FTC: Movie Industry Fails at Protecting Kids from Violent Content

Posted on December 7, 2009 at 3:57 pm

Last week, the Federal Trade Commission issued its seventh report in ten years on the marketing of violent media to children. While the movie industry is doing better at preventing children who are underage from buying tickets to R-rated films and DVDs, the report shows that there is still a long way to go, especially with the marketing of PG-13 movies.

With respect to PG-13 movies, studios continue to market these films purposefully and directly to children under 13. In its review of marketing plans and ad placements, the Commission found explicit and pervasive targeting of very young children for PG-13 movies. The marketing overview for the DVD release of one PG-13 movie, for example, described the movie’s “#1 Key Demo” as parents 25 and older and kids 8 to 14….The studios’ marketing submissions for the six PG-13 movies showed that all were heavily promoted to children under 13 in advertising on children’s cable networks – “Kids’ Cable” – and through promotional tie-ins with candy, snack foods, kids meals, toys, and other licensed products.

Studios also conducted marketing research on young children, including in one instance children as young as 7 years old. When research results showed that children and parents were concerned about the level of violence in the film, studios sometimes even altered their advertising to make the film appear less frightening, rather than market to an older audience. One studio, for example, copy tested ads for its PG-13 movie on various age groups, including children ages 7 to 9 and 10 to 12. The studio found that 80% of boys in these age groups showed definite interest in seeing the movie but also found that many parents were concerned that the movie was too violent. The written report stated that “parents, in large numbers, complain about the violence in , saying they wouldn’t want to expose their children to that.” The solution proposed by the studio was to “experiment with spots that include less intense action and more humourous/light-hearted moments in order to convince more parents that , saying they wouldn’t want to expose their children to that.” The solution proposed by the studio was to “experiment with spots that include less intense action and more humourous/light-hearted moments in order to convince more parents that will be safe to see. (emphasis added)

The Campaign for a Commercial-Free Childhood has issued a statement on the report, calling for broader authority for the FTC over the marketing of media to children.

We are pleased that FTC questions the effectiveness of the film industry’s self-regulatory efforts. The report dismisses the MPAA’s much-hyped referral agreement with the Children’s Advertising Review Unit – an agreement the MPAA claimed would address concerns about PG-13 marketing – as “not a meaningful self-regulatory measure.” The report also notes that the MPAA does not consider movie cross-promotions or other marketing tie-ins to be within its purview, despite the fact these techniques are often part of a deliberate strategy to target younger children. In one instance, the FTC found that the target demographic for licensed products was for a violent PG-13 film was boys 3 to 11.

The FTC report also covers the change to the trailer rules I first wrote about in September and the access to “red band trailers” over the internet. Those trailers are shown in theaters only before R-rated movies to assure that they are not shown to children. But online, they are available to anyone.

A new concern in the online venue has been the proliferation of red tag trailers for R-rated movies on websites without adequate age-based restrictions. Mature Audience trailers (for films expected to be rated R- or NC-17) are preceded by a red tag stating that the preview has been approved for “restricted audiences only” and indicating the movie’s rating and rating reasons. Red tag trailers generally contain content that caused the film to be issued a restrictive rating and thus are subject to more stringent time, media, and venue restrictions.

According to the MPAA’s Advertising Administration, red tag trailers on the Internet must be placed behind an age-gate or similar mechanism to ensure that children under the age of 18 will not easily be able to view the material….Five of the six [video-hosting] sites contained at least one red tag trailer for viewing. Two of the websites did not use any age-screening mechanisms before allowing the user to watch the trailers. Even on the three sites that did, the user could circumvent the age gates by hitting the “back” button to the previous page and re-entering his or her age as 17 or older. (footnotes omitted)

The Commission also raised concerns about other issues, including the marketing of “unrated” DVD versions of theatrically released films. I will post additional information about the FTC’s findings on games and music and will also provide updates on any response from the MPAA or other industry groups.

