Red Tails Interviews: Terrence Howard, David Oyelowo, and a Real-Life Tuskegee Airman

Red Tails Interviews: Terrence Howard, David Oyelowo, and a Real-Life Tuskegee Airman

Posted on January 18, 2012 at 8:00 am

Dr. Roscoe Brown, who flew planes as one of the heroic WWII Tuskegee Airmen, a black man defending a country still cruelly segregated, fighting in one of the most honored military divisions in American history, saw a film made about their heroic missions and last week attended the White House to meet with the first black President and First Lady of the United States.  It is called “Red Tails” after the distinctive color painted on their planes.  Dr. Brown, who turns 90 this year, earned a PhD, taught at NYU for 27 years, then became president of Bronx Community College, a part of the City University of New York (CUNY).  Dr. Brown and three other Tuskegee Airmen were on the set throughout the filming of “Red Tails” to provide guidance and ensure authenticity.  With three other critics, I spoke to Dr. Brown, director Anthony Hemingway, and actors Cuba Gooding, Jr., Terrence Howard, and David Oyelowo about the film.  We loved meeting the actors, but speaking to Dr. Brown was one of the thrills of a lifetime.

“We were young people, 19, 20, 21, 22-years old,” Dr. Brown told us. “Everybody was in the military at that time.  There were 15 million people in the military, 5 million blacks.  So it was something you did.  You knew you had to do it.  You wanted to defend the country.  And we felt as African-Americans, that if we did well, the larger society would recognize the stupidity of segregation and de-segregate.  Which in fact happened when President Truman signed the executive order in 1948 de-segregating the military, six years ahead of the desegregation of the schools with the Brown decision.  It was something that we had to do but something we wanted to do — particularly in the case of aviation because they said blacks could not do it.  Whenever someone says you can’t do something, you want to do it!  So we said, ‘Let’s be the best we can be.’ And that’s what this film portrays.”  He worked for more than 30 years to try to get a movie made about the experiences of the Tuskegee Airmen, originally with the late director Gordon Parks.  When George Lucas got involved, he brought them out to the Skywalker Ranch, where he had assembled extensive research.  “We sat down in the room and talked to them about how we actually flew, how we used the stick, where we looked, how small the cockpits were — no Tuskegee Airmen were 6’5″ because you had to be small to fit in the cockpit.”  It was important to him to honor those who flew, those who supported them on the ground, and those who did not come home.  He spoke about the difficulty of losing someone one day and having to get up the next day, put that out of his head, and go up again and focus on the target.  And he spoke about what he thought was the real message of the film: “It’s cool to be smart.”

He told us a harrowing story about the time he flew so close to a train he knocked part of the wing off and he was too low to bail out.  He thought he had been hit by anti-aircraft but when they got back the ground crew pulled a piece of the train out of his wing.

The actors told us how much it meant to them to spend time with the real Tuskegee Airmen and bring their story to life.  British actor David Oyelowo plays a brilliant but impulsive pilot with the call sign “Lightning.”  “One of the greatest inspirations for me was getting to hang out with Dr. Roscoe Brown and the other Tuskegee Airmen.  You look in their eyes and you see that glint, that can-do, that audacity that it had to have taken for them to do what they did.  And George Lucas gave us a mandate when he effectively godfathered the movie.  He told us, ‘We want to make a film about heroes, not victims.’  The fighter pilots are the glamor boys of any war.”  He described his character as “someone who can unashamedly say, ‘I’m the best damn pilot in the whole army!’ That was my mandate for playing the character, really.  “So many of the incredible things in the film, blowing up the battleship and the train, these are based on things that actually happened.  When we talked to the real guys, it was like ‘Push it!  We did more!'”  I asked about the challenge of playing a character with so much of the face covered by the oxygen mask.  “That was a frustration. One of the gratifying things was finding out that it was a frustration for you guys,” he said, turning to Dr. Brown.  “They didn’t particularly like these masks, either.  At one point I hint at that, ripping it away from my face.  I remember talking to you and you’d say they’d get sweaty and slip.  They were an encumbrance.  But that’s the job of the actor.  That was one challenge.  Another was that we didn’t have these hundreds of planes all around us.  We had to imagine that in this very controlled environment.  It was a great acting exercise because it did that thing you really want as an actor, to have your imagination very active.”

