The Hobbit: An Unexpected Journey

Posted on December 13, 2012 at 6:00 pm

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG-13 for extended sequences of intense fantasy action violence, and frightening images
Profanity:	Some strong language
Alcohol/ Drugs:	Drinking, smoking
Violence/ Scariness:	Extended fantasy violence and peril with swords and arrows, characters injured and killed, scary monsters
Diversity Issues:	Diverse characters
Date Released to Theaters:	December 14, 2012
Date Released to DVD:	November 4, 2013
Amazon.com ASIN:	B00E8S2JZ4

As the second in the Hobbit trilogy is about to be released, The Hobbit: An Unexpected Journey (Extended Edition). Director Peter Jackson returns to J.R.R. Tolkien’s Middle Earth for this “Lord of the Rings” prequel, the adventure of young Bilbo Baggins, the hobbit we meet in the LoTR trilogy as the middle-aged uncle of the heroic Frodo. We see many familiar faces, especially Ian McKellan as the wizard Gandalf, the sepulchral Christopher Lee as Saruman, Cate Blanchett as the ethereal Galandriel, Hugo Weaving as the regally gracious Elrond, and Andy Serkis plus CGI as Gollum, and the now-familiar but still marvelously eye-filling New Zealand locations.What is most different here is that Jackson has doubled the frames-per-second for a new hyper-clarity. The 24 frames per second standard that has been in effect since the beginning of the sound era has been upped to 48, giving the film a depth of detail that is so fresh it can be a little unsettling. We subconsciously associate the quality of light and focus with the video used for news programs and lower-budget sitcoms (think of the difference between the indoor and outdoor scenes in the old “Monty Python” episodes), so it can take a while to get used to it in a richly imagined fantasy, especially when close-ups reveal the pores of a character’s skin like a magnifying mirror at a department store makeup counter and the quality of light seems chillier and more sterile. We get so much visual information that it takes a while to re-calibrate our ability to separate the meaningful from the superfluous.

It does not help that Jackson himself seems to miss the forest of the story for the literal trees. Blowing out the shortest and most accessible of the books to a projected trilogy of nearly nine hours suggests that Jackson has fallen so in love with the project that he has lost touch with what it feels like not to be completely obsessed with it. Of course, he is enabled by the intensity of the fans, who are famously dedicated to every leaf, twig, and Elvish declension. But he seems to have lost track of the thread of the story and dulled his sense of how to communicate with those who are not as deeply involved with the story as he is. He glosses over the important discussion of Bilbo’s two competing heritages, one open to adventure, one devoted to home and hearth, which makes it hard to understand why he changes his mind about accepting Gandalf’s challenge. Since it is a prequel, we are all familiar with the destructive power of the One Ring to Rule Them All, which makes it confusing when we see it 60 years earlier as a simple and benign invisibility ring. Meanwhile, it takes all of 40 minutes before Bilbo leaves his house as what should have been a 10-minute scene about the unexpected arrival of a bunch of rowdy dwarves is expanded to include two different musical numbers. And yet, it still does not give us enough of a sense of who the individual dwarves are.

The action scenes are filled with vitality and dynamically staged, but the film assumes a commitment and understanding on our part that it has not earned. In a story about a quest of honor, that is an unexpected disappointment.

Parents should know that this film includes many battle sequences and scenes of peril, scary monsters, characters injured and killed, some disturbing images, smoking, drinking, and some potty humor.

Family discussion: Why did Bilbo decide to join the adventure? Why did Gandalf pick him? Why didn’t Gandalf use his powers to help the dwarves sooner?

If you like this, try: The book by J.R.R. Tolkien and the “Lord of the Rings” films

Killing Them Softly

Posted on November 29, 2012 at 6:00 pm

Lowest Recommended Age:	Adult
MPAA Rating:	Rated R for violence, sexual references, pervasive language, and some drug use
Profanity:	Constant very strong language with crude and explicit sexual references
Alcohol/ Drugs:	Drinking, smoking, drug use and drug dealing
Violence/ Scariness:	Very graphic and disturbing violence with disturbing images, many characters injured and killed
Diversity Issues:	None
Date Released to Theaters:	November 30, 2012
Date Released to DVD:	March 26, 2013
Amazon.com ASIN:	https://amzn.to/30b53Do

Brad Pitt plays Jackie Cogan, a hit man who prefers to kill people “softly,” meaning with as little fuss and muss as possible. But because he is a hit man, he is constantly surrounded by messes that he is asked to clean up. Two dumb crooks (Scoot McNairy and Ben Mendelsohn) are recruited by a dry cleaner to rob an illegal poker game run by Markie Trattman (Ray Liotta). Since it is generally understood that Markie had arranged the robbery of one of his own games in the past, the dry cleaner figures that he will be assumed to be behind this one, too, so no one will come after them. In other words, a mess.

