Clip: Richard Gere in “The Second Best Exotic Marigold Hotel”

Posted on February 22, 2015 at 3:38 pm

Now that The Best Exotic Marigold Hotel is full up with its long-term residents, co-managers Muriel Donnelly (Maggie Smith) and Sonny Kapoor (Dev Patel) have a dream of expansion, and they’ve found just the place: The Second Best Exotic Marigold Hotel. With plans underway, Evelyn and Douglas (Judi Dench and Bill Nighy) venture into the Jaipur workforce, wondering where their regular breakfast dates will lead. Meanwhile, Norman and Carol (Ronald Pickup and Diana Hardcastle) navigate the swirling waters of an exclusive relationship, as Madge (Celia Imrie) juggles two very eligible suitors, and recent arrival Guy Chambers (Richard Gere) finds a muse in Sonny’s mother, Mrs. Kapoor (Lillete Dubey) for his next novel. As his marriage to Sunaina (Tina Desai), the love of his life, quickly approaches, Sonny finds his plans for the new hotel making more claims on his time than he has available. Perhaps the only one who may know the answers is Muriel, the keeper of everyone’s secrets. As the big day nears, family and guests alike find themselves swept up in the irresistible intoxication of an Indian wedding.

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Trailers, Previews, and Clips

Awards: Independent Spirit and Razzies 2015

Posted on February 22, 2015 at 12:17 pm

Tonight’s the big night. The Oscars. And that means that yesterday two of the other most significant movie awards were announced. The Independent Spirit awards are given to the people who make movies outside the studio system. These are passion projects. As Julianne Moore, tonight’s likely Best Actress winner for “Still Alice,” said when she accepted her Independent Spirit award for that same role, the budget for the film was so small that she brought her own food and underwear to the set and they didn’t have equipment to film indoors at night time. Keep in mind that her other film in 2014 was the no-chance-of-any-award-ever “Non-Stop.” Independent films are where stories are told because people want to tell them, not because they will make the most money. And the awards show is a hoot. Where else would you see an award winner take time out of thanking everyone to insult the airline that lost his luggage and also happened to be one of the event’s sponsors?

Here are the winners of this year’s Independent Spirit awards.

Copyright 2014 Fox Searchlight
Copyright 2014 Fox Searchlight

BEST FEATURE
Birdman
Producers: Alejandro G. Iñárritu, John Lesher, Arnon Milchan, James W. Skotchdopole

BEST MALE LEAD
Michael Keaton, Birdman

BEST FEMALE LEAD
Julianne Moore, Still Alice

BEST DIRECTOR
Richard Linklater, Boyhood

BEST SUPPORTING FEMALE
Patricia Arquette, Boyhood

BEST SUPPORTING MALE
J.K. Simmons, Whiplash

BEST SCREENPLAY
Dan Gilroy, Nightcrawler

BEST DOCUMENTARY
Citizenfour
Director/Producer: Laura Poitras
Producers: Mathilde Bonnefoy, Dirk Wilutzky

BEST INTERNATIONAL FILM
Ida (Poland), Director: Pawel Pawlikowski

BEST FIRST FEATURE
Nightcrawler
Director: Dan Gilroy; Producers: Jennifer Fox, Tony Gilroy, Jake Gyllenhaal, David Lancaster, Michel Litvak

copyright 2014 Lionsgate
copyright 2014 Lionsgate

BEST FIRST SCREENPLAY
Justin Simien, Dear White People

BEST EDITING
Tom Cross, Whiplash

BEST CINEMATOGRAPHY
Emmanuel Lubezki, Birdman

JOHN CASSAVETES AWARD
Land Ho!
Writers/Directors: Aaron Katz & Martha Stephens; Producers: Christina Jennings, Mynette Louie, Sara Murphy

LENSCRAFTERS TRUER THAN FICTION AWARD
The Kill Team, Director: Dan Krauss

PIAGET PRODUCERS AWARD
Chris Chison

KIEHL’S SOMEONE TO WATCH AWARD
H., Directors: Rania Attieh & Daniel Garcia

And then there are the Razzies, given to each year’s worst movies. Bravo to the Razzies for adding a new “Razzie Redeemer” category to recognize a previous winner who has gone on to do great work.

