Law on Television: the ABA’s Top 25

Posted on August 8, 2009 at 8:00 am

The magazine of the country’s largest organization of lawyers, the American Bar Associaton has published its list of the 25 all-time greatest legal television shows from enduring classics like “LA Law,” “Law & Order,” and “Perry Mason” to some quirkier choices like the animated “Harvey Birdman, Attorney at Law” and the short-lived divorce lawyer drama “Civil Wars.” The list includes a comedy (“Night Court”) and genre-expanding, even surreal (“Ally McBeal”). Some focus more on civil litigators with controversial cases like “Owen Marshall,” “Boston Legal,” “The Practice,” and “The Defenders,” while others focus on the military (“JAG”), civilian prosecutors (“Law & Order”) or defense attorneys — almost always with innocent clients, of course — (“Perry Mason”). Sometimes, the focus is on the judge (“Judging Amy”).
Drama requires confrontation, and putting on a trial is always about telling a story, or rather telling two competing stories and letting the judge and jury decide which one they believe. And the law is where people go in the direst of circumstances, often when they have already tried to come to an agreement and failed. Only certain parts of the story are relevant in a courtroom, but it is always intriguing to find out what goes on behind all of that party of the first part and let the record show. So courtrooms and law offices are always a good place to look for good stories. Real-life lawyers like Erle Stanley Gardner (creator of Perry Mason), barrister John Mortimer (creator of “Rumpole of the Bailey”), Terry Louis Fisher (co-creator of “LA Law”), and Fred Thompson (co-star of “Law & Order”).
In an interview in the magazine, Sam Waterston of “Law & Order” reminds us that there is a fantasy element to even the grittiest legal drama on television. The cases brought to conclusion in one episode would take months or years to resolve in real life. “We tell stories about what’s fair and what’s just so we can get our minds around them, or just get to know them. In reality, conclusions are muddy, there are no final curtains, and life just goes on.”

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Lists Television

Secret Ballot

Posted on June 28, 2009 at 3:58 pm

Those who are interested in the Iranian election and protests should see this superb Iranian film that is one of the finest explorations of freedom, elections, democracy, and the rule of law I have ever watched on screen.

It begins with a surreal image as a solitary soldier patrolling an Iranian island coast sees a box dropped by parachute from a plane. Soon after, a boat arrives and a woman disembarks. She informs the soldier that she is there to collect as many votes as possible before 5 pm and he is to accompany her. They travel the island debating the legitimacy of the voting process and the ability of the law to ensure fair treatment. The woman is a stickler for the letter of the law, even when the result is difficult to justify. That is, until they get stopped by a broken red light and she must decide whether to stop at the deserted intersection, missing her boat and invalidating the votes she has collected, or break the law by running the light. The film, made by Canadian-Iranian Babak Payami works brilliantly as allegory and as quasi-documentary. We never learn the names of the characters; they are just “the soldier” and “the girl.” But they and their predicament are immediately involving and distinctive. Highly recommended for high school and college civics classes and for anyone who appreciates superb film-making.

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Drama Independent Inspired by a true story

