In 1967, Vanessa Redgrave and Franco Nero co-starred in the movie musical “Camelot,” the Lerner and Lowe version of the story of King Arthur, Guenevere, and Lancelot. Off-camera, Redgrave and Nero fell in love and they had a child, director Carlo Nero. They parted and then got back together more than 30 years later. This week, they co-star again — as long-parted lovers — in “Letters to Juliet.” So, let’s take a look at the two of them on-screen in “Camelot,” singing about how much they love each other.
Here’s to tonight’s host of Saturday Night Live! Ms. White has been on television since the very beginning, in 1939, when television was just an experiment and no homes had sets. She co-produced and starred in one of the first sit-coms when television began broadcasting, “Life With Elizabeth.” She appeared in an early talk show and in commercials and other series and game shows. And she found romance on television in her real life, marrying Password host Allen Ludden.
My favorite of her roles was Sue Ann Nivens, the “Happy Homemaker” on the fictional Minneapolis television station where Mary Richards produced the news on “The Mary Tyler Moore Show.” Her ribald and often acid humor contrasted delightfully with her dimpled smile and musical voice. She put them to good use as a murderer on “Boston Legal.” Many people remember fondly her addled but always sweet and optimistic Rose on “The Golden Girls.” And she all but stole “The Proposal” from Sandra Bullock. Her faux “behind the scenes” video, where she pretended to be a demanding diva, was far better than the movie it was promoting.
A group dedicated to making her the host of “Saturday Night Live” got half a million supporters. It wasn’t the producer of the show they had to persuade. It was White herself, who had turned down previous invitations to host. She graciously accepted this time, and it is a great way to end the season. If only she could join the cast as a regular!
British actor Aaron Johnson appears in two films that open this week. He plays the title role in Kick-Ass (featuring previous MVP Mark Strong) and he is very good both as the wimpy would-be superhero and the resilient, lithe almost-action star. And we see him in a small but crucial role in The Greatest as the beloved teenage son of Pierce Brosnan and Susan Sarandon and the all-too-brief boyfriend of Carey Mulligan. Witnessed mostly in flashback, he still makes a strong impression, making us feel his loss and connect to those who miss him.
In his next film, Johnson plays John Lennon in “Nowhere Boy.” Here’s a sneak peek:
Dixie Carter, the lovely and elegant star of Designing Women, died yesterday at age 70. I am a huge fan of the show and its portrayal of successful, independent, outspoken women who shared a deep and loyal friendship as well as a thriving business. The show addressed many controversial topics during its run including one of the first sympathetic depictions of a gay man with AIDS as well as many variations of the ups and downs of male-female relationships, aging, loss, family, and racism. It was a rare program set in the urban South. Its theme song was “Georgia on My Mind.”
Carter played the oldest of the group, Julia Sugerbaker, sister of the self-involved beauty queen played by Delta Burke as Suzanne. Carter was known for her outspoken rants on liberal subjects, though Carter herself was quiet and conservative. Her real-life husband, the distinguished actor Hal Holbrook, played her boyfriend in many episodes. Here is one of my favorite moments on the show, where Julia, despite her misgivings about the superficial and undignified aspects of beauty competitions, comes to her sister’s defense.
Some of my other favorites included the women’s impulsive trip to Graceland and the time they came up with an exceptionally clever way to stop the local construction workers from taunting and insulting them as they walked by. And I quote this line quite often:
Carter was also a cabaret performer and appeared on stage. I was privileged to meet her once at a Broadcast Film Critics Association event and it was an honor to be able to tell her how much her performance on “Designing Women” meant to me. She was every bit as gracious and kind as I could have hoped.
A new book by Susannah Gora takes a look at the group of young actors who appeared in the John Hughes films that seemed to define a generation — and certainly changed the way teenagers were portrayed on screen. You Couldn’t Ignore Me If You Tried: The Brat Pack, John Hughes, and Their Impact on a Generation is the story of Molly Ringwald, Andrew McCarthy, Demi Moore, Judd Nelson, Ally Sheedy, John Cryer, Rob Lowe, Emilio Estavez, and Anthony Michael Hall and the movies they made with Hughes and others. It was New York Magazine that termed them “The Brat Pack,” a nod to Frank Sinatra’s famous “Rat Pack” of performers who played Vegas and made movies together in between drinks and parties. Hughes’ movies include The Breakfast Club, Pretty in Pink (I still want Andie to get together with Duckie!), Sixteen Candles, and Ferris Bueller’s Day Off.
Gora quotes Roger Ebert’s description of writer-director Hughes as “the philosopher of adolescence” and talks about the impact the movies and their music had on the culture and on the teenagers who appeared in them. The highlight of this year’s Oscar ceremony was the tribute to Hughes from his favorite performers, concluding with Matthew Broderick’s just-right thank you: “Danke Schoen.”