Tense and scary scenes including characters being swallowed by a whale and apparent death
Diversity Issues:
None
Date Released to Theaters:
1940
Date Released to DVD:
January 30, 2017
Amazon.com ASIN:
B01M105H8W
Copyright Disney 2017This week Disney is releasing a glorious new edition of its most most gorgeous, splendid, and fully realized of all of its hand-drawn animation classics before the use of photocopiers and computers. Every detail is brilliantly executed, from the intricate clocks in Geppetto’s workshop to the foam on the waves as the enormous whale Monstro thrashes the water. It also has one of Disney’s finest scores, featuring “When You Wish Upon a Star,” which has become the Disney theme song. “I’ve Got No Strings,” “Give a Little Whistle,” and “An Actor’s Life for Me” are also memorable. It is the classic story about the wooden puppet whose nose grows when he tells a lie and has to almost turn into a donkey before he can become a real boy, told with endless imagination and beauty, a must-see for all families.
This new edition has some great behind-the-scenes extras.
“Pinocchio” is a natural for the first discussions with kids about telling the truth (especially admitting a mistake) and not talking to strangers. Talk to them, too, about how to find their own conscience and listen to it as if it were Jiminy Cricket. The trip to Pleasure Island may also lead to a discussion of why things that feel like fun may be harmful, and the difference between fun and happiness.
This engaging kid-eye view of “the real winter miracle” is good family fun. It has something for both littler and bigger kids and is very endurable for parents.
The theme of the movie is that “anything can happen on a snowday,” and it does a good job of evoking the magic of waking up to find the world soft, white, and new, and all normal rules and obligations suspended.
One snowday in particular changes the lives of all five members of the Brandston family. The father (Chevy Chase) is a TV weatherman who is humiliated because he has to dress in silly outfits to try to get better ratings than his handsome but unethical rival. The mother (Jean Smart) loves her family, but is preoccupied with an important project at work. Teenage son Hal is in love with the most beautiful girl in school. His sister Nat has a dream — defeating the enemy of the snow day, Snowplow Man (Chris Elliot), so the kids can stay home an extra day. And their little brother Randy just wants to have some fun with his mom.
One nice thing about the movie is that it shows us a believably harried but genuinely kind and loving family. Nat and Hal have a real sense of commitment and teamwork and the mother may be caught up in her big project, but it is clear that she loves her family very much. And it is very nice to see Chevy Chase in a more low-key and genuine role.
Another nice thing is that it shows us that sometimes what we think we want isn’t what we want after all, and that something better might be right in front of us.
Parents should know that there is some potty humor and some mild schoolyard language. Kids do some unwise and even dangerous things, like confronting an adult, pelting the principal with snowballs, rigging a show shelter with electricity, and driving a snowplow. But it is clear that the movie is a fantasy, and it can give families a good opportunity to talk about taking risks and setting priorities — and about what kind of music is best for ice skating and what kinds of snowballs are the best for a snowball fight!
The third in the award-winning series of Gustafer Yellowgold is coming out on DVD March 17, featuring guest artists Lisa Loeb and Wilco’s John Stirratt and Pat Sansone.
These tuneful treats from artist/songwriter Morgan Taylor are family favorites, with singable songs and colorful visuals. Gustafer is a yellow guy from the sun who comes to Earth to make some friends, giving him a chance to explore and enjoy a wide range of characters and locations. It is a lot of fun for kids ages 3-8 and their families, gentle and charming without being sugary.
I have one DVD to give away to the first person who sends me an email at moviemom@moviemom.com with “Gustafer” in the subject line. Good luck!
Sometimes “nice” can be very high praise, and that is the way I mean it when I say that the utterly snark-free “High School Musical 3: Senior Year” is as nice as it gets. With a gossamer-weight plot line that makes Archie Comics look like Dostoyevksy but all the heart, spirit, and sweetness and fun its fans are hoping for, this is a resoundingly satisfying conclusion to the record-breaking trilogy. I admit it — I smiled, I tapped my feet, and I even wiped away a tear.
One thing I especially loved about the movie is the way it avoided the usual misunderstandings and hurt feelings. Troy (Zac Efron) and Gabriella (Vanessa Hudgens), who met singing a karaoke duet in the original HSM are thoughtful, kind, and committed throughout this film. The overall tone of the movie is sugary, but they are much more authentic than most movie couples in the way they trust and support one another. It is such a relief to see them so solidly together as they try to address their problems. There is no silliness about their relationship, which is supported by everyone around them. That means that when they are not singing or worrying there is not much for them to do but smile their dazzling smiles at each other, but the singing and dancing is great, the smiles are indeed dazzling, and they do have one breathtakingly romantic moment that is surprisingly touching because it is utterly pure and simple and lovely.
Like all high school seniors, Gabriella and Troy feel that everything is moving too fast. They are excited about college but wish they could hold on to everything they have loved at East High. They are trying to figure out how to understand what is right for them, which may not be what their parents want. And they have counted the miles between the schools they are planning to attend and are not looking forward to being so far away from each other. Everyone is just too busy and distracted to be in another musical show this year but somehow Gabriella once again brings them all together for what they know will be their last chance.
But Mean Girl Sharpay (Ashley Tisdale vamping like a cross between Paris Hilton, Christina Aguilera, and Cruella deVil) wants to be the star of the show. With her twin brother Ryan (Lucas Grabeel), the show choreographer, she dreams of having it all in a sensational dance number in the school cafeteria that is a throwback to the all-out show-stoppers of the classic MGM musicals. Sharpay has a car with a “Fabulous” license plate, a personal assistant with a British accent, some truly impressive hair, a double locker with a padded interior and a make-up mirror, and an endless series of tiny miniskirts. Her entrance is sensational — as all of the kids are in bright red in tribute to the championship basketball team, she comes in the door in flaming hot pink.
The musical numbers are sheer delight, especially Efron’s athletic romp in a junkyard with pal Chad (Corbin Bleu) and his Fred Astaire-inspired, literally off-the-wall solo in the school late at night. Troy and Gabriella just might bring back the waltz with their lovely pas de deux in the school’s rooftop garden. They might bring back the idea of sweet, tender romance where one special kiss means everything, too.
My second DVD pick of the week for Valentine’s Day is the other new Audrey Hepburn release, “Funny Face,” a gorgeous musical set in Paris with Fred Astaire and songs by Gershwin. The title tune, and “How Long Has This Been Going On” and “S’Wonderful” have become standards, and the non-Gershwin numbers like “Think Pink” and “Bonjour Paris” are lively and well-staged.
It’s the story of a shy bookstore clerk with an interest in French philosophy who gets invited to Paris as a model and agrees to go only because it will give her a chance to meet the philosopher she most admires. She thinks that fashion is silly and superficial. But the photographer (Astaire, playing a character based on Richard Avedon) shows her the passion, dedication, professionalism, and artistry required and the philosopher shows her that he does not always practice what he preaches. The film is a delight. Be sure to watch for a rare screen appearance by Kay Thompson, the author of the “Eloise” books, as the magazine editor, and some real-life supermodels spoofing themselves.