Terrence Howard spoke about having to respond to the racist comments made by a superior officer (“Breaking Bad’s” Bryan Cranston) within the context of a military chain of command and as a man of the 1940’s whose entire life had been spent under segregation.  “I learned something very early on.  My brother said to me, ‘How do you think God views you?  Does he view you as who you are today or as who you will be once His son’s blood has been poured in your behalf and you’ve had time to gain that?’  I think Colonel Bullard, who was the cinematic example of a man named Colonel Ben Davis, who went to West Point.  No one spoke to him for four years.  He saw them as making mistakes and immature and un-evolved in their understanding of human relationships and abilities.  And so he was always able to look at the better side of people. What was beautiful, is that Cuba and I, after battling against each other in films or trying to get the same role, we actually split Benjamin Davis into two and Cuba was Benjamin on the base and I was Benjamin in Washington.”  He studied the military people of today to learn how they conduct themselves.  “It’s protocol.  It’s respect.  You see the standard and how people hold themselves, the comportment and that is passed on to you.”

They talked to us about what it was like to bring their movie to the White House.  “President Obama was so cool,” said Oyelowo. “And there we were, with some of the Tuskegee Airmen, and the actors, in these rooms so laden with history, good and bad. And then having this untold story of these unsung heroes presented by the first African-American President.  There was just something so right about it, and everyone was acknowledging it.  It felt like a moment, the moment that the blood and DNA of Martin Luther King, of the Tuskegee Airmen, of Obama’s legacy is in that as well.  On these press tours, we all have our photographs taken and we all pose with our best sexy smile.  But yesterday, we were all just like this,” he said with a look of dazed bliss.  He said he felt like a superhero when he saw himself in the uniform, and told us how much he loved looking through the photographs of the Tuskegee Airmen because their spirit and confidence were so evident in their poses and expressions.

They all emphasized that the story is universal.  “It so far surpasses any limitation associated with the hue of any one’s skin color,” said Howard.  “Every member of the family can appreciate the contribution that these men made, and the heroics of youth. They didn’t go to school to become pilots.  They went to school to become lawyers and doctors.  But when the call to duty came, they lent themselves.  They showed excellence.  They became the greatest pilots of all time.  And now every human being on the planet can appreciate it because what one human being does shows us what all of us are capable of.  When we see that excellence, we all share in it.” He spoke of how touched George Lucas was to come out of an early screening and see two white children pretending to be the pilots they had seen in the film.

They spoke about the parallels between the challenges faced by the Tuskegee Airmen in the 1940’s and the challenges still faced by black actors today when the subject came up of George Lucas’ difficulties in getting financing for the film.  The actors were honored by the opportunity to tell the story and grateful that the heroism of the Tuskegee Airmen created an opportunity for them to do what they love to do.

“I was told by my great-great-grandfather that limitation brings about genius,” Howard said. “When you have limited resources, limited opportunity, and a limited period of time to accomplish something, that’s when the human spirit shines.  It has been a difficult struggle but it has made me a much better actor.  The Tuskegee Airmen were not initially wanted.  They were not allowed to fly so for the first year and a half or two years they had a ton of time to practice and become perfect.  By the time they were able to participate they were all seasoned pilots.  That’s what happens to the black community of actors. Because we don’t have as many opportunities to play, we play amongst ourselves and get so much stronger, with so much more spirit. None of the other films I’ve done got a screening at the White House,” Howard said.  “It was a long time coming and I am glad we were able to participate in it.  For me, there’s a scripture in Isaiah, where he says, ‘Ten Gentiles will grab the skirt of a Jew and get into the Promised Land.’ I feel like forever David’s any my legacy will be attached to the legacy of the Tuskegee Airmen.  We will always be the face and the voice for their accomplishments.”  Oyelowo said, “For me, it means a lot to be part of a large black cast where we’re the center of our own story and its being done on such an epic scale.  I hope we can blow out of the water the idea that there can only be one — who’s the next Denzel?  Who’s the next Poitier?  There’s a lot of talent out there who are worthy of being given an opportunity. Like the Red Tails, we’re not looking to just do this movie and be a footnote.  They went on to do extraordinary things.  My hope and prayer is that we get to take advantage of this opportunity we’ve been afforded.”

