Memorial Day 2019
Posted on May 27, 2019 at 5:00 am
Amid all the picnics, parades, and sales events, we take time to remember those who made the ultimate sacrifice to preserve the freedoms we too often take for granted.
Posted on May 26, 2019 at 8:39 am
The National Memorial Day Concert is an inspiring night of remembrance is dedicated to our men and women in uniform, their families at home and all those who have given their lives for our country. Co-hosted by Joe Mantegna and Mary McCormack and featuring an all-star line-up of dignitaries, actors and musical artists including: General Colin L. Powell, Sam Elliott, Patti LaBelle, Gavin DeGraw, Dennis Haysbert, Christopher Jackson, Alison Krauss, Amber Riley, Justin Moore, Jaina Lee Ortiz, Patrick Lundy & The Ministers of Music and the National Symphony Orchestra under the direction of Jack Everly.
Posted on May 25, 2019 at 11:09 pm
For Memorial Day, take a look at these documentaries about our military:
War of 1812
The History Channel Presents The War of 1812 The young country proved its commitment to independence with this war against Britain that gave us a President (Andrew Jackson), and our national anthem.
The Civil War Ken Burns’ series for PBS is meticulously researched and compellingly presented.
The Last Voices of WWI – A Generation Lost The veterans of “the war to end all wars” tell their stories.
They Shall Not Grow Old Director Peter Jackson has added color to footage of WWI soldiers that makes them seem no longer a part of the distant past but vibrant and present.
The World at War This classic is considered the definitive history and a landmark of television reporting. It was created long enough after the war ended to have perspective but close enough in time to have access to the participants, with eyewitness accounts by civilians, enlisted men, officers, and politicians as well as historians. The 30th anniversary DVD set issued in 2004 has three hours of new material and additional documentaries.
GI Jews Fifty thousand Jewish American fought in WWII, often struggling with anti-Semitism in the military. They look back on their experiences and how it affected their lives.
In Their Own Words: The Tuskegee Airmen The first African-American pilots of the US military faced bigotry at home and in the military, but fought with extraordinary skill and dedication.
Korea, The Forgotten War It was the Cold War era, but a real war was being fought in Korea that embodied the geopolitical conflicts. This documentary covers that story, from Inchon to Pork Chop Hill.
Vietnam War: America’s Conflict Many documentaries cover the politics and the protests, and that is covered here, too, but this series focuses on the stories of the battles and the men who fought them.
Hidden Wars of Desert Storm Interviews with General Norman Schwarzkopf, former US Attorney General Ramsey Clark, former UN Iraq Program Director Denis Halliday, former UNSCOM team-leader Scott Ritter and many others help tell the story of the American response to the invasion of Kuwait.
Restrepo This is the award-winning story of one of the most dangerous postings in the U.S. military, covering the deployment of a platoon of U.S. soldiers in Afghanistan’s Korengal Valley. The remote 15-man outpost was named after a platoon medic who was killed in action.
The War Tapes Three National Guardsmen (“citizen soldiers”) document their time in Iraq.
Posted on May 23, 2019 at 5:17 pmB-
|Lowest Recommended Age:||Kindergarten - 3rd Grade|
|MPAA Rating:||Rated PG for some action/peril|
|Alcohol/ Drugs:||Brief alcohol|
|Violence/ Scariness:||Extended fantasy/action peril and violence, attempted murder, near-drowning, discussion of sad deaths of parents|
|Diversity Issues:||Issue of female autonomy and power|
|Date Released to Theaters:||May 24, 2019|
|Date Released to DVD:||September 16, 2019|
It is a bit of a puzzle that a director known for dynamic action doing a live action remake of a musical animated film that was exceptionally lively has somehow produced a movie that seems bogged down, even static. The new “Aladdin” from co-writer/director Guy Ritchie (“Lock, Stock, and Two Smoking Barrels,” “Sherlock Holmes”) is colorful and tuneful, but for much of its just over two hours running time it lumbers along, despite its best efforts to entertain.
The original Disney animated version of “Aladdin” is one of the studio’s all-time best thanks to a wonderfully melodic score, with songs by Alan Mencken and Howard Ashman and possibly the all-time greatest animated movie voice performance in history, Robin Williams as the Genie. The mercurial Williams found his ultimate mode of presentation with the help of Disney’s top animators as the magical, infinitely malleable, cartoon character, instantly creating characters ranging from Ed Sullivan, William F. Buckley, and Jack Nicholson to Peter Lorre and a bunch of zombies, always retaining the essential heart and humor that made a fantasy come alive. (The closest Williams ever came to replicating avalanche of portrayals might be his innumerable improvisations with a shawl on “Inside the Actor’s Studio.”) No live action version, even with the help of the latest CGI technology and the powerhouse charisma of Will Smith, can match the kaleidoscopic imagination of the 1992 Genie.
This version does make some substantial improvements in the story of the “street rat” who loves a princess and then, with the help of the genie in a magical lamp, pretends to be a prince so he can court her. Disney says it has the most diverse cast in the studio’s history, and it is great to see all of the lead roles performed by people whose ethnicity matches their characters, with Egyptian-born Mena Massoud as Aladdin and Naomi Scott, of British and Indian heritage, as Jasmine. The locations are authentic as well. Filmed in Jordan, and with the always-outstanding work of the Disney production designers, the settings are splendid, and the classic songs still sound fresh and hummable, especially “Prince Ali” and “A Whole New World.” The film should really be called “Aladdin and Jasmine” because it gives the princess a full, meaningful role in the story, respecting her agency, ability, and dedication to her people. It gives her father, the Sultan (Navid Negahban) more agency, as well, unlike the animated character, who spends much of the story in an enchanted fog. And it’s nice to see Genie get a bit more of a story, too, thanks to the handmaiden to the princess, played by “SNL’s” Nasim Pedrad.
But the story-telling itself is foggy in this version. Jafar (Marwan Kenzari), the story’s villain, does not have the menace of the original. He seems young and angry, more petulant than ominous. There is a hint of an intriguing backstory for him that gets lost in the busy, “look at me”-ness of the film. A storyline about whether the Sultan should approve invasion of another country does not work well and a dance number with the Genie controlling Aladdin has too many cuts to deliver on the humor of the situation. The “Step Up” movies do these moments much better, and Jasmine’s new song from “La La Land’s” Benj Pasek and Justin Paul is outshone by the originals. A wink at the map of Disneyland as Jasmine does the ancient equivalent of Googling “Prince Ali” is out of place.
If there had been no animated version, this one would have served as an entertaining family movie. But as has happened too often with Disney’s live action remakes of its best animated films, it is just an unnecessary reminder of how much we loved the original.
Parents should know that this film includes fantasy peril and violence including near-drowning, attempted murder and references to killing and to sad death of parents, action, brief alcohol, and a kiss.
Family discussion: What would your three wishes be? Remember to be careful with your words! Why was Aladdin so awkward when he becomes Ali? Why was Jafar so angry? What does it mean to be a diamond in the rough, and what made Aladdin one?
If you like this, try: the original Disney animated version and the stories of the 1001 Nights
Posted on May 23, 2019 at 4:15 pm
Writer Richard Curtis (“Pirate Radio,” “Love Actually,” “Notting Hill”) and singer/composer Ed Sheeran talk about “Yesterday,” the story of a musician who somehow is the only person on the planet who knows the music of the Beatles.