Heads of State

Heads of State

Posted on July 1, 2025 at 6:16 pm

B-
Lowest Recommended Age: Middle School
MPAA Rating: PG-13 for sequences of strong violence/action, language and some smoking
Profanity: Strong language
Alcohol/ Drugs: Drinking, smoking
Violence/ Scariness: Extended peril, violence, and mayhem, with disturbing images. Characters use guns, knives, martial arts, and bombs. There is a plane crash. Characters sacrifice themselves. A lot of people killed for a PG-13.
Diversity Issues: Diverse characters
Date Released to Theaters: July 2, 2025
Date Released to DVD: July 2, 2025
Copyright 2025 Amazon MGM Studios

“Heads of State” is an action comedy starring John Cena as Hollywood action star turned US President Will Derringer, Idris Elba as military turned British Prime Minister Sam Clarke, and Prianka Chopra-Jonas as British super-spy and lover of silly puns, Noel. Will is a friendly, optimistic guy who may not know much about politics or policy but brings his skills as a communicator to the White House. He has high approval ratings from American voters. And some of the movie’s best jokes are the titles and descriptions of his blockbuster movie franchise, where he is referred to as “the venom in denim.”

This does not impress Sam, whose approval ratings are sinking, and who believes, understandably, that the job requires seriousness, thorough study, and substance rather than popularity. Sam says that Will still hasn’t figured out the difference between a press conference and a junket to promote a film. “You know your lines but you’re not believable in the part,” Sam says.

This is, of course, just the right set-up for antagonists-to-BFFS on a journey, a relationship forged by common enemies. With three powerhouse performers so well cast for comedy and action, the movie is guaranteed to be entertaining, despite predictable twists. For me, the balance tipped too far into the carnage for an action comedy, with dozens and dozens of anonymous bad guys mowed down, and the comedy not as sharp as it should be. On the other hand, there are a lot of cool locations, the action scenes are exciting, Jack Quaid shows up midway though (and in a mid-credits scene) to liven things up, so all in all a pleasant streaming time-waster.

It begins with the real-life annual food fight, La Tomatina in Buñol, Spain,  with participants hurling tomatoes at each other. Noel is under cover as a television journalist covering the event, but she is really there to track down an international arms dealer named Victor Gradov (Paddy Considine). But Gradov is clever and has decoys to distract them. Things go badly. Sam’s intelligence briefing reports that they have all been killed.

Will is arriving to meet with Sam before they go to a NATO meeting with other world leaders. The aides to both men urge them to try to be cordial, but the always cheery Will bears a grudge over Sam’s support for his opponent and Sam has no respect for Will’s superficial grasp of the issues. The aides decide that Will’s giving Sam a ride to the meeting on Air Force One will be a way to show good will and solidarity.

But Gradov’s thugs have taken over the plane. It crashes and explodes and the two heads of state are assumed to be dead. They survived, thanks to the sacrifices of the Secret Service. In order to make sure they are not attacked again they have to stay off the grid and walk through Belarus.

There are various encounters along the way, with fight scenes to determine who is “gym strong” vs. “strong strong.” The highlight, as noted above, is Jack Quaid as a US operative in a safe house, whose character deserves a movie of his own.

Parents should know that this film has a lot of mayhem for a PG-13, with many characters killed, mostly but not all anonymous bad guys. There are guns, knives, martial arts, explosions, plane crashes, and chases. Characters use some strong language.

Family discussion: What were Sam’s and Will’s most valuable qualities as world leaders? How could they improve to be better?

If you like this, try: “My Fellow Americans,” with Jack Lemmon and James Garner, and this year’s “G20” with Viola Davis and the wildly deranged “Rumours” from director Guy Madden

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Jackpot!

Jackpot!