Time for Cogan. But Cogan knows the dry cleaner, and he prefers to kill people he doesn’t know. Not because he has scruples — it’s just because the ones who know him know why he is there and they get all upset and start crying and begging. And that is messy. So Cogan brings in some help from out of town, another hit man named Mickey (James Gandolfini). They’ve worked together well in the past, but since the last time Cogan saw him, Mickey has started to unravel. More mess.

Prosecutor-turned novelist George V. Higgins had a rich appreciation for his underworld characters and the complexity of their compromised and thuggish connections. His dialog-driven books are filled with tough talk that feels authentic and poetic at the same time. This film is based on a book published in 1974, set in Higgin’s lifelong home town of Boston. Here it is updated to the summer of 2008 and relocated to Louisiana, where the dialog is counterposed with television broadcasts of a panicked George W. Bush explaining the financial meltdown following the collapse of the subprime market and candidate Barack Obama is making speeches filled with optimism and promise. The violent scenes, with slo-mo spurts of blood, are counterposed with cheery pop songs, Petula Clark singing “Windmills of Your Mind” and Cliff “Jiminy Cricket” Edwards warbling “Paper Moon.”

(Note: “Windmills of Your Mind” was the theme song of the original “Thomas Crown Affair,” with Steve McQueen as a millionaire businessman with a sideline as a criminal mastermind.) One of those moments would be plenty. We get it, we get it, the real crooks are on Wall Street and in Washington. Balletic blood spatters juxtaposed with songs are ironic. Or something like that.

Choice moments — Gandofini’s monologues, the conversations between Cogan and his bureaucratic contact known just as “The Driver” (Richard Jenkins), and juicy talk cannot make up for the feeling that this is Mamet Lite, and just the kind of messiness Cogan is wise enough to resist.

Parents should know that this story concerns criminals and thugs including drug deals and hit-men. It includes very graphic violence with disturbing images, dead bodies, constant very strong language, explicit and crude sexual references, a prostitute, smoking, drinking, and heroin.

Family discussion: What is the point of the news broadcasts about the financial meltdown? How does this community establish their rules? What does Jackie want?

If you like this, try: Layer Cake, American Buffalo and Lock, Stock, and Two Smoking Barrels

Life of Pi

Posted on November 20, 2012 at 6:00 pm

B+

Lowest Recommended Age:	Middle School
MPAA Rating:	Rated PG for emotional thematic content throughout and some scary action scenes and peril
Profanity:	Mild language
Alcohol/ Drugs:	Wine
Violence/ Scariness:	Scary shipwreck, frequent peril, deaths of characters and animals, some scary images including dismembered animals
Diversity Issues:	Diverse characters
Date Released to Theaters:	November 22, 2012
Date Released to DVD:	March 11, 2013
Amazon.com ASIN:	B005LAIIHG

“Oh God, thy sea is so great and my boat is so small.”

This classic Breton fisherman’s prayer describes “Life of Pi,” Ang Lee’s exquisitely beautiful fairy tale story of an Indian boy shipwrecked with a Bengal tiger, and their journey home.

The book by Yann Martel is an award-winning national best-seller, filled with meditations on life, faith, and zoos. Pi, played as an adult by Irrfan Kahn and as a teenager by newcomer Suraj Sharma, was named Piscine Molitor after a swimming pool in France. He insisted on shortening it to Pi after the kids at school teased him, and showed off by memorizing pi to the hundreds of places. Pi’s family owned a zoo in Pondicherry, India, or, rather, the community owned the zoo and his family owned the animals. When they must leave India, his parents sell most of the animals and pack up the rest with Pi and his older brother to travel to Canada by ship. On a stormy night, the ship sinks and, according to the story the adult Pi tells to a visitor, the only survivors are Pi, a zebra with a broken leg, a hyena, an orangutang named Orange Juice, and a Bengal tiger improbably named Richard Parker thanks to a clerical error and always referred to by his full name. Soon, it is just Pi and the tiger.

