The 5th of July

The 5th of July

Posted on July 5, 2011 at 9:06 am

This filmed version of Lanford Wilson’s Fifth of July is a brilliantly acted story of the complicated relationships of a group of friends and relatives who get together over the 4th of July holiday.  It centers around the relationship of Kenneth Talley, Jr. (Richard Thomas), a disabled Vietnam vet in a wheelchair and his partner Jed (Jeff Daniels), his sister June (Joyce Reehling) and recently widowed aunt Sally (Helen Stenborg), and his old friends, a  wealthy couple named John and Gwen (Swoosie Kurtz in her Tony award-winning role).  It is a searing but ultimately hopeful and healing story of very real characters and also a thoughtful commentary on the Vietnam era.  This is one of three plays the gifted Wilson wrote about the Talley family, and it is a part of the superb series of Broadway Theater Archive productions that brought the best of live theater to Showtime audiences in the early 80’s.

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After the kids go to bed Based on a play Drama Family Issues Neglected gem

Watch Shakespeare Plays in Shakespeare’s Globe — At a Movie Theater

Posted on June 8, 2011 at 3:37 pm

Shakespeare’s plays were originally performed in London’s Globe Theatre.  The original open-roof theatre, made of wood-and-thatch was built in 1599 by Shakespeare’s company of actors and was destroyed by fire in 1613. American actor and director Sam Wanamaker, worked tirelessly to raise funds for the theatre’s reconstruction and a modern reconstruction of The Globe opened in 1997 approximately 200 yards from the site of the original theatre.

Now the Globe comes to more than 260 movie theaters across the country through NCM’s exclusive Digital Broadcast Network.   NCM Fathom, Globe Theatre and Arts Alliance Media with Shakespeare’s Globe London Cinema Series have produced an exclusive four-part in-theater series of the most classic of Shakespeare titles in U.S. movie theaters nationwide this summer and fall. Captured in 2010 from the prestigious and internationally renowned Globe Theatre in London— Shakespeare’s theatrical London home – the series will kick off in June with The Merry Wives of Windsor followed by Henry IV Part 1Henry IV Part 2 in August and closing in September with Henry VIII. Each performance will begin at 7:00 p.m. local time and will include a special 20-minute historical perspective on the Globe, the reconstruction process, the work of the Globe today, and a behind-the-scenes look at each production with interviews from the actors and creative team involved.  It begins with “The Merry Wives of Windsor,” said to have been inspired when the queen wondered what it would be like to see the wine, women, and song-loving Falstaff (of “Henry IV” parts 1 and 2) in love.

Tickets for Shakespeare’s Globe London Cinema Series are available at participating theater box offices and online at FathomEvents.

Shakespeare’s Globe London Cinema Series schedule is as follows:

§  The Merry Wives of Windsor – Monday, June 27 – One of the great comedies by William Shakespeare, this hilarious tale of love and marriage, jealousy and revenge, class and wealth is Shakespeare’s only play to deal with the contemporary Elizabethan era English middle class life. It was first published in 1602, although it was believed to have been written prior to 1597.

§  Henry IV Part 1 Monday, August 1 – The second play in Shakespeare’s tetralogy dealing with the reigns of Richard II, Henry IV and Henry V, Part 1 depicts a span of history beginning with Hotspur’s battle at Homildon and ends with the defeat of the rebels at Shrewsbury in 1403. This work of honor, rebellion and the struggle for power is thought to have been written no later than 1597. From the start it has been an extremely popular play both with the public and the critics with Roger Allam winning the 2011Olivier Award for Best Actor for his role as Falstaff.

§  Henry IV Part 2 – Thursday, August 18 – The third piece of a tetralogy, preceded by Richard II and Henry IV Part 1, this work is followed by Henry V. This play picks up where Henry IV Part 1 ended and focuses on Prince Hal’s journey toward kingship. The two plays are often perceived as a dissection of father-and-son relationships, with Falstaff as a wayward father substitute for the young Prince Hal, who is estranged from his own dying, guilt-ridden father, Henry IV. It’s also a drama about an old England that, like Falstaff himself, is riddled with ills, in decline and in urgent need of rebirth. It is believed to have been written between 1596 and 1599. Allam received the 2011 Olivier Award for Best Actor for his role as Falstaff in Henry IV Part 2.

§  Henry VIII – Thursday, September 15 – This work is based upon the life of Henry VIII of England. During a performance of this play at London’s Globe Theatre in 1613, a canon used for special effects ignited the theatre’s thatched roof and beams, burning the original structure to the ground. This play was famous in its own day as Shakespeare’s most sumptuous and spectacular play, and this production presents a gorgeous pageant of masques and royal ceremony.

 

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Live Theater
‘Memphis’ Comes to Movie Theaters — Special Event

‘Memphis’ Comes to Movie Theaters — Special Event

Posted on March 22, 2011 at 9:43 pm

The Broadway smash hit, “Memphis,” Tony Award-winner for best musical, is coming to a movie theater near you. NCM Fathom and Broadway Worldwide are presenting an exclusive Broadway musical event in more than than 530 movie theaters for four nights only: Thursday, April 28; Saturday, April 30; and Tuesday, May 3 at 7:30 p.m., with a special matinee on Sunday, May 1 at 12:30 p.m. (all times are local). This is the first time a current Tony Award-winning Best Musical will be presented in movie theaters while concurrently running on Broadway. In addition to the electrifying musical, audiences will be treated to an exclusive behind-the-scenes look at the musical that won four 2010 Tony Awards and continues to play to sold out houses on Broadway. “Memphis” was captured live in performance with the original Broadway cast for this special Fathom event presentation.

Tickets are available at participating theater box offices and online. For a complete list of theater locations, prices and additional information — including cast photos and other details —visit the NCM Fathom website (theaters and participants are subject to change).

“Memphis” takes place in the smoky halls and underground clubs of the segregated 50’s, where a young white DJ named Huey Calhoun (Chad Kimball) fell in love with everything he shouldn’t: rock and roll and an electrifying black singer (Montego Glover). It is an original story about the cultural revolution that erupted when his vision met her voice, and the music changed forever. Bursting off the stage with explosive dancing, irresistible songs and a thrilling tale of fame and forbidden love, this incredible journey is filled with laughter, soaring emotion and roof-raising rock ‘n’ roll.

This is the first time that audiences across the country will have the chance to see the Broadway cast of an award-winning musical while the show is still playing in New York. “Memphis’ will launch a U. S. national tour in Memphis, Tenn., in October 2011 at the Orpheum Theatre.

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Based on a play Musical
Colin Firth as Henry Higgins?

Colin Firth as Henry Higgins?

Posted on February 19, 2011 at 11:52 am

There are rumors that Colin Firth (“The King’s Speech,” “Pride and Prejudice,” “Bridget Jones’ Diary”) may be the new Professor Henry Higgins in a forthcoming remake of “My Fair Lady,” to be directed by Joe Wright (who directed the Kiera Knightly version of “Pride and Prejudice”). Carey Mulligan of “An Education” might play Eliza Doolittle.

I am skeptical of remakes in many circumstances, and of course the George Cukor version of My Fair Lady with Audrey Hepburn and the divine Cecil Beaton designs is unquestionably iconic. I side with Cary Grant, who, asked to play Henry Higgins, famously said that not only would he not accept the part, but unless Rex Harrison repeated his Broadway performance on screen, he wouldn’t even go to see it.

In my dreams, though, I try to imagine a version with Grant opposite Harrison’s Broadway co-star, Julie Andrews. It would have been great. And so, just as the plays of Shakespeare are constantly new again for each generation, so can other stories. We saw a terrific production of “A Comedy of Errors” last week, in a sort of fantasy Edwardian setting, with a opening act introducing us to a small modern-day British acting troupe who would be performing the play, so that the real life actors were playing contemporary actors playing an early 19th century version of a 16th century Shakespeare about confused identities. And don’t forget, Shakespeare was doing his own version of a play dating back to ancient Rome.

And of course “My Fair Lady” itself is the musical version of “Pygmalion” by George Bernard Shaw, inspired by an ancient Greek myth. “Pygmalion” was made into a wonderful film under Shaw’s personal supervision, with his choice to play Eliza, Wendy Hiller, and Leslie Howard as Higgins. I have always been fascinated by Shaw’s decision to chance the ending of his play for the movie version. In the afterward he wrote for the play, Shaw makes it very clear that Eliza and Higgins have no romantic future; he explicitly says that she marries the hapless but doting Freddie. After all, the story not a romance; it is about class and politics and religion and ideas — like all of Shaw’s work. But when it came time to write the screenplay for “Pygmalion,” he could not help reverting to the myth that inspired its title and at least leaves the door open for the idea that Eliza and Higgins fall in love, and that was carried over into “My Fair Lady.”

It is exactly one century since Shaw’s “Pygmalion” was written, and 55 years since “My Fair Lady” opened on Broadway. Shaw could never have imagined that class barriers would dissolve as much as they have. And yet, the play has enduring relevance and appeal. I think we’re due for another try, don’t you?

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Actors Behind the Scenes Commentary Remake Understanding Media and Pop Culture
Ntozake Shange of ‘For Colored Girls’

Ntozake Shange of ‘For Colored Girls’

Posted on November 1, 2010 at 3:28 pm

Acclaimed poet/playwright Ntozake Shange is best known for her 1975 “choreopoem” play, “for colored girls who have considered suicide/when the rainbow is enuf,” written when she was just 23. This week, it comes to screen directed by Tyler Perry, starring a stunning collection of extraordinary women of beauty, elegance, and power.

Shange was born Paulette Williams in Trenton, New Jersey on October 18, 1948, the daughter of an Air Force surgeon and an educator and psychiatric social worker. In 1971 she changed her name to Ntozake Shange which means “she who comes with her own things” and “she who walks like a lion” in Xhosa, the Zulu language. Ms. Shange has struggled with illness for many years but she and her sister have published a new book, Some Sing, Some Cry: A Novel, a sweeping saga of 200 years of history through the voices of seven generations of women called by Publisher’s Weekly “a complex poetic treatise on race, culture, love, and family, the use of regional vernacular, dialect, and pure song, resulting in a provocative fictional history.”

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