Here’s a great new DVD from my all-time favorite series, just in time for Halloween — A Very Brave Witch…and more Halloween stories. In the title story, a little witch who has been taught that humans are scary decides to find out for herself and ends up making friends with a little girl dressed as a witch and sharing a very special broomstick ride. “The Witch in the Cherry Tree” tries to outsmart a boy named David to get his cakes and “By the Light of the Halloween Moon”
Passive female heroine dreams of being rescued by prince
Date Released to Theaters:
1937
Date Released to DVD:
February 2, 2016
Amazon.com ASIN:
B01711CIF0
Disney’s new Signature Collection release of its first animated feature film on Blu-Ray is gorgeously restored and filled with behind-the-scene extras and a wonderful opportunity to catch up with the one that is still “the fairest of them all.”
Snow White (voice of Adriana Caselotti) is a sweet girl whose step-mother, the Queen (voice of Lucille LaVerne), is vain and cruel. Snow White dreams of a prince to love, and meets the Prince of her dreams when she is fetching water for the castle. Meanwhile, each night, the Queen looks into a magic mirror and asks who is the fairest one of all. The mirror tells her that it is she, and she is satisfied. But one night, the mirror tells her that Snow White has become more fair, and the Queen, consumed with jealousy, tells her huntsman to take Snow White to the forest and kill her.
The tender-hearted huntsman cannot kill her and instead tells her to run away. Racing through the forest terrified, she collapses in tears. But she makes friends with the animals, who live in the woods and they lead her to a small cottage. Once inside, she cleans up the mess, singing “Whistle While You Work.” She thought, when she saw the small beds, that children lived in the house, but it turns out that it is the home of seven dwarfs, who work each day digging jewels from a mine.
When they come home, they are surprised to find her stretched out across their beds, sound asleep. But they soon make friends and are delighted to have her stay and take care of them.
Eventually, the Queen discovers that Snow White is still alive. The Queen makes a poisoned apple and turns herself into an old hag so she can deliver it to her. Snow White at first follows the dwarfs’ advice not to speak to strangers, but finally takes a bite of the apple and collapses. The Queen runs away and falls into a steep ravine.
The dwarfs are heartbroken and create a beautiful crystal bier for her to lie on. The prince discovers her there and gives her a kiss, which awakens her, whereupon he carries her off to live happily ever after.
Children used to today’s Disney stories may be surprised by a more passive heroine and by a score more classical than pop. But in addition to its historical value as the first animated feature, it is still a delight, with memorable songs and characters. It is hard to remember that before Disney the dwarfs in the Snow White story had no names and no individual characters. Sneezy, Sleepy, Grumpy, Dopey, Doc, Happy, and Bashful are all vivid characters, and their dance number with Snow White is a highlight.
This movie provides a good opportunity to discuss jealousy, and how to handle it. And, of course, it raises issues about women and beauty, about women’s role in the home, and about finding happiness only through dreams of “Someday My Prince Will Come.” Blended families are often sensitive about the traditional fairy tale villain being the “wicked stepmother,” and some children will need reassurance.
Extras in this edition include Disney’s own comments about the film and a feature about the influence of this groundbreaking animated feature, plus never-before-released storyboards of a deleted scene where the prince meets Snow White.
Talk to kids about how characters like Snow White might be different if they were created today, and make sure that they see a range of alternative role models. Note: The movie is very scary when Snow White is running through the forest (though reassuring when the animals turn out to be friendly) and when she bites the apple; the Queen is especially scary when she turns into the old hag. By today’s standards, Dopey might well be considered an insensitive stereotype of a developmentally disabled person.
Families who see this movie should discuss these questions: Why is the Queen jealous of Snow White? Why is being beautiful so important to her? Why did Snow White stay at the castle? Why did the huntsman disobey the Queen’s orders? Why did the dwarfs love Snow White so much?
Families who enjoy this movie should watch some of the other versions of the Snow White story, including the Faerie Tale Theatre production with Elizabeth McGovern.
Rated PG for sci-fi action, some crude humor and mild language
Profanity:
Some crude schoolyard language
Alcohol/ Drugs:
None
Violence/ Scariness:
Action and cartoon violence, characters in peril, tension, lots of explosions, guns, apparent death of character
Diversity Issues:
A theme of the movie
Date Released to Theaters:
March 27, 2009
Date Released to DVD:
September 29, 2009
Amazon.com ASIN:
B001GCUO7A
An expert blend of silly fun, action that is mostly more exciting than scary, a few clever barbs, and some wow-worthy visuals make “Monsters vs. Aliens” the best family film in months.
“You’re glowing,” says the groom to his bride as they are about to be married.” And she is, but not in a good way. Exposed to a meteor just before the ceremony, Susan (voice of Reese Witherspoon) has a greenish glow. And then she starts to grow. Before she can say, “I do,” Susan is suddenly 50 feet tall. And before she can say, “How did I get to be 50 feet tall,” she is whisked away to a secret government compound for monsters where she quickly becomes a sort of house mother for a motley crew of assorted mutants, turning into a sort of cross between Alice in Wonderland in her giant mode, Snow White with the dwarfs, and Mary Ann with Gilligan, the Professor, and the gang.
