Artemis Fowl

Artemis Fowl

Posted on June 11, 2020 at 5:16 pm

B +
Lowest Recommended Age: 4th - 6th Grade
Profanity: Some schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Extended fantasy-action style violence and peril, reference to death of a parent
Diversity Issues: Diverse characters
Date Released to Theaters: June 12, 2020
Copyright 2020 Disney

The twelve-year-old criminal mastermind of the Artemis Fowl series of books by Eoin Colfer is, as one might suspect, slightly nice-ified in this Disney version originally intended for the big screen but now coming to DisneyPlus. One might also suspect that Disney would call on the most spectacularly talented visual artists they could find to make this a family-friendly, gorgeously designed action fantasy.

Fans of the book will need to keep an open mind, as the storyline and characters have been re-aligned. As in the original, Artemis Fowl (Ferdia Shaw) is a prodigy. He defeats a chess master in five moves and spots his therapist’s treasured family heirloom as a fake. He is alone most of the time because his adored father (Colin Farrell) travels a lot on urgent but mysterious business trips. When they are together, Artemis loves listening to his father’s stories of Irish myths, filled with magical creatures and enchanted objects.

And then Artemis senior is kidnapped by the mysterious Opal Koboi, who gives Artemis three days to retrieve a powerful artifact, or his father will be killed. Artemis learns that the stories his father told him were not just fairy tales. And that the Irish blessing poem he recited was a clue in case of just exactly the kind of emergency that he now faces.

Copyright 2020 Disney

The shift to give Artemis a less criminal motive makes sense, especially since the character’s personality is cool and adult-ish at all times. At one point, he is asked if he is scared since, as through the entire movie, he is hyper-rational and shows very little emotion. His calm response is that he is, but it is better to be scared than dead. Knowing that he is doing everything to get his father back and, not incidentally, save the world, keeps us on his side.

As in the book, the film also balances out his quiet demeanor by surrounding him with colorful characters whose skills come in handy in searching for the mysterious weapon. Josh Gad is nearly unrecognizable and a lot of fun as a giant dwarf with exceptional skills at digging and hair that can pick a lock. Dame Judi Dench is a hoot as Commander Root, who is kind of the CEO of the land of magical creatures, barking out orders when it is necessary to stop time or wipe the memories of some humans who have had an unexpected encounter with magic. Basically, she is M with Spock ears. Loyal elf Holly Short (Lara McDonnell with the requisite spark and sparkle) is one of Commander Root’s must trusted aides.

Production designer Jim Clay had a dream job and got a dream result. Who wouldn’t want to dream up a fabulous mansion on the coast of Ireland, filled with Victorian furnishings and wonderful curios, not to mention an entire magical land? And who would not want to spend 90 minutes luxuriating in all of the fabulous details? The world of the film is truly magical, and the adventure looming ahead is deliciously enticing.

Parents should know that this film includes extended fantasy/action peril and violence with weapons including guns. Characters use some schoolyard language. There are references to the death of a parent and another parent is threatened.

Family discussion: Would you rather be a goblin, a fairy, or a troll? How did Artemis get Holly to trust him?

If you like this, try: the Artemis Fowl books and the book and movie series about Percy Jackson and Harry Potter

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Based on a book Fantasy movie review Movies -- format Movies -- Reviews Stories About Kids
Frozen 2

Frozen 2

Posted on November 20, 2019 at 5:52 pm

A-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for action/peril and some thematic elements
Profanity: None
Alcohol/ Drugs: None
Violence/ Scariness: Action/cartoon-style peril and violence, sad off-screen deaths of parents, violent confrontations with some weapons
Diversity Issues: A theme of the movie
Date Released to Theaters: November 21, 2019
Date Released to DVD: February 24, 2020

Copyright 2019 Disney
My full review is posted at rogerebert.com. An excerpt:

Frozen II” has an autumnal palette, with russet and gold setting the stage for an unexpectedly elegiac tone in the follow-up to one of Disney’s most beloved animated features. Even the irrepressibly cheerful snowman Olaf (Josh Gad), now permafrosted so even the warmest hugs don’t melt him, is worried about change as the leaves turn orange and float down from tree branches. He is confident, though, that as soon as he gets older he will understand everything. After all, that’s what he expects from Elsa (Idina Menzel), Anna (Kristen Bell), and Kristoff (Jonathan Groff). Anna reassures him (in song, of course) that yes, some things change, but some things are forever. She tells him that even when you don’t know the answers you can always just do the next right thing, and that will help.

Parents should know that this film includes cartoon/action-style peril and violence, off-screen sad deaths of parents, and references to historic violence.

Family discussion: How can you decide what is the next right thing? What in your life will change and what will stay the same? How do you respond to changes you don’t expect?

If you like this, try: “Frozen,” “Inside Out” and “The Princess and the Frog”

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Designing Clothes for Frozen 2

Designing Clothes for Frozen 2

Posted on November 3, 2019 at 11:06 am

Copyright Disney 2019
Costume design is just as important in animated films as it is in live action. The New York Times has a great article by Robert Ito about the costume designers working on new looks for already-iconic characters Anna and Elsa in the upcoming Thanksgiving release “Frozen 2.” An excerpt:

Elsa is the queen, so her travel dress has to communicate her exalted position. In many ways, it also functions as a uniform, with military-style epaulets. Adorned with snowflakes, the pale blue dress is set off by a flowing cape split in two in the back. “We got a little pushback from the directors, who were skeptical about how it might perform,” said Lee, but her husband, David Suroviec, a character technical director on the film, vouched for it. Onscreen, the halves of the cape look like wings. “We wanted something that would play in the wind, because fall wind was going to be a big element in the movie,” Lee said.

Pay attention — you’ll be seeing these new gowns next year at Halloween!

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