Catfish

Posted on January 3, 2011 at 8:00 am

B+
Lowest Recommended Age: High School
MPAA Rating: Rated PG-13 for some sexual references
Profanity: Some sexual references and mild language
Alcohol/ Drugs: None
Violence/ Scariness: Tense scenes, reference to sad death
Diversity Issues: Disabled characters
Date Released to Theaters: September 17, 2010
Date Released to DVD: January 3, 2011
Amazon.com ASIN: B003Q6D1YW

Let’s say you’re a guy. And the girl you really like has finally agreed to go out with you. You’re at the restaurant ordering pizza. And she says her favorite pizza is Hawaiian, with pineapple. The idea makes you feel a little queasy; normally you order pepperoni. What do you say? On a first date, isn’t it likely to be, “Sounds great!” And you hope someday you’ll be telling your grandchildren the funny story of your first date with Grammy, and how you either discovered that you loved pineapple on your pizza or that three months later, when you were finally comfortable enough with the girl to tell her how you really felt, she laughed and confessed that she wasn’t really interested in college basketball as she had pretended to be on that same first date. So you may not have pineapple pizza and the NCAA in common, but you have something even more important — you both cared enough about making the relationship work to create some superficial commonality while the more important connection was building.

Now let’s say you’re online. There are two reasons online attachments get intensely personal so quickly. The first is the capacity of the internet to connect you to the one other person in the world who cares as passionately as you do about not just pineapple pizza but pineapple pizza with pesto-encrusted pineapple slices and fontina cheese. That connection is so immediately validating that you can’t help feeling that whatever else you have in common is enormously significant and whatever you don’t doesn’t matter. The second reason is that online communication is like a Rorschach test; we project onto all the empty spaces all the things we subconsciously want to see there, unable to realize how much of what we see comes from our own minds. Which brings me to a third reason — they work because we want them to. They are the perfect fantasy relationship, creating the illusion of intimacy without the risk because we have control over what we send back. Until we don’t, when it stops working and fantasy relationships lead to real-life heartbreak.

And yes, there is a movie review here, not just a meditation on the pleasures and perils of online relationships. But it is hard to talk about the movie directly without giving too much away. So, I’m going to tell you as much as I think is fair and then, after you’ve seen it, send me an email at moviemom@moviemom.com and if you’d like to see the rest of my review, I’ll send it to you.

Nev (pronounced Neev) is a young, New York-based photographer whose brother, Rel, is a film-maker. Rel and his partner Henry Joost, started filming Nev as he opened a package from someone who had seen one of his photos. The gift, a painting from a little girl inspired by the photograph, led to connections online via Facebook — the little girl’s mother Angela and sister Megan and their relatives and friends, all in Michigan. Nev began talking to them on the phone and texting them, getting caught up in the daily details of their lives, and growing increasingly attached to Megan. And then, when he began to have some doubts, Nev went to Michigan to see them, bringing Rel, Joost, and the camera along.

What happens then is a haunting exploration of identity, intimacy, desire, and the temptations of online relationships. Whatever you expect, the movie will surprise you. And if you want the rest of my review, send me an email.

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Documentary DVD/Blu-Ray Pick of the Week

A Very Movie 2011 — Coming Attractions

Posted on January 1, 2011 at 8:00 am

Happy 2011!

We’ll be seeing more superheros this year (two GreenHornet with Seth Rogan and Lantern with Ryan Reynolds, plus Thor and X-Men and Captain America) and sequels (the last of the Twilight and Harry Potter movies, plus Transfomers 3, Spy Kids 4,, Diary of a Wimpy Kid 2, Kung Fu Panda 2, Scream 4, Hangover 2, Cars 2, Sherlock Holmes 2, another Mission Impossible and another Pirates of the Caribbean) — with Penelope Cruz! And another Piranha 3D. And a remake of Cactus Flower with Adam Sandler and Jennifer Aniston. Not too hopeful about that one.