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Michael Verhoeven at the Jewish Film Festival

Posted on December 7, 2009 at 1:57 pm

At noon today, Visionary Award recipient Michael Verhoeven was interviewed by Sharon Rivo, Co-Founder and Executive Director, National Center for Jewish Film. We saw a few moments from his new film, “Human Failure,” which has its North American premiere tonight at the festival. It is a documentary about the discovery of an extraordinary archive from the Nazi era. For more than 60 years, tax records showing the appropriation — the authorized theft — of money and property from members of the Jewish community had been protected by privacy laws. But a professor found a stash of 20,000 files in Cologne, made copies of some of them, and created a museum exhibit. When Verhoeven read in the newspapers about the exhibition, he became involved and made the movie.
Theses special taxes were based on property, not income, so Jews were required to submit detailed inventories of every possession they had, down to the children’s dolls, according to Verhoeven. These are not just documents of what was lost. They provide a snapshot of the lives of these families. Many of the files include facts about the people as well as the property and the short clip we saw included an American who discovered for the first time what had happened to his great-uncle through a newspaper story on the files.
Verhoeven, whose previous films include feature films based on history “The Nasty Girl” (a young woman who exposed her community’s involvement with the Holocaust), “My Mother’s Courage” (a woman who escaped being sent to a concentration camp) and “The White Rose” (about young protesters who were killed by the Nazis), said that when he graduated from high school in 1957, the history of the Third Reich was not being taught. “It was the Cold War. It was not interesting any more who was a Nazi. What was interesting was who was a communist.” Even now, he says, there were those who tried to prevent this archive from being exhibited. But the movie’s release (it was shown in connection with the exhibit for three months) is evidence that “people face the past, people cope with the past. It’s a good thing.”

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Washington Area Film Critics Awards 2009

Washington Area Film Critics Awards 2009

Posted on December 7, 2009 at 8:01 am

up-in-the-air-movie.jpgThe Washington, D.C. Area Film Critics Association (WAFCA) today announced their 2009 winners, awarding Best Film to “Up in the Air.” The film’s star, George Clooney, took home the Best Actor award, his second win (“Michael Clayton,” 2007). In a WAFCA first, Kathryn Bigelow took home the prize for Best Director for the Iraq War film, “The Hurt Locker,” the first woman to do so.
Relative newcomer Carey Mulligan took home the Best Actress award for “An Education,” while what many considered the only locks of the season — the Best Supporting Actor and Actress categories — went to Christoph Waltz (“Inglourious Basterds”) and Mo’Nique (“Precious”), respectively. “Precious” also walked away with the Best Breakthrough Performance for first-time actress Gabourey Sidibe.
“We are thrilled with these results,” said Tim Gordon, president of WAFCA. “As with every year, there were consensus favorites as well as surprises that both stunned and delighted us. In a year full of as many great films as this one, things are always…up in the air!”
In other categories, Sheldon Turner and two-time winner Jason Reitman (2006’s “Thank You for Smoking”) won Best Adapted Screenplay for “Up in the Air.” Quentin Tarantino won Best Original Screenplay for his heavily lauded “Inglourious Basterds.” “Up” snagged the Best Animated Film award, the fourth WAFCA win for the Disney/Pixar juggernaut. Best foreign film went to the immigration drama “Sin Nombre,” and Best Documentary went to “Food, Inc.”
The Washington, D.C. Area Film Critics Association is comprised of 48 DC-VA-MD-based film critics from television, radio, print and the Internet. Voting was conducted from December 4 – 5, 2009.thehurtlockernuevoposter.jpg
Best Film:? “Up in the Air” | Paramount
Best Director:? Kathryn Bigelow (“The Hurt Locker”)
Best Actor: ?George Clooney (“Up in the Air”)
Best Actress:?Carey Mulligan (An Education)
Best Supporting Actor:?Christoph Waltz (“Inglourious Basterds”)
Best Supporting Actress: ?Mo’Nique (“Precious”)
Best Ensemble:? “The Hurt Locker” | Summit Entertainment
Best Breakthrough Performance:? Gabourey Sidibe (“Precious”)
Best Screenplay, Adapted:?Jason Reitman and Sheldon Turner (“Up in the Air”)
Best Screenplay, Original: ?Quentin Tarantino (“Inglourious Basterds”)
Best Animated Film: “?Up” | Walt Disney & Pixar
Best Foreign Film:? “Sin Nombre” | Focus Features
Best Documentary:? “Food, Inc.” | Magnolia
Best Art Direction:?Nine | The Weinstein Company

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