Posted on August 15, 2024 at 9:56 am

B +
Lowest Recommended Age: Mature High Schooler
Profanity: Extensive very strong language
Alcohol/ Drugs: None
Violence/ Scariness: Constant action-style peril and violence, characters injured and killed, some disturbing and graphic images
Diversity Issues: Diverse characters
Date Released to Theaters: August 15, 2024

My biggest complaint about “Jackpot!” is that there is no possible reason this crazy, don’t- think-just-laugh, essence of summer silliness, action comedy should be straight to streaming. We should be coming from the hot air into the air-conditioned theater, grabbing a bucket of popcorn, and joining an audience that is all there to laugh together. “Jackpot!” is a joyously goofy hoot of a movie with a killer cast. And that works very well, even if you’re watching it at home on your laptop. 

Copyright Amazon 2024

The premise is simple. Okay, deranged, but simple. A few years in the future, everything is terrible. Los Angeles has established a gigantic lottery. The twist is that when a winner is picked, everyone in the city has 24 hours to kill the winner (no guns, though, only what can be thrown) and take the money. Winners’ options are to evade a city full of murders, despite drone cameras reporting their location to everyone every 14 minutes, to escape across the city border, thus staying alive but foregoing the prize, or hiring a high-end security firm that specializes in protecting winners.

If the person with the lucky winning ticket manages to survive for 24 hours, the prize is delivered on camera, one of those cheesy giant cardboard checks. presented by a ghoulishly grinning game show host played by the delightful Murray Hill (Fred Rococo in “Somebody Somewhere”).

Think “The Purge” meets “Hunger Games.” But funny. Really.

Awkwafina plays Katie Kim, a former child actress (her best-known work was a commercial for square pasta. She has just returned to Los Angeles after caring for her dying mother and does not know anything about the lottery. She somehow finds herself in possession of a winning ticket, and the rest is pretty much jokes (often pretty funny, especially the understated throw-aways), chases, and fight scenes. See what I mean about summer silliness?

Katie still has no idea why everyone is trying to kill her when a car drives up and Noel (John Cena) opens the door and tells her to get in. When he explains what is happening, she naturally wonders why she should trust him. So mixed with the wild action (you will not believe how many lethal objects people can throw when billions of dollars are at stake) there is the development of the Katie/Noel connection to make the stakes more meaningful.

I know what you’ve been waiting to ask. Yes, the action scenes are off the hook. Did I mention John Cena? How about if I raise you a Simu Liu, as Noel’s former colleague-turned-competitor and possibly enemy? And there are some wild interactions along the way with some improbable co-stars including Dolly De Leon (“Triangle of Sadness” and also featured in this month’s “Between the Temples”), Becky Ann Baker (quite a twist as a character named Sweet Irene), Ayden Mayeri and Donald Elise Watkins as Katie’s crazy Airbnb roomies (“He’s a DJ and his name is DJ!”) and, I’m not kidding, Machine Gun Kelly as himself. Keep an eye out for the fight scene in the celebrity wax museum (nice Kardashian joke), and be sure to stay tuned for the outtakes over the credits to see that they had as much fun making it as it is to watch it.

Parents should know that this film is constant action- and comedy-style violence with many characters injured and killed and graphic and disturbing images. Characters use very strong and crude language.

Family discussion: If you were Katie, what would it take to get you to trust Noel or Louis? If you won $3.8 billion, what would you spend it on?

If you like this, try: Jackie Chan movies

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Playing with Fire

Playing with Fire

Posted on November 7, 2019 at 5:46 pm

C
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for rude humor, some suggestive material and mild peril
Alcohol/ Drugs: Schoolyard language
Violence/ Scariness: Extended mayhem and action-style peril, no one hurt
Diversity Issues: Why is only the male child considered a potential smoke-jumper?
Date Released to Theaters: November 8, 2019
Date Released to DVD: February 3, 2020

Copyright 2019 Paramount

I would not have thought it possible for one short film to have so many poop jokes and so many opportunities for the leading character to take his shirt off. And yet, here is Playing with Fire. Take that, people who say Hollywood never teaches us anything!

Was anyone really waiting for another version of “Mr. Nanny” (7% positive ratings on Rotten Tomatoes). I didn’t think so. And yet, here we are, with another WWE star playing off his ultra-alpha-male vibe with a cuddly comedy about how a super-macho guy finds his tender side by bonding with adorable children. Not a bad idea. If only they had a better script.