“It’s a great story.  All the actors were fantastic, replicating what we did,” Dr. Brown said with pride.  I teased him, “And you were all that handsome, right?”  “We were better looking!”  That’s the Tuskegee Airmen spirit!

“As an African-American who has always been on the forefront of trying to break barriers,” Dr. Brown said, “this was another barrier to break.  Hopefully everyone on America will identify with the movie, will identify with the fact that excellence overcomes prejudice, overcomes obstacles.  And if we did it 65 years ago, the young people today of all backgrounds can do it now.”

 

 

 

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‘Red Tails’ — The Real Story of the Tuskegee Airmen

‘Red Tails’ — The Real Story of the Tuskegee Airmen

Posted on January 15, 2012 at 8:00 am

George Lucas wrote the story for this month’s release, “Red Tails,” about the heroic WWII fighter pilots known as the Tuskegee Airmen.  It will be in theaters on January 20.

The American armed forces were not integrated until 1948, so throughout WWII they were still segregated.  The 332nd Fighter Group and the 477th Bombardment Group of the U.S. Army Air Corps, informally known as the Tuskegee Airmen, were the first African-American military aviators.  The historically black Tuskegee Institute initiated a flight training program.  When First Lady Eleanor Roosevelt visited for an inspection and was taken for a ride by one of the instructors, it brought some visibility and support to the program and the work of civil rights pioneers like the NAACP’s Walter White and labor leader A. Philip Randolph led to the passage of legislation specifically allocating funds to train African-American pilots.

The pilots and support crew of the Tuskegee Airmen had an extraordinary record of skill and heroism.

According to Wikipedia:

In all, 996 pilots were trained in Tuskegee from 1941 to 1946, approximately 445 were deployed overseas, and 150 Airmen lost their lives in accidents or combat. The casualty toll included 66 pilots killed in action or accidents, and 32 fallen into captivity as prisoners of war.

The Tuskegee Airmen were credited by higher commands with the following accomplishments:

  • 15,533 combat sorties, 1578 missions
  • One hundred and twelve German aircraft destroyed in the air, another 150 on the ground
  • Nine hundred and fifty railcars, trucks and other motor vehicles destroyed
  • One destroyer sunk by P-47 machine gun fire
  • A good record of protecting U.S. bombers, losing only 25 on hundreds of missions.

Awards and decorations awarded for valor and performance included:

  • Three Distinguished Unit Citations
    • 99th Pursuit Squadron: 30 May–11 June 1943 for the capture of Pantelleria, Italy
    • 99th Fighter Squadron: 12–14 May 1944: for successful air strikes against Monte Cassino, Italy
    • 332d Fighter Group: 24 March 1945: for the longest bomber escort mission of World War II
  • At least one Silver Star
  • An estimated one hundred and fifty Distinguished Flying Crosses
  • Fourteen Bronze Stars
  • Seven hundred and forty-four Air Medals
  • Eight Purple Hearts

An excellent made-for-television film, The Tuskegee Airmen, starred Laurence Fishburne and Cuba Gooding, Jr., who appears in this film.  “Red Tails” also stars Terrence Howard, who played a downed Tuskegee airman taken prisoner in “Hart’s War.”  There is  a PBS documentary, The Tuskegee Airmen, with the pilots and crew of the 332nd and those who are working to tell their story and restore one of their planes.

There are also many books, including The Tuskegee Airmen: An Illustrated History: 1939-1949 and the oral history Freedom Flyers: The Tuskegee Airmen of World War II and the children’s book, Tuskegee Airmen: American Heroes.

More “The Real Story” posts:

We Bought a Zoo

Unstoppable

Soul Surfer

Sanctum

 

 

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The Real Story War
Interview: Matthew Litt of ‘Christmas 1945: The Greatest Celebration in American History’

Interview: Matthew Litt of ‘Christmas 1945: The Greatest Celebration in American History’