The FCC, the Supreme Court, and the F- and S-Words

Posted on November 4, 2008 at 8:00 am

As we go to the polls today, honoring our Constitution’s fundamental principles of representative democracy, another key element of Constitutional system of checks and balances is also at work. And it may include consideration of yet another key founding principle of the United States, the right of freedom of speech and the press under the First Amendment of the Bill of Rights.
Today the Supreme Court will hear arguments in the case of Federal Communications Commission v. Fox Television Stations. The FCC, an independent agency of the federal government, will argue that it has the authority to ban “fleeting” expletives after the FCC issued warnings to broadcasters after celebrities used certain terms in live broadcasts.
The case is not strictly speaking a First Amendment case. As legal challenges often do, it relates more specifically to the procedures followed by the FCC in determining their policy on the words at issue. And as always happens with high-profile Supreme Court cases, there have been many filings by “amici” (“friends of the court”) — advocacy groups, television producers, even the pediatrician’s trade association — all expressing their views about who should decide what is appropriate, when they should decide it, and how the decision should be implemented. A group of former FCC Commissioners and staff wrote that while they were “not without sympathy” for the the FCC’s views on obscenity, they were concerned about:
decisions that have transformed a hitherto moderate policy of policing only the most extreme cases of indecent broadcast programming into a campaign of regulatory surveillance that will chill the production of all but the blandest of broadcast programming.
The words at issue raise an interesting problem in the arguments before the Court, where lawsuits are always argued with decorum and formality. According to the Supreme Court blog SCOTUS:
Unless Chief Justice John G. Roberts, Jr., intervenes, some of the argument in the Supreme Court chamber next Tuesday morning may sound at times like a typical conversation in a seventh grade boys’ restroom — the uninhibited use of four-letter words.
And, if Roberts allows it, such a display of blue language will be heard on TV and radio — in the middle part of the day — across America, and may be read the next morning in many newspapers. But, apparently, not in every news outlet.
The Court may very well rule that the FCC may not interfere with the “fleeting” use of these words on the air. And they may do so without using the words themselves, as they did in the famous case where they upheld the use of the f-word in a political protest. They noted that the word could be considered indispensable to make exactly the objection that the protester wanted to without saying what the word was.
According to the book, The Brethren, Burger approached Justice John M. Harlan, the opinion’s author, and said: “John, you’re not going to use ‘that word’ in delivering the opinion are you? It would be the end of the Court if you use it, John.” And Harlan did not. It was included, though, in the Court’s opinion finding that Cohen’s First Amendment rights had been violated. Justice Harlan described Cohen’s message as one involving a “scurrilous epithet,” but he also wrote: “While the particular four-letter word being litigated here is perhaps more distasteful than most others of its genre, it is nevertheless often true that one man’s vulgarity is another’s lyric.”
What should the policy be about the language used on broadcast television? There are no restrictions on the language used on cable programs. The last time the Court ruled on this issue it made a distinction based on the unique availability of broadcast television and radio for children. But in a world of internet, podcasts, and DVDs (not to mention schoolyards, shopping malls, and newspaper articles), that distinction no longer applies. I look forward to reports on the arguments and to the Court’s decision.

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List: The Top 25 Law Movies

Posted on July 26, 2008 at 8:00 am

The magazine published by the American Bar Association has assembled a list of the 25 best movies about the law, with another 25 on the list of runners-up. I am a lawyer from a family of lawyers and we all love movies about the law. Just about every lawyer I know would agree with the ABA’s assessment that “To Kill a Mockingbird” is the all-time best.

I’d like to say that it is because I am a lawyer that I have such a passion for courtroom dramas, but I think it is more accurate to say that I became a lawyer because I was so inspired by films like To Kill a Mockingbird and Anatomy of a Murder.  I even wrote a law review article about two of my favorites, Miracle on 34th Street and Inherit the Wind.

http://www.youtube.com/watch?v=5Y5Baa0IV1I&feature=related

I am partial to the movies based on real-life cases like “Philadelphia,” “Amistad,” and “Erin Brocovich.” Another of my favorites, “Inherit the Wind,” includes dialogue lifted straight from the court transcripts. “Anatomy of a Murder has the additional distinction of being based on a book by a judge and having a real-life judge and American hero playing the part of the judge on screen. And it is the only law movie I can think of where one of the highlights is a lawyer finding the right precedent in the law library.

I know it is a popular movie, but I was surprised to find “The Verdict” on the ABA’s list, even with Paul Newman’s Oscar-winning performance. It is wrong on so many points of law that my law professor sister said she could ask her students to find all the errors as an exam for her Civil Procedure class. All of the movies on the full list, including the honorable mentions, are worth watching. There is something inherently gripping about a courtroom drama, as “Law and Order” shows several nights a week.

Interestingly, though, one of the most widely seen and highly regarded of the films takes place entirely outside the courtroom: 12 Angry Men. A friend recently gave me a copy of a a special issue of the Chicago-Kent Law Review dedicated to the 50th anniversary of that classic movie.

In , all but a few moments of the film take place in one room as a dozen men deliberate in a murder case. A teenager has been charged with stabbing his father to death. In the initial vote, all but one (Henry Fonda as Juror #8) vote “guilty.” I go on jury duty myself for the first time after Labor Day and will keep this movie very much in mind as I try to live up to one of society’s most important responsibilities.

 

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