It doesn’t look too promising in the romantic comedy category this year. Hollywood is so low on ideas that there are two upcoming films with the identical plot — a couple who agree to have sex without any emotional commitment. Hmmm, I wonder what comes next? To find out, you’ll have a choice between Natalie Portman and Ashton Kutcher in No Strings Attached or Mila Kunis and Justin Timberlake in Friends with Benefits.
Books coming to screen include prestige movies Water for Elephants, Foundation and cult favorites Cowboys and Aliens along with Edgar Rice Burroughs’ John Carter of Mars, Tintin, I am Number Four, and the award-winning Invention of Hugo Cabret, directed by Martin Scorsese. We’ve got remakes of Jane Eyre, Footloose, The Three Musketeers, and the ultra-violent Girl with the Dragon Tattoo and Straw Dogs, and the not-a-remake but a prequel to a remake, The Thing, from John Carpenter.
And following the greatest year in the history of animated films, four promising new titles, Rango, Rio, Gnomeo and Juliet, and the adorably titled Mars Needs Moms, plus another Winnie the Pooh movie that will be truer to the books than some of the recent television episodes. And any year with a new Muppet Movie is something look forward to.

Best of all, there is certain to be one movie out there that is all but unheard of now, maybe not even finished yet, that will rock our world this year.
A healthy, happy, and movie-rific 2011 for you and your families.

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Trailers, Previews, and Clips

The Biggest Movie Bad Guy of the Year: The Corporation

Posted on December 30, 2010 at 8:53 pm

I had a lot of fun writing for BNet about why corporations were the go-to villain in the movies of 2010, from “Despicable Me” to “The Other Guys,” “Tron: Legacy,” “Resident Evil 4,” and “Inception.”

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Commentary Lists Media Appearances Understanding Media and Pop Culture
Movies to Ring in the New Year

Movies to Ring in the New Year

Posted on December 30, 2010 at 8:00 am

Rotten Tomatoes has a list of New Year’s Movies. Here is my list, which I first posted in 2007:
When Harry Met Sally… is a sweet, funny love story starring Meg Ryan and Billy Crystal as two people who took a very long time to realize they were meant for each other. A series of New Year’s Eves punctuate their developing relationship.
Cary Grant and Katharine Hepburn star in Holiday, about an idealistic young man whose engagement to a wealthy girl is supposed to be announced at a New Year’s Eve party. Hepburn plays the girl’s sister, whose support for the engagement gets complicated when she begins to fall for him herself.
The Apartment, the bittersweet comedy about an ambitious man who lets the executives at his company use his apartment for their assignations won the Oscar for Best Picture. Jack Lemmon and Shirley MacLaine star in this Billy Wilder classic.
The pilot episode of Futurama takes place on New Year’s Eve in the year 3000, and yes, Dick Clark (well, his head) makes a cameo appearance.

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For Your Netflix Queue Lists Movie Mom’s Top Picks for Families
The American

The American

Posted on December 28, 2010 at 8:00 am

There’s a reason so many movies give us a character who has just one last job to do before he (it’s almost always a he) can get free. It is because we can sympathize with someone despite even the most reprehensible past if what he wants is to escape from it. Our heads may want justice but in our hearts we can understand the dream of breaking away.
Especially in a romantic location, with the possibility of new and unquestioning love. “The American” may be the story of an assassin but it is not a chases-and-explosions movie. It is an almost elegiac meditation on choice, fate, trust, and purpose, punctuated by shoot-outs.
We know him as Jack (George Clooney, who also produced). But two women call him “Mr. Butterfly” for two different reasons. One is a professional colleague, who sees his appreciation for a butterfly that rests, briefly, on her when they are out in the woods. The other is a prostitute he visits, who sees the butterfly tattoo between his shoulder blades. Both women indicate an interest in him beyond their professional relationship. One of them will make him think about it.
We know he is all business. In the very first scene, we watch him coolly execute someone he cares about only because she saw too much. In the scene where he is briefly bewitched by the butterfly he takes out a bottle of wine he had taken the time to chill for verisimilitude because they were pretending to be on a picnic. His colleague is clearly willing to make it into a picnic but he pours it out, again a stickler for plausible deniability and staying on point.
“Above all, don’t make any friends,” he is told by the only person he seems to trust, the man he goes to when people are trying to kill him and he needs to find out who they are. But he finds a place to stay in a breathtakingly picturesque Italian town and finds himself talking to the local priest (a warmly sympathetic Paolo Bonacelli) and a pretty prostitute (Violante Placido). He jumps at backfiring Vespas and dropped books but he is right to be suspicious more often than not. The priest tells him, “You’re American. You think you can escape history.” But Jack knows that it is not an individual adversary who is cornering him, but his past.
Audiences can see this as a metaphor of American actions abroad, as the British put it, a question of how much crockery is broken at the end of the day. Or it can be seen as the story of an individual who did something because he was good at it and now wonders if that was enough of a reason.

(more…)

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Based on a book Drama Thriller
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