Pi is an unusually thoughtful boy who considers himself at the same time a Hindu, a Moslem, and a Christian. (This is described in much more detail in the book, including an amusing encounter between two of his teachers.) His parents are not religious and his father jokes that if he picks up a few more faiths every day will be a holiday. He is a thoughtful, observant boy who considers matters deeply and wants to understand. In the lifeboat, he considers his options carefully, making an inventory of the food and equipment and lashing together a small raft to protect himself from the hungry tiger. As it becomes clear that they will have to sustain themselves for an indefinite time, Pi uses what he knows about animals to establish his territory and earn the tiger’s trust. In a sense, his life has been simplified to its essence, as everything — home, family, plans, community, food, water, — is taken from him. In another sense, these losses open him up to a depth and spiritual richness that would not be possible in a busy world of connections and obligations.

Pi and Richard Parker weather storms. They share unexpected riches when flying fish literally jump into their laps, and soul-expanding beauty, especially a great luminous leap by a whale the size of a motor home.

When he was a young boy, Pi tried to feed a tiger. His father arrived just in time to prevent him from being the tiger’s lunch and gave him an unforgettable lesson by making him watch as the tiger attacked a live goat. Pi insists that he can see the tiger’s soul in his eyes. His father insists that there is nothing behind his eyes but the law of the jungle. Pi has a great heart and the gift of faith. Both are tested. And it is only when everything he thought he could not live without is taken from him that he realizes how much he has gained, and how it is the troubles he has faced that have kept him alive.

The rapturous visual beauty of the film is itself a spirit-expanding experience. The lyrical poetry of the images and the skillfully immersive effects surround us with a powerful sense of connection to the divine.

Parents should know that the plot concerns a boy lost at sea with a Bengal tiger and it includes sad deaths of family members and animals, some graphic and disturbing images, and extended danger and peril.

Family discussion: Why does a character say the story will make you believe in God? Which story do you prefer? How did Richard Parker keep Pi alive? What do we learn about Pi from his questions about the dance? From his reaction to the island?

If you like this, try: the book by Yann Martel

Santa Paws 2: The Santa Pups

Posted on November 19, 2012 at 1:36 pm

Lowest Recommended Age:	All Ages
MPAA Rating:	G
Profanity:	None
Alcohol/ Drugs:	None
Violence/ Scariness:	Mild peril
Diversity Issues:	None
Date Released to DVD:	November 18, 2012
Amazon.com ASIN:	B008C0C23I

If there’s anything cuter than the Santa Buddies, it is the sequel, the new DVD/Blu-Ray pick of the week, “Santa Paws 2: The Santa Pups.” The puppies stow away on Mrs. Claus’ trip to a Christmas-loving town and have a lot of fun granting wishes until something goes wrong and Christmas itself starts to disappear. Who can save the day?

http://www.youtube.com/watch?v=rB8StgkqdQY

It was a lot of fun to catch up with Kaitlyn Maher, who returns for the sequel. “Santa is at his workshop and he needs a new child ambassador and he sends Mrs. Claus to go and find one. She meets the Reynolds family. Their town used to have the best city with the most Christmas spirit but the Santa pups decided that they were going to come and they took something without asking. Somebody wished for Christmas to go away and it happened. Mrs. Claus and my character have to help save Christmas, but I’m not going to say the ending,” she told me. The puppies were “so sweet and cuddly and cute,” she said, “and even sweeter when there was a dog treat around.” She said the trainers used “lots and lots of treats” and little toys and breaks, too, “if a puppy was being finicky or something, they would always have a new dog waiting. They were very professional.” The biggest challenge was that “there was a train that would go by six times every single day. We would have to stop recording, even if it was the best take we had done. We would have to stop until the train circled around the whole track.” She loved the set for Santa’s workshop. “I asked the producer where all the toys were going to be going.” When no one had an answer, Kaitlyn said, “Can I please donate them? I’d love to pick a few charities in Vancouver.” She became charity coordinator and the toys went to four different charities. “It was a great way to get the whole cast involved in sharing the joy of Christmas.” Her favorite prop in the workshop was a big bell. She thought it was funny when the elf fell off the bell in the first movie. Kaitlyn is home schooled and “I love that my mom teaches me.” She likes the American Girl books and Nancy Drew and loves to read about ancient history. And she likes movies that have a message. “The Sound of Music” is one of her favorites and she also likes mysteries. She says the buddies movies are popular because “the movies are fun and have a good message. The writers bring that message through magical and wonderful things that you could not imagine. Everyone works together and they’re family-friendly. People really feel blessed by them.” She loves to sing and her favorite scene in the movie was when she got to sing “O Holy Night.” She especially loves to write songs and will work on a new CD next year. “I like to make songs that are inspiring and encouraging. I like to make people smile.” And she is looking forward to Christmas with her family and spreading the joy of Christmas to everyone. “I think it is very, very important that people have the love they need on Christmas.”