John Cena is a gifted comic actor, as we saw in “Trainwreck” and “Blockers.” So it is near-criminal to put him in a movie like this and give him nothing to do but glower, do silly dances, take his shirt off, and jut that lantern jaw. But that isn’t enough. It also under-uses the immensely talented cast, including Keegan-Michael Key as the loyal second in command, Judy Greer as a nearby scientist who has been on two and a half dates with Jake, John Leguizamo as a smokejumper who cooks everything with spam and makes up weirdly inapposite quotes, and Dennis Haysbert as a commanding officer). Brianna Hildebrand as the oldest of the rescued kids has been given a character with less range than she has in the “Deadpool” movies as angsty adolescent Negasonic Teenage Warhead.

Cena plays Jake Carson, who leads a group of smokejumpers, specialized wildland firefighters, who parachute into remote and rugged terrain. (See “Only the Brave,” based on a tragic true story for a more serious look.)  He literally grew up in the smokejumpers’ remote outpost because his mother died and his father was the supervisor. It is all he has ever known and all he has ever let himself care about. And now he has a chance at his dream job, overseeing the entire region. The current holder of that position, Commander Richards (Haysbert) has encouraged him to apply and has scheduled an inspection visit.

But Jake’s resolutely immaculate operation has been thrown into chaos. Half of his group has just defected to a more high-profile team. Jake has just rescued a teenager and her two young siblings and he can only release them to a parent or authorized guardian. And gosh darn it, those little nippers are always getting up to something, whether filling the garage with bubbles, or filling a diaper with, well, you know. Merry mayhem, followed by hugs. Did I mention that Jake says he never cried? And so he Googles “Is it bad if you’ve never cried?” This is not a movie that is going to let even the most inattentive audience member miss what it is telling us.   Key’s helpless responses to the teenager’s “Or what?”) smothered by clunky slapstick and lazy characterizations — the little girl has tea parties; all the smokejumpers are men and only the little boy is a potential fire fighter.  Even at 90 minutes, it drags, the few bright spots (some silly dances, Greer talking to the toads she has provided with a tiny lawn chair, the My Little Pony references until they over-do and then over-over-do it,

Parents should know that this is an action comedy with peril and action-style violence that may be too intense for younger children. There are references to the sad deaths of parents and the failures of the foster care system. Characters use schoolyard language and there is extended potty humor.

Family discussion: Why couldn’t Supe answer the question on the application? What is the toughest part about trying to balance work and family? Do you ever use sarcasm?

If you like this, try: “The Game Plan”

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Ferdinand

Ferdinand

Posted on December 14, 2017 at 9:22 pm

B-
Lowest Recommended Age: Kindergarten - 3rd Grade
MPAA Rating: Rated PG for rude humor, action and some thematic elements
Profanity: Some schoolyard language
Alcohol/ Drugs: None
Violence/ Scariness: Cartoon-style peril and violence including slaughterhouse and bullfights.
Diversity Issues: A theme of the movie
Date Released to Theaters: December 15, 2017
Date Released to DVD: March 12, 2018

Copyright BlueSky 2017

I warn you — a “however” is coming, maybe more than one.

There’s a lot to like in “Ferdinand,” an affectionate version of the book by Munro Leaf about Ferdinand, the bull who did not want to fight; he just wanted to smell the flowers. WWE star John Cena provides a warm, inviting voice for the title character, and Kate McKinnon steals the show as his “calming goat.” The artwork is imaginative and colorful. However, the slight story of the book has been expanded to fill out a feature, and some of the choices are worse than just padding; they are misguided, distracting, even disturbing, especially for the youngest viewers.

Leaf’s original story and the lovely Oscar-winning 1938 Disney animated short are beautifully simple. While most bulls are ferocious and proud to fight matadors, Ferdinand is a gentle soul who just wants to sit under a cork tree and smell the flowers. The men who are looking for the fiercest bull of all arrive just as Ferdinand reacts to being stung by a bee. Mistakenly believing that he is a powerfully furious animal, they bring him to the bullring, where he refuses to fight.

