It is poets like Wilder who not only realize life, but help us to have moments of realizing it, too, and in “Nine Days,” first-time writer/director Edson Oda gives us an Emily-like reminder with a mystical allegory about souls who are applying for life on Earth. They are hoping to be deemed worthy so they can have a chance to not quite notice the clocks and the bread while they worry about all the things that people worry about. Winston Duke and Zazie Beetz, both so striking in heightened featured roles in comic book movies (“Black Panther” and “Deadpool”) are never less than extraordinary here, with subtle, complex performances that tells everything not just about their characters but about the world they are in. They make the allegory real, human, and utterly compelling and their final scene will live in my heart always.

Production designer Dan Hermansen and costume designer Fernando Rodriguez provide a setting that is at once strange and familiar. A house in a remote setting has a retro feel. Duke plays Will, whose wire rim glasses, suspenders, bow tie, and sweater vests give him an old-school academic vibe. And he seems to be a scholar, carefully studying and archiving videotapes that are playing on a bank of screens. We see lives from the point of view of the person whose story is being told, only glimpsing their faces when they look into a mirror or are reflected in a window.

Hands reach into a crib to cuddle a baby. Birthday candles are blown out. School bullies insult a classmate. One of particular interest is a young woman who is a gifted violinist. Will is visited by a neighbor (Benedict Wong as Kyo). We get a sense that they are friends but there is a difference in their status and experience, and we learn more about that later. But not a lot more. This movie is comfortable with ambiguity, allowing us to fill in the spaces.

Kyo and Will are looking forward to something special. The young violinist is going to perform. But there is a tragic loss, and Will is shaken. Later, a woman knocks on his door. She seems to be there for some sort of job interview. And it becomes clear that she, and a small group of others, are there to interview for the job of — being born on earth, in comfortable, supportive circumstances. The candidates, who will have up to nine days to complete a series of tests, include characters played by Tony Hale, Bill Skarsgård, and Beetz, as the warmest and most curious of the group. As Will tells them, their senses are dulled. When they get the news they will not be accepted, they are given a chance to live one experience that is especially meaningful for them. It is similar to “After Life,” a Korean film given four stars by Roger Ebert, but in this case the experience they will have is borrowed from someone else’s life.

The setting and the details are fascinating and provocative, though anyone who has ever lived on earth could only wish there were some tests for judgment and morality before allowing a soul to be born. What makes the film so enthralling, though, are the rich, complex, sensitive performances that make each character real and and, yes, alive, and the questions you will ask yourself later about how you would respond to Will’s tests and what you can do to better appreciate the life we have.

Parents should know that this film deals with issues of life and death, and there is a suicide. Characters have intense experiences and some confrontations.

Family discussion: What do these tests determine? Why is the character named Will? What does his experience as a human bring to his job that Kyo cannot?

If you like this, try; “After Life,” “Defending Your Life,” and “Soul”