Silver Linings Playbook

Posted on November 15, 2012 at 6:01 pm

B+

Lowest Recommended Age:	Mature High Schooler
MPAA Rating:	Rated R for language and some sexual content/nudity
Profanity:	Constant very strong language
Alcohol/ Drugs:	Drinking
Violence/ Scariness:	Assaults and fighting
Diversity Issues:	Respectful treatment of mental illness
Date Released to Theaters:	November 16, 2012
Date Released to DVD:	April 29, 2013
Amazon.com ASIN:	B00A81NFAS

When Bradley Cooper appeared on “Inside the Actors Studio,” the first graduate of the program to be featured, they showed a clip from Robert DeNiro’s appearance on the show, with then-student Cooper asking him a question about his performance in “Awakenings.” DeNiro was clearly impressed with the perception and sincerity of his young questioner. It was only a few years later that Cooper was acting opposite DeNiro in “Limitless.” Now they are together again as father and son, Pat Sr. and Pat Jr., in “Silver Linings Playbook,” based on the novel by Matthew Quick.

Pat Jr. has been in a mental hospital being treated for bipolar disorder, the result of a plea bargain following “the incident,” we will only learn the details of later. His mother brings him home though it is not at all clear that he is or will ever be ready. Pat has impulse control problems, especially when he hears a particular Stevie Wonder song or does not like the ending of a Hemingway novel. But he is absolutely determined to get his life back. And his wife back. This involves a lot of physical conditioning and finding away around the restraining order that forbids him from contacting her.

He meets a troubled young widow named Tiffany (Jennifer Lawrence of “Hunger Games”), the sister-in-law of his best friend. Pat is fighting so hard to be “normal” again that he is disturbed, annoyed, and a little scared by her outspoken, socially inappropriate behavior. But she offers the same directness and shared experience he had with his fellow patients. He struggles with the competing impulses to reject and accept her overtures of friendship. Their exchange about the effects of various mood and anti-psychotic meds is a gem, the mental illness equivalent of Romeo and Juliet speaking to each other in alternate lines of a sonnet on their first meeting. And Lawrence is sublime in her summation-to-the-court-style argument with Pat Sr. about the factors that go into an Eagles win.

They agree to help each other, and this gives Pat purpose, discipline, and direction. And we learn more about “the incident” and about Pat’s relationship with Pat Sr., a professional gambler and bookie whose passion for the Eagles provides some context for his influence on his son.

Director David O. Russell, who adapted the novel, and his cast fill the story with engaging, believable characters, especially Jackie Weaver as Pat’s mother, John Ortiz as his stressed-out best friend, and Anupam Kuhr as his therapist. It is a great pleasure to see Chris Tucker, who is outstanding as a mental patient, though I wish they had found him more to do than the usual “black it up” (that’s a direct quote) pep talk. Pat is so upset by the end of Farewell to Arms (on his wife’s assigned reading list for the high school class she teaches) that he has to wake his parents in the middle of the night to tell them why stories need happy endings. The ending here is abrupt and a bit cheesy. But these damaged and vulnerable and anxious characters love and want to be loved and we want it for them.

Parents should know that this film includes a lot of very strong and profane language, sexual references (some explicit), family dysfunction and mental illness, drinking

Family discussion: How are Pat and his father alike? How do Tiffany, Ronnie, and Cliff help him? What makes Pat change his mind?

If you like this, try: “Inside Moves” and “Garden State”