Posted on November 5, 2010 at 7:36 am

Matthew Litt is the author of the new book, Christmas 1945: The Greatest Celebration in American History. It is the story of the first Christmas following the end of WWII, with the soldiers coming home and President Harry Truman declaring an unprecedented four-day federal holiday.
The U.S. Military launched “Operation Magic Carpet” to get tens of thousands of GI’s in Europe and Asia home for Christmas, and at home, the U.S. Army and Navy launched “Operation Santa Claus” to process those thousands of GI’s for discharge in time for Christmas. The newly-discharged veterans set out for home, clogging rail depots, bus stations and airports creating, at that time, the greatest traffic jam in the nation’s history. Some of the more fortunate were driven thousands of miles home by grateful citizens doing everything they could to show their gratitude and create a happy homecoming.
Across the nation, people reached out to wounded veterans, children who lost fathers,and neighbors who lost sons. Americans in big cities and small shared their renewal of spirit and prayers for peace. Mr. Litt answered my questions about his project.
How did you get started in researching the first post-WWII Christmas celebration?
I didn’t intend this to be a book at first. Back when I started my research in 2004, I was practicing a different type of law – white collar crime / insurance fraud. I was on the good guys’ side, but I was dealing with a disappointing element of human nature on a daily basis. I had trouble leaving my work at the office, and needed something to help me unwind when I rode the subway home at the end of the day. I set out to find the best in human nature, and came up with the idea to research Christmas of 1945. I started printing out newspaper archives from the week of Christmas 1945 for my ride home, and became hooked.
What were your primary sources?
Mostly newspapers from December, 1945. I did everything I could to diversify the sources, drawing from papers from big cities, small towns, the east and west, north and south, etc. I also used Church bulletins from across the country, period magazines and Army and Navy newsletters.
Were you able to conduct interviews with veterans and their families?
I was able to conduct interviews with many veterans and their families thanks to the cooperation of senior communities throughout New York and New Jersey. These were indispensable in giving me an accurate context for Christmas 1945.
How many military were able to make it home?
“Home” is a loaded word relative to Christmas 1945. The military tried to get as many men as possible to their homes, but were overwhelmed by the sheer number. Storms at sea delayed transport ships, and delayed countless thousands. The services did a good job getting men home in the sense that they were on U.S. soil for Christmas, but countless thousands didn’t make it to the family dinner table in time for Christmas. There’s a great quote in the book from a soldier who had just hung up the phone with his mom. He exclaims to the newspaper correspondent that she’s holding Christmas dinner until he gets home; Christmas this year would be whenever he makes it back, whether that was Dec. 25, 26, 27 or beyond. The traffic jams were the worst in history, and there’s no telling how many men made it back to U.S. soil, but celebrated Christmas somewhere in-between their point of debarkation and home.
What led to Truman’s decision to declare a four-day holiday?
The federal employees had earned it. The War meant that new and plentiful jobs were available in Washington, which drew people from all across the country. Every job was viewed as critical during the War, so these people could not be spared during the wartime Christmases for the amount of time it would have taken them to go from Washington to their hometown and back again meaning that it had been as many as 4 years since many of these men and women had been home for a proper Christmas. With the War over, they could finally be spared for a four-day holiday.
How well did public transportation and communications work during this era?
Public transportation worked well, all things considered. They were packed far past capacity which caused fantastic delays. But they figured it out as they went along and plowed through. There were no major incidents.
What did communities do to welcome the soldiers home?
There are stories of communities welcoming their boys home with huge celebrations. But more often than not at Christmas 1945, the winter weather, over-crowding at military separation centers and traffic jams meant that no one knew precisely when their soldier was getting home. I came across many great stories of soldiers who snuck into their homes late at night – their parents found out they were home when they found their coat or shoes on the mat when they woke up the next morning.
Do you have a favorite incident in the book?
My favorite is a story about a young veteran in Philadelphia. He bought an engagement ring and planned to propose to his girlfriend on Christmas Eve, but had an idea for a unique proposal. So he bought a box of chocolate from the local candy store and asked the clerk to wrap the ring box within the box of chocolate. The clerk brought the ring and the chocolate and the box to the basement to be wrapped. She dropped the box, but didn’t realize that the ring had fallen out. No more than 10 minutes later, the clerk’s mom was in the basement and found an engagement ring lying on the floor! The clerk was mortified, but she had no way to find the soldier who had just left the store. She contacted the newspaper, and the paper ran a story with the hope that the soldier would read it and return to the store. The solider didn’t see the multiple articles, but it seemed as if the rest of the city of Philadelphia (and much of the country) had. At a few minutes past midnight on Christmas morning, the soldier proposed. His girlfriend opened the box of chocolates and saw the ring box. With bated breathe she opened it, and it was empty. The commotion that followed woke up the young woman’s little sister who had been reading the stories in the newspaper and explained what happened. The soldier didn’t know what to do, so he called the candy store and, at a few minutes past midnight, the clerk was there and answered the phone! She had resolved to spend Christmas Eve and morning in the store until he called so that she could answer the phone.
What did people in the US have to give up during the wartime Christmases?
Meat, coffee, sugar, gasoline (and other related commodities that limited private auto travel), shoes, rubber goods, canned goods.
What are the most important lessons we can learn from this moment in history?
I love this question. The most important lessons are that there is nothing this country cannot accomplish, and no challenge or divisions so great that we can’t come together to meet it. The domestic challenges facing this country at Christmas 1945 were unprecedented in scope, and nearly as great as the international challenges during the War. After four years of wartime selflessness, America had to deal with labor strife, issues of re-employment and unemployment, extreme housing shortages, clothing shortages and civil rights issues. At Christmas 1945, America was able to put these things aside, if just for four days, and come together as one for a curtain-call of sorts of wartime unity. I don’t want to minimize the domestic issues we face in this country in 2010, they are not insignificant, but they are nothing compared to what the nation faced at the end of 1945. If they could come together, then so can we.