The Disney film is eight minutes long and tells the entire story. This version, from Blue Sky, gives us a meandering tale about Ferdinand, bred in a facility that supplies bulls for bullfighters. As a young calf, he is bullied by the others, especially the alpha bull, Valiente, who suffers from what me might term bovine toxic masculinity.

Ferdinand adores his kind-hearted father (Jeremy Sisto), asking him, “Can I be a champ without fighting?” “I wish the world worked that way for you,” his father says before he leaves for the ring. He never returns home.

Ferdinand runs away and finds a perfect home, a flower farm.  He is adopted by Nina, who is so devoted to him that she has him cuddle on the sofa next to her and sleep in her bed, even after he grows to the size of an SUV.

After an adventure that includes a cleverly-constructed scene in yes, a china shop, Ferdinand ends up back at the ranch, where Lupe (McKinnon), his calming goat, declares that she will be his coach for outsmarting the matador.   Ferdinand learns that the only options for the bulls are the ring or the slaughterhouse. He must rescue two of the bulls who taunted him before they are turned into hamburger, and then find a way to survive the bullring.

McKinnon has the same lighting-fast fluidity of mood and character that made Robin Williams an ideal choice to provide the voice for the genie in “Aladdin.”  She is in constant conversation with her many selves, and it is hilarious.  However.  The palpable padding of the storyline would not be a serious problem except for the misjudgment about the presentation of the fatal options available to the bulls.  It is impossible, even for a child, to watch the rescue from the slaughterhouse without recognizing what all of those scary-awful machines are designed to do.  Parents who do not want to answer some tough questions about dinner — or reconcile themselves to a vegetarian menu — should stick with the Disney version.

Parents should know that this movie has peril and violence, including low-key depictions of a slaughterhouse and a bullfight, as well as some schoolyard language and potty humor.

Family discussion: Why were the other bulls mean to Ferdinand? Why were the horses mean? Why did Ferdinand want to rescue bulls who were mean to him?

If you like this, try: the book and the Disney animated version of this story and the “How to Train Your Dragon” series

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Animation Based on a book DVD/Blu-Ray movie review Remake

Legendary

Posted on September 9, 2010 at 6:07 pm

B-
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for suggestive material, brief partial nudity and some fighting scenes
Profanity: Some crude high-school insults
Alcohol/ Drugs: Character abuses alcohol
Violence/ Scariness: Some fights, bully
Diversity Issues: None
Date Released to Theaters: September 10, 2010

A skinny teenager wants to wrestle in this unpretentious film with a predictable storyline (it even gives away the ending in the first minute) but benefits from some sharp dialog and the always watchable Patricia Clarkson.
Cal Chetley (Devon Graye) has a lot of spirit and a great relationship with his widowed mother (Patricia Clarkson) — until she finds out that like his late father and estranged brother he wants to join the wrestling team. She points out that he’s a beanpole while his brother Mike is “built like a car.” But he has been picked on by a bully and would like to be able to defend himself physically as well as he does verbally. And joining the team gives him a reason (and an excuse) to try to repair the connection to Mike (the WWE’s John Cena).
It’s your basic sports plot. There’s the meet where he fails miserably. There’s the secret hold he has to be ready to learn. The wrestling and the relationship between the brothers seems to make progress and then hits some obstacles on the way to the big meet.
It may satisfy wrestling fans but it is unlikely to make the sport compelling to anyone who is not already knowledgeable. It is more likely to make some new fans for Graye, who is instantly likable as he stands up to a bully, gently teases his mother about her date, and even more gently helps his friend Luli (Madeleine Martin in the film’s weakest performance) understand that she is not valuing herself enough. Cena is well cast as a big guy who keeps a lot inside, and Danny Glover plays a helpful guide who somehow always shows up when he is needed, though no one ever sees him but Cal. Clarkson makes the mother real and touching, bringing a wry affection and touching pride to her moments with Cal and a fierce urgency to the family tensions. Her scene with Martin, as two women living in male-dominated households, is a highlight that reminds us where the real victories are.

(more…)

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