WORST PICTURE: “Kirk Cameron’s Saving Christmas”
WORST ACTOR: Kirk Cameron, “Kirk Cameron’s Saving Christmas”
WORST ACTRESS: Cameron Diaz, “The Other Woman”/”Sex Tape”
WORST SUPPORTING ACTOR: Kelsey Grammer, “Expendables 3″/”Legends of Oz”/”Think Like a Man Too”/“Transformers: Age of Extinction”
WORST SUPPORTING ACTRESS: Megan Fox, “Teenage Mutant Ninja Turtles”
WORST DIRECTOR: Michael Bay, “Transformers: Age of Extinctions”
WORST SCREENPLAY: “Kirk Cameron’s Saving Christmas”
WORST SCREEN COMBO: Kirk Cameron & his ego, “Kirk Cameron’s Saving Christmas”
WORST REMAKE, RIP-OFF, OR SEQUEL: “Annie”
THE RAZZIE REDEEMER AWARD: Ben Affleck — from “Gigli” to “Argo” and “Gone Girl”

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Awards

New from PBS: The Italian-Americans

Posted on February 22, 2015 at 8:00 am

Copyright PBS 2015
Copyright PBS 2015

The PBS series Italian Americans is available this week on DVD. The documentary reveals the unique and distinctive qualities of one immigrant group’s experience, and how these qualities, over time, have shaped and challenged America. Unlike other immigrant groups, many Italians did not come to America to stay. At the turn of the 20th century, most came to work, earn money to support their families, and eventually return home. Nearly half of the first generation Italian immigrants returned to Italy. For those that made America home, their struggle to maintain a distinct Italian culture was guided by ideals of family that had always been at the center of their lives. In the Italian family, the needs of the collective came before the individual – a value system often at odds with American ideals of freedom and personal choice. While the power of the Italian family became a source of strength, it also bred suspicion, popularized in popular media as a dark, criminal element. The Italian gangster group known as the “Black Hand” was able to prey on the insularity of the Italian immigrant community’s distrust of authority and outsiders.  This clash of culture echoed through generations of Italian Americans and, as they entered positions of political, social and cultural influence, left its mark on the American landscape.

The companion book is called The Italian Americans: A History.

Through extensive archival materials and interviews with scholars and notable Italian Americans such as Tony Bennett, Dion DiMucci, David Chase, Gay Talese and John Turturro, who speak from personal experience, “The Italian Americans” tells the story of those who played vital roles in shaping the relationship between Italians and mainstream American society. These include the stories of:

· Amadeo Giannini, who founded the Bank of Italy in 1904 in San Francisco to help Italians who could not secure loans or financial assistance elsewhere. He would later build it into the largest financial institution in the country and rename it Bank of America.

· Arturo Giovannitti, the union activist and poet who led the Lawrence Textile Strike in Lawrence, Massachusetts in 1912.

· Rudolph Valentino, who introduced a new image of the sex symbol to movie audiences of the 1920s, yet still endured the prejudices directed at Italians of southern extraction.

· Joe DiMaggio, who became one of the most celebrated baseball players of his generation, but whose parents were labeled “Enemy Aliens” during World War II.

· U.S. Representative Nancy Pelosi, New York Governor Mario Cuomo and Associate Justice Antonin Scalia, who each broke new ground for Italian Americans in public service.

The series also presents the expertise and insights of historians, scholars, journalists and authors including Donna Gabaccia, Thomas Guglielmo, Gerald Meyer, Robert Orsi, Mary Anne Trasciatti, Lawrence DiStasi, Bruce Watson, Stephen Fox and Selwyn Raab.

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Documentary Television

The Most Over-Used Lines in Movies

Posted on February 21, 2015 at 3:54 pm

The wonderful screenwriters’ blog Go Into the Story has assembled a terrific list of the most over-used lines of dialog we have heard far too often in movies.  The lines usually mentioned as the most frequent: “Let’s get out of here,” “Please, try to understand,” and “Try to get some rest.”  But those are said all the time in real life, so it makes sense that they would occur a lot in movies.  The wonderful old Rotten Tomatoes show used to have hilarious compilations of lines like “This wasn’t part of the plan” and “I have a bad feeling about this.”

These are ones that writers should be careful to skip, unless they are making the point that the character is unimaginative or trying to present him/herself as a type.

Here are some of the best/worst from the list.

I was born ready.

Is that all you got?

I’m just getting started.

Are you thinking what I’m thinking?

Don’t you die on me!

He’s standing right behind me, isn’t he?

Let’s do this thing!

What part of _____ don’t you understand?

We’ve got company.

Wait! I can explain! This isn’t what it looks like.

f we make it out of this alive . . .

You’re either very brave . . . or very stupid.

Not on my watch!

Listen to me, and listen good, ’cause I’m only gonna say it once.

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