Susan’s fellow monsters amusingly cover the full range of of B-movie monster origins. We have “The Fly”-style one mad scientist who became the victim of his own experiment with insects and turned into Dr. Cockroach, Phd (voice of “House’s” Hugh Laurie), one “Creature from the Black Lagoon”-style Missing Link thawed out of an arctic ice floe centuries after all others from his species had become extinct (voice of “Arrested Development’s” Will Arnett), and a giant bug (a la “Them” or “Mothra”). And then there is my favorite, Bicarbonate Ostylezene Benzoate, known as BOB (voice of Seth Rogan), a brainless but genial one-eyed gelatinous ooze along the lines of “The Blob.” These monsters are isolated as a matter of national security until an even bigger threat comes along. If you’ve heard the title, you know that it is aliens — or rather, one alien named Gallaxhar (voice of Rainn Wilson of “The Office”). He plans to take over earth. The monsters are the only hope of saving it.
It was filmed in digital 3D, in part an homage to the cheesy sci-fi films of the 50’s. It begins with the usual 3D trick as a bored technician plays paddleball and the ball on the elastic band seems to stop just short of our noses. But after that, the effects are more subtle and immersive. The animators have literally gone to unprecedented lengths — it almost feels as though we can touch objects that go back the length of a football field. The scenes are brilliantly designed to make the most of the 3D technology and the action scenes, particularly one on the Golden Gate Bridge, are as immediate and involving as any big summer explosion-fest. The story is fast-paced and funny, with many knowing references to classic sci-fi and a solid story of friendship and self-realization. The voices are all excellent, especially Stephen Colbert as the dim-witted President, Witherspoon’s Susan, who remains very real and human even after she becomes what the government christens Ginormica, and Laurie’s cockroach, who has the manners of a butler and the laugh of a mad scientist. And Wilson hits just the right note of petulance to keep the alien from being too menacing.
But the graphic character design is uneven. As with most animated films, the humans are often stiff and artificial. The big bug, the cockroach, and the Link are not particularly engaging. BOB, however, is simply sensational. Rogan’s husky voice and unabashed cheery laugh is a perfect match for the animated marvel of a big blue gooey thing that is endlessly pliant and effortlessly resilient. More than any other part of the movie, this charmingly silly little character shows what this technology is capable of, when the script has a great character to put on screen. In the battle between monsters and aliens, it is this little blue monster who saves the day.
“Jonah’s” production company, Big Idea, promises “Sunday morning values, Saturday morning fun,” and in my opinion they have more than delivered on both, with a series of videos that are right up there with the best in entertainment and humor and unsurpassed in communicating with kids about honesty, compassion, sharing, and kindness. Some of the videos are based on Bible stories and some are original, but all star computer-animated vegetables and all have gentle morals that create opportunities for families to talk to kids about the issues that matter most. Though Christian in origin, the values in the videos are universal. The references to God are explicit but non-denominational. However, crucifix imagery does feature in the film.
In their first theatrical release, Bob the Tomato and his friend are driving three veggie children to a concert when they meet up with perennial veggie favorites, the Pirates Who Don’t Do Anything. The Pirates tell the story of Jonah, a messenger who enjoyed delivering messages from God until God asked him to deliver one to a place he didn’t want to go to. So, he ended up swallowed by a whale. Fortunately, God believes in second chances, so Jonah ends up just fine and a little wiser, too.
The movie may be a little long for the youngest fans of the videos, who are used to a brisk 30 minutes, but kids five and up will be delighted with the fast, funny, and touching story. Parents even may find that it goes by quickly, because it has some of the funniest jokes of any movie this year, including those intended for adults.
Parents should know that the moments of peril are handled with such a light touch that they are unlikely to scare children. Jonah may be tossed into the water, but he is wearing a very reassuring ducky lifesaver ring, and the credits explain that no vegetables were hurt in the making of the movie.
Families who see the movie should talk about when we must be obedient and when we think for ourselves. Some parents may be uncomfortable with the references to God and the Bible, but they should use the opportunity to talk about their own spiritual views – and ask children about theirs.
Less a movie than a mosaic, this remake of the 1980 classic with the Oscar-winning title anthem about the high school for the performing arts has been re-imagined for the hyper-linked and just plain hyper 21st century. As in the original, we follow the stories of aspiring performers from their first audition through four years of high school. But this time, so many characters are thrown at us that we never connect with any of them. This film is as much an artifact of its era as the dancing-in-the-streets first one, perhaps in ways it did not intend. It is a revealing reflection of its target audience: kids used to keeping up to date via tweets and Facebook status lines, the generation that cannot see the line between access to information and understanding the information’s context and import.
It indicates more than it shows, not because it is subtle, but because it is frantic, trying to follow the lives of ten students over four years in less than two hours. Narrative is pushed to one side. Even the too-brief but excellent musical numbers are chopped up and intercut not so much as an artistic statement as a recognition that society as a whole now meets the clinical definition of ADD.
The talented cast passes by so quickly it is like watching a 107-minute trailer. Naturi Naughton makes a strong impression in vocal numbers that include “Out Here on My Own” from the 1980 film. Kay Panabaker has a sweet honesty that comes across well on screen and more than any of the others she shows us the difference in her character as she grows up and gains confidence. An exceptionally strong cast of adults adds some depth to the faculty roles, including “Will and Grace’s” Megan Mullally and “Frasier’s” Bebe Neuwirth and Kelsey Grammer along with movie and theater veteran Charles S. Dutton. If only they had been able to sit down writer Alison Burnett and director Kevin Tancharoen to give them the kind of stern pep talk about craft and discipline that they give to their students, this would have been a better movie.