meet in the LoTR trilogy as the middle-aged uncle of the heroic Frodo.  We see many familiar faces, especially Ian McKellan as the wizard Gandalf, the sepulchral Christopher Lee as Saruman, Cate Blanchett as the ethereal Galandriel, Hugo Weaving as the regally gracious Elrond, and Andy Serkis plus CGI as Gollum, and the now-familiar but still marvelously eye-filling New Zealand locations.What is most different here is that Jackson has doubled the frames-per-second for a new hyper-clarity.  The 24 frames per second standard that has been in effect since the beginning of the sound era has been upped to 48, giving the film a depth of detail that is so fresh it can be a little unsettling.  We subconsciously associate the quality of light and focus with the video used for news programs and lower-budget sitcoms (think of the difference between the indoor and outdoor scenes in the old “Monty Python” episodes), so it can take a while to get used to it in a richly imagined fantasy, especially when close-ups reveal the pores of a character’s skin like a magnifying mirror at a department store makeup counter and the quality of light seems chillier and more sterile.  We get so much visual information that it takes a while to re-calibrate our ability to separate the meaningful from the superfluous.

It does not help that Jackson himself seems to miss the forest of the story for the literal trees.  Blowing out the shortest and most accessible of the books to a projected trilogy of nearly nine hours suggests that Jackson has fallen so in love with the project that he has lost touch with what it feels like not to be completely obsessed with it.  Of course, he is enabled by the intensity of the fans, who are famously dedicated to every leaf, twig, and Elvish declension.  But he seems to have lost track of the thread of the story and dulled his sense of how to communicate with those who are not as deeply involved with the story as he is. He glosses over the important discussion of Bilbo’s two competing heritages, one open to adventure, one devoted to home and hearth, which makes it hard to understand why he changes his mind about accepting Gandalf’s challenge.  Since it is a prequel, we are all familiar with the destructive power of the One Ring to Rule Them All, which makes it confusing when we see it 60 years earlier as a simple and benign invisibility ring.  Meanwhile, it takes all of 40 minutes before Bilbo leaves his house as what should have been a 10-minute scene about the unexpected arrival of a bunch of rowdy dwarves is expanded to include two different musical numbers.  And yet, it still does not give us enough of a sense of who the individual dwarves are.

The action scenes are filled with vitality and dynamically staged, but the film assumes a commitment and understanding on our part that it has not earned.  In a story about a quest of honor, that is an unexpected disappointment.

Parents should know that this film includes many battle sequences and scenes of peril, scary monsters, characters injured and killed, some disturbing images, smoking, drinking, and some potty humor.

Family discussion:  Why did Bilbo decide to join the adventure?  Why did Gandalf pick him?  Why didn’t Gandalf use his powers to help the dwarves sooner?

If you like this, try:  The book by J.R.R. Tolkien and the “Lord of the Rings” films

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Life of Pi

Posted on November 20, 2012 at 6:00 pm

B+
Lowest Recommended Age: Middle School
MPAA Rating: Rated PG for emotional thematic content throughout and some scary action scenes and peril
Profanity: Mild language
Alcohol/ Drugs: Wine
Violence/ Scariness: Scary shipwreck, frequent peril, deaths of characters and animals, some scary images including dismembered animals
Diversity Issues: Diverse characters
Date Released to Theaters: November 22, 2012
Date Released to DVD: March 11, 2013
Amazon.com ASIN: B005LAIIHG

“Oh God, thy sea is so great and my boat is so small.”

This classic Breton fisherman’s prayer describes “Life of Pi,” Ang Lee’s exquisitely beautiful fairy tale story of an Indian boy shipwrecked with a Bengal tiger, and their journey home.

The book by Yann Martel is an award-winning national best-seller, filled with meditations on life, faith, and zoos.  Pi, played as an adult by Irrfan Kahn and as a teenager by newcomer Suraj Sharma, was named Piscine Molitor after a swimming pool in France.  He insisted on shortening it to Pi after the kids at school teased him, and showed off by memorizing pi to the hundreds of places.  Pi’s family owned a zoo in Pondicherry, India, or, rather, the community owned the zoo and his family owned the animals.  When they must leave India, his parents sell most of the animals and pack up the rest  with Pi and his older brother to travel to Canada by ship.  On a stormy night, the ship sinks and, according to the story the adult Pi tells to a visitor, the only survivors are Pi, a zebra with a broken leg, a hyena, an orangutang named Orange Juice, and a Bengal tiger improbably named Richard Parker thanks to a clerical error and always referred to by his full name.  Soon, it is just Pi and the tiger.

Pi is an unusually thoughtful boy who considers himself at the same time a Hindu, a Moslem, and a Christian.  (This is described in much more detail in the book, including an amusing encounter between two of his teachers.)  His parents are not religious and his father jokes that if he picks up a few more faiths every day will be a holiday.  He is a thoughtful, observant boy who considers matters deeply and wants to understand.  In the lifeboat, he considers his options carefully, making an inventory of the food and equipment and lashing together a small raft to protect himself from the hungry tiger.  As it becomes clear that they will have to sustain themselves for an indefinite time, Pi uses what he knows about animals to establish his territory and earn the tiger’s trust.  In a sense, his life has been simplified to its essence, as everything — home, family, plans, community, food, water, — is taken from him.  In another sense, these losses open him up to a depth and spiritual richness that would not be possible in a busy world of connections and obligations.

Pi and Richard Parker weather storms.  They share unexpected riches when flying fish literally jump into their laps, and soul-expanding beauty, especially a great luminous leap by a whale the size of a motor home.

When he was a young boy, Pi tried to feed a tiger.  His father arrived just in time to prevent him from being the tiger’s lunch and gave him an unforgettable lesson by making him watch as the tiger attacked a live goat.  Pi insists that he can see the tiger’s soul in his eyes.  His father insists that there is nothing behind his eyes but the law of the jungle.  Pi has a great heart and the gift of faith.  Both are tested.  And it is only when everything he thought he could not live without is taken from him that he realizes how much he has gained, and how it is the troubles he has faced that have kept him alive.

The rapturous visual beauty of the film is itself a spirit-expanding experience.  The lyrical poetry of the images and the skillfully immersive effects surround us with a powerful sense of connection to the divine.

Parents should know that the plot concerns a boy lost at sea with a Bengal tiger and it includes sad deaths of family members and animals, some graphic and disturbing images, and extended danger and peril.

Family discussion:  Why does a character say the story will make you believe in God?  Which story do you prefer?  How did Richard Parker keep Pi alive?  What do we learn about Pi from his questions about the dance?  From his reaction to the island?

If you like this, try: the book by Yann Martel

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Santa Paws 2: The Santa Pups

Posted on November 19, 2012 at 1:36 pm

B
Lowest Recommended Age: All Ages
MPAA Rating: G
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Mild peril
Diversity Issues: None
Date Released to DVD: November 18, 2012
Amazon.com ASIN: B008C0C23I

If there’s anything cuter than the Santa Buddies, it is the sequel, the new DVD/Blu-Ray pick of the week, “Santa Paws 2: The Santa Pups.”  The puppies stow away on Mrs. Claus’ trip to a Christmas-loving town and have a lot of fun granting wishes until something goes wrong and Christmas itself starts to disappear.  Who can save the day?

http://www.youtube.com/watch?v=rB8StgkqdQY

It was a lot of fun to catch up with Kaitlyn Maher, who returns for the sequel.  “Santa is at his workshop and he needs a new child ambassador and he sends Mrs. Claus to go and find one.  She meets the Reynolds family.  Their town used to have the best city with the most Christmas spirit but the Santa pups decided that they were going to come and they took something without asking.  Somebody wished for Christmas to go away and it happened.  Mrs. Claus and my character have to help save Christmas, but I’m not going to say the ending,” she told me.  The puppies were “so sweet and cuddly and cute,” she said, “and even sweeter when there was a dog treat around.”  She said the trainers used “lots and lots of treats” and little toys and breaks, too, “if a puppy was being finicky or something, they would always have a new dog waiting.  They were very professional.”  The biggest challenge was that “there was a train that would go by six times every single day.  We would have to stop recording, even if it was the best take we had done.  We would have to stop until the train circled around the whole track.”  She loved the set for Santa’s workshop.  “I asked the producer where all the toys were going to be going.”  When no one had an answer, Kaitlyn said, “Can I please donate them?  I’d love to pick a few charities in Vancouver.”  She became charity coordinator and the toys went to four different charities. “It was a great way to get the whole cast involved in sharing the joy of Christmas.”  Her favorite prop in the workshop was a big bell.  She thought it was funny when the elf fell off the bell in the first movie.  Kaitlyn is home schooled and “I love that my mom teaches me.”  She likes the American Girl books and Nancy Drew and loves to read about ancient history.  And she likes movies that have a message.  “The Sound of Music” is one of her favorites and she also likes mysteries.  She says the buddies movies are popular because “the movies are fun and have a good message.  The writers bring that message through magical and wonderful things that you could not imagine.  Everyone works together and they’re family-friendly.  People really feel blessed by them.”  She loves to sing and her favorite scene in the movie was when she got to sing “O Holy Night.”  She especially loves to write songs and will work on a new CD next year.  “I like to make songs that are inspiring and encouraging.  I like to make people smile.”  And she is looking forward to Christmas with her family and spreading the joy of Christmas to everyone.  “I think it is very, very important that people have the love they need on Christmas.”

 

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