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Movies to Salute Our Armed Forces

Movies to Salute Our Armed Forces

Posted on May 26, 2010 at 3:58 pm

Reposting from 2008:
In honor of Memorial Day, take a break from picnics and sales and share one of these great films about American soldiers, sailors, and Marines. And be sure to take time thank the military and veterans in your life for all they have done to keep us safe and free.
1. Sergeant York Gary Cooper won an Oscar for his portrayal of WWI hero Alvin York, the pacifist from the hills of Tennessee who carried out one of the most extraordinary missions in military history using lessons from his life on a farm. He captured 132 men by himself, still a record for a single soldier. In addition to the exciting story of his heroism in war, this is also the thoughtful story of his spiritual journey. He is a pacifist, opposed to fighting of any kind. By thinking of what he is doing as saving lives, he is able to find the inspiration and resolve for this historic achievement.
saving%20private%20ryan.jpg
2. Saving Private Ryan Director Steven Spielberg salutes his father and the greatest generation with this story set in the D-Day invasion of Normandy. It frankly portrays the brutality and carnage of war and its wrenching losses, but it also portrays the honor, sacrifice, heroism, and meaning.
3. Mister Roberts There are battles — and heroes — of all kinds. Henry Fonda plays a Naval lieutenant assigned to a cargo ship during WWII who feels very far from the action. He learns that his defense of the crew against a petty and tyrannical captain (James Cagney), on behalf of “all the guys everywhere who sail from Tedium to Apathy…and back again, with an occasional side trip to Monotony,” is an important and meaningful contribution.
4. M*A*S*H Set during the Korean War but released in and very much a commentary on the Vietnam War, this is the story of surgeons stationed at a Mobile Army Surgical Hospital. The emphasis is on war’s essential absurdity — these are doctors whose job is to heal soldiers to they can be sent back into battle — and on the ways that different people respond to those situations, responses that often escalate the absurdity. See also “Captain Newman, M.D.,” with Gregory Peck as a sympathetic Army psychiatrist during WWII as well as the long-running television series this film inspired.
5. Glory The Civil War 54th Massachusetts Volunteer Regiment, one of the first formal units of the U.S. Army to be made up entirely of African American men, inspired his film. Led by abolitionist Robert Shaw (Matthew Broderick), and based on his letters, this is a story of heart-breaking courage, as the men had to battle not only with the Confederacy but with the bigotry of most of the white officers on their own side.
6. The Longest Day An all-star cast shines in this sincere re-telling of the events of the invasion of Normandy D-Day, one of the transformational moments of WWII. Many of the military consultants and advisors who helped with the film’s production were actual participants (from both sides) in the action on D-Day, and are portrayed in the film.
7. Band of Brothers This 10-part miniseries produced by Tom Hanks and Steven Spielberg is based on the best-seller by Stephen Ambrose about the WWII experiences of E Company (“Easy Company”), the members of the 506th Parachute Infantry Regiment, United States Army 101st Airborne Division and one of its officers, Richard Winters (played by Damian Lewis), from basic training through the American airborne landings in Normandy, Operation Market Garden, the Battle of Bastogne and the end of the war.
8. Patton George C. Scott won an Oscar for his portrayal of WWII General George S. Patton. The film also won six additional Oscars, including Best Picture. Its screenplay, co-written by Francis Ford Coppola, frankly portrays Patton’s mistakes and faults as well as his leadership in turning the tide of the war.
cain.jpg9. The Caine Mutiny/A Few Good Menyou-cant-handle-the-truth.jpg These two movies, one set in WWII and one contemporary, both center on court martial trials with similar themes — what price do we pay for the luxury of feeling safe?
10. Gardens of Stone This underrated gem from Francis Ford Coppola about the “Old Guard,” the regiment responsible for the funerals at Arlington National Cemetery has beautiful performances from James Caan, James Earl Jones, and D.B. Sweeney and subtly but powerfully explores some of the deepest and most troubling questions about the price we pay — and the price we call on others to pay — for our freedoms.

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For Your Netflix Queue Holidays Lists Movie Mom’s Top Picks for Families Rediscovered Classic War

Inglourious Basterds

Posted on December 15, 2009 at 8:10 am

There is no question that writer-director Quentin Tarantino is a brilliant film-maker. But there is some question about whether he has yet made a brilliant film. No one takes a more visceral pleasure in movies than he does but there is always a chilly irony and a look-at-me distance. Movies are more Tarantino’s mirror than his window.

This film takes its title from a little-seen Italian movie made in 1978, but starting with the intentional misspelling, it has little in common with the original except for a WWII setting and a Tarantino’s characteristic pulpish sensibility. It shares even less in common with history. About the only thing it gets accurately is that the Nazis spoke German and the Americans spoke English.

Tarantino calls the movie a revenge fantasy. Brad Pitt plays Lieutenant Aldo Raine, who assembles a squadron of Jewish soldiers with one goal, to kill as many Nazis as possible, in as horrifying a manner as possible. “We will be cruel to the Germans and through our cruelty they will know who we are,” he tells them. One of his men is a former German soldier they rescued from prison after he killed his superior officers. Another is nicknamed “The Jew Bear” (played by horror director Eli Roth), and he kills Nazis with a baseball bat.

Meanwhile, a Jewish woman named Shosanna Dreyfus (Mélanie Laurent) owns a movie theater in Paris. She escaped from the Nazis and has a new identity. A handsome German war hero who is interested in getting to know her better arranges for the premiere of the new movie about his triumph in battle to take place at her theater, putting her in danger, but giving her the opportunity to put the Nazi dignitaries who will be attending in danger as well. Tarantino’s almost fetishistic fascination with movies, from the fine points of the auteur theory down to the combustibility of the film stock, gives this section of the film an extra charge.

Tarantino’s opening scene is brilliantly staged, as a German officer (Austrian actor Christoph Waltz) visits a French dairy farmer in search of Jews who may have escaped his predecessor. Waltz, winner of the Cannes prize for acting, instantly joins Hannibal Lecter, Darth Vader, and the Wicked Witch of the West as one of the all-time great movie villains with a mesmerizing performance that shows off his fluency in English, German, French, Italian…and evil. Like Lecter, his venom is even more disturbing because of his urbanity and courtliness. Other scenes are also masterfully shot, especially an extended scene in a bar, when a critical meeting of Allied forces working undercover find themselves among a drunken party of German soldiers celebrating a new baby. Others, like the viscious killing of a group of what Raine calls Nah-sies, suffer from Tarantino’s tendency to go for showmanship over substance.

And that is the problem at the core of the film. If the misspelling of the words in the title was a signal of some kind, like the backwards letter intended as a warning and a small sign of protest in the sign over the gate at Auschwitz, then we could look for meaning in the reworking of historical events and the actions taken by real people. But Tarantino does not care about that. He is still about sensation, not sense. He appropriates the signifiers of WWII because they are easy, and because they are both scary and safe. His Nah-sies are like dinosaurs, unquestionably dangerous and unquestionably vanquished. Tarantino is a film savant. He knows and understands and loves the language of film. He just doesn’